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Journal articles on the topic 'Creative cities network of Unesco'

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1

BÜTÜN, Sedat, and Sibel ÖNÇEL. "COMPARATIVE CONTENT ANALYSIS OF THE WEBSITES OF GASTRONOMY CITIES REWARDED BY UNESCO CREATIVE CITIES NETWORK." GeoJournal of Tourism and Geosites 26, no. 3 (2019): 831–48. http://dx.doi.org/10.30892/gtg.26313-401.

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Barbosa, Cecilia Avelino. "Lyon – UNESCO’s Creative City of Gastronomy?" Transnational Marketing Journal 4, no. 2 (2016): 126–32. http://dx.doi.org/10.33182/tmj.v4i2.395.

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The fast urbanization in many regions of the world has generated a high competition between cities. In the race for investments and for international presence, some cities have increasingly resorting to the territorial marketing techniques like city branding. One of the strategies of recent years has been to use of creativity and / or labeling of creative city for the promotion of its destination. This phenomenon raises a question whether the city branding programs have worked in accordance with the cultural industries of the territory or if such labels influence the thought of tourists and lo
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Gaižutytė-Filipavičienė, Žilvinė. "JEWISH HERITAGE IN THE CREATIVE CITIES OF CENTRAL AND EASTERN EUROPE: TOURISM, TECHNOLOGIES AND PROSTHETIC MEMORY." Creativity Studies 13, no. 1 (2020): 41–52. http://dx.doi.org/10.3846/cs.2020.6079.

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This paper deals with Jewish mobile multimedia cultural-heritage, root-diaspora tours and apps. The author presents and compares UNESCO Creative Cities Network of Central and Eastern Europe in which Jewish communities were numerous before the World War II – Budapest (Hungary), Kraków (Poland), Prague (Czech Republic), Kaunas (Lithuania). Also, article deals with other cities of Jewish cultural heritage that are not listed in UNESCO Creative Cities Network as Warsaw, Poland and Vilnius, Lithuania, but propose multimedia tours. I will analyse, how aspects of creative city are included and highli
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Chibás Ortiz, Felipe, Veronica Yarnykh, and Emmnauel Komi Kounakou. "UNESCO MIL Cities Network As Opportunity for Development in Africa." IARS' International Research Journal 11, no. 2 (2021): 40–45. http://dx.doi.org/10.51611/iars.irj.v11i2.2021.172.

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The main objective of this article is to show the opportunities that can open up for African cities from the UNESCO MIL Cities approach. The methodology used was the theoretical-practical based on the bibliographical review and the narrative of the authors' experiences. MIL Cities is a UNESCO framework that speaks of the need to build or reform urban spaces so that they use new technologies but using them ethically and respectfully for vulnerable groups, transcending cultural barriers to communication and contributing to the objectives of the 2030 agenda. The article has three parts. The first
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Scarpato, Lenice Eli Lunkes, Mary Sandra Guerra Ashton, and Dusan Schreiber. "Elements for a Creative City: An Analysis of Kortrijk, Belgium." Revista Rosa dos Ventos - Turismo e Hospitalidade 13, no. 1 (2021): 109–28. http://dx.doi.org/10.18226/21789061.v13i1p109.

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This article focuses on the case of the city of Kortrijk, Belgium, which in 2017 received the title of Creative City of Design from Unesco, especially the MyMachine, SPEK, and 5X5® Projects. The objective was to identify the main elements responsible for winning the title. To meet this objective, we opted for descriptive exploratory research, through bibliographic research. Among the results, it was possible to show that the city has come over the years, developing socially and economically based on its actions and strategies in the design and education, creative projects, and entrepreneurship
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Yılmaz, Gökhan, Doğuş Kılıçarslan, and Meltem Caber. "How does a destination’s food image serve the common targets of the UNESCO creative cities network?" International Journal of Tourism Cities 6, no. 4 (2020): 785–812. http://dx.doi.org/10.1108/ijtc-07-2019-0115.

