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1

J, Puccio Gerard, ed. The innovative team: Unleashing creative potential for breakthrough results. Jossey-Bass, 2012.

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2

Chaker, Sarah, and Axel Petri-Preis, eds. Tuning up! The Innovative Potential of Musikvermittlung. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839456811.

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Professional musicians who perform in hospitals, retirement homes and prisons, creatively stimulated by the residents; babies crawling over exercise mats, enjoying classical music together with their parents; concert-goers who take their seats between the musicians in order to experience music up close with all their senses - the opportunities to make and experience music are almost unlimited. Various actors in the field of classical music have taken this as a chance to develop a wide range of new artistic and educational practices over the last two decades, aiming to facilitate in-depth aesth
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3

Buzan, Tony. Use your head: Innovative learning and thinking techniques to fulfil your potential. BBC Active, 2006.

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4

Park, Young Won, and Paul Hong. Creative Innovative Firms from Japan. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1681-4.

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5

Caroselli, Marlene. The innovative secretary. SkillPath Publications, 1996.

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6

Lawrence, Kuhn Robert, RGK Foundation, IC² Institute, and International Conference on Creative and Innovative Management (2nd : 1984 : Miami, Fla.), eds. Frontiers in creative and innovative management. Ballinger Pub. Co., 1985.

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7

Grover, Rajiv. Preproduction market potential assessment of innovative consumer products. Marketing Science Institute, 1998.

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8

Syrett, Michel. The innovative individual. Capstone Pub., 2002.

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9

J, Watson Douglas, ed. Innovative governments: Creative approaches to local problems. Praeger, 1997.

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10

F, Buono Anthony, ed. Creative consulting: Innovative perspectives on management consulting. Information Age Pub., 2004.

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11

Mata, Liliana, and Monalisa-Laura Gavrilut. Innovative Educational Approaches to Creative Writing Skills. Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-7074-1.

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12

Papenfus, Stan. Fire: Our self-transforming creative potential. Centre Publications, 1993.

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13

Pickard, Eileen. Toward a theory of creative potential. [S.N.], 1990.

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14

Joanne, Johnson, and Statistics Canada. Analytical Studies Branch., eds. Business strategies in innovative and non-innovative firms in Canada. Statistics Canada, 1995.

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15

Sloane, Paul. The Innovative Leader. Kogan Page Publishers, 2007.

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16

Olsen, Lance. Architectures of possibility: After innovative writing. Guide Dog Books, 2012.

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17

Rockler, Michael J. Innovative teaching strategies. Gorsuch Scarisbrick, 1988.

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18

Thailand. Samnakngān Nawattakam hǣng Chāt. Potential world markets for innovative rice businesses in Thailand. Samnakngān Nawattakam hǣng Chāt, Krasūang Witthayāsāt læ Thēknōlōyī, 2006.

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19

Rybarczyk, Yves, Tiago Cardoso, João Rosas, and Luis M. Camarinha-Matos, eds. Innovative and Creative Developments in Multimodal Interaction Systems. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-55143-7.

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20

Tony, Davila, Epstein Marc J, and Shelton Robert D, eds. The creative enterprise: Managing innovative organizations and people. Praeger, 2007.

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21

Grivas, Chris, and Gerard Puccio. Innovative Team: Unleashing Creative Potential for Breakthrough Results. Wiley & Sons, Incorporated, John, 2011.

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22

Grivas, Chris, and Gerard Puccio. Innovative Team: Unleashing Creative Potential for Breakthrough Results. Wiley & Sons, Incorporated, John, 2011.

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23

Grivas, Chris, and Gerard Puccio. Innovative Team: Unleashing Creative Potential for Breakthrough Results. Wiley & Sons, Incorporated, John, 2011.

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24

Creative Intelligence: Discovering the Innovative Potential in Ourselves and Others. FT Press, 2004.

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25

Rowe, Alan J. Creative Intelligence: Discovering the Innovative Potential in Ourselves and Others. FT Press, 2004.

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26

Creative Intelligence: Discovering the Innovative Potential in Ourselves and Others. Pearson Education, Limited, 2004.

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27

Boaler, Jo. Mathematical Mindsets: Unleashing Students' Potential Through Creative Mathematics, Inspiring Messages and Innovative Teaching. Wiley & Sons, Incorporated, John, 2022.

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28

Boaler, Jo. Mathematical Mindsets: Unleashing Students' Potential Through Creative Mathematics, Inspiring Messages and Innovative Teaching. Wiley & Sons, Incorporated, John, 2022.

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29

Dweck, Carol, and Jo Boaler. Mathematical Mindsets: Unleashing Students' Potential Through Creative Math, Inspiring Messages and Innovative Teaching. Wiley & Sons, Incorporated, John, 2015.

