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Dissertations / Theses on the topic 'Creation myth'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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1

Dorman, Daniel. "Creation Myth." Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1493918336967034.

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2

Vcislo, Mark Vance. "Sartre's creation myth." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0016/MQ27551.pdf.

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3

Thompson, Mary Antoinette. "Foreign development workers in Guatemala, the evolving creation myth of one's self." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ64928.pdf.

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4

Geyer, Mary. "Robert Richard Torrens and the Real Property Act : the creation of a myth /." Title page, contents and conclusion only, 1991. http://web4.library.adelaide.edu.au/theses/09AR/09arg397.pdf.

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5

McDonald, Kendra Lynne. "The creation of history and myth in Mary Boykin Miller Chesnut's civil war narrative /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487942182325108.

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6

Gowdy, Robert Douglas. "Redemption and the Other: The Supernatural Narrator and the Intertextual (Sub)version of the Miltonic Command." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2530/.

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In literary discourse from the Genesis creation myth through John Milton's Paradise Lost and beyond, Eve has been patriarchally considered to be the bringer of Sin and Death into the world. In Paradise Lost Eve is depicted as deceiving Adam into the Fall by way of the Serpent. Paradise Lost creates a Miltonic command that helps to further blame Woman for Sin and Death. Milton's poem is based on the Genesis creation myth written by Canaanite authors. In this myth the Canaanite authors wished to rid the world of Goddess worship and, by humanizing Eve, they successfully obliterate that form of wo
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7

Blank, Alyssa S. "The Framing of Myth in the Creation of a Palestinian Identity: Hamas, Fatah and Children’s Media." Thèse, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/19934.

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This thesis is an exploratory examination of identity construction and children’s media, with a focus on the Palestinian political groups of Fatah and Hamas. It looks at how children’s media are framed within the context of the Arab-Israeli conflict. It examines how internal and external social factors contribute to identity formation and the interaction among these elements during times of conflict and war. This thesis hypothesizes that both Fatah and Hamas use various myths to differing degrees in order to frame their conception of a Palestinian identity. Specifically, it explores the use of
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Fremeth, Howard. "The creation of Telesat: Canadian communication policy, Bell Canada, and the role of myth (1960-1974) /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2098.

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9

Potter, Bradley G. "Constructing Caesar Julius Caesar's Caesar and the creation of the myth of Caesar in history and space /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1086197240.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Document formatted into pages; contains 158 p. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 June 2.
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10

Orth, Michael D. "Mirages Solidified: Myth, Beautification, and Tourism In The Creation of Santa Barbara’s El Pueblo Viejo Landmark District." DigitalCommons@CalPoly, 2011. https://digitalcommons.calpoly.edu/theses/615.

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A number of books and articles have been written on the social movement to reimagine Southern California’s past in the nineteenth and early twentieth centuries. While many of the pageants, parades, and public displays that defined this regional movement now reside in the pages of history, some architectural examples from this period are still visible today. In many cities, these examples are scattered throughout the community; while in others like Santa Barbara, they represent the centerpiece of the city’s architectural distinctiveness. Santa Barbara’s architecture challenges urban scholars to
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Potter, Bradley G. "Constructing Caesar: Julius Caesar’s Caesar and the creation of the myth of Caesar in history and space." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1086197240.

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12

Anderson, Vera. "Numerology as the base of the myth of creation, according to the Mayas, Aztecs, and some contemporary American Indians." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186236.

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This dissertation intends to demonstrate the impact of numerology in every aspect of the lives of ancient precolombian people as well as several contemporary American Indian tribes. For this reason numerology may be viewed as a true science, that is both an esoteric and a philosophical one. Thus, numbers may be looked upon not only as abstract signs, but as all inclusive entities in and of themselves. To the ancients, numerical symbols had an occult connotation that transcended the restrictive boundaries of simple computation. For instance, numerology had an integral role in Maya, Aztec, and s
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13

Edley, Christopher. "Riding into myth: Manifest Destiny, Nietzschean ethics and the creation of a new western frontier mythology in Cormac McCarthy’s Blood Meridian." Thesis, Rhodes University, 2017. http://hdl.handle.net/10962/7334.

