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Journal articles on the topic 'Creation of the poet'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Alsyouf, Amjad. "Creative Writing and the Creation of the Poet: A Romantic Perspective." RumeliDE Journal of Language and Literature Studies 13 (December 22, 2018): 189–95. https://doi.org/10.29000/rumelide.504938.

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The term creative is based on the inventive powers the mind possesses. These powers are the source of imagination which is a main feature required for poetry composition. One of the major literary movements that placed an early emphasis on the powers of imagination is Romanticism. William Wordsworth regards imagination as one of the essential qualities the poet should have and employ in the process of creating poetry. Versification is among the higher forms of creative writing as it requires particular sense of rhyme and meter. However creative writing from a romantic perspective is centered o

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2

Đurđevic, Đorđe. "HODOČAŠĆE KA POEZIJI." Lipar, no. 71 (April 2020): 115–26. http://dx.doi.org/10.46793/lipar71.115dj.

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The paper examines the angelological-poetic relations in the poetry of Vasko Popa, Branko Miljković and Vojislav Karanović. Beginning with the medial position between the poet and the poem, the angel, with the poet‘s intervention, becomes an active principle in discovering the poem as such. He simultaneously exists in the space of the poem itself, as well as in the space of its realization in language, and its role is doubly translational: it translates the poet into the space of poetry and brings poetry closer to the poet. The given process flows through the original approximation and depicti

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Whomsley, Stuart. "Poetry and the transpersonal." Transpersonal Psychology Review 22, no. 1 (2020): 63–67. http://dx.doi.org/10.53841/bpstran.2020.22.1.63.

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This paper considers poetry, poets and the transpersonal. It first considers the creation of poetry in relation to the transpersonal with the focus on the poet, in particular the role of altered states of consciousness for the poet in the act of creation; the focus then shifts to the reader of poetry to consider if poetry reading can lead to transpersonal states, finding at least that poetry has effects that go beyond the meaning of the words.

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Shoalieva, Nargiza. "THE ESSENCE OF HUMAN IN BEDIL’S CREATION." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 09 (2021): 110–16. http://dx.doi.org/10.37547/philological-crjps-02-09-24.

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Mirza Abdulkadir Bedil is a Persian-speaking poet, prose writer, philosopher and Indian thinker, very popular among the peoples of Central Asia and Afghanistan. In his work, Bedil analyzes the main part of the works of art and literature of Persian and Tajik poets from Rudaki to Jami and the literary and philosophical ideas of Sanayi, Attar, Jalaliddin Rumi and Ibn al-Arabi. The ancient philosophy of ancient Iran, Greece, India and Arabia laid the foundation for the development of literary and philosophical ideas, and as a result of relying on the achievements of the past, Mirza Bedil strength

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Xojanova, Gulchehra. "INTERPRETATION OF UNIVERSAL VALUES IN NAVOI'S CREATION." American Journal Of Social Sciences And Humanity Research 4, no. 1 (2024): 87–89. http://dx.doi.org/10.37547/ajsshr/volume04issue01-14.

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The thinker poet Alisher Navoi'swork was inspired by divine sources as well as by the work of his predecessors. Among them, the epic "Hibat ul-haqayq" by the writer Ahmed holds a special place. The article discussed the views of the poet about Adib Ahmed. Also, the views that Navoi was influenced by Adib's works were clarified.

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Yurchenko, Tatiana. "«IT’S NOT A LITERARY FACT, BUT AN ACT OF SUICIDE»: ABOUT A POEM BY OSIP MANDELSTAM." RZ-Literaturovedenie, no. 1 (2021): 142–53. http://dx.doi.org/10.31249/lit/2021.01.14.

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The article deals with the backstory of Mandelstam’s poem «Our lives no longer feel ground under them» («My zivem pod soboyu ne tchuya strany»), its poetical features and the tragic consequences for the poet that followed the creation of this poem.

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Tleuniyazova, Gulmira Bayniyazovna. "POETIC REPETITIONS IN THE POET CREATION." Theoretical & Applied Science 115, no. 11 (2022): 590–92. http://dx.doi.org/10.15863/tas.2022.11.115.41.

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8

Bahronova, Dilnora Alisher qizi, and Feruza Husniddin qizi Eshonqulova. "INTERPRETATION OF LOVE IN MASHRAB'S CREATION." Eurasian Journal of Academic Research 1, no. 2 (2021): 1019–26. https://doi.org/10.5281/zenodo.4904151.

