Relevant bibliographies by topics / Craig Thompson

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Craig Thompson'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Craig Thompson"

1

Neill, Ushma S. "A conversation with Craig Thompson." Journal of Clinical Investigation 125, no. 6 (June 1, 2015): 2181–83. http://dx.doi.org/10.1172/jci82626.

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Spisak, April. "Space Dumplins by Craig Thompson." Bulletin of the Center for Children's Books 69, no. 3 (2015): 170. http://dx.doi.org/10.1353/bcc.2015.0831.

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Sedwick, Caitlin. "Craig Thompson: The method to cancer's madness." Journal of Cell Biology 191, no. 4 (November 15, 2010): 696–97. http://dx.doi.org/10.1083/jcb.1914pi.

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Campney, Brent M. S. "Kentucke’s Frontiers by Craig Thompson Friend (review)." American Studies 52, no. 2 (2013): 150–51. http://dx.doi.org/10.1353/ams.2013.0053.

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Smith, Suzanne E. "Craig Thompson Friend and Lorri Glover, editors.Death and the American South." American Historical Review 121, no. 2 (April 2016): 553.2–555. http://dx.doi.org/10.1093/ahr/121.2.553a.

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Gruber, P. W. P. "O Verbo e o Rio: Pontes de Signo em Habibi, de Craig Thompson." Revista Scripta Alumni, no. 15 (June 30, 2016): 158–73. http://dx.doi.org/10.18304/1984-6614/scripta.alumni.n15p158-173.

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Woods, Michael E. "Death and the American South. Edited by Craig Thompson Friend and Lorri Glover." Journal of Social History 50, no. 3 (February 20, 2016): 597–99. http://dx.doi.org/10.1093/jsh/shw005.

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Patterson, Thomas C. ": Huanuco Pampa: An Inca City and Its hinterland . Craig Morris, Donald E. Thompson." American Anthropologist 89, no. 1 (March 1987): 196. http://dx.doi.org/10.1525/aa.1987.89.1.02a00620.

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Giguere, Joy M. "Death and the American South ed. by Craig Thompson Friend and Lorri Glover." Register of the Kentucky Historical Society 115, no. 2 (2017): 295–97. http://dx.doi.org/10.1353/khs.2017.0040.

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Philp, Mark. "Languages of Politics in Nineteenth Century Britain, ed. David Craig and James Thompson." English Historical Review 130, no. 544 (May 4, 2015): 767–69. http://dx.doi.org/10.1093/ehr/cev126.

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Dissertations / Theses on the topic "Craig Thompson"

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Higueras, Alvaro. "MORRIS, Crais y Donald E. Thompson. Huanuco Pampa. An Inca City and its Hinteland, Thames and Hudson, New York, 198S, 181 p." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/122297.

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La publicación de este libro es la cristalización de varias temporadas de trabajos y la formalización de varios artículos aparecidos en revistas especializas sobre la investigación del sitio de Huánuco Pampa. Los interesados habían podido leer las primeras pautas de trabajo, así como los primeros resultados, e introducirse a una metodología especial, una estrategia de excavación, aplicada para lograr un estudio integral de un sitio de estas dimensiones, con los objetivos específicos que dirigían el estudio.
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2

Brouillette, Amy. "Le poids de l’oiseau sur la vitre ; suivi de L’hétérogénéité graphique dans Blankets de Craig Thompson." Thèse, 2013. http://hdl.handle.net/1866/10626.

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Ce mémoire de maîtrise en recherche-création explore les modalités d’intégration d’éléments défiant, dans les romans dits hybrides, les conventions visuelles de la majeure partie du texte et participant à la construction du sens. Le poids de l’oiseau sur la vitre est un récit hybride qui suit le parcours d’une vieille femme revisitant un fragment du journal intime de sa jeunesse, écrit – ou imaginé – après la perte de son bébé. Un parcours qui est une seconde fuite car au fil des corrections et de la reconstruction du texte, elle tombe à nouveau dans le piège du mensonge. Confrontée à une surenchère du faux, elle réalisera que cette habitude de considérer la fiction comme un refuge équivaut à rester infidèle au passé, et ultimement à soi. L’essai associe Blankets de Craig Thompson, roman graphique au style composite, au roman hybride, et se consacre à l’étude de ses pages visuellement atypiques, cherchant à déterminer comment elles parviennent, malgré leur aspect divergent, à renforcer la cohésion et le caractère immersif de l’œuvre.
This practice-led M.A. thesis explores how in hybrid novels, the integration of elements defying the visual conventions of the majority of the text participate to their construction of meaning. In the hybrid narrative Le poids de l’oiseau sur la vitre, an elderly woman revisits her diary, written – or imagined – decades ago to shield her from the reality of her infant son’s death. At first intent on restoring the truth, she soon falls, through the many corrections she brings to the original text and her reconstruction of the book, into her habit of tweaking facts, realizing at last that giving in to this spiral of lies means cheating herself from the past and, ultimately, her future. The following essay likens Craig Thompson’s Blankets, a graphic novel whose structure dynamics are based upon the use of different styles and page layouts, to hybrid novels, and studies its most visually striking pages to determine how, despite their distinctive appearance, they enhance the novel’s cohesion and make it more immersive.
Le mémoire original s'accompagnait en annexe du livre-objet Le poids de l'oiseau sur la vitre.
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Sousa, Gil da Silveira Ramos Lampreia de. "Inventar a vida : autobiografia e autoficção em banda desenhada." Master's thesis, 2020. http://hdl.handle.net/10451/44686.

