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Journal articles on the topic 'Creation (Literary, artistic, etc.)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

GHILAȘ, Ana. "Intermediate ways of creating theatricality in artistic discourse." Arta 31, no. 2 (January 2023): 67–71. http://dx.doi.org/10.52603/arta.2022.31-2.09.

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Th e article addresses the issue of theatricality, especially the way of creating this cultural phenomenon in the dramaturgical text and in the narrative artistic text. Theatricality understood as a cultural and aesthetic aspect is combined in some types of speeches with theatricality in life, especially in prose. If in the dramaturgical text its structure (dialogue — stage directions) constitutes a first element of theatricality, then the theatrical techniques from the show (ad spectatores, the monologue, the actor’s corporeality, etc.) are elements that can also be found in the narrative lit

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2

Starostina, Svetlana A. "Modern writing blogs in the literary, scientific, and educational space." Neophilology, no. 27 (2021): 475–82. http://dx.doi.org/10.20310/2587-6953-2021-7-27-475-482.

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We consider the phenomenon of network literature as an integral part of the modern literary process. We analyze such a phenomenon as a “writing blog” for its compliance with the basic requirements of the neterature: hypertextuality, interactivity, multimedia, informality and pro-cessuality of the text, as well as its semantic content. We conduct a study of the author’s blogs of D. Glukhovsky, E. Vodolazkin, E. Grishkovets, on the one hand, as methods of creating an artistic work, on the other, as ways of promoting the personality and creativity of the writer. Meanwhile, we identify not only th

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3

A, Boomi Selvam. "Modern Tamil Creation Registered A. Madhavan’s Ilakkiya Chuvadukal." International Research Journal of Tamil 4, S-7 (July 29, 2022): 182–89. http://dx.doi.org/10.34256/irjt22s728.

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In the contemporary modern environment, humanity's quest for knowledge openings is spreading wider and deeper. In the contemporary modern environment, humanity's quest for knowledge openings is spreading wider and deeper. Critical trends that are part of modern art-literature texts are universally creating multifaceted openings for intellectual dialogues in everyday life. Today, its ramifications have crossed the western horizons of the world and have begun to settle in Indo-Tamil regions as well. In particular, when it comes to modern art-literary trends, the novel, short story, poem, drama,

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4

Pavlinchuk, T. "THE PAINFUL EXISTENCE IN THE BOLESŁAW LEŚMIAN’S POEM "AT NIGHT"." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 2(95) (December 17, 2021): 76–90. http://dx.doi.org/10.35433/philology.2(95).2021.76-90.

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The paper deals with poetic translation analysis of the poem "At Night"of the Polish poet Bolesław Leśmian. The appearance of Bolesław Leśmian’s poetry in Ukrainian translation (the collections of selected works "Садбожий спалахненець" and "Ангели" translated by M. Kiianovska) has become an important event. The researcher focuses their attention on the contextual, poetic, poetical, artistic and stylistic peculiarities of the poem "At Night", in connection with the philosophic and literary views of the poet. The wide range of scientific works on Bolesław Leśmian’s poetry in Polish literary stud

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5

Corcinschi, Nina. "Critica și eseul basarabean din 2020." Limba, literatura, folclor, no. 2, 2021 (December 2021): 63–66. http://dx.doi.org/10.52505/llf.2021.2.05.

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Year 2020 was favorable for the critical and essayistic spirit in the Republic of Moldova. The books written in this section offer an overview of current critical thinking, of the most modern perspectives on literature approaching. The concept “arheul marginii”, by Andrei Țurcanu, offers an artistic and sociological grid for evaluating the relationship of the literary margin with the centre, i.e. of Romanian literature on both banks of the Prut, in a social, political and cultural context. The books of Emilian Galaicu Păun and Adrian Ciubotaru address current cultural phenomena (an anthropolog

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6

Hurbаnskа, Svitlаnа O. "PECULIARITIES OF PRECEDENT NAMES FUNCTIONING IN POSTMODERN ARTISTIC DISCOURSE." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 14(82) (August 29, 2022): 26–30. http://dx.doi.org/10.25264/2519-2558-2022-14(82)-26-30.

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This article examines intertextuality of artistic texts of postmodern discourse in the aspect of linguosemiotic research; defines intertextuality as a text category that occupies one of the central places among other text categories; summarizes and systematizes the functioning of precedent names in postmodern artistic texts; considers postmodern artistic discourse as a special semantic focus of intertextual connections on the example of precedent names; highlights that intertextuality changes the idea of artistic texts as homogeneous structures, suggesting their consideration as heterogeneou

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7

Korniienko, Oksana. "MODELING OF POSSIBLE WORLDS IN SIGIZMUND KRZHIZHANOVSKY’S PROSE." Polish Studies of Kyiv, no. 35 (2019): 186–92. http://dx.doi.org/10.17721/psk.2019.35.186-192.

