Relevant bibliographies by topics / Crane, Hart – 1899-1932

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Academic literature on the topic 'Crane, Hart – 1899-1932'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Crane, Hart – 1899-1932"

1

Lucarezi, Anderson Mezzarano. "Hart Crane: poesia e tradução." Revista Criação & Crítica, no. 24 (October 13, 2019): 146–63. http://dx.doi.org/10.11606/issn.1984-1124.v1i24p146-163.

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Este artigo apresenta (1) um estudo da obra escrita pelo poeta norte - americano Hart Crane (1899 – 1932), (2) uma reflexão teórica sobre tradução literária (baseada nos trabalhos de Antoine Berman, Gérard Genette, Mário Laranjeira e Haroldo de Campos) e (3) traduções de dois poemas do a ut or. O objetivo é interpretar a complexidade da obra de Cr ane, destacar a importância de tr aduzi - la, pois as traduções já feitas são escassas, e propor, como amostra de um projeto maior, a tradução de dois poemas
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2

Vujin, Bojana. "“THE SILKEN SKILLED TRANSMEMBERMENT OF SONG”: HART CRANE’S “VOYAGES”." Годишњак Филозофског факултета у Новом Саду 40, no. 1 (2015): 31. http://dx.doi.org/10.19090/gff.2015.1.31-48.

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One of the crucial figures of American Modernist poetry, Hart Crane (1899–1932) is notorious for baffling both readers and critics with his nearly impenetrable rhetoric. The paper focuses on “Voyages”, a sextet of poems from the poet’s first collection, White Buildings (1926), aiming to prove that his so-called obscurity is often a result of a rather simplistic approach to poetry analysis, where the sound of the verses is dismissed in favour of a purely semantic analysis. Using some of the more recent criticism of Crane’s work, such as Reed’s and Tapper’s studies, the author argues that “Voyag
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3

Lucarezi, Anderson. "Algumas Viagens de Hart Crane." Cadernos de Literatura em Tradução, June 5, 2023, 10–22. http://dx.doi.org/10.11606/issn.2359-5388.i26p10-22.

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Esta é uma tradução comentada de quatro seções do poema “Voyages”, que o poeta norte-americano Hart Crane (1899 - 1932) incluiu em seu primeiro livro, White Buildings. Baseado na noção de tradução como processo diferente de outras operações hipertextuais, algo defendido por Gérard Genette, o comentário introdutório visa explicar algumas escolhas que focalizaram a manutenção do ritmo original do poema.
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Dissertations / Theses on the topic "Crane, Hart – 1899-1932"

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Migliavacca, Adriano Moraes. "Hart Crane's "Voyages" : analysis and translation." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/76225.

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O cenário da poesia moderna de língua inglesa congrega uma série de autores ingleses e norte-americanos que criaram obras com estilos, formas, problemáticas e visões de mundo altamente diversificados. Uma ampla gama de recursos linguísticos e estéticos foi desenvolvida, incluindo o uso da colagem, a sintaxe fragmentada, o verso livre e a linguagem coloquial algumas vezes intercalada com a solene. Dentre tais autores modernos, o poeta norte-americano Hart Crane se destaca por sua obra poética de alta originalidade e complexidade e suas perspectivas estéticas bastante individualizadas. Em sua ob
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2

Katsaros, Laure. "Le rivage dans la poesie americaine : walt whitman, hart crane, george oppen." Paris 7, 2000. http://www.theses.fr/2000PA070070.

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Cette these examine le theme du rivage dans la poesie americaine de walt whitman a george oppen. Espace de fondation en amerique, le rivage constitue le point de depart du grand periple whitmanien a travers le continent americain. Chez hart crane, c'est un point de jonction entre la mer et le continent. Pour george oppen, c'est un point de rupture, qui creuse la distance entre le poete et l'espace. Chez ces trois poetes, le rivage n'est pas seulement un paysage. Il suggere aussi une pratique d'ecriture fondee sur la fluidite. Cette these s'appuie egalement sur des recits d'explorateurs du seiz
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3

Bizzini, Chantal. "Le recours à la tradition antique chez deux poètes américains contemporains : Ezra Pound et Hart Crane." Paris 3, 2001. http://www.theses.fr/2001PA030018.

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Ce travail se propose d'etudier en parallele le recours a la tradition antique chez deux poetes americains contemporains : ezra pound et hart crane. Cette etude est suivie d'une traduction en francais du recueil de hart crane white buildings, precedee d'une introduction et suivie de notes. Ce travail montre successivement la maniere dont apparaissent et se tranforment, dans les oeuvres de ces poetes, les motifs antiques de la descente aux enfers et de la metamorphose, puis dans quelle mesure ces poetes ont emprunte a la philosophie antique platonicienne ou neoplatonicienne, pour decrire enfin
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Books on the topic "Crane, Hart – 1899-1932"

1

Unterecker, John Eugene. Voyager: A life of Hart Crane. Liveright, 1987.

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2

Hammer, Langdon. Hart Crane & Allen Tate: Janus-faced modernism. Princeton University Press, 1993.

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Hammer, Langdon. Hart Crane & Allen Tate: Janus-faced modernism. Princeton University Press, 1993.

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Yingling, Thomas E. Hart Crane and the homosexual text: New thresholds, new anatomies. University of Chicago Press, 1990.

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5

1958-, Hammer Langdon, and Weber Brom 1917-, eds. O my land, my friends: The selected letters of Hart Crane. Four Walls Eight Windows, 1997.

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6

Crane, Hart. The bridge. 21st, Published by Steven Albahari, 2008.

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7

Walker, Jeffrey. Bardic ethos and the American epic poem: Whitman, Pound, Crane, Williams, Olson. Louisiana State University Press, 1989.

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8

Mark, Bauerlein, ed. The turning word: American literary modernism and continental theory. University of Pennsylvania Press, 1996.

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Riordan, Maurice. Hart Crane. Faber & Faber, Limited, 2008.

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Riordan, Maurice. Hart Crane. Faber & Faber, Incorporated, 2010.

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Book chapters on the topic "Crane, Hart – 1899-1932"

1

Bauer, Mark S. "Hart Crane (1899–1932)." In A Mind Apart. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336405.003.0069.

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Abstract The Idiot Sheer over to the other side,—for see— The boy straggling under those mimosas, daft With squint lanterns in his head, and it’s likely Fumbling his sex. That’s why those children laughed In such infernal circles round his door Once when he shouted, stretched in ghastly shape. I hurried by. But back from the hot shore Passed him again . . . He was alone, agape; One hand dealt out a kite string, a tin can The other tilted, peeled end clamped to eye. That kite aloft—you should have watched him scan Its course, though he’d clapped midnight to noon sky! And since, through these hot barricades of green, A Dios gracias, grac—I’ve heard his song Above all reason lifting, halt serene— My trespass vision shrinks to face his wrong.
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