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<em>This article describes one of the priorities in Mashrab's work, Ishqsharhi and the description of true lovers (on the example of a ghazal). Through the analysis and interpretation of the poet's ghazal, the article clearly reveals the views and ideas of the poet, the issue of the pain and love.</em>

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Kengesbaevna, Ktaybekova Zulfiya. "T. Seytjanov's mastery in character creation." International Journal Of Literature And Languages 5, no. 3 (2025): 64–66. https://doi.org/10.37547/ijll/volume05issue03-16.

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The article discusses the skill of the renowned Karakalpak poet T. Seytjanov in creating characters in his works. The creation of the images of mother, beloved, and child in his works, and the poet's unique style in creating these images, has been analyzedbased on examples. In a series of poems by the poet, such as «Firyuza» ("Firyuza"), «Ayol bo‘lish oson emas» ("It's Not Easy to Be a Woman"), «Otam haqida so‘z» ("A Word About My Father"), «Muhabbat va makkorlik saroyi» ("The Palace of Love and Deceit"),and «Adashgan iqbol» ("Lost Fortune"), the images of the main characters in exploring love

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10

Fahmawi Watad, Aida. "“A Whiff Like the Effect of Butterflies at the End of the Earth”1 : Esthetics of Linguistic Discourse in the Poems of Arab Poetesses as Mirrors of Liberation and Influence." Feminist Research 6, no. 1 (2022): 30–38. http://dx.doi.org/10.21523/gcj2.22060104.

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Many female Arab writers have chosen poetry as the most efficient and esthetically most gratifying medium for expressing the discourse of liberation and influence that they are leading. The present paper discusses the new poetic devices adopted by various women poets, from the use of shocking titles to the creation of unusual devices for communication between reader and poem. In this study, we focus on three poems by three women poets and compare the role that verbal esthetics play in promoting the concept of liberation and influence in them. The first poem is ‘Taḥaddin’ (Challenge) by the Alg

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Vladic Jovanov, Milena. "THE DOUBLE POETIC OF W. B. YEATS." Folia linguistica et litteraria XII, no. 35 (2021): 87–116. http://dx.doi.org/10.31902/fll.35.2021.5.

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In the double poetic of W. B. Yeats, a certain relation between poems is initiated; and this relation is not only interpreted by means of various approaches to the theories of intertextuality but rather the theory of deconstruction as well. Yeats makes it so his poems lean on one another, creating in his poetic practice a self-referentiality, owing to the fact that he uses his own poetry as a basis for further verse-creation. Reality is, in fact, art, which is why in the space between poems a narrative pointed toward diverse themes is formed. One of these themes is art and the poet’s experienc

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12

Robu, Cristina. "Poet-Prophet: Stages of Identity Creation in "Cortège"by Guillaume Apollinaire." Intertext, no. 1(61) (December 2023): 65–76. http://dx.doi.org/10.54481/intertext.2023.1.07.

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The theme of prophecy and the rapprochement between the poet and the prophet are present in a large number of texts by Guillaume Apollinaire. We analyze here the poem “Cortège”, immersion in a long fragmented walk which stages the physical and identity construction of the lyrical character through the others, while multiplying the references to the Christic journey. It is here the physical, material encounter with the other that serves to validate the poet's own existence and his creation by attributing demiurgic powers to him. These materialize in the creative act and the author becomes a pro

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Pavlinchuk, T. "THE PAINFUL EXISTENCE IN THE BOLESŁAW LEŚMIAN’S POEM "AT NIGHT"." Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, no. 2(95) (December 17, 2021): 76–90. http://dx.doi.org/10.35433/philology.2(95).2021.76-90.

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The paper deals with poetic translation analysis of the poem "At Night"of the Polish poet Bolesław Leśmian. The appearance of Bolesław Leśmian’s poetry in Ukrainian translation (the collections of selected works "Садбожий спалахненець" and "Ангели" translated by M. Kiianovska) has become an important event. The researcher focuses their attention on the contextual, poetic, poetical, artistic and stylistic peculiarities of the poem "At Night", in connection with the philosophic and literary views of the poet. The wide range of scientific works on Bolesław Leśmian’s poetry in Polish literary stud

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Pirniazova, A. K. "KARAKALPAK-TATAR TRANSLATIONS – CULTURAL TIES BETWEEN THE TWO PEOPLES." Bulletin of Dulaty University 15, no. 3 (2024): 15–21. http://dx.doi.org/10.55956/gqbz4536.