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Purpose As one of the United Nations Educational, Scientific and Cultural Organization initiatives, the creative cities network (CCN) declares the cities that are creative in the contexts of music, gastronomy, design, etc., with the aim of promoting cooperation amongst the member cities and maintaining sustainable urban development. This study aims to identify the destination food image of Gaziantep in Turkey, which is a member gastronomy city of the CCN since 2015. Identified destination food image elements were connected to the common targets of the CCN to show how the city may contribute to
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Santos, Niedja. "O Soft e o Sharp Power no Estudo de Área da China: um olhar sobre a diplomacia pública chinesa a partir da Rede de Cidades Criativas UNESCO." DAXIYANGGUO - REVISTA PORTUGUESA DE ESTUDOS ASIÁTICOS / PORTUGUESE JOURNAL OF ASIAN STUDIES, no. 24 (2019): 73–101. http://dx.doi.org/10.33167/1645-4677.daxiyangguo2019.24/pp.73-101.

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Akkuş, Çetin, and Selda Yordam. "Kastamonu Yemek Kültürünün UNESCO Yaratıcı Şehirler Ağı Kriterleri Kapsamında İncelenmesi (Investigation of Kastamonu Food Culture within the Scope of UNESCO Creative Cities Network Criteria)." Journal of Tourism and Gastronomy Studies 8, no. 2 (2020): 915–36. http://dx.doi.org/10.21325/jotags.2020.587.

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Sunjayadi, Achmad. "MELACAK AKAR KREATIVITAS DI KOTA BANDUNG MASA KOLONIAL." Paradigma: Jurnal Kajian Budaya 10, no. 3 (2020): 243. http://dx.doi.org/10.17510/paradigma.v10i3.369.

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<p class="Abstract">In 2007 Bandung was designated as a pilot project for the creative cities of Asia Pacific, and in 2015 Bandung was included in the UNESCO Creative Cities Network. It is related to the development of the city of Bandung and the creativity of the population. Its creativity is formed through a process. This article traces the roots of this creativity since the beginning of its formation in the early 19th century to become the city of Bandung in the early 20th century. The method used is the historical method supported by creative cities’ and voluntary organization’s conc
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Lee, Chul Ho, and So Yoon Park. "Global Development Agenda and Local Cultural Policy - The Challenges of UNESCO Creative Cities Network(UCCN) for Sustainable Development Goals." JOURNAL OF LOCALITOLOGY 24 (October 31, 2020): 7–49. http://dx.doi.org/10.15299/tjl.2020.10.24.7.

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Paula, Isabel De Freitas, and Maria de Fátima Rodrigues Makiuchi. "Santos Cidade Criativa do Cinema: a experiência de (trans)formação urbana e cidadã do Cinescola Querô." Políticas Culturais em Revista 13, no. 2 (2020): 264. http://dx.doi.org/10.9771/pcr.v13i2.33298.

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<p>Este artigo é resultado de uma pesquisa sobre a influência da cultura no desenvolvimento urbano sustentável de uma cidade brasileira da Rede de Cidades Criativas da UNESCO (RCCU) – <em>UNESCO Creative Cities Network (UCCN)</em>. Por meio de um estudo sobre o Cinescola Querô, principal iniciativa do Plano de Ação 2016-2019 de Santos (SP), <em>Cidade Criativa do Cinema</em>, analisamos como o projeto de formação de jovens de baixa renda em audiovisual para ingresso no mercado de trabalho, realizado em área de alta vulnerabilidade social e degradação urbana, torno
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Gürbüz, Semra, Gülseren Özaltaş Serçek, and Lokman Toprak. "Mardin in UNESCO Yaratıcı Şehirler Ağında "Gastronomi Kenti" Olabilirliğine İlişkin Paydaş Görüşleri (Stakeholders Opinion Concerning the Possibility of Mardin Being "City of Gastronomy" in UNESCO Creative Cities Network)." Journal of Tourism and Gastronomy Studies 5, no. 1 (2017): 124–36. http://dx.doi.org/10.21325/jotags.2017.63.