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30

Boaler, Jo. Mathematical Mindsets: Unleashing Students' Potential Through Creative Mathematics, Inspiring Messages and Innovative Teaching. Wiley & Sons, Limited, John, 2022.

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31

Dweck, Carol, and Jo Boaler. Mathematical Mindsets: Unleashing Students' Potential Through Creative Math, Inspiring Messages and Innovative Teaching. Wiley & Sons, Incorporated, John, 2015.

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32

foreword, Dweck Carol, ed. Mathematical mindsets: Unleashing students' potential through creative math, inspiring messages, and innovative teaching. Jossey-Bass, 2016.

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33

The Innovative Woman : Creative Ways to Reach Your Potential in Business and Beyond. Career Press, 2001.

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34

Yes, You Can Innovate: Discover your innovation strengths and develop your creative potential. FT Press, 2018.

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35

Yes, You Can Innovate: Discover Your Innovation Strengths and Develop Your Creative Potential. Pearson Education, Limited, 2018.

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36

Yes, You Can Innovate: Discover Your Innovation Strengths and Develop Your Creative Potential. Pearson Education, Limited, 2018.

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37

Gill, Sam. Creative Encounters, Appreciating Difference. Rowman & Littlefield International, Ltd., 2018. https://doi.org/10.5040/9781666992229.

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Across the world from personal relationships to global politics, differences—cultural, religious, racial, gender, age, ability—are at the heart of the most disruptive and disturbing concerns. While it is laudable to nurture an environment promoting the tolerance of difference, Creative Encounters, Appreciating Difference argues for the higher goal of actually appreciating difference as essential to creativity and innovation, even if often experienced as stressful and complex. Even encounters that are apparently harmful and negatively valued (arguments, conflict, war, oppression) usually height
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38

Dowejko, Marta K., Kevin Au, and Yingzhao Xiao. Time To Be Innovative, Hong Kong. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190455675.003.0012.

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Based on the general argument that culture plays a key role in linking creativity to innovation, this chapter provides a cultural explanation toward the innovation paradox in Hong Kong—high in creativity but low in innovation. Specifically, we explore how time orientation, as a less explored cultural dimension, could affect Hong Kong’s social norms and collective behaviors in translating creative potentials into viable innovations for business. Through an in-depth indigenous study on its entrepreneurial activities and ecosystem, we explicate the consequences of time orientation on the situatio
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39

ChatGPT for Thought Leaders and Content Creators: Unlocking the Potential of Generative AI for Innovative and Effective Content Creation. Intentional Insights, 2023.

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40

Cook, Nicholas. Creative in a different sort of way. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199347803.003.0004.

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This final chapter of Music as Creative Practice addresses a variety of contexts that shape practices of creative music-making. Topics include the prodigy phenomenon from Mozart to Michael Jackson; long-term relationships of creative intimacy, with a case study of Elgar; the teaching of creative performance, including issues of the relationship between tacit and explicit knowledge; the application of ideas of originality and innovation to music, leading to a critical analysis of copyright in music; and repetition, traditionally regarded as the opposite of creativity, but in music an illustrati
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41

Stoneman, Paul, Eleonora Bartoloni, and Maurizio Baussola. Product Innovation and the Policy Dimension. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816676.003.0013.

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This chapter offers three rationales as to why governments intervene in the product innovation process: the principle ‘more is better’; international comparisons; and market failure. Policy instruments are discussed in the light of earlier findings that firms that are innovative in one dimension tend to be innovative in others. The constraints to innovation (also touched upon in earlier chapters), institutional intellectual property rights and the optimality of their respective lives are discussed. A number of policies are then explored, with some consideration of potential attempts to transfe
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42

Cracking the Innovation Code: How to Unlock the True Potential of Your Business to Grow Through New Products. Taylor & Francis Group, 2020.

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43

Wynn, Andy. Cracking the Innovation Code: How to Unlock the True Potential of Your Business to Grow Through New Products. Taylor & Francis Group, 2020.

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44

Wynn, Andy. Cracking the Innovation Code: How to Unlock the True Potential of Your Business to Grow Through New Products. Taylor & Francis Group, 2020.

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Wynn, Andy. Cracking the Innovation Code: How to Unlock the True Potential of Your Business to Grow Through New Products. Taylor & Francis Group, 2020.

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46

Creative and Innovative Auditing. Taylor & Francis Group, 2017.

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47

Ridley, Jeffrey. Creative and Innovative Auditing. Taylor & Francis Group, 2019.

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48

Ridley, Jeffrey. Creative and Innovative Auditing. Taylor & Francis Group, 2017.

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49

Ridley, Jeffrey. Creative and Innovative Auditing. Taylor & Francis Group, 2017.

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50

Chaker, Sarah, and Axel Petri-Preis. Tuning up! - Innovative Potential of Musikvermittlung. Transcript Verlag, 2021.

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