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This article examines the cultural and literary ties between the two Turkic peoples – the Karakalpak and Tatar languages. The translation of the work from one language to another is analyzed. The role and contribution of translations of scientists and poets is noted. The famous Karakalpak national poet I. Yusupov translated the poems of the Tatar poet G. Tukai from Tatar into Karakalpak. The article notes the great work of I. Yusupov on the translation and preparation of a collection of poems by G. Tukai and other poets of the Tatar people. At the same time, Professor of Kazan Federal Universi

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Pirniazova, A. K. "KARAKALPAK-TATAR TRANSLATIONS – CULTURAL TIES BETWEEN THE TWO PEOPLES." Bulletin of Dulaty University 14, no. 2 (2024): 18–24. https://doi.org/10.55956/tntr5834.

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This article examines the cultural and literary ties between the two Turkic peoples – the Karakalpak and Tatar languages. The translation of the work from one language to another is analyzed. The role and contribution of translations of scientists and poets is noted. The famous Karakalpak national poet I. Yusupov translated the poems of the Tatar poet G. Tukai from Tatar into Karakalpak. The article notes the great work of I. Yusupov on the translation and preparation of a collection of poems by G. Tukai and other poets of the Tatar people. At the same time, Professor of Kazan Federal Universi

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16

Dr., J. G. Joni Jebamalar. "கம்பனின் அரசகுல பெண் பாத்திரப் படைப்பு / Kambar's Creation of Royal Female Personage". Pandian Journal of Women's Studies 5, SPL 1 (2) (2025): 448–53. https://doi.org/10.5281/zenodo.14752834.

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<em>The poet must give a shape to all the characters found in the epic and structure it properly. If the characterization in the epic is to be done in the best way, it will be clear if the poet becomes a person living in the society or a character and makes them speak or speak, rather than thinking of it as a mere character created in the poet's mind. In short, he should become the lifeblood of the character that the poet creates. There should be no change in this, whether it is a minor character or the hero of the epic. Even if the poet is a man, it is difficult to create an epic by understan

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17

CAVLAZOĞLU DAVULCU, Ahu. "BIRD NAMES IN AŞIK ÖMER'S DIVAN." ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN / JOURNAL OF WORLD OF TURKS / TÜRKLERİN DÜNYASI DERGİSİ 16, no. 3 (2024): 1–20. https://doi.org/10.46291/zfwt/160301.

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Âşık Ömer, one of the leading Ashıks poets of the XVIIth century Turkish minstrel tradition, left an impact and mark on both his own period and the periods after him with the use of language in his poems. The poet's madrasah education made him closely interested in classical Turkish poetry. Thanks to his closeness to the divan poetry tradition, the poet acquired the identity of both an instrumental poet and a divan poet and became one of the leading figures of these poetry traditions. He used aruz and syllabic verse in his works. The poems he wrote in Aruz verse are more than those he wrote in

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18

Mahdi, Amer Rasool. "“[I]t is a word unsaid”." Al-Adab Journal 1, no. 126 (2018): 1–8. http://dx.doi.org/10.31973/aj.v1i126.3.

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This study attempts to trace the aesthetic of the act of naming in Walt Whitman’s poem “Song of Myself”. It tries, furthermore, to approach America as a geo-poetic concept and formation in the earlier American poetics of being. The literary geography of Whitman’s poetry might here be measured against the poeticity of the American con(text) or poetic dwelling, with all the nuances of the question of identity being implicated. The poet as a namer is the one who re-invents his linguistic-poetic gear to re-signify his existence in the act of renaming the second creation. Building on the Emersonian

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19

Pande, Suresh Chandra. "SEGREGATION: Aesthetic Creation far away from Segregated Hostilities." POETCRIT 33, no. 2 (2019): 79–84. http://dx.doi.org/10.32381/poet.2020.33.02.11.

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20

Tariq, Dr Mohammad. "“Mohaserah” of Ahmad Faraz as an Exemplum of Resistance Poetry." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 14. http://dx.doi.org/10.24113/ijellh.v8i2.10379.