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Modern researchers consider the oeuvre of Sigizmund Dominikovich Krzhizhanovsky, the Russian-speaking writer of Polish origin, to be a “literary phenomenon” and a “literary discovery” of the twentieth century. Publications, translations into many world languages and active scholar familiarization with the writer’s heritage begins in the end of XX – at the beginning of XXI centuries. The article examines the Sigizmund Krzhizhanovsky’s prose that presents the original artistic heterogeneous universe, where a “multidimensional world” becomes the structure creating model. In the Krzhizhanovsky’s p

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8

XUE, CH. "POETICS OF THE TITLES "THE SUN OF THE DEAD” I.S. SHMELEVA." Scientific Notes of Orel State University 100, no. 3 (September 26, 2023): 124–27. http://dx.doi.org/10.33979/1998-2720-2023-100-3-124-127.

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The purpose of the article is to identify the artistic specifics of the titles in the «Sun of the Dead» by I.S. Shmelev. The key lexemes «the sun» and «the dead», combined in the title complex, correlate with the image of the distorted Crimean existence of the early 1920s, act as the leitmotives of the narrative, carry an apocalyptic eschatology. The literary context of the interpretation of the solar motif as a marker of morality (Homer, Dante, I. Babel, A. Shiryaevets, etc.) is given. The result of the research shows the correlation of the title of the story with the literary context, the so

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9

Rogacheva, Natalia A., and Anastasiia O. Drozdova. "NABOKOV’S REFLECTION ON HIS OWN AND OTHERS’ WORKS IN THE SHORT NOVEL “VASILIY SHISHKOV” AND POEM “THE POETS”." Tyumen State University Herald. Humanities Research. Humanitates 6, no. 2 (2020): 64–78. http://dx.doi.org/10.21684/2411-197x-2020-6-2-64-78.

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The problem of Nabokov’s artistic identity is relevant for contemporary literature studies. The researchers interpret writer’s estimation of his Russian works differently: in his American years, Nabokov (1) created a new artistic identity (A. Dolinin) and started a new career (N. Cornwell) or (2) developed his general themes (B. Boyd), targeted at English readers. The unique status of the texts written in French is defined by their “phantom” nature (M. Malikova) and the “final work with the literature legacy” (A. Babikov). In our research, the problem of Nabokov’s identity is analyzed for the

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10

Borodina, N. A., O. A. Selemeneva, and N. A. Trubitsina. "Mythopoetic Worldview of Bunin: Linguistic and Literary and Cultural Analysis Aspects." Nauchnyi dialog, no. 10 (October 29, 2021): 28–47. http://dx.doi.org/10.24224/2227-1295-2021-10-28-47.

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The results of the analysis of semantic groups of mythonyms of the poetic heritage of I. A. Bunin as means of explication of various historical-informational and cultural-symbolic worldview meanings are presented in the article. The relevance of the work is due to the interest of literary onomastics in identifying units of the onomastic code of artistic and aesthetic systems of various domestic and foreign writers. The novelty of the work is associated with the inclusion of lexical units with different ratios of the nominated image and denotation into the Bunin mythonymicon, with the synthesis

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11

Levytska, Oksana. "Intermedial strategies in biographical novels about artists (based on biographical works about Vincent van Gogh written by V. Domontovych and about Chaim Soutine by Ralph Dutli)." LITERARY PROCESS: methodology, names, trends, no. 18 (2021): 41–47. http://dx.doi.org/10.28925/2412-2475.2021.18.6.

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The article is devoted to the study of peculiarities of intermedial relationships in biographical works about artists. Based on V. Domontovych’s fictionalized biography «A Lonesome Traveller Walking along a Lonesome Road» and Ralph Dutli’s novel «Soutine’s Last Journey» («Soutines letzte Fahrt»), it analyses the inter-artistic interaction of literature and painting, traces how the translation is done from the language of visual art into the language of literary work, and how the artist’s creative heritage and especially the peculiarities of his artistic technique influence the poetics of the b

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12

Kulamanova, Z., T. Zhankulov, and G. Bektleuova. "USE OF PHRASELOGICAL UNITS IN ARTISTIC TEXT." Bulletin of Dulaty University 1, no. 13 (March 26, 2024): 32–38. http://dx.doi.org/10.55956/enpf8503.

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Abstract. The article discusses the use of phraseological units in a literary text. It is obvious that the winged words, Proverbs, sayings, sentimental reasoning, thoughtful, key examples, phraseologisms found in our language are all stable expressions due to their own characteristics, thoroughness of the phrase, constancy, etc. Scientists also study the conditions of Use and different transformations of phraseological units, their variability in speech and text. The article discusses the fact that phrases that come mainly from Kazakh phraseology in the form of wisdom, testament, proverbs are

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13

Aroshidze, Marine, and Nino Aroshidze. "The great social experiment: when dreams did not turn into reality." Balkanistic Forum 30, no. 3 (October 5, 2021): 314–28. http://dx.doi.org/10.37708/bf.swu.v30i3.18.