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Şahin, Elanur, and Kurban Ünlüönen. "Adana nın Unesco Yaratıcı Şehirler Ağı Gastronomi Teması Kapsamında Değerlendirilmesi (Evaluation of Adana Under The Gastronomy Theme of The Unesco Creatıve Cities Network)." Journal of Tourism and Gastronomy Studies 9, no. 2 (2021): 1204–31. http://dx.doi.org/10.21325/jotags.2021.836.

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Singh, Virajita. "Local Action, Global Impact: From Domination To Partnership By Design." Interdisciplinary Journal of Partnership Studies 5, no. 3 (2018): 1. http://dx.doi.org/10.24926/ijps.v5i3.1582.

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Global changes often begin when people take action locally. Communities around the globe are involved in creative community-based actions that promote mutual respect, social and economic justice, and gender and environmental balance. Insights from ecological thinking, systems thinking, quantum reality, and integral vision perspectives offer new ways to understand the terms ’local’ and ‘global’, and their context. Also, today more than ever, cultural transformation models of domination and partnership coexist and are intertwined in our societal context. To advance partnership, then, requires ex
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Dağdelen, Şilan, and Hüseyin Pamukçu. "UNESCO Yaratıcı Şehirler Ağı Gastro-Turist Profilinin Belirlenmesi: Gaziantep ve Hatay İli Örneg?i (Determining Gastro-Tourist Profile of UNESCO Creative Cities Network: The Sample of Gaziantep and Hatay Province)." Journal of Tourism and Gastronomy Studies 9, no. 1 (2021): 341–65. http://dx.doi.org/10.21325/jotags.2021.792.

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16

Suet Leng, Khoo, and Nurwati Badarulzaman. "Branding George Town world heritage site as city of gastronomy: prospects of creative cities strategy in Penang." International Journal of Culture, Tourism and Hospitality Research 8, no. 3 (2014): 322–32. http://dx.doi.org/10.1108/ijcthr-08-2012-0065.

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Purpose – This paper aims to discuss the prevalent trends of exploiting cultural capital such as gastronomic legacy to ignite redevelopment of contemporary cities as illustrated in the city of George Town, Penang, Malaysia. In the twenty-first century, cities are transforming to be creative cities as they compete globally on the basis of their respective city branding, image and identity, as well as cultural capital assets. The emerging importance of cultural capital complements the realms of politics, economics and built environment in creating sustainable urban structure and ecosystem. Desig
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Pyka, Robert. "Kultura jako czynnik miejskiej rezyliencji na przykładzie dawnych miast przemysłowych należących do Sieci Miast Kreatywnych UNESCO. Przypadek dwóch miast: Katowice i Saint-Étienne." Kultura i Społeczeństwo 62, no. 3 (2018): 3–27. http://dx.doi.org/10.35757/kis.2018.62.3.1.

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Cities that seek new development factors in the era of knowledge-based economies and global competition increasingly often turn to culture and the development of the so-called creative industries. The mobilization of endogenous resources leads both to the demarcation of new paths of development and the preservation of continuity through reference to the tradition, skills, and ethos proper to a given area. The author addresses the question in terms of the concept of urban resilience, using the example of two post-industrial cities: Katowice and Saint-Étienne, which are struggling with a lack of
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叶, 晓冬. "简析活动推广在构建设计品牌中的重要性". 经济学 3, № 4 (2020): 142. http://dx.doi.org/10.32629/ej.v3i4.554.

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深圳作为中国改革开放先锋城市,从首个入选联合国教科文组织创意城市网络(UNESCO Creative Cities Network,简称UCCN)的“设计之都”(City of Design),到中国世界湾区粤港澳大湾区核心城市,再到建设中国特色社会主义先行示范区,深圳这座城市的创意设计文化产业得到了前所未有的飞速发展,孕育并诞生了一大批优秀的创意设计机构,设计品牌的辩识度与形象标签如何建立?逐渐引起设计机构日益重视。本文将重点阐述线下专业设计活动将如何更好地助力设计品牌的建设与发展。
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Pearson, David, and Thomas Pearson. "Branding Food Culture: UNESCO Creative Cities of Gastronomy." Journal of International Food & Agribusiness Marketing 28, no. 2 (2016): 164–76. http://dx.doi.org/10.1080/08974438.2015.1035472.