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Cormac McCarthy’s Blood Meridian or the Evening Redness in the West is a provocative evocation of the American West that has attracted a wide range of critical responses. This study has three foci: the novel as epic myth, McCarthy’s critique of Manifest destiny, and the influence of Nietzschean philosophy on the judge and McCarthy’s portrayal of the human condition. These concerns conduce to an alternative reading of the conclusion of the novel. Blood Meridian is a unique textual enterprise as it both conforms to and subverts mythic conventions associated with both Classical epic and the Ameri
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14

Powers, Riva R. "A Little Pozo Underfoot." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1407454840.

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Souza, Filho Adilson de. "A desconstrução do conceito de saga na Teologia da Criação em Karl Barth." Universidade Metodista de São Paulo, 2012. http://tede.metodista.br/jspui/handle/tede/204.

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Made available in DSpace on 2016-08-03T12:18:55Z (GMT). No. of bitstreams: 1 Adilson de Souza Filho.pdf: 1355236 bytes, checksum: 485c182c6fff3414c9acd232d7f61fc8 (MD5) Previous issue date: 2012-01-30<br>What characterizes academic research in a doctoral course is that it should fulfill two fundamental requirements. The first is the element of innovation, the ability to enrich research on the theme. The second is that it should promote new ways of reading. We therefore believe that this thesis has met the expectation, the innovative element of this research being the deconstruction of the co
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Herculano, Josimar Rodrigues. "Arte como necessidade da existência na filosofia de Nietzsche." Universidade Federal da Paraí­ba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/5603.

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Made available in DSpace on 2015-05-14T12:11:45Z (GMT). No. of bitstreams: 1 Arquivototal.pdf: 502250 bytes, checksum: d6ef4059bb19858eff76156ae0402621 (MD5) Previous issue date: 2011-10-31<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The art that in Nietzsche s philosophy goes through all his lifetime and beyond that stretches for all posterity, is in this paper approached as being, according to philosophical thinking, the highest of the existential forms. In a consequent way, this leads to the understanding and acknowledgement that art is, in all the forms th
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Rodin, Therese. "The World of the Sumerian Mother Goddess : An Interpretation of Her Myths." Doctoral thesis, Uppsala universitet, Religionshistoria, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-228932.

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The present study is an interpretation of the two myths copied in the Old Babylonian period in which the Sumerian mother goddess is one of the main actors. The first myth is commonly called “Enki and Ninḫursaĝa”, and the second “Enki and Ninmaḫ”. The theoretical point of departure is that myths have society as their referents, i.e. they are “talking about” society, and that this is done in an ideological way. This study aims at investigating on the one hand which contexts in the Mesopotamian society each section of the myths refers to, and on the other hand which ideological aspects that the m
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Carreiro, Marcos Vinícius Nunes. "The Silmarillion e o desenvolvimento de uma nova mitologia no século XX." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7917.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2017-10-26T14:29:04Z No. of bitstreams: 2 Dissertação - Marcos Vinícius Nunes Carreiro - 2017.pdf: 1259484 bytes, checksum: 93e0acfffc760a381c1ad008d52a515e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-10-26T14:32:37Z (GMT) No. of bitstreams: 2 Dissertação - Marcos Vinícius Nunes Carreiro - 2017.pdf: 1259484 bytes, checksum: 93e0acfffc760a381c1ad008d52a515e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e
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Bittarello, Maria Beatrice. "The re-creation of ancient classical religions on the World Wide Web : Neopaganism as contemporary mythopoesis." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/226.

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The thesis argues that Neopaganism on the Web is an example of mythopoesis and aims at showing both the novelty and the limits of such mythopoesis. I use the term "mythopoesis" in its original Greek meaning, i.e. "the creation (the making/crafting) of a myth or myths", thus stressing the dynamic way in which the process of creation (of myths, rituals, divinities, identities—all implicitly or explicitly played out, connected, and organised as "stories", which can be told, written or performed, as well as represented as images) unfolds in Neopaganism. Neopagan mythopoesis on the Web is new, orig
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Puyôou, Bianca. "Pygmalion, un mythe génésiaque. Conceptions et représentations du pouvoir créateur." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040215.

