Relevant bibliographies by topics / Craig, Edward Gordon (1872-1966)

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Academic literature on the topic 'Craig, Edward Gordon (1872-1966)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 February 2023

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Journal articles on the topic "Craig, Edward Gordon (1872-1966)"

1

Moran, Chris. "Becoming a Gordon Craig: Micheál mac Liammóir and Edward Gordon Craig’s Shared Beliefs and Performances of Self." Review of Irish Studies in Europe 4, no. 1 (2021): 27–42. http://dx.doi.org/10.32803/rise.v4i1.2637.

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Micheál mac Liammóir (1898-1978) and Edward Gordon Craig (1872-1966) shared many similarities: both were actors, designers, directors, and writers, and both rejected the realist tradition dominant in the theatre of their times. Craig’s developments in design throughout Europe laid a path for mac Liammóir to follow; indeed, mac Liammóir begins his autobiography All for Hecuba (1946) with the claim, ‘I would become [...] a Gordon Craig’. However, their affinities were not only in design and other aspects of theatre practice but in their shared artistic beliefs and performances of identity. This
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2

Leski, Ivan. "A renovação estética do espetáculo teatral no Brasil: 1920 a 1950." Revista Nordestina de História do Brasil 2, no. 3 (2019): 11–47. http://dx.doi.org/10.17648/2596-0334-v2i3-1460.

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No Brasil, a recepção das tendências modernas no Teatro foi obra de grupos amadores. As novas ideias sobre encenação, que tinham sido concebidas por Adolphe Appia (1862-1928) e Edward Gordon Craig (1872-1966), antes da Primeira Guerra Mundial (1914-1918), chegaram ao Rio de Janeiro nos anos vinte. Este artigo é um breve relato histórico sobre alguns grupos teatrais que tentaram modernizar o palco brasileiro, nos anos quarenta do século passado.
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3

Lönnroth, Harry. "“Sie sagen skål und Herre gud und arrivederci”: On the Multilingual Correspondence between Ellen Thesleff and Gordon Craig." Journal of Finnish Studies 19, no. 1 (2016): 104–20. http://dx.doi.org/10.5406/28315081.19.1.07.

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Abstract The Finnish painter Ellen Thesleff (1869 − 1954) is one of the most famous female painters in Scandinavian art history. During her stay in Florence, Italy, at the beginning of the twentieth century, she became acquainted with the British theater personality and artist (Edward) Gordon Craig (1872 − 1966). Their correspondence from the first half of the century is a part of European cultural history and art criticism; they write, among other things, about painting and graphics, literature and theater. Of linguistic importance is that the original letters preserved for posterity contain
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4

Nagler, A. M., Edward Gordon Craig, Frederick J. Marker, and Lise-Lone Marker. "Index to the Story of My Days: Some Memoirs of Edward Gordon Craig 1872-1907." Modern Language Review 80, no. 4 (1985): 919. http://dx.doi.org/10.2307/3728987.

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Hubbard, Tom. "Dance of the Marionettes." AnaChronisT 9 (January 1, 2003). http://dx.doi.org/10.53720/ayoq3916.

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"How can we know the dancer from the dance?" In poems such as "Javanese Dancers" and in many prose texts (including fiction) Symons (1865-1945) offers a gloss on that well-known line by his friend and fellow-Celt, Yeats. This paper explores the relationship between Symons's views on theatre and those of Edward Gordon Craig (1872-1966); the two men commented on each other's work. There is a trajectory from Symons's response to dance (owing something to the popular native English tradition of music-hall, as well as to the more sophisticated developments of French Symbolism), towards Craig's theo
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Dissertations / Theses on the topic "Craig, Edward Gordon (1872-1966)"

1

Duvillier, Marc. "The Mask [1908-1929] de Edward Gordon Craig : « un rêve mis noir sur blanc »." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030145.