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The great social experiment in building socialism, which was supposed to develop into communism, was based on a number of attractive political myths, for the creation of which a special symbolic universe was created, a wide range of various sign systems were involved, among which language played the most important role: as a means of creating a political myth and the means of its constant feeding (the myth-making function of the language). This allowed (in conjunction with other means of subjugating the totalitarian state) for a long period to manipulate the consciousness of the masses, educat

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14

Nicolau, Felix. "Why politicize the cultural game? (Emil) Cioran’s ethos: mysticism, religion and ethnic philosophy." Swedish Journal of Romanian Studies 7, no. 1 (May 15, 2024): 60–74. http://dx.doi.org/10.35824/sjrs.v7i1.26119.

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The present research aims at understanding some of Emil Cioran's spiritual positions in several of his writings. The tools of analysis are the philosophical and cultural approaches, but also elements of positivist determinism, such as climate, disease, etc. The oeuvres studied belong to different periods of creation. The working hypothesis is that the essayist remained a lifelong thinker oscillating between the extreme right and the extreme left, as well as a stubborn and metaphysically rejected progressive thinker, but always obsessed with metaphysics and the transcendent. Among the commonpla

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15

Dolidze, Anna, and Tamar Sharabidze. "Psychosemiotics of the dream in Georgian artistic discourse (From realism to modernism)." Signo 47, no. 88 (January 3, 2022): 44–49. http://dx.doi.org/10.17058/signo.v47i88.17381.

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Abstract: The study of the dream phenomenon in Georgian artistic discourse is important because dreaming represents typological universality, although with ethno-national specificity in its performance, enabling us to understand Georgian mentality peculiarity in relation with Western tradition and also because a dream semantics (in its broadest sense), as a cultural concept, encompasses typologically similar events (prophecies, visions, dreams, prognoses, etc.), the function of which in Georgian texts demands special study, as it represents a provoking element of narrative structure. The resea

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16

Muntian, Antonina. "INVESTIGATION OF AN ARTISTIC IMAGE OF A LITERARY WORK (DONNA TARTT’S NOVEL “A SECRET HISTORY”)." English and American Studies 1, no. 16 (September 7, 2019): 172–79. http://dx.doi.org/10.15421/381924.

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The aim of the article is to research the artistic image of a literary work. In modern linguistics, interest to the study of artistic image is traditionally considered to be one of the conceptual. Modern psycholinguistics and literary studies direct their scientific potential into the realm of individualism and anthropocentrism, thus contributing to further “decoding” of the phenomenon of artistic image. It is the artistic image; its essence that reflects the forms of perception of reality by the author and its specific refraction. Artistic image has a variety of functions – not only purely ae

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17

Jeyran Valiyeva, Jeyran Valiyeva. "SCENERY TRADITION IN AZERBAIJAN POETRY (FROM VI-VII CENTURES BC TILL THE MODERN AGES)." PIRETC-Proceeding of The International Research Education & Training Centre 28, no. 07 (October 2, 2023): 39–48. http://dx.doi.org/10.36962/piretc28072023-39.

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The main aim of the article is to study the scenery tradition of Azerbaijan poetry. Literary studies as a science in Azerbaijan began to emerge in the Middle Ages. Travelogue, historical chronicle, dictionary, etc. there are many elements of literary studies in the works, biographical information about the writers is given, quotes from the works are given, the date of their creation, the plot, etc. is talked about. However, the development of national literary studies began directly at the beginning of the 20th century. The subject of the research is to explore the period from VII-VI centuries

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18

Korablyov, Alexander A. "Creation of the World as an Ontology of Creative Predestination: Geopoetics and Theopoetics (On the Example of the Donetsk Literature Genesis)." Historical Geography Journal 1, no. 3 (2022): 44–59. http://dx.doi.org/10.58529/2782-6511-2022-1-3-44-59.

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The article examines the ontological prerequisites of regional creative paradigmatics on the example of the formation of a new Donetsk literature. The Creation concept is chosen as an identification marker repeated in the works of famous Donetsk poets (Boris Lastovenko, Natalia Khatkina, etc.) and Donetsk philologists (Mikhail Girshman, Vladimir Fedorov, etc.). The author analyses poems from N. Khatkina’s debut poetry collection «Touch» (1981), characterizing its literary and conceptuality, as well as a polemical orientation in relation to the methodological principles of the Donetsk philologi

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19

Misyurov, N. N. "Book in the literary discourse of the German Enlightenment." Bibliosphere, no. 4 (December 30, 2018): 27–31. http://dx.doi.org/10.20913/1815-3186-2018-4-27-31.