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Pearson, David, and Thomas Pearson. "Branding Food Culture: UNESCO Creative Cities of Gastronomy." Journal of Food Products Marketing 23, no. 3 (2015): 342–55. http://dx.doi.org/10.1080/10454446.2014.1000441.

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21

Peixoto, Paulo. "Título da página eletrónica: Creative Cities Network." Revista Crítica de Ciências Sociais, no. 99 (December 1, 2012): 215–16. http://dx.doi.org/10.4000/rccs.5182.

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이승권 and 노진자. "A Study on UNESCO Creative cities - Focus on European capital of culture and KOBE -." Journal of Eurasian Studies 11, no. 2 (2014): 59–82. http://dx.doi.org/10.31203/aepa.2014.11.2.004.

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23

Batten, David F. "Network Cities: Creative Urban Agglomerations for the 21st Century." Urban Studies 32, no. 2 (1995): 313–27. http://dx.doi.org/10.1080/00420989550013103.

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Escalona-Orcao, Ana Isabel, Belén Sánchez-Valverde García, Mª Cruz Navarro-Pérez, Mariola Pinillos-García, and Alberto Conejos-Sevillano. "Cultural Dynamism and Business Vitality in Medium-Sized Cities—Evidence and Proposals for Sustainable Development." Sustainability 13, no. 13 (2021): 7325. http://dx.doi.org/10.3390/su13137325.

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This work uses tools recently designed to conduct analyses and proposals around the cultural development of medium-sized cities. The Cultural and Creative Cities Monitor model, or CCCM, is first applied to the 81 cities in Spain with between 50,000 and 100,000 inhabitants. We also refer to the UNESCO Culture/2030 Indicators, specifically indicator 8 (Cultural companies), to investigate whether cultural dynamism is related to business vitality in those cities. Our observation of the 29 CCCM indicators and the C3 index, which synthesizes cultural performance, is explained, and these data are com
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Pryima, Serhii, Dayong Yuan, Olena Anishenko, and Yuriу Petrushenko. "THE UNESCO GLOBAL NETWORK OF LEARNING CITIES: TOOLS FOR THE PROGRESS MONITORING." Science and Education 30, no. 4 (2017): 74–81. http://dx.doi.org/10.24195/2414-4665-2017-4-13.

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Yang, Xu, and Ja Joon Koo. ""A Study on Logo Design Characteristics and Usability for Creative City - Focused on Cases of UNESCO Creative Cities in China -"." Journal of Basic Design & Art 19, no. 5 (2018): 457–74. http://dx.doi.org/10.47294/ksbda.19.5.33.

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von Richthofen, Aurel, Ludovica Tomarchio, and Alberto Costa. "Identifying Communities within the Smart-Cultural City of Singapore: A Network Analysis Approach." Smart Cities 2, no. 1 (2019): 66–81. http://dx.doi.org/10.3390/smartcities2010005.

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This article investigates the intersection and convergence of Smart Cities and Creative Cities that emerge with the availability of social media data, technology—smart technologies—and the shifting mode of cultural production—creative economies—forming a new nexus of Smart-Cultural Cities. It starts with a short review of literature surrounding Smart Cities and Creative Cities to establish domain criteria on Smart-Cultural Cities for Singapore. The article draws on a database of actors from authorities, industries, academia, and artists established by the research community in Singapore. Actor
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Partida Hernández, Alicia Paola. "The impact of culture on sustainable development." Harvard Deusto Business Research 8, no. 3 (2019): 268. http://dx.doi.org/10.3926/hdbr.235.