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The present paper is an introduction of Ahmad Faraz in English and a critical study of his great poem “Mohaserah” (Siege). “Mohaserah” is one of the master pieces of Faraz which requires a wide range of hermeneutics. After Ghalib, Iqbal, and Faiz, he is known as the most influential poet in Urdu humanities. His famous collection is hugely celebrated as “The Bible of Love”. “Mohaserah” is an exemplum of rebel literature which glorifies the integrity of lambent pen. Ahmad Faraz calls himself a sinning poet of righteousness in the bad times and considers poetry a source of creation. Faraz in the

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21

Soelseth, Camilla Holm. "When is a Poet an Instapoet?" Baltic Screen Media Review 10, no. 1 (2022): 96–120. http://dx.doi.org/10.2478/bsmr-2022-0008.

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Abstract Through professional social media accounts, poets can become actors in the ecosystem of Social Media Entertainment (SME). In this article, using an ecological perspective, the accounts of five poets are treated as exhibits of processes they take part in, both platform-specific practices related to content creation in the SME, and practices showing the interlocking and overlapping of the SME with other ecosystems of cultural production. By doing this, the article aims to show how platformization as a socio-technological process is shaping the practice of being a poet. The article ident

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22

Farhana, Jannatul. "Revolutionary Poetic Voices of Victorian Period: A Comparative Study between Elizabeth Barrette Browning and Christina Rossetti." English Language and Literature Studies 6, no. 1 (2016): 69. http://dx.doi.org/10.5539/ells.v6n1p69.

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<p>This article is an attempt to provide a comparative study between Elizabeth Barrette Browning and Christina Rossetti, two famous authors in the Victorian period. As the first female poet Browning throws a challenge by dismantling and mingling the form of epic and novel in her famous creation <em>Aurora Leigh. </em>This epic structurally and thematically offers a new form that questions the contemporary prejudices about women. Being influenced and inspired by Browning, Rossetti shows her mastery on sonnets in <em>Monna Innominata: A Sonnet of Sonnets</em>. Diver

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De Sanctis, Olivia. "Poetic Space of Intimacy and Movement." Pivot: A Journal of Interdisciplinary Studies and Thought 10, no. 1 (2023): 60–75. http://dx.doi.org/10.25071/2369-7326.40360.

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This paper explores the transformation of poetic blank space in the work of three contemporary poets: Carolyn Thompson, Sonja Johanson, and Lisa Huffaker. Specifically, Thompson's Actions Speak Louder Than Words, and The Eaten Heart, Johnson's Untitled Erasure poem series, and Huffaker's 6 Images are compared and contrasted for their unique approaches to using the space of the page to add to the reading experience. The works discussed by each poet are erasure works that transform the page's white spaces surrounding the poem, using various additive or reductive methods to reimagine this space.

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Jiajing, Song. "The Influence of Federico García Lorca on Dai Wangshu’s Left-Wing Poetry Creation: The Theme of Death." Sinología hispánica. China Studies Review 17, no. 2 (2024): 91–112. http://dx.doi.org/10.18002/sin.v17i2.8234.

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Federico García Lorca was one of the representative poets of the Generation of ’27. His works demonstrate a strong opposition against the Spanish fascism. His contemporary poet Dai Wangshu got inspiration from his poems, which changed the direction of the Chinese poet’s creation. García Lorca’s comprehension of death led Dai to think over death, a theme he had never touched upon in his earlier poems. Dai got rid of his fear of death and started to express his understanding of death in his poems against the Fascist Japanese invaders at that time. Adopting an approach of the Aesthetic of Recepti

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Gaillet-De Chezelles, Florence. "Wordsworth, a Wandering Poet: Walking and Poetic Creation." Études anglaises 63, no. 1 (2010): 18. http://dx.doi.org/10.3917/etan.631.0018.

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26

Moch Ajhar Rodiulloh and Muhamad Rifaldi. "Analisis Semiotika Puisi “Kesabaran” Karya Chairil Anwar." Bhinneka: Jurnal Bintang Pendidikan dan Bahasa 1, no. 3 (2023): 92–100. http://dx.doi.org/10.59024/bhinneka.v1i3.186.