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The books’ role in the German Enlightenment discourse explores the intersection of different but complementary disciplines: bibliology, philosophy of culture and «text linguistics», as well as the history of literature that expands the possibilities of studying cultural and public communication. A text (magazine, book) is interpreted as a mechanism that controls the process of learning and understanding. To illustrate the study theoretical foundations, the author considers the historical practice of the literary era in Germany in 1770-1790. The struggle of «cilturtregers» to renew German cultu

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20

Timofeeva, A. I. "Image and linguistic personality of the teacher (based on short stories by Anton Chekhov)." Professional Discourse & Communication 2, no. 3 (September 30, 2020): 85–99. http://dx.doi.org/10.24833/2687-0126-2020-2-3-85-99.

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The main purpose of this article is to introduce readers to the linguistic embodiment of the teacher’s image in the short stories by A.P. Chekhov. In recent decades the linguistic personality of the characters of artistic works has often become the subject of thorough linguistic and literary analysis. A.P. Chekhov, being the master of humorous stories, aims at introducing certain features typical only for the images of characters representing various professions but at the same time corresponding to the genre of the work itself. Attention to details, many artistic features are the hallmark of

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21

Božić, Snežana. "Ergodicity, graphism, and multimediality as literary strategies in the literary works by Serbian authors." Zbornik radova Filozofskog fakulteta u Pristini 53, no. 2 (2023): 149–61. http://dx.doi.org/10.5937/zrffp53-43090.

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Starting with the explication of title terms derived from theories of ergodicity (E. Aarseth), new media and visual arts (Mitchell W. J. T., A. Hescher), i.e. from the practice of digital literature and graphic novel, this paper points to their increasingly significant presence within the framework of contemporary Serbian (printed) literature, which is observed as an outcome of the implications of the altered technological-communicational, socio-cultural, and economic contexts on the literary creation and the reception of literature. Are the strategies of ergodicity, graphism, and multimediali

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22

Muratova, N. A., and G. A. Zhilicheva. "Semiotics of the Train in Russian Literature: Intermedial and Metapoetical Aspects." Bulletin of Kemerovo State University 24, no. 1 (April 11, 2022): 50–59. http://dx.doi.org/10.21603/2078-8975-2022-24-1-50-59.

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This article explores the intermedial and metapoetical semantics of the artistic image of a train. This image is part of the artistic semiotics and plays two interrelated roles: it marks the connection between the discourses of cinema and literature and signifies the act of artistic creation. Based on the Russian literature of the ХХ–ХХI century, this article reviews the origins and development of the arrival of a train as a cinematic metaphor, as well as the ways of depicting images in time and space (including the inner space). Before the age of cinema, the classic Russian literature introdu

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23

Tsopanova, R. G., F. A. Tsarikaeva, and E. S. Kachmazova. "Metaphor in Ossetian Literary-Critical Text." Nauchnyi dialog 13, no. 4 (May 25, 2024): 93–110. http://dx.doi.org/10.24224/2227-1295-2024-13-4-93-110.

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The article is dedicated to the study of metaphor as a means of forming scientific concepts and creating expressive-illustrative context. The research aims to identify types and sources of metaphorical transfers in Ossetian literary-critical texts and analyze their functioning as an important part of the language of these texts. The novelty of this study lies in the first-ever analysis of metaphor types in Ossetian literary-critical texts, verbalizing scientific concepts and creating an expressive field specific to scientific discourse. Sources of metaphors and their functions are identified.

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24

Dmitruk, Lyudmila A. "Vocabulary with the Northern Russian dialect base in the Russian literary language." Neophilology, no. 25 (2021): 5–11. http://dx.doi.org/10.20310/2587-6953-2021-7-25-5-11.

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We analyze a number of significant issues of historical lexicology and dialectology related to the development of the Russian literary language, as well as to the study of the nature of its inclusion in the national language. We trace the connection of the codified language with such extra-literary elements as folk patois, vernacular, jargons, we determine their historical significance for the creation in the 18th–19th centuries of a new formation language, built on a democratic basis. Northern Russian patois, including Kostroma, are regarded as the most archaic layer of linguistic phenomena t

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25

Ivlieva, Yuliia. "The Concept of the Pictography as a Background for «Free Hands» Written by Paul Eluard and Man Ray." Fìlologìčnì traktati 12, no. 2 (2020): 22–28. http://dx.doi.org/10.21272/ftrk.2020.12(2)-3.

