Relevant bibliographies by topics / Crafts / Hobbies

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  1. Journal articles
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  3. Book chapters

Academic literature on the topic 'Crafts / Hobbies'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 February 2023

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Journal articles on the topic "Crafts / Hobbies"

1

Adams-Price, Carolyn E., and Linda W. Morse. "Crafts as serious hobbies: Impact and benefits in later life." Craft Research 9, no. 1 (2018): 93–102. http://dx.doi.org/10.1386/crre.9.1.93_1.

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Rixhon, Emma Louise. "Crafting comfort: Constructing connection during a pandemic." Clothing Cultures 7, no. 2 (2020): 203–14. http://dx.doi.org/10.1386/cc_00036_1.

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While the world has been in varying forms of lockdown due to a global pandemic, people have turned to fabric. This article explores how material crafts have provided individuals with tactile intimacy during a pandemic defined by isolation, drawing on ideas of touch and sewing as forming both metaphorical and literal connections. The act of crafting provides relief and comfort to the maker, through simple, repetitive actions defined by laws set by the desired product as well as the materials used. It also creates connection through gifting, solidifying bonds between people even when they are a
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3

Adams-Price, Carolyn E. "THE SOCIOCULTURAL MODEL OF CREATIVITY: HOW IT CAN EXPLAIN THE SIGNIFICANCE OF MULTIPLE FORMS OF LATE-LIFE CREATIVITY." Innovation in Aging 3, Supplement_1 (2019): S417. http://dx.doi.org/10.1093/geroni/igz038.1555.

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Abstract Creativity in later life comes in many forms, ranging from everyday creativity to genius-level creativity, and including both newly learned creative activities and life-long creative hobbies. Previous psychosocial models of creativity have had limited utility in explaining the significance of late life creativity. Glaveanu’s sociocultural model has not been previously applied to older adults, but its inclusiveness makes it supremely useful for describing the range of creative activities and products in context. Creativity, according to Glaveanu, involves five interconnected components
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4

Yeoman, Ian, and Una McMahon‐Beattie. "New Zealand's future: the potential for knitting tourism." Journal of Tourism Futures 1, no. 2 (2015): 152–55. http://dx.doi.org/10.1108/jtf-12-2014-0004.

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Purpose The purpose of this paper is to gain an understanding of why the phenomena of knitting is important in society and an explanation of the underlying currents for tourism. Design/methodology/approach The paper presents a futurist's observations and reflections. Findings Why is knitting making a comeback? Consumers are shutting the door on the world and cocooning thus returning to the world of crafts and hobbies as a way to seek enjoyment. An interest in authenticity and the past as an escape from the present. Single people looking for something to do in an urban world, thus some consumer
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Solaja, Oludele Mayowa, and Adesina Abass Olayiwola. "Oke-Ibadan Festival and the Ethnography of Aboke people of Ibadan." Yoruba Studies Review 5, no. 1.2 (2021): 1–15. http://dx.doi.org/10.32473/ysr.v5i1.2.130119.

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This study examines Oke-Ibadan festival and the ethnography of Aboke people of Ibadan. The objectives of the study are to document the cultural identity, fashion, family life-style, crafts, and hobbies of Aboke people; and, also, ascertain the significance of Oke-Ibadan festival to Aboke’s at home and abroad. Two sociological perspectives which include structural-functionalism and symbolic interactionism were used to provide a theoretical context for the study. The study adopts exploratory survey design which includes purposive and convenience sampling techniques. Thirty-five (35) participants
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Wandy, Wandy, and Dewi Ratnaningrum. "WADAH AKTIVITAS SENI DIGITAL DAN KERAJINAN." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 1, no. 2 (2020): 1599. http://dx.doi.org/10.24912/stupa.v1i2.4363.

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The development of science and information technology caused major changes in this era. One of them is in everyday human activities. The number of micro communities based on expertise and ability has emerged and formed by itself and started to be called upon by the younger generation. Until now the knowledge and interest of the community about the creative industry still cannot be accommodated and the cultural needs that have occurred have changed. Another thing that happens is that the gap between the forms of work carried out by the younger generation is based on interests and hobbies that a
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7

Berg, Freja Sørine Adler. "Independent podcasts on the Apple Podcast platform in the streaming era." MedieKultur: Journal of media and communication research 37, no. 70 (2021): 110–30. http://dx.doi.org/10.7146/mediekultur.v37i70.122390.