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Literary work is a creation that is conveyed by speaking or communicative about the author's intention which aims for aesthetics. One example of a literary work is poetry, poetry is a type of literary work that has beautiful, animating, and deep meanings and meanings, the words and sentences contained in it mostly come from the heart of the creator of the poem, when reading it you also have to use a good intonation. clear, and expressions that match the content of the poem. This study aims to semiotically analyze the poem entitled "Patience" by Chairil Anwar. This poem describes the patience o

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27

Clarke, Margaret Anne. "PALIMPSESTS AND SYMBOLS." Revista de Estudos de Cultura 8, no. 20 (2022): 36–50. http://dx.doi.org/10.32748/revec.v8i20.17873.

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The purpose of this essay is to resolve an apparent contradiction in the critical reception of the epic poem Invenção de Orfeu, by the preeminent Brazilian poet Jorge de Lima (1893 – 1953). The poet, according to his own account, had two principal aims in writing the poem: firstly, to effect a radical regeneration of poetry and poetics in order to renew religious and specifically Catholic values, in modern society, and secondly to modernise the classical and Renaissance epic genre, in its original Aristotelian sense, within the contexts of the twentieth century and the modern era. However, the

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Tüske, László. "Ibn Ṭabāṭabā’s Poetics". Arabist: Budapest Studies in Arabic 23 (2001): 211–18. http://dx.doi.org/10.58513/arabist.2001.23.20.

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In the history of Arabic literature, ‛amūd aš-šiʿr (the pillars or principles of poetry) is considered a control for the poetic activity, as well as being an important reference in classifying poets and measuring their abilities in their art. The theory is also considered one of the first critical issues that preoccupied poets and worked to establish standards and characteristics that the poet relies on so as not to deviate from the pattern followed by the ancients. This article deals with Ibn Ṭabāṭabā al-ʿAlawī’s treatise entitled ʿIyār aš-šiʿr (The Standard of Poetry). by analyzing his theor

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Marquez, Arreaza Dionisio. "Adelfa Giovanni Rodríguez: Mundo y Logos Poético / Adelfa Giovanni Rodríguez: World and Poetic Logos." Utopía y Praxis Latinoamericana 3, no. 4 (1998): 91–96. https://doi.org/10.5281/zenodo.2187324.

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ES: La visión poética asume el mundo a partir de un acto de creación sensible y estético, resultado de las vivencias imaginarias y contemplativas del modo de ser de cada poeta. Entender esa creación estética y contemplativa del mundo es el objetivo de la poeta con la que dialogamos, intentando adentrarnos en el "mundo subjetivo e intimista" de sus percepciones plásticas, acústicas y pictóricas con las cuales escenifica, a través de las metáforas, la verdad de las vivencias

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Bach, Raymond. "Inscribing the Self in a Changing World: The Poetry of David Mus." Dalhousie French Studies, no. 125 (2024): 19–25. https://doi.org/10.7202/1118318ar.

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The Franco-American poet, David Mus, who passed away in 2023, produced an impressive body of work in both English and French. His poetry has a down-to-earth quality that is intimately connected to the Burgundian countryside, where he lived for more than fifty years; but this rootedness is counterbalanced by a complex, often elusive, syntax and an inventive use of typography. The result is a unique poetic language that corresponds in both form and content to the poet’s experience of a world that is undergoing constant change; for Mus is above all a poet of motion who seeks to create the poetic

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Sayers, William. "Bede’s Cædmon: A bilingual scop from the cosmopolitan court of Oswiu?" Studia Linguistica Universitatis Iagellonicae Cracoviensis 141, no. 4 (2024): 279–90. http://dx.doi.org/10.4467/20834624sl.24.016.20466.

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In a revisionist reading of Bede’s account of the miraculous transformation of the lay brother Cædmon into a skilled poet in the Anglo-Saxon vernacular, this essay proposes that his bicultural origins (British, Anglo-Saxon) and poetic skill won him patronage in the retinue of King Oswiu of Northumbria, promoter of the Christian mission of conversion and Hiberno-Latin learning, and founder of the Abbey of Whitby, to which his elderly retainer would have been retired. The adjustments to the story found in Bede, most importantly the omission of Cædmon’s early secular career, enhance his framing s

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Chevtaev, A. A. "Odic Tradition and “Mystery” Poetics in M. Zenkevich’s Poem “The Birth of Pushkin”." Culture and Text, no. 57 (2024): 19–37. http://dx.doi.org/10.37386/2305-4077-2024-2-19-37.

