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Relevant bibliographies by topics / Craftivism / Dissertations / Theses

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Dissertations / Theses on the topic 'Craftivism'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Eddy, Deborah J. "Meaningful Mischiefs: Feminist Craftivism and Performance." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/413981.

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This arts-based practice lead research project investigates the invisibility of older women in the media, in research, in galleries and in feminist enquiry. As an older woman and a feminist activist artist I am in an ideal position to make work that highlights the unnerving realisation that with invisibility (a phenomenon that occurs around the time of menopause) comes a silencing of older women’s voices. This results in the representation of older women in advertising and the movies as a homogenous collection rather than a diverse and interesting cohort. My research illuminated older women ar

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2

Brinn, Virginia H. "An Autoethnographic Journey Through Craftivism: Making with/for Meaning." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/6047.

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Through this dissertation, I set out to investigate how craftivism as a way of making with/for meaning might foster transformative experiences within the discipline of art education. My motivating questions for this research project as I began my qualitative process follow. In what ways does my art-making inform my teaching practice? How do both my art and teaching practice inform my research practice? In what ways does my feminist identity impact these practices, ways of thinking and knowing, and the process of becoming who I am? And why is this research relevant to the field of art education

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3

Husberg, Erika. "Slöjda med mening : En studie om hantverkets ideologiska drivkrafter." Thesis, Linköpings universitet, Estetiska avdelningen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-112505.

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Syftet är att genom en textanalys undersöka hur konsthantverk används och tolkas som ideologiska och politiska budskap. Fokus ligger på fyra olika tematiker nämligen DIY – Do ityourself, craftivism, välgörenhet och miljöfrågor. Frågeställningar som ska besvaras är hurkonsthantverk och slöjd framställs som ideologi i dag och hur man kan förstå den ideologiskarörelsen inom konsthantverk som en del av en historisk process.Tidigare forskning ger en bild av hur ämnet behandlats av olika forskare och en historiskttillbakablick på konsthantverkets roll i samhället.Analysen behandlar texter om nutida

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4

Evertson, Karin. ""Skit i frid" : Förmedla budskap genom broderi." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-23958.

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5

Lindvall, Ann-Marie, and Elsa Wahlgren. "Stickning : från dåtid till nutid i skola och samhälle." Thesis, Umeå University, Department of Creative Studies (Teacher Education), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-35673.

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<p>Avsikten med vår studie har varit att belysa historiken från stickningens uppkomst och fram till idag i både ett skol- och ett samhällsperspektiv. Syftet har även varit att göra en studie i hur stickning växt fram i Sverige och hur det tas tillvara i grundskola och samhälle. De metoder som använts för att få fram resultatet är litteraturstudier, Internet och en enkätundersökning. Vi har också besökt stickcaféer samt dokumenterat stickgraffiti. Enkäten skickades ut till textillärare som undervisade från skolår 3 till och med skolår 9 i Örebro, Stockholms och Västerbottens län. Av femtio utsk

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6

Crljen, Tonka. "Hacking the loop : How to encourage consumers to upcycle their clothes in order to reduce consumer fashion waste and lessen the environmental impact of fast fashion?" Thesis, Linnéuniversitetet, Institutionen för design (DE), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86099.

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The core of the project lies in upcycling. From the start of the research, I wanted to find new creative ways of upcycling garments and textiles.However, upcycling is a part of a greater whole which deals with addressing the problem of fashion waste. It gives new value to the clothes and prolongs the life span of the clothes. It is a craftivism act since it plugs into an existing system and shapes it towards a more sustainable direction. Thus this project wanted to take a larger approach and include consumers into the process. The purpose of the project was to explore one of the ways to encour

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7

Clegg, Bridget Dearie. "Craftivista: Craft blogging as a platform for activism." Miami University Honors Theses / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1271901842.

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8

Craig, Gabriel. "Altruism, Activism, and the Moral Imperative in Craft." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1713.

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I consider myself a metalsmith although my interest in materials and ideas extend beyond the boundaries of traditional practice. I approach my work thematically, meaning that I treat my discipline as a framework for a broad investigation rather than as a skill set or process. The outcomes of this approach are therefore varied and include jewelry, installation, performance, video, interactive community based projects, print and web based writing, and historical research. It is through humor or direct viewer interaction that I promote accessibility in my work. My ideas are layered and communica

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9

Feurst, Josefina. "Makeup, Glassnippor & Konstnaglar : om feminin maximalism som feministisk konstnärlig strategi." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-45645.

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Frågeställningarna som behandlas i denna kandidatuppsats är: Hur kan samtida konstnärer utmana rådande könsroller genom att inkorporera dess könsspecifika uttryckssätt (här: femininitet och dess bibetydelser) i sin konst? Samt: Vari ligger den politiska potentialen i en sådan strategi? Uppsatsen är skriven ur ett feministiskt perspektiv och berör de delvis överlappande fälten konsthantverk, design och konst, med en gemensam genusproblematik. Studien undersöker hur en maximalistisk feminin estetik kan verka som feministisk taktik, vilket karakteriseras genom semiotiska analyser av tre skulptura

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10

Lidbrink, Karin. "Jag har varit med och inredit det här! : barn inreder rum på sitt lokala bibliotek : ett designpedagogiskt projekt om DIY, craftivism och ett sociokulturellt perspektiv på lärande." Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3284.