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Ce travail herméneutique interdisciplinaire où littérature et philosophie intimement s’entremêlent et dialoguent avec les sciences dites dures, s’est tout d’abord employé à définir la notion de mythe comme type de récit littéraire illustrant une prise de position quant à une question métaphysique et a révélé le récit ovidien de Pygmalion comme un mythe génésiaque au cœur duquel se trouve l’homme. Cheminant du XVIIIe au XXe siècle au fil de l’histoire des idées européennes, il s’est ensuite arrêté sur les différentes productions littéraires allemandes, françaises et italiennes réinvestissant le
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21

Lagrou, Sarah. "La création poétique dans le théâtre grec classique ou comment surprendre toujours dans un cadre traditionnel : l’exemple du mythe d’Œdipe dans la tragédie grecque." Thesis, Lille 3, 2016. http://www.theses.fr/2016LIL30012.

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Cette thèse de doctorat vise, à partir de l'exemple que constitue le traitement du mythe d'Œdipe par les trois dramaturges que sont Eschyle, Sophocle et Euripide, à comprendre comment les tragiques grecs, qui traitaient toujours des mêmes histoires, et suscitaient pourtant l'intérêt du public, ont su renouveler la création théâtrale, en parvenant à ne pas faire les mêmes pièces à partir des mêmes légendes. Certes, la matière mythique n'était pas figée en soi ; toutefois, comme la tragédie était un genre très codifié dans sa structure et relativement limité en termes d’effets visuels, c'est sur
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Holmes, Thomas W. "Creation Myths." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1243973511.

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23

Valverde, Campos Juan Carlos. "De l'écologie à l'écosophie : l'intuition de Raimon Panikkar." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAK007/document.

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La crise environnementale a bouleversé la vie de l’homme et toutes ses activités. L’écologie a essayé de trouver des solutions aux problèmes qui nous assaillent, mais elle reste toujours dans le même logos qui nous a mis dans ces difficultés. La théologie, quant-à elle, s’est intéressée depuis peu de temps à cette question. Elle a répondu aux reproches qui lui ont été adressés avec une théologie renouvelée de la création. Notre auteur, Raimon Panikkar, propose de compléter cette approche avec une nouvelle théologie trinitaire. C’est ce qu’il a appelé l’« intuition cosmothéandrique » qui établi
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24

Escurignan, Soizic. "Le récit des origines dans la « Estoria de España » d'Alphonse X le Sage (1252-1284)." Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30030.

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La Estoria de España a été rédigée sous l’égide du roi Alphonse X le Sage, roi de Castille et du León (1252-1284). Elle retrace l'histoire de l'Espagne et plus spécifiquement de la Castille, des origines jusqu'au XIIIe siècle. Si beaucoup de chercheurs de renom ont étudié la Estoria, tous ces travaux, par ailleurs indispensables, ne proposent qu’une vision partielle de la chronique. Aucune étude d’ensemble n’a été consacrée au récit des origines jusqu’à Pelayo, alors qu’il nous semble que ce récit occupe justement un rôle fondamental dans la Estoria. Les 565 premiers chapitres ne peuvent être
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Morel, Dorothée. "Le mythe du golem, de la créature au créateur." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040241.

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Le mot golem, un hapax biblique traduit de l’hébreu golmi, présent dans le Psaume CXXXIX,16, désigne la forme du premier homme avant son animation par le souffle divin. Le plus souvent traduit par « embryon » ou « masse informe », son sens a généré une exégèse considérable.De la tradition juive, le mot en arrivera à désigner un homme artificiel, et sa création sera attribuée à de pieux rabbins dans une perspective d’imitation Dei, selon une interprétation magique du Sefer Yetsirah ou « Livre de la Création » qui en contiendrait la clé. L’expérience doit prouver la puissance créatrice des lettr
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Castaldo, Lundén Elizabeth. "Jaws: Creating the Myth of the Man-Eating Machine." Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-89349.

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Jaws(Universal Studios, 1975) set a new standard for Hollywood film production byintroducing the concept of “summer blockbuster,” for a film that changed the way inwhich people thought about sharks. 37 years after the release of the movie, the idea of sharks as ferocious man-hunters still looms large in public opinion. Thisconceptualization of sharks as ruthless killers is mythical rather than factual, and thisresearch tracks the mechanisms that propelled the idea deep into popular culture.The dissertation addresses the problematics of media constructions through a casestudy of the movie Jawsd
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DRUENER, ULRICH. "Richard wagner - la creation artistique entre l'ideologie et le mythe." Université Marc Bloch (Strasbourg) (1971-2008), 1987. http://www.theses.fr/1987STR20036.