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This article is part of a deeper study of the phenomenon of "picto-poetry" on the example of Paul Eluard and Man Ray's collection "Free Hands". The article proves the intermediality hypothesis of a collection based on the history of its creation, where the two types of arts not only complement each other, but merge into one, creating new forms and genres of French poetry. The purpose of the study is to determine the nature and imagery of the interaction of visual and verbal codes of artistic reality in the collection "Free Hands", as well as to identify the basic features of the composition "

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26

Маторiна, Наталя. "Провiнцiйний свiт у творчостi Бруно Шульца як елемент авторськоï концепцiï". Studia Wschodniosłowiańskie 22 (2022): 79–98. http://dx.doi.org/10.15290/sw.2022.22.06.

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Bruno Schulz is one of the most original creators of Polish culture of the first half of the 20th century. Recently, interest in Bruno Schultz’s creative work has been growing all over the world. The literary works by Bruno Schulz clearly confirm that his artistic creativity is characterized by extraordinariness in everything: both in the context of artistic works and the author’s concept and the artistic reflection of reality. The writer chooses such characters, such dramatic situations, which allow him to unravel his creative ideas with the greatest expressiveness and evidence, to realize hi

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27

Atamanchuk, V. P. "TRADITIONS OF I. KARPENKO-KARYI IN M. KULISH’ DRAMA: LITERARY ASPECT." Literary Studies, no. 60 (2021): 11–20. http://dx.doi.org/10.17721/2520-6346.60.11-20.

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One of the brightest playwrights of the twentieth century, M. Kulish has synthesized significant artistic achievements of his outstanding predecessors. The Ukrainian playwright has organically combined the achievements of many artistic trends (realism, symbolism, expressionism, “theatre of the absurd”), creating an original, aesthetically and artistically perfect, stylistic system. In dramatic works by M. Kulish, the intersection of diverse semantic and artistic planes, as well as the interaction of different discourses with the involvement of the achievements of world art and philosophy, is c

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Gabysheva, Luiza L'vovna, and Zoya Konstantinovna Basharina. "Anthroponymic space of the novella “Wolves Do Not Sleep” By L. Gabyshev, I. Zozulya: semantics and functions of the name." Litera, no. 9 (September 2020): 142–50. http://dx.doi.org/10.25136/2409-8698.2020.9.33759.

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This article analyzes the anthroponymy of the detective novella &ldquo;Wolves Do Not Sleep&rdquo; (1974) by Lev Gabyshev and Ivan Zozulya, which reflects the author's message, promotes understanding and perception of the text by readers. The subject of this research is the semantics and functions of literary names in artistic space of the text, process of adding meaning, and saturation of content of onym. The goal of this work is to determine functions and multidimensional semantics of anthroponyms based on the internal form of the word, connotations and paronymic associations, as well

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29

Badalov, Oleh. "THE RECITER’S CREATIVITY IN THE CONTEXT OF REGIONAL CULTURAL CREATION (BY THE EXAMPLE OF ACTIVITY BY HONORED ARTIST OF UKRAINE RAISA RESHETNYUK)." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 94–104. http://dx.doi.org/10.25128/2411-3271.19.2.13.

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The purpose of the article is to cover the stages of the life-stage development of the Chernihiv Philharmonic’s reciter, laureate of reciter’s national competitions, Honored Artist of Ukraine Raisa Reshetnyuk (1948–2014), understanding her contribution to the development of Chernihiv region’s culture of the ending of the 20th – the beginning of the 21th centuries. In the field of view of the author – the formation of artistic personality of Raisa Reshetnyuk as the reciter in the late 1970’s, the study of her major literary-and-musical programs “Solo for the Violin and the Clarinet” by the life

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30

Novikova, S. Yu. "Thomas Bernhard: a portrait of the artist in comics." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 8, no. 2 (June 30, 2023): 53–67. http://dx.doi.org/10.18522/2415-8852-2023-2-53-67.

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The article offers an analysis of graphic books based on the works of Thomas Bernhard (1931−1989), the classic of Austrian literature of the 20th century. The material for the study consists of graphic novels, graphic memoirs, and biographical books created by two Austrian artists − Nicholas Maler and Lucas Kummer. The techniques used by the creators in their work with the “hypotext” (G. Genette) − Bernhard&#x27;s dramatic and narrative oeuvre: the play “The World-Fixer” (Der Weltverbesserer, 1978), the novel “Old Masters: A Comedy” (Alte Meister: Komödie, 1985), and the autobiographical n

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Rezvan, Maryam. "Russia and Its Oriental Other: Self‑Cognition Through Mutual Influence (Intermediate Results of One Research Project)." Manuscripta Orientalia. International Journal for Oriental Manuscript Research 26, no. 2 (December 2020): 85–87. http://dx.doi.org/10.31250/1238-5018-2020-26-2-85-87.