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Culture plays an essential role in the sustainable and economic development of cities. There are currently more and more cities that recognize their importance and include it in their development plans, thus demonstrating its transversality. However, the prevailing question is how to measure its impact. In this sense, an alternative proposal to the UNESCO Culture for Development Indicators (CDIS) for evaluation is presented, consisting of 27 indicators organized in seven categories. The model is applied in the cities of Stockholm, Bilbao, and the Guadalajara metropolitan area (ZMG, consisting
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Petrushenko, Yu M., Т. А. Vasilyeva, H. О. Shvindina, Т. М. Mayboroda, and K. O. Zaichyk. "THE EUROPEAN UNION EXPERIENCE REGARDING THE EDUCATION POLICY FOR INTERCULTURAL CITY DEVELOPMENT." Vìsnik Sumsʹkogo deržavnogo unìversitetu, no. 1 (2019): 149–53. http://dx.doi.org/10.21272/1817-9215.2019.1-20.

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The article analyzes the trends of the European Union's education policy in the field of intercultural dialogue and intercultural development. The chronology of the intercultural education, the transformation of the terms interculturalism is presented, the main legislative acts of the Council of Europe, European conventions, UNESCO documents are analyzed. The basic principles of intercultural education, which form the basis for the development of appropriate education policies, are summarized. The paper proposes the next stage of the interculturalism evolution – the intercultural cities networ
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Majhoshev, Darko, and Cane Koteski. "UNESCO LISTS FOR THE PROTECTION OF NATURAL AND CULTURAL HERITAGE IN THE WORLD AND THEIR IMPACT ON TOURISM DEVELOPMENT: CASE OF THE REPUBLIC OF NORTH MACEDONIA." Knowledge International Journal 34, no. 5 (2019): 1265–70. http://dx.doi.org/10.35120/kij34051265m.

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UNESCO was founded in 1946 as a UN specialized organization for the protection of the world's natural and cultural heritage, whose main mission is to protect, promote and promote education, science and culture at the global level, ie to promote and respect human freedoms and rights. UNESCO has 195 member states and 8 associate members. UNESCO operates in five major programs: education, natural sciences, sociology, culture and communications. UNESCO, in its activities related to the protection of the world natural and cultural heritage, maintains separate Lists for specific areas. The most famo
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Bolívar, Manuel Pedro Rodríguez. "Creative citizenship: the new wave for collaborative environments in smart cities." Academia Revista Latinoamericana de Administración 31, no. 1 (2018): 277–302. http://dx.doi.org/10.1108/arla-04-2017-0133.

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Purpose This paper is framed under the relevance of collaborative governance models in smart cities that are members of the EUROCITIES network and are involved in a working group about “creative citizenship” and seeks to analyse the use of new technologies by city governments in smart cities with the aim at improving e-participation of the citizenry in the public arena. The paper aims to discuss these issues. Design/methodology/approach This research is based on two data collection methods. First, this paper performs an e-survey sent to leading European smart cities about the relevance of coll
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Powell, James. "Creative Universities and Their Creative City-Regions." Industry and Higher Education 21, no. 5 (2007): 323–35. http://dx.doi.org/10.5367/000000007782311867.

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Salford University led and coordinated a thematic network known as C5U, which involved a consortium of seven European universities. This was part of a European University Association (EUA)/Socrates programme of work known as ‘Creativity in Higher Education’. The aim was to understand how universities were increasingly seeking to be creative in their relationships with their cities and regions. The consortium identified how universities had contributed to, and benefited from, the creativity of their city-region for socially inclusive wealth creation. Success occurs when both the university and
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Shutters, Shade T., Rachata Muneepeerakul, and José Lobo. "Constrained pathways to a creative urban economy." Urban Studies 53, no. 16 (2016): 3439–54. http://dx.doi.org/10.1177/0042098015616892.

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Creative (knowledge-intensive) occupations are now widely seen as a basis for urban economic prosperity. Yet the transitional pathways from a city’s current economy to a more creative economy are often difficult to discern or to navigate. Here we use a network perspective of occupational interdependencies to address questions of urban transitions to a creative economy. This perspective allows us to assess alternative pathways and to compare cities with regard to their progress along these pathways. We find that US urban areas follow a general trajectory towards a creative economy that requires
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정수희. "A Study on Craft as Cultural Assets of the City and Craft Cities - Focused on UNESCO Creative City Case." Journal of Culture Contents ll, no. 14 (2018): 81–108. http://dx.doi.org/10.34227/tjocc.2018..14.81.