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On constate que la creativite de wagner n'a pas encore ete etudiee. Celle-ci est un phenomene d'une intensite psychique et affective considerable, demandant des processus compensatoires particuliers. L'ideologie, d'une part, assure partiellement cette compensation, d'autre part elle constitue la motivation a la creation artistique. Vu cette connexion etroite de l'art et de l'ideologie, il convient de retracer cette derniere dans l'oeuvre. L'ideologie, forme consciente de la pensee, ne parvient pas a penetrer directement dans l'oeuvre d'art, les impulsions essentielles pour cette derniere etant
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Findlay, Linda. "Murky waters: navigating through the myths and rules of art making /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2337.

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Dyer, Emily L. "Sugar Nine: A Creative thesis." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1342.

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This collection of short stories explores the different ways women tolerate violence in exchange for some form of validation. The narratives focus on women and the reverberations of small moments which carry violent mass. While the violence occasionally includes physical elements, the collection is more concerned with the ways women accept emotional and psychological violence—specifically from men. Themes, motifs and symbols from the Clytie-Helios myth are threaded throughout the collection as well as a concern for space and touch, art and the creation of art, silence and voice. All of these e
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30

Pontes, Antonio Ivemar da Silva. "A "influência" do mito babilônico da criação, enuma elish, em Gênesis, 1,1 -2,4a." Universidade Católica de Pernambuco, 2010. http://www.unicap.br/tede//tde_busca/arquivo.php?codArquivo=495.

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Dentre os vários campos de interesse das Ciências da Religião, o sagrado e seu impacto nas culturas dos diversos povos e épocas, tem sido objeto de estudo para muitos que enveredam nesse campo tão vasto. Através de pesquisa bibliográfica, o presente trabalho, à luz das Ciências da Religião, se presta a fazer uma análise hermenêutica comparativa sobre a relação entre o poema babilônico da criação, Enuma Elish, e o relato bíblico da criação em Gênesis 1,12,4a. Esse estudo, que tem como base a Teologia Comparada, busca fazer uma análise sobre a influência que uma cultura exerce quando interage co
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Nordmark, Ida. "Människan som skapare, eller Den moderne Gud : Skapelseberättelsen som den skildras i Clay och Amnesia: A Machine for Pigs genom Milton och Shelley." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156040.

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This thesis concerns the themes of godhood and creation in modern, secular works. Using literary analysis, the thesis examines how the creation myth and the relationship between creator and creation is written in David Almond’s novel Clay and the video game Amnesia: A Machine for Pigs, in comparison with how the same relationship is presented in Frankenstein and Paradise Lost. The thesis focuses on how the different works portray the themes of god, creation, original sin, and atonement, where the portrayals differ and where are the same. It ends with a discussion on how modern, secular stories
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Polycarpou, Charis. "(RE) creating a theatre of myth : pedagogy and cultural heritage in a theatre for Cypriot youth." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/3648/.

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This thesis will argue that the contemporary educational system of Cyprus denies young people opportunities to participate in the creation of their culture, which can provide the nest for the exploration and understanding of their individual and collective lives. Culture, in schools, is treated not as a dynamic process in which the young people can play the main role but instead as a static field of knowledge that should be studied and learnt. This approach, however, contradicts the same principles that were the foundations of the ancient culture that the young Greeks have inherited from the p
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Moro, Simonetta. "Re-constructing Babel : the history and creative possibilities of a myth, explored through text and installation." Thesis, University of Central Lancashire, 2003. http://clok.uclan.ac.uk/20904/.

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This thesis and related artwork examines the layers of meaning around the Tower of Babel and how the myth can be visually represented today. This thesis attempts to give new readings to the myth drawing on history, literature, philosophy and architectural writings while using multi-media visual experimentation to highlight the contemporary experience. The Tower of Babel acts as a generator of the creative process and provides a structural framework for the motivation of my creative practice. Throughout the written thesis the relationship between the myth and a possible contemporary reality is
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NEMEYABAHIZI, DESIRE. "Metaphores et production du texte dans la creation narrative d'andre gide." Paris 8, 1996. http://www.theses.fr/1996PA081156.