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The article aims at presenting the project Russian Orientalism (Science, Art, Collections), conducted by the team of researchers from the KunstkameraMuseum (St. Petersburg). We offer the reader an interpretation of orientalism, as having an inner unity of the way of perception and vision of the East, its co-creation, expressed in a wide variety of aspects: professional and scientific, artistic, everyday, etc. The resulting book shows that Russia's and “Orient” mutual history testifies to a continuous dialogue, through which we, realizing our dissimilarity, try to understand not only the Other,

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32

Belyaeva, Tatyana Nikolaevna. "The Role of Folklore in the Formation of the Genre of the Satirical Novel (based on the Material of the Mari Literature of the First Third of the XX Century)." Litera, no. 12 (December 2022): 66–74. http://dx.doi.org/10.25136/2409-8698.2022.12.39402.

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This article examines the problem of folklore and literature based on the material of the Mari national literature of the first third of the twentieth century. The subject of the study is the role of folklore traditions in the formation of the genre of the satirical novel. The influence of folklore images-characters, genres of oral folk art (fairy tale, proverb, saying, etc.), their poetics and stylistics on the process of formation of Mari national literature, on the birth of the first Mari satirical novel – N. V. Ignatiev's novel "Savik" is shown. In such a scientific and theoretical aspect,

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33

Sizova, Irina I. "Little-known Details from the History of the Creation of L.N. Tolstoy’s Play “The Power of Darkness” (1886) and Its Staging in “Skomorokh” Theater (Based on the Materials of the Russian State Archive of Literature and Art and Periodicals of the Second Half of the 19th Century)." Literary Fact, no. 2 (28) (2023): 156–70. http://dx.doi.org/10.22455/2541-8297-2023-28-156-170.

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The article arranges little-known details from the history of the creation of L.N. Tolstoy’s folk play “The Power of Darkness” (1886) and its staging in “Skomorokh” Theater (1886–1887, 1895) in chronological order. The article presents a historical and literary review of the “Skomorokh” Theater (1882–1897) as one of the city’s professional theaters for the public audience before and after the intersection of its repertoire with Tolstoy’s work on the basis of materials from the Russian State Archive of Literature and Art (RGALI), namely memoirs of the theater’s entrepreneur M.V. Lentovsky, the

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Ignatenko, Alexander V. "Features of the Language Game in Liu Zhenyun’s Prose on the Example of the Novel “I am not Pan Jinlian”." Vestnik of Saint Petersburg University. Asian and African Studies 14, no. 3 (2022): 507–23. http://dx.doi.org/10.21638/spbu13.2022.308.

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The paper discusses stylistic techniques and means of creating a language game on the example of the novel “I am not Pan Jinlian” (2012) by Liu Zhenyun. The emphasis is on the search for new orderings in the language game within the framework of the artistic universe. Studies of Liu Zhenyun’s artistic discourse today are included in various linguistic, literaryand cultural landscapes, but they are fragmentary in nature and are presented, as a rule, on local material. The language, artistic features and idiosyncrasy of the writer can be considered practically unexplored, which determines the re

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Safonova, Tatyana. "Functions of Phraseological Units in Detective Prose of B. Akunin." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 3 (November 2019): 130–39. http://dx.doi.org/10.15688/jvolsu2.2019.3.10.

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The author considers the problem of stylistic functions of linguistic units in modern Russian prose works through analyzing phraseological units in the detectives of B. Akunin. The article presents the most frequent types of phraseological units (idioms, set phrases, proverbs, sayings, popular expressions and other types of clichéd utterances) as representation of a personal literary style of this author. The research results point to their stylistic variety with high literary, colloquial, low colloquial, and slang units among them. The major types of phraseological unit conversion are disting

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Zarkalam, Sattar, and Amin Rooholamini. "Protecting Related Creations to Fashion in the Framework of Literary and Artistic Property Rights of Iran and France." Journal of Politics and Law 10, no. 5 (November 29, 2017): 157. http://dx.doi.org/10.5539/jpl.v10n5p157.

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In today’s world where the process of development and the industry is evolving more rapidly than expected, the legal notions are going forward on their compliance in line with these developments. The increasing development of intellectual property rights and their samples is an example of this change. One of the most important issues and instances of this tendency in legal rights is associated with fashion productions and creations. France, as one of the greatest leading country in fashion industry since long time ago, has legally protected the dress and beautiful creations in the intellectual

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Marinova, Elena V. "Network communication and its genres as objects of artistic representation (based on Russian literature)." International Journal “Speech Genres” 31, no. 3 (August 25, 2021): 216–25. http://dx.doi.org/10.18500/2311-0740-2021-3-31-216-225.

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The article analyses a new compositional peculiarity of modern fiction – the introduction of a text fragment related by its lexical and graphic features to one of the genres of network communication (chat, blog, electronic mail, etc.) into the structure of the literary works. The dialogue between characters, who communicate on the Net, becomes one of the stable text-forming means, performing various artistic tasks, including formation of the plotline, creating the image (atmosphere) of the time period, character images, reflection of “language taste of the epoch”, and so on. The reproduction o

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Zhang, Yichi. "Film as Art: From Art Theory to Film Theory." Scientific and Social Research 6, no. 2 (February 28, 2024): 173–78. http://dx.doi.org/10.26689/ssr.v6i2.6275.