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This article investigates independent podcasts created outside traditional institutions (Markman, 2012) on the world’s largest podcast platform, Apple Podcasts, in the context of streaming media. Through a quantitative content analysis of 552 Danish podcasts, the study off ers insights into independent podcasting, its medium grammar and content (Meyrowitz, 1998), and the conditions by which independent podcasters navigate in a liminal space between traditional radio and online participatory practices (Berry, 2016; Markman, 2012). The analysis shows that the predominant parts of independent pod
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8

Tulk, Janice Esther. "Crafting a Fibre Scene in Cape Breton: The Tools, Technologies, and Motivations of the Unspun Heroes." Material Culture Review 87 (July 27, 2020): 1–19. http://dx.doi.org/10.7202/1070680ar.

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In the 21st century, spinning, knitting, and weaving are largely thought of as hobbies, pastimes, or small business activities. Despite the availability of mass-produced wool and fibre products, homespun and handmade products have seen a resurgence in popularity, partly because practitioner communities have developed. This article provides an ethnography of one such group, the Unspun Heroes in Cape Breton, Nova Scotia. Following a brief history of the group, the individually- and communally-owned tools and technology utilized within the Unspun Heroes is described. The forces that shape fibre a
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9

MATSUOKA, Hironori, Takahiro RYU, Takashi NAKAE, and Tsukuru KODERA. "Fundamental Research on Thermal Cracks of Cemented Carbide Hob in Hobbing." TRANSACTIONS OF THE JAPAN SOCIETY OF MECHANICAL ENGINEERS Series C 79, no. 802 (2013): 2221–32. http://dx.doi.org/10.1299/kikaic.79.2221.

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10

Antoniadis, A., N. Vidakis, and N. Bilalis. "Fatigue Fracture Investigation of Cemented Carbide Tools in Gear Hobbing, Part 1: FEM Modeling of Fly Hobbing and Computational Interpretation of Experimental Results." Journal of Manufacturing Science and Engineering 124, no. 4 (2002): 784–91. http://dx.doi.org/10.1115/1.1511172.

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Gear hobbing is a highly utilized flexible manufacturing process for massive production of external gears. However, the complex geometry of cutting hobs is responsible for the almost exclusive utilization of high-speed steel (HSS) as cutting tool material. The limited cutting performance of HSS, even coated HSS, restricts the application of high cutting speeds and restricts the full exploitation of modern CNC hobbing machine tools. The application of cemented carbide tools was considered as a potential alternative to modern production requirements. In former investigations an experimental vari
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Books on the topic "Crafts / Hobbies"

1

Ceramics. Barron's, 2002.

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2

Richard, Phethean, Brayne Stephen, and Warshaw Josie, eds. The complete practical potter. Lorenz, 2001.

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3

Michie, Sahara, ed. Origami--Rokoan style: The art of connecting cranes. Heian, 1998.

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4

Simon, Willis, ed. Painting ceramics: Contemporary crafts. H. Holt, 1993.

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5

Tamara, Honaman, ed. Polymer clay master class: 11 master artists, 15 projects, incredible inspiration. Potter Craft, 2012.

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6

Sanders, Annika. Deconstruction Reconstruction T Shirts. M Q Publications, 2007.

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7

Ashforth, Pat. Woolly thoughts: How to unlock your creative knitting genius. Dover Publications, 2007.

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8

Chandler, Linda L. Jewelry studio: Wire wrapping. Interweave Press, 2008.

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9

Banker, Susan M., and Better Homes and Gardens. 100 crafts under $10. Better Homes and Gardens Books, 2003.

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10

Keim, Cecily. Teach yourself visually crocheting. Wiley Pub., 2006.

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Book chapters on the topic "Crafts / Hobbies"

1

"Crafts and Hobbies." In The Young Person's Guide to the Internet. Routledge, 2005. http://dx.doi.org/10.4324/9780203509159-4.

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2

Layman, Daniel. "Toward a New Left-Lockeanism." In Locke Among the Radicals. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190939076.003.0007.

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The Lockean radicals developed two internally consistent resolutions to Locke’s property problem. But what should we draw from the radicals as we seek to address that problem today? The chapter argues that we should reject the right-wing solution offered by Hodgskin and Spooner in favor of a version of the left-wing solution crafted by Bray and George. It begins by showing why Lockeans reject the Hobbesian interpretation of natural rights, according to which everyone has a liberty to everything but a claim to nothing: If Hobbes were right, we would not enjoy equal high status, but rather equal susceptibility to one another’s arbitrary impositions. The reasons that count against the Hobbesian conception of natural rights, however, also count against a right-wing interpretation of Lockean natural rights. For if we are not common world-owners, we are liable to be subject to the arbitrary impositions of those who do come to own the world. But does this mean we should follow contemporary left-libertarians in interpreting our common right to the world as a right to own privately an equal division of the world? Or should we follow Bray and George in interpreting our common right as a right to share equally in governing and using the world as a permanently public resource? The chapter argues that the left-libertarian picture cannot accommodate an adequate conception of equality, and that we must develop a left-Lockean political economy on the assumption that the world is a permanently public common resource.
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