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The article examines the poetics of M.A. Zenkevich’s poem “The Birth of Pushkin”, which reveals the semantic attitudes of the poet’s author’s consciousness in the mature (Soviet) period of his work. The analysis of the poem shows that in its structural-semantic organization, on the one hand, the odic traditions of the chanting of “the great man” (Poet), designed to transform existence, are actualized, and on the other hand, it reveals the features of the “mystery” act of overcoming the boundaries of time and translating a historical event (the biographical birth of the poet) into a metaphysica

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Nunes, Ivanildo. "LA SEMAINE, O ÉPICO BÍBLICO SOBRE A CRIAÇÃO." Revista Épicas 10, dez21 (2021): 113–32. http://dx.doi.org/10.47044/2527-080x.2021v10.113132.

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The epic Renaissance La semaine (1578), by writer Guillaume de Saluste Du Bartas, was published during the French religious wars. In his long poem, the poet addressed the creation of the world, paraphrasing the book of Genesis. In this article, we explore, through Epic Semiotization of Discourse (SILVA) and Epic Poems: Reading Strategies (RAMALHO), analytical elements that contribute to the study of the genre.

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STJEPOVIĆ, Stijepo. "BERCEO’S SIGNA PELAGI IN THE CONTEXT OF MEDIEVAL APOCALYPTICAL LITERATURE." Lingua Montenegrina 23, no. 1 (2019): 247–56. https://doi.org/10.46584/lm.v23i1.682.

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This paper analyses the first ten strophes of the poem Los signos que aparecerán antes del juicio final written by Gonzalo de Berceo. The poet exposes the first four of the fifteen signs that anticipate the final judgement, which are called signa pelagi because of their connection to the sea. The analysis is preceded by an introduction that explains a cultural and historical perspective of the creation of the poem, from general circumstances to the apocalyptical literary works that preceded or influenced Berceo.

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Santos, Ariane Souza. "Ekphrasis in Shawna Lemay: “To make something mythical of my life”." Em Tese 10 (December 31, 2012): 41. http://dx.doi.org/10.17851/1982-0739.10.0.41-46.

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The object of analysis of this paper concerns the majority of the poems from All the God-Sized Fruit, written by the Canadian poet Shawna Lemay. The poems were built following five ekphrastic frameworks: appropriation of artistic style, process of creation, critical analysis, narrative, and dialogue. The intertwinement of these frameworks with discussions about the processes of writing and painting helps the poet to build up her identity as woman, poet and woman-poet.

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Santos, Ariane Souza. "Ekphrasis in Shawna Lemay." Em Tese 10 (December 31, 2012): 41–46. https://doi.org/10.17851/1982-0739.10..41-46.

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The object of analysis of this paper concerns the majority of the poems from All the God-Sized Fruit, written by the Canadian poet Shawna Lemay. The poems were built following five ekphrastic frameworks: appropriation of artistic style, process of creation, critical analysis, narrative, and dialogue. The intertwinement of these frameworks with discussions about the processes of writing and painting helps the poet to build up her identity as woman, poet and woman-poet.

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37

Hawlin, Stefan. "Epistemes and Imitations: Thom Gunn on Ben Jonson." PMLA/Publications of the Modern Language Association of America 122, no. 5 (2007): 1516–30. http://dx.doi.org/10.1632/pmla.2007.122.5.1516.

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The mode of imitatio enhances the persistence and evolution of genres over time, contrary to the implications of Foucault's concept of epistemes (the idea of discontinuous historical eras). Imitatio, well practiced, awakens extraordinary commonalities of sensibility among poets of different periods (classical, Renaissance, contemporary), including how they understand and manipulate genres, and so raises the possibility of a more unitive view of history, culture, and time. Ben Jonson, with his coherent theoretical view of imitatio, was a crucial poet for Thom Gunn, who self-consciously imitated

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Seifert, Elena. "«Simple» («Non-Sstyle») Word in the Metarealism of the Russian Diaspora: Poetics of Dmitry Dragilev (Berlin)." Izvestia of Smolensk State University, no. 4(60) (April 12, 2023): 15–25. http://dx.doi.org/10.35785/2072-9464-2022-60-4-15-25.