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This article uses the introduction of the book Film as Art, the definition and interpretation of the concept of “film,” the connotation and extension of “film art,” the necessity and possibility of “film art” research, etc. to analyze China’s important theoretical issues in the development of film theory are sorted out and reflected on. The article believes that in the context of globalization, the development of Chinese film theory faces many theoretical issues, such as the independent character of the theory itself, the relationship between theoretical research and creative practice, and the

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Shmeleva, A. V., A. E. Lomatova, and E. D. Luneva. "Sister of Mercy – Baroness Yu.P. Vrevskaya. On the Issue of Creating an Artistic Image." Язык и текст 9, no. 1 (2022): 67–82. http://dx.doi.org/10.17759/langt.2022090106.

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The article is devoted to Baroness Yu.P. Vrevskaya, who, despite her status and position in society, became a sister of mercy. Russian and European authors dedicated their best works to her. Yu.P. Vrevskaya became a symbol of sacrificial love. The origins of her feat, which are rooted in her "military" childhood and upbringing, are considered; reading the works of Russian classics, in particular, I.S. Turgenev, determined her character, and early widowhood formed a special path – the path of service to one's neighbor. Reflections on the fate of Yu.P. Vrevskaya became the subject of creative di

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Wenzel, Ryszard. "Science fiction and fantasy in general education." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 19/2 (June 15, 2022): 119–63. http://dx.doi.org/10.26881/bp.2022.2.05.

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This article deals with the possible application of the genres of science fiction (SF) and fantasy – novels, short stories, films, dramas, spectacles etc. in secondary schools as part of the programme of general education. The discussion concerns both the production and the reception of such works by the students. The purpose of this educational proposal is to introduce in the system an opportunity for the students to coordinate and consolidate creatively the knowledge and the skills acquired in the classes of all the other disciplines of the curriculum. The basic assumption of the thesis is t

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Chikhladze, Nino. "Artistic Decoration of Art Café Khimerioni and its Cultural Context." Caucasus Journal of Social Sciences 8, no. 1 (November 13, 2023): 121–34. http://dx.doi.org/10.62343/cjss.2015.148.

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In the early 20th century, artistic café clubs and café cabarets, as places where artistic leaders gathered and venues for creativity events, were spread across Europe and Russia. Similar places were also found in Tbilisi (Fantastic Tavern, Argonauts’ Boat, Peacock’s Tale, etc.). Although Khimerioni seemed similar at the first sight, it still differed from the others due to its function, status and the character of its decoration.Initially Khimerioni was considered as the first house of Georgian Writers in 1919. Unlike the intimate art cafes, the large space of Khimerioni consisted of several

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Kononenko, Vitalii. "The I-Author Image in the Structure of Literary Discourse." Journal of Vasyl Stefanyk Precarpathian National University 9, no. 2 (July 28, 2022): 25–34. http://dx.doi.org/10.15330/jpnu.9.2.25-34.

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The article studies the basis of the functional use of the author's self-image (I-author) as a constituent part of the literary discourse. The literary author’s position is based on them being the subject of study, a generalized carrier of the national culture of a certain period; this image may lose their personification features and become the interpreter of the traditional knowledge. At the same time, the author’s perception as the one conveying artistic relies on the theory of communicative activity, narratology, linguopoetics, stylistics, psycholinguistics, etc. The image of the I-a

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KOZII, Olha. "EXPRESSIVE GRAPHICS AS A COMPONENT OF THE LANGUAGE GAME IN LEWIS CARROLL’S LITERARY FAIRY TALE ALICE’S ADVENTURES IN WONDERLAND." Astraea 5, no. 1 (2024): 53–70. http://dx.doi.org/10.34142/astraea.2024.5.1.03.

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The fairy tale “Alice’s Adventures in Wonderland” by Lewis Carroll is one of the most popular children’s literary works, which has not lost its relevance for almost 160 years. During this time, the phantasmagoric story was never taken out of print, and was translated into 174 languages. The main aim of the article is the analysis of graphical stylistic devices in Lewis Carroll’s fairy tale “Alice’s Adventures in Wonderland”, which is a real cultural phenomenon. Linguistic and extra-linguistic devices create the world of the tale.The methodology includes literature review related to the topic;

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Boichenko, Mykhailo, and Bohdan Bondarchuk. "Language creativity and the estrangement of language: not friends, neither enemies of the translator." Filosofiya osvity. Philosophy of Education 26, no. 2 (June 25, 2021): 155–67. http://dx.doi.org/10.31874/2309-1606-2020-26-2-11.