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The Mask (1908-1929, Florence, Italie, 15 volumes) : le nom seul de ce journal exclusivement dédié à l’Art du Théâtre officia en son temps comme un « mot de passe » auprès des défenseurs de la scène moderne en Europe. Cette thèse, la première en France à être consacrée à cette revue, est une recherche historique enrichie de nombreux documents inédits du fonds Craig du Département des Arts du Spectacle de la BnF. The Mask fut la performance permanente de Craig : tout en même temps le lieu de la théorie, d’une Histoire du Théâtre et un lieu d’expérimentation visuel. Son habileté fut de doter pré
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2

Perdomini, Della Costa Vellozo Rossana. "Théâtre de formes animées et formation d'enseignants : une proposition pédagogique de la Surmarionnette." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100053.

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Cette thèse, réalisée dans le cadre d’une cotutelle entre l’Université Fédérale de Rio Grande do Sul, Brésil, et l’Université Paris Nanterre, France, examine les relations entre corps et objet à partir de l’exercice du théâtre de formes animées dans le contexte brésilien de formation des enseignants en Licence de Pédagogie. A cet égard, elle utilise la notion métaphorique de surmarionnette d’Edward Gordon Craig et ses expérimentations sur le mouvement du corps et sur l’espace scénique. L’étude part du constat d’une double absence concernant les futur.e.s pédagogues: celle de références artisti
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3

Silva, Filipa Duarte Ferreira da 1987. "Arquitectura e cenografia : o espaço cénico na construção de um ambiente." Master's thesis, 2013. http://hdl.handle.net/11067/349.

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Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2012<br>Exame público realizado em 28 de Novembro de 2012<br>A presente dissertação de mestrado aborda os ambientes cénicos elaborados em dois campos distintos - a Arquitectura e a Cenografia –, com base na obra de um precursor de cada campo: o cenógrafo Edward Gordon-Craig e o arquitecto Le Corbusier. É traçado um paralelismo entre os ambientes espaciais preconizados por cada um, com o objectivo de determinar os pressupostos teóricos e estéticos por detrás das duas disciplinas, os veículos utilizados na criação
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4

Fonseca, Inês Batista da 1992. "Grupo Gulbenkian de Bailado : a cenografia e figurinos como intervenção plástica na dança em Portugal." Master's thesis, 2018. http://hdl.handle.net/10451/33645.

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The present dissertation analyses the scenarios and costumes of the ballets designed by the choreographer and artistic director of the Gulbenkian Ballet Group, Milko Sparemblek. The cross between the dimension of dance and the visual arts is a new approach to the intervention of Sparemblek in the production of portuguese dance in the seventies. From the choreographic aesthetic of Sparemblek, a bridge is made with a plastic component inherent to the scenography and figures of his creations. Simultaneously, explore and recognize as diverse possibilities of creation of the scenic space, according
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Books on the topic "Craig, Edward Gordon (1872-1966)"

1

Edward Gordon Craig: A vision of theatre. Harwood Academic Publishers, 1998.

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2

Gordon Craig: The story of his life. Limelight Editions, 1985.

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3

The Mask: A periodical performance by Edward Gordon Craig. Harwood Academic publishers, 1998.

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4

Zwischen den Künsten: Edward Gordon Craig und das Bildertheater um 1900. Akademie Verlag, 2002.

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5

Eynat-Confino, Irène. Beyond the mask: Gordon Craig, movement, and the actor. Southern Illinois University Press, 1987.

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6

Secrets of screen acting. Routledge, 1994.

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7

Ellen Terry, spheres of influence. Pickering & Chatto, 2011.

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8

A strange eventful history: The dramatic lives of two remarkable families. Farrar, Straus and Giroux, 2009.

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9

A strange eventful history: The dramatic lives of Ellen Terry, Henry Irving and their remarkable families. Chatto & Windus, 2008.

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10

Taxidou, Olga. Mask: A Periodical Performance by Edward Gordon Craig (Contemporary Theatre Studies). Routledge, 1998.

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