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The purpose of the article is to comprehend the «simple word» in metarealistic poetics. The material is the lyrics of Dmitry Dragilev (the poet was born in1970 in Riga, lives in Berlin). The native (Russian) language of a Russian author who is abroad absorbs the numerous realities of the actuality surrounding the poet. The author of the article relies on the structural-descriptive method. A «simple» («non-style») word in Dragilev’s metarealistic poetics reacts sharply to a context enriched with metaphors, often developing into a metaphor, acquiring a different meaning that does not belong to i

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Kim, Joon. "The creation background of sijo and poetic orientation of Yong-A, Park Yong-cheol." Dongnam Journal of Korean Language and Literature 53 (May 31, 2022): 61–93. http://dx.doi.org/10.21654/djkll.2022.53.1.61.

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Yong-A Park Yong-cheol is an important figure who exerted a substantial influence on the formation and activities of the Poet and Literature School. Therefore, the discussion of Park Yong-cheol has been focused on the realm of modern poets or pure poetry. Previous studies with this trend played a certain role in revealing and deepening the aspect of Park Yong-cheol as a modern poet. However, on the other hand, they also had limitations that inhibit the scalability of the study on Park Yong-cheol's and narrow the scope of discussion. In this study, the author paid attention to

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Rajapova, Khulkaroy. "THE IMAGERY OF LOVE IN FUZULI'S CREATION." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 7 (2023): 301–3. https://doi.org/10.5281/zenodo.8182623.

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This article gives information about how Azerbaijani poet Fuzuli influenced on Uzbek literature. One of his ghazals mentioned in a work called “Devon” is clearly analyzed. Points about the image of love in his work are     explicitly stated.

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Garrouri, Sihem. "Mythologizing the Memory of Gloriana." Anafora 8, no. 1 (2021): 81–98. http://dx.doi.org/10.29162/anafora.v8i1.5.

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Consideration of Anne Bradstreet’s poem “In Honour of That High and Mighty Princess, Queen Elizabeth, of Most Happy Memory” (1643) draws our attention to the paramount significance of mythical imagery in shaping Elizabeth I’s posthumous reputation. The examination of this poem illustrates the ways in which Elizabeth’s memory is glorified and discusses the elegiac mythical reconstruction of her image by what Schweitzer aptly labelled a “gendered poetic voice” (307). This project shows that the poet makes good use of myth to write Elizabeth’s afterlife image. It scrutinizes Bradstreet’s mytholog

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LOYTER, SOFIA М., and NADEZHDA V. ROVENKO. "THE GREAT WORD GAME: THE IDIOSTYLE PECULIARITIES OF CHILDREN’S POETRY BY MIKHAIL YASNOV." Cherepovets State University Bulletin 4, no. 109 (2022): 56–69. http://dx.doi.org/10.23859/1994-0637-2022-4-109-6.

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The purpose of the article is to study the idiostyle of children's poetry by Mikhail Yasnov, one of the contemporary poets. His children’s poems are a special type of text, the figurative structure of which is considered in a variety of language games with the word and folklore origins. The roots of children’s poetry by M. Yasnov go back to folk literature, which makes it possible to reconstruct such genres for children as a lullaby, a tedious fairy tale, a rhyme, a riddle, etc. The research material included poems from various collections for children. The authors analyze various methods of w

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Popova, Matrena. "Eastern forms in Yakut poetry: transformation features (the works of A. Parnikova-Sabara-Ilge as a case-study)." SHS Web of Conferences 134 (2022): 00092. http://dx.doi.org/10.1051/shsconf/202213400092.

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This article attempts to comprehend the innovations of Yakut poets in the creation of small-form genres in modern Yakut poetry, namely forms borrowed from the Eastern poetry, to be more exact, the poetry created by Anna Parnikova-Sabaray-Ilge as a case-study. The tendency of the poetess in her poetic stylization of the Eastern genres is to enrich the modern genre systematizing the examples from the treasury of world literature. As early as the 1960s and 1970s, Yakut poets sought to master oriental forms. However, in their poems they did not strictly follow the requirements of certain oriental

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Skawiński, Damian. ""Blues o Wielkim Ptaku" Kazimierza Świegockiego w perspektywie lektur hermeneutycznych." Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica 5 (May 14, 2018): 115–27. http://dx.doi.org/10.24917/23534583.5.9.