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A partir des metaphores animales et des metaphores du corps, la these montre que, dans l'inconscient, la creation narrative d'andre gide nait d'un double fantasme : le meurtre et la devoration de la mere. Ce fantasme engendre l'histoire et le texte-langage. Elle exploite les elements des psychanalises freudienne et jungienne, de la critique de l'imaginaire, et de la theorie du texte contemporaine enrichie par la linguistique et ses differents courants. Elle restitue les mecanismes de mise en place des scenarii narratifs, des personnages, des themes, et du langage lui-meme. Elle met en evidence
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Moss, Maria. "We've been here before women in creation myths and contemporary literature of the Native American southwest /." Münster : Lit, 1993. http://catalog.hathitrust.org/api/volumes/oclc/30100337.html.

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Marshall, Lea. "No Greater Weight." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/408.

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Writing these poems over the last several years has been both challenge and solace. Many of them have been written under great constraints of time and energy, in flashes of insight (sometimes even at stop lights), and later revised. Taken together, they reflect preoccupation with the weight and heft of a thinking life in many different manifestations: internal, domestic, aesthetic, political. The writing of them has created for me quiet places for both close looking and expansive thinking, and into these places I hope my readers can walk, through the poems themselves.
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Brissette, Pascal. "La malédiction littéraire : constitution et transformation d'un mythe." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84481.

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Long before the publishing of Verlaine's Poetes maudits , it has been written and thought, in various circles and contexts, that writers of genius were doomed to an unhappy life. Nevertheless, it was only about 1760--1770 that the conditions allowing for the emergence of a myth of the unhappy writer were gathered. This myth affirms the christlike vocation of the author and associates greatness to unhappiness. This thesis seeks to understand this mythical phenomenon within a historical perspective. The first part recounts the three principal families of topoi associated, before 1770, to
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PONTES, Antonio Ivemar da Silva. "A "influência" do mito babilônico da criação, enuma elish, em Gênesis, 1,1 -2,4a." Universidade Católica de Pernambuco, 2010. http://tede2.unicap.br:8080/handle/tede/886.

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Submitted by Biblioteca Central (biblioteca@unicap.br) on 2017-10-09T17:44:47Z No. of bitstreams: 1 dissertacao_antonio_ivemar.pdf: 1096527 bytes, checksum: 04caca28bec8ca4eec2bb92ac535426f (MD5)<br>Made available in DSpace on 2017-10-09T17:44:47Z (GMT). No. of bitstreams: 1 dissertacao_antonio_ivemar.pdf: 1096527 bytes, checksum: 04caca28bec8ca4eec2bb92ac535426f (MD5) Previous issue date: 2010-07-26<br>Among the various fields of interest of the Religion Sciences, the sacred and its impact over the cultures of different peoples and ages, has been studied by many who go through that vast fie
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McCracken, Heather. "Creating Postcolonial National Heroes: The Revisionist Myths of W.B. Yeats and James Joyce." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1472725837.

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Klasovsky, Stokely James. "The Sailor Did as the Devil Bade." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1269032153.

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Nord, Johan. "NASA på Nya äventyr i rymden : Populariseringen av den amerikanska visionen om rymden." Thesis, Linköping University, Department for Studies of Social Change and Culture, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-12029.

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<p>The purpose of this thesis is to bring forward and discuss the American vision for space exploration found at NASA's homepage, how the vision is popularised and why. NASA's homepage is analyzed as popularized science and the theoretical perspective emanates from the field of popular science and especially the work of Johan Kärnfelt. The historical reference is made up by Howard E McCurdy and he's thoughts about space and the American imagination. The analysis is based on a number of documents that popularize the vision for space exploration and is intended for the public. These documents de
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Doerr, Sarah A. "The man and the creation : an inquiry into the modern fascination of king Tutankhamun." Honors in the Major Thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1075.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>Humanities
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Navarro, Aliste Daniela. "Miltonic influence in John Keats: creative process of reshaping myths in Hyperion and The fall of Hyperion: a dream." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/137777.