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Esta dissertação investiga a representação do passado autobiográfico em narrativas gráficas através da análise de duas obras: Blankets, de Craig Thompson, e Fun Home, de Alison Bechdel. Está dividida em dois capítulos temáticos: o primeiro incide sobre a narratologia da banda desenhada, onde nos baseámos no modelo narratológico definido por Thierry Groensteen que separa reciter de monstrator e de narrador fundamental; o segundo capítulo discute a autobiografia literária contemporânea e determina que paralelos podem ser estabelecidos entre essa e a autobiografia gráfica. Este segundo capítulo tem sobretudo em atenção o desenvolvimento relativamente recente da prática da autoficção, termo definido primeiro por Serge Doubrovsky. Ao longo da dissertação, identificamos vários mecanismos próprios da narrativa gráfica como veículo artístico, com o objectivo de determinar a forma própria como este formato exprime temas como a identidade e o passado autobiográfico. As duas obras escolhidas são alvo de uma extensa análise que visa comprovar através de exemplos a presença e acção dos mecanismos identificados.
This dissertation aims to investigate the representation of the autobiographical past in graphic memoirs by focusing on two such works: Craig Thompson’s Blankets, and Alison Bechdel’s Fun Home. It is divided in two broad chapters: the first discusses the narratology of graphic narratives through the narratological model developed by Thierry Groensteen, which separates reciter, monstrator and fundamental narrator; the second chapter analyses contemporary literary autobiography and compares it to its graphic counterpart. This last section focuses on the relatively recent development of the practice of autofiction, first defined by Serge Doubrovsky. Throughout this dissertation, we identify several mechanisms exclusive to graphic narrative as an art form, aiming to establish the way in which this format expresses themes such as autobiographical past and identity. Both the selected graphic autobiographies are extensively analysed in an attempt to show, through real examples, the mechanisms mentioned.
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Books on the topic "Craig Thompson"

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Beasley, Oscar C. The John Pitts Beasley family history: And related families : Bingham, Blackman, Cowan, Craig, Godwin, Haley, Herring, Mayberry, Meacham, Peach, Snell, Taylor, Thompson, Tucker, and Warren. Iowa City, Iowa (30 Ashwood Dr., Iowa City 52245-3204): Oscar C. Beasley, Jr., 2006.

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Blankets : una novela gráfica de Craig Thompson - 6. edición. Astiberri Ediciones, 2015.

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3

Michael, Archer, and Muse e des Beaux-Arts du Havre., eds. Etats spe cifiques: 11 artistes anglais : Henry Bond & Liam Gillick, Angela Bulloch, Angus Fairhurst, Gary Hume, Abigail Lane, Simon Patterson, Caroline Russell, Gladstone Thompson, Gillian Wearing, Craig Wood. Le Havre: Muse e des Beaux-Arts Andre Malraux, 1992.

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4

Craig, Thompson. Dark Horse Deluxe Stationery Exotique: Craig Thompson's Chunky Rice. Dark Horse, 2003.

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5

Craig, Thompson. Dark Horse Deluxe Journal: Craig Thompson's Angels and Demons (Dark Horse Deluxe Journal). Dark Horse, 2003.

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Book chapters on the topic "Craig Thompson"

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Backus, Madeline, and Ken Koltun-From. "Writing the Sacred in Craig Thompson’s Habibi." In Comics and Sacred Texts, 5–24. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819215.003.0001.

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This chapter discusses how Craig Thompson’s Habibi (2011) constructs the oriental sacred through Arabic calligraphy, weaving sacrality into the visual and textual narrative of the imagined, exotic other. The exotic and even erotic forms of calligraphy stylize a natural and imminently accessible sacred that works within an oriental mode of visual exposure. We can see this oriental sacred in the natural landscape, in the mythic and salvific animals, in the Islamic textual traditions of hadiths and Qur’an, and in the material body of Dodola who captures the young Zam’s erotic fantasies. Thompson deploys calligraphy to open Islamic and Arabic culture to the oriental gaze, imagining the sacred within the imagined world of Richard Burton’s 1,001 Arabian Nights. Within this space and gaze, Arabic calligraphy takes on the form and function of the sacred orient.
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Hoff Kraemer, Christine. "Chapter 11. The Authority of the Image Sex, Religion, and the Text/Image Conflict in Craig Thompson’s Blankets." In The Media and Religious Authority, 228–52. Penn State University Press, 2016. http://dx.doi.org/10.1515/9780271077956-013.

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Journal articles
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