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Idag finns de varor vi behöver tillgängliga att köpa och de tillverkas ofta långt bort i andra delar av världen. Tyg-, sybehörs- och garnaffärer läggs ned i Stockholm, samtidigt som intresset för att göra själv tycks öka. Denna bakgrund synliggörs genom aktuella rörelser i gränslandet mellan design, konst och hantverk som har gett idéer till mitt designpedagogiska projekt och redskap för att analysera det. Dessa rörelser har ofta politiska eller konsumtionskritiska motiv och en vilja att uppmärksamma, tillgängliggöra, förändra eller förbättra någonting, nära eller i en annan del av världen, me

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11

Pfaff, Cecilia. "(S)examensarbete." Thesis, Konstfack, Textil, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5582.

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Preface: Thank you to all the women in my life who have supported me through this process; to my mother, to my other mother (Susan), to Kara, to Jordan and, of course, to Dolly. Summary: (S)examensarbete is a journey through which I have questioned if knitting can be sexy. It begins as a need to occupy my hands and goes on to encompass social media, a feminist view of the body, Dolly Parton, pin-ups, craftivism, interactivity and humor as a mechanism to hide the urge/need to be sexy. Through the journey, I allow myself to rely on the process to carry the project along and that is why so many a

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12

Olsson, Viktoria. "Upp till kamp med nål och tråd : Om kvinnligt kodade textiltraditioner genom hantverksaktivism idag." Thesis, Uppsala universitet, Kulturvård, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-373755.

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Due to a personal interest in textile craft, my own experience as a knitter in combination with studies in integrated conservation and gender studies as a subsidiary subject this research was done as my thesis in integrated conservation. With the purpose to study textile craft traditions as a feminine part of the intangible cultural heritage in todays society with focus on craftivism, a questionnaire study was done. The study was addressed to craftivists who practice any kind of textile craft with the purpose to get a deeper insight in their understanding, attitude and opinions related to craf

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13

Pristash, Heather Elizabeth. "A Sharper Point: A Feminist, Multimodal Heuristic for Analyzing Knitted Rhetoric." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1416439777.

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14

Rodríguez, Tortajada Almudena. "El Craftivisme com a mecanisme integrador de transformació social. Entreteixint des de la individualitat a la col·lectivitat, de l'artesania a l'activisme post-media." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/62590.

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[EN] Abstract: Craftivism is an artistic-social movement that, through handcraft and generally with a social approach, aims to transform something already used for a better end, through creativity, in an individual or collective way. This investigation tries to understand the repercussion of the craftivist actions, and of its DIY ethic (Do-It-Yourself). The present PhD bases its deductions on the analysis of different local and international projects, dividing the theoretical body in two principal sections completed by an annexe with cards, which illustrate and gather the most important chara

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15

Silva, Dos Santos Fabiane Cristina. "MUJER, CASA Y NUEVOS MEDIOS: EL ARTE DE TEJER EN RED, UNA PROPUESTA EXPERIMENTAL ARTÍSTICA NEOMEDIAL." Doctoral thesis, Universitat Politècnica de València, 2015. http://hdl.handle.net/10251/58774.

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[EN] The house has changed its architecture after the inclusion of new mass media. Following Paul Virilio's proposal, we can regard computers as the fourth window. With the Net, people do not need to physically step outside; it is possible to come out without even stepping outside of the domestic space. It is precisely in this moment when a life running in parallel to real life emerges, a virtual life that offers to take us to that new space, the so called cyberspace. This research finds its frame within cross-discipline parameters of a theoretical-practical nature. Art practice within them e

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16

May, Christine. "Craftivism in Canada: Exploring Identity Through Politically Charged Textiles." Thesis, 2012. http://spectrum.library.concordia.ca/974830/4/May_MA_F2012.pdf.

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The objective of this thesis is to address the marginalization of craft, specifically textiles, within the Canadian art history canon by isolating and analyzing specific case studies that represent the role of the contemporary textile artists in the modern Canadian arts and culture community. By investigating the work of contemporary textile artists Cindy Baker, Allyson Mitchell, and Anthea Black, I will indicate the ways in which they have made significant contributions to the development and acceptance of contemporary craft in Canada, not simply through their own art practice, but also as le

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17

Markus, Sandra. "Through the Eye of a Needle: Craftivism as an Emerging Mode of Civic Engagement and Cultural Participation." Thesis, 2019. https://doi.org/10.7916/d8-t120-na44.

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There has been a grassroots revival of craftivism leading up to, and following the 2016 U.S. presidential election. This qualitative dissertation explores the experiences of women within three craftivist groups to facilitate a deeper understanding of their conceptions of craft, activism and feminism, the salience of older women within these communities, and how the affordances of new media are potentially reshaping craftivism. Drawing on interview data, as well as offline and online participant observation, this study found that craftivists have highly diverse personal trajectories and underst

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18

(6864797), John T. Sherrill. "DIY Feminism in Post-Industrial Spaces." Thesis, 2019.

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Situating makerspaces as an extension of post-industrial economies, and sites where technical communication and craftivism take place, this dissertation builds on critiques of makerspaces as hobbyist spaces that privilege digital electronics, populated mostly by white men. To do so, this dissertation analyzes who participates in feminist makerspaces, how “makers” describe their work and their experiences, and the roles of rhetoric and technical communication within feminist makerspaces. Building on prior studies of maker communities, this research follows a mixed methods approach and an iterat

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