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Spiteri, Michael Richard, and redgreen@bigpond net au. "Theatre of light - living images in shadows and light." RMIT University. Creative Media, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090709.140613.

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How the artist deals with death, loss and the spiritual has been a major theme of art throughout history. New media tools provide renewed opportunity to explore these themes while testing the tools against a familiar subject. This research attempts to deal with these themes by examining and reinterpreting them through myths while evaluating the tools of creative media. In so doing, this has the potential to uncover any revealing insights that are relevant to the times. The project uses myth to explore the potential of the interaction between 2D digital images and 3D virtual environme
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Manesco, Lara Maria Arrigoni. "Para além de Penélope: a tessitura mítica e intertextual em contos da literatura brasileira." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-08052018-101003/.

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O trabalho investiga o tema da criação artística em contos brasileiros do século XX por meio da retomada da figura mítica da fiandeira e também indaga de que maneira tal diálogo intertextual com o mito pode ampliar as possibilidades de leitura dos textos em análise. Para tratar tal questão, o recorte apoia-se em narrativas em que a imagem mítica da tecelã é reelaborada como criadora de textos, de receitas culinárias, de tecidos artísticos urdidos em teares modernos, ainda que em constante diálogo com o mito. A pesquisa busca revelar, em um primeiro momento, uma reatualização do mito das tecede
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Szabo, Bobbie. "Love is a Cunning Weaver: Myths, Sexuality, and the Modern World." Kent State University Honors College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1493247491671522.

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47

Alegrette, Alessandro Yuri. "Frankenstein : uma releitura do mito de criação /." Araraquara : [s.n.], 2010. http://hdl.handle.net/11449/91524.

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Orientador: Maria Clara Bonetti Paro<br>Banca: Karin Volobuef<br>Banca: José Garcez Ghirardi<br>Resumo: A dissertação de mestrado, "Frankenstein: uma releitura do mito de criação", tem como principal objetivo demonstrar como a escritora inglesa Mary Wollstonecraft Shelley, por meio de seu romance Frankenstein, ou o moderno Prometeu (1818), conseguiu criar um novo mito, isto é, o mito de Frankenstein, contribuiu para a renovação do romance gótico e para a criação de uma nova modalidade literária - a ficção científica. No primeiro capítulo foi realizado um estudo sobre as origens, característica
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Šimůnková, Vendula. "Rozvoj tvořivosti u zaměstnanců." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-17066.

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The main topic of the diploma thesis is creativity and its function in CIE Automotive company in Valašské Meziříčí. Creativity is the integral part of personal and working life of each person. It influences the ability of the company to react to possible changes and it can also dramatically influence the existence and prosperity of the whole company. CIE Automotive is an important supplier in automobile industry. In a long term the company faces lack of support and development of creativity of its employees. The main aim of the thesis is to explore the relation of CIE Automotive employees to c
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Jeffrey, Johnson Kirstin Elizabeth. "Rooted in all its story, more is meant than meets the ear : a study of the relational and revelational nature of George MacDonald's mythopoeic art." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1887.

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Scholars and storytellers alike have deemed George MacDonald a great mythopoeic writer, an exemplar of the art. Examination of this accolade by those who first applied it to him proves it profoundly theological: for them a mythopoeic tale was a relational medium through which transformation might occur, transcending boundaries of time and space. The implications challenge much contemporary critical study of MacDonald, for they demand that his literary life and his theological life cannot be divorced if either is to be adequately assessed. Yet they prove consistent with the critical methodology
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Schadeberg, Thilo C. "Nguo-nyingi Mkoti: Mwanzishaji wa mji wa Ngoji (Angoche)." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-97766.

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The title of this paper gives three variants of what historically is the same name: Koti = the present-day indigenous name of Koti Island; Ngoji = the older form of the same name; Angoche = the official name of the town, adapted from the name of the AKoti people EKoti is the language of Angoche, a town on the coast of Nampula Province, in Mozambique. EKoti is in most respects very similar to the neighbouring coastal varieties of Makhuwa, but it also has many lexical and morphological items that are derived from Swahili. My colleague F. U. Mucanheia, co-author of our forthcoming grammar of EKot
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