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The article is devoted to the analysis of the special place of language creation and the estrangement of language in literary and professional translation. The research methodology is determined by the search for a balance between the approach to the internal form in Oleksadr Potebnia’s school and to the external form in literary formalism. To make translation a solid foundation for education, it must be correct. The reliability of translation should be based on adequate translation practices, which are determined by following the correct principles of handling the language of translation. Her

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Turysbek, R. S., and U. Samenkyzy. "THE REVERSE IMPACT OF THE «SOCIALIST REALISM» METHOD IN CREATING A HERO'S PERSONALITY AND MODERN KAZAKH NOVEL." Bulletin of Dulaty University 1, no. 13 (March 26, 2024): 39–46. http://dx.doi.org/10.55956/bjzh5861.

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The era of the Soviet Union proved that real national literature cannot be created under colonialism. The "socialist realism" method created by the authorities had a reverse impact on the nature of the artistic image. The characters in the work are politicized. Special attention was paid to the class division (rich and poor), and the images were depicted one-sidedly. The collapse of the USSR allowed the development of a new type of literature in the post-Soviet countries. In the research paper, we made comparisons, and the damage caused by the method of "socialist realism" to fiction is mentio

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Fedakar, S. "THE REVERSE IMPACT OF THE «SOCIALIST REALISM» METHOD IN CREATING A HERO'S PERSONALITY AND MODERN KAZAKH NOVEL." Bulletin of Dulaty University 14, no. 2 (May 20, 2024): 54–61. http://dx.doi.org/10.55956/efyh1176.

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The era of the Soviet Union proved that real national literature cannot be created under colonialism. The "Socialist realism" method created by the authorities had a reverse impact on the nature of the artistic image. The characters in the work are politicized. Special attention was paid to the class division (rich and poor), and the images were depicted one-sidedly. The collapse of the USSR allowed the development of a new type of literature in the post-Soviet countries. In the research paper, we made comparisons, and the damage caused by the method of "socialist realism" to fiction is mentio

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Bashkir, Olha, Oksana Zhukova, and Bi Yun. "The Competence Paradigm of the Future Teacher of Choreography: the Experience of the PRC." Professional Education: Methodology, Theory and Technologies, no. 16 (November 30, 2022): 43–58. http://dx.doi.org/10.31470/2415-3729-2022-16-43-58.

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The issues of professional training of future teachers of choreographic disciplines have always aroused the researchers’ interest. A number of historical and pedagogical, experimental studies highlight the issues of training, forming the readiness of specialists in choreography. However, comparative studies, where the comparing of the experience of the leading countries of the world in training specialists in a particular specialty is progressive and contributes to the adaptation of the best practices in the work of the higher education institutions, are gaining significant demand among scient

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Tasalyan, Anush. "Diversity, structural and linguistic features of the genre poetry of the 1920s by Yeghishe Charents." JOURNAL FOR ARMENIAN STUDIES 1, no. 60 (March 27, 2023): 100–108. http://dx.doi.org/10.24234/journalforarmenianstudies.v1i60.36.

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At the beginning of the 20th century, a new era began in the fields of world and Russian literature, art and culture, which Armenian literature could not remain indifferent. The theoretical foundations of taking the progress of the post-October art in a new direction, to changing the plan of the poem, enriching the content, of looking for new methods and ways of creating images were presented in declaration in three, which being the first attempt in that direction was naturally not free from controversial formulations. In the quest to take the literary and artistic developments in a new direct

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Y.Y., Yevtushevska. "The modern comic theories in the light of literary translation. Multidisciplinary approach." Studia Philologica, no. 22 (2024): 69–80. http://dx.doi.org/10.28925/2412-2491.2024.225.

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The article investigates and systematizes modern theories of comic as a culturally specific phenomenon based on multidisciplinary approach. The comic as an interesting and multifaceted phenomenon has been of interest to researchers since antiquity. However, defining the concept of “comic” and its belonging to a certain scientific discipline still poses certain difficulties for scientists. In the light of modern studies, researchers prefer to study this phenomenon at the intersection of several sciences with the involvement of the theoretical base of such disciplines as linguistics, cultural st

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Diachenko, Nataliia, and Olesia Kydysiuk. "Verbal representation of monster’s image in works for children of modern Ukrainian authors." Philological Review, no. 2 (December 5, 2021): 15–22. http://dx.doi.org/10.31499/2415-8828.2.2021.246060.

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The article investigates the peculiarities of the linguistic representation of monster image in modern Ukrainian children’s literature. The literary discourse of fear and monster image is presented. From the communicative-pragmatic point of view, the traditional, usual images of monster, in particular Babay and Chupacabra, are compared with their counterparts from the works of such popular Ukrainian writers. New images of the monster, the appearance of which was caused by the COVID-19 pandemic, are characterized. The purpose of the article is to investigate the peculiarities of the lingu

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