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Kazimierz Świegocki’s Blues o Wielkim Ptaku from point of view of hermeneutic reading In this article I presented a general assumption of hermeneutics as a theory of literature and a research attitude. I used its various elements in my interpretation of the poem Blues o Wielkim Ptaku of the modern Polish poet, Kazimierz Świegocki. I put the general hypothesis of interpretation and then I verified it by examining the specific elements of the text. I discussed the role of the title and date of creation, the way of speaker’s creation and the lyrical hero, the importance of symbolism and shape of

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Otaqulova, Dildora. "MODERNIST IMAGES IN THE CREATION OF ABDUVALI QUTBIDDIN." MODERN SCIENCE AND RESEARCH 3, no. 3 (2024): 121–24. https://doi.org/10.5281/zenodo.10779312.

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Zanin, Marcela. "Call to Julián del Casal. The poet’s life in José Lezama Lima and Antonio José Ponte." Anclajes 25, no. 1 (2021): 103–12. http://dx.doi.org/10.19137/anclajes-2021-2518.

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The article deals with biographical mediation in Latin America. It examines the process of construction and deconstruction of the life of an emblematic 19th century Cuban poet: Julián del Casal. The poem “Oda a Julián del Casal” (1963) by José Lezama Lima, written for the centenary of Casal’s death, reflects on the possibility of building a vital poetic life as an alternative to the Cuban literary and cultural system. This question about the meaning of life, made by one poet to another, underlines the disruptive mode of creation that the Lezamian position enables, from “Julián del Casal” (1941

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Rakhimova, G., and R. Obidjonova. "INTERPRETATION OF HISTORICAL TRUTH AND NATIONAL VALUES IN THE CREATION OF GHAFUR GULAM." International journal of advanced research in education, technology and management 2, no. 2 (2023): 71–76. https://doi.org/10.5281/zenodo.7606722.

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<strong>Abstract. </strong>This article explores the artistic interpretation of the historical truth and our national values reflected in the works of the academic poet Gafur Ghulam. Therefore, it has been studied that the reality of the time, which he directly witnessed, is depicted through the events of the poet's experiences, the spiritual world, experiences, sorrows and longings mixed with humor.  

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Choriyeva, Madina A. "HISTORY OF CREATION "SHAH-NAME" FIRDOUSI." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 12 (2021): 45–48. http://dx.doi.org/10.37547/philological-crjps-02-12-09.

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The name of Ferdousi and his heritage, both creative and the legends about him, are a cultural code that plays an important role in the unity of the Persian cultural space, extending far beyond Iran. And at the same time the author of "Shahnameh" became a romantic legend of the West. The image of the poet, who created the greatest work, but did not receive recognition during his lifetime, turned out to be very close to European romantics. As well as the theme of the struggle against tyrants and autocrats, therefore, in many interpretations, Ferdousi appears not only as an unrecognized genius,

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Tselikova, Ekaterina Viktorovna. "A. A. Fet – the author of essays “From the Village”. To the origins of formation of parodic personality." Litera, no. 1 (January 2020): 20–27. http://dx.doi.org/10.25136/2409-8698.2020.1.32020.

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The article analyzes the origins of publicistic heritage of Afanasy Fet. Analysis is conducted on the historical-literary situation, biographical facts of the poet, reminiscences of contemporaries and friends. The author also explores the opinions of literary critics, writers-raznochintsy (of miscellaneous ranks), and representatives of democratic criticism. Detailed description is given to the poet&rsquo;s views on the aims and goals of the farmers and owners of the land. Based on the results of analysis of egodocuments, the persona of A. A. Fet is presented in contemporaries&rsquo; p

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Koroleva, Inna A. "To the anniversary of A.T. Tvardovsky: onomastics of the early poem “Exordium” (“The Journey of Vasily Petrov”)." Neophilology, no. 22 (2020): 271–79. http://dx.doi.org/10.20310/2587-6953-2020-6-22-271-279.

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We consider the system of proper names in the early little-known poem by A.T. Tvardovsky “Exordium” (secondary title “The Journey of Vasily Petrov”), which was written by a young poet as preparation for the creation of the famous “The Land of Muravia”, which brought him all-Russian fame. It is proved that the text published in the journal “Nastupleniye” in 1932 is an authorial poetic text, revealing the difficulties of the first time of collectivization. It is shown how the great master of words worked on naming characters, expressing with the help of onomastic vocabulary his assessment of the

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