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Wheeler, Leone. "TVET and the UNESCO Global Network of Learning Cities: relevance for countries in the Middle East." International Journal of Training Research 15, no. 3 (2017): 245–54. http://dx.doi.org/10.1080/14480220.2017.1376776.

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Parkhomenko, I. I. "THE CONCEPT OF CULTURAL AND CREATIVE INDUSTRIES IN THE EUROPEAN ACADEMIC FIELD AND POLICIES OF THE EU AND GREAT BRITAIN." UKRAINIAN CULTURAL STUDIES, no. 1 (2017): 74–78. http://dx.doi.org/10.17721/ucs.2017.1.16.

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Current European integration course in Ukraine requires rethinking Ukrainian scientific and policies meaning of the cultural sphere as the set of cultural industries, which produce and distribute goods or services with special cultural value, irrespective of the commercial value they may have. According to the main UN Resolutions, UNESCO Conventions and legal activity of the European Commission since 90th of XX century cultural assets are considered to be - an instrument and resource of economic, cultural and social sustainable development of states, cities and regions. New conditions require
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Chen, Qun Yu. "Solid Proof on Environmental Pollution of Creative City Based on Analytic Network Process." Applied Mechanics and Materials 687-691 (November 2014): 2497–501. http://dx.doi.org/10.4028/www.scientific.net/amm.687-691.2497.

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The creative city takes the lead either in economy or culture. In recent years, China continuously proposes the test point for creative city and expends the exchange between economic development and culture. However, the environmental pollution has always been the major problem with economic development. There are numerous researches and explorations on the environmental pollution, left behind by creative city. The paper uses analytic network process (ANP) makes a comprehensive assessment on the environmental pollution of the creative cities of Shenzhen, Guangzhou and Nanjing. Firstly, summari
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Popović, Katarina, Maja Maksimović, Aleksa Jovanović, and Jelena Joksimović. "New Learning Sites in Learning Cities – Public Pedagogy and Civic Education." Andragoška spoznanja 26, no. 1 (2020): 33–51. http://dx.doi.org/10.4312/as.26.1.33-51.

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Although the concept of learning cities and the idea of learning being place-based and focused on a region, city, town or community have existed for a long time, it is UNESCO’s work that gave the impetus to the practice, helping to create and spread the network of Learning Cities worldwide. One of the main characteristics of the current concept is the leading role of the local government and partnership with policy makers. The paper challenges this feature with the example of cities that are “rebelling” against the local or national government, but do have learning at the core of their activit
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Felipe, C. O., and K. M. Z. Esp. "Cultural Barriers to Communication (CBC) facing women entrepreneurs from BPW and overcoming conditions, in the perspective of MIL Cities." Слово в науке, no. 1(2) (April 1, 2021): 43–59. http://dx.doi.org/10.53362/v1978-1987-4044-y.

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This article analyzes data on Cultural Barriers to Communication — CBC and Creativity in a group of Businesswomen and Professionals — BPW, from Brazil, researched by the 20 CBC Methodology, recommended by UNESCO, which describes 20 CBC and 5 dimensions of Creativity. The objective of the research was to identify the CBCs faced by women en­ trepreneurs and their creative potential to overcome them. Data were obtained through a questionnaire applied online to BPW associates in different Brazilian regions, obtaining 350 responses among 809 associ­ ates. Based on the relationship between CBC and C
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Beatley, Timothy. "Biophilic Cities and Healthy Societies." Urban Planning 2, no. 4 (2017): 1–4. http://dx.doi.org/10.17645/up.v2i4.1054.

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Biophilia holds that as a species humans are innately drawn to nature and to living things. Mounting research confirms the many positive health benefits of contact with nature, and the need for daily (and hourly) contact with the natural environment in order to live happy, healthy, meaningful lives. A new vision of Biophilic Cities is put forward here: cities that are nature-abundant, that seek to protect and grow nature, and that foster deep connections with the natural world. This article describes the emergence of this global movement, the new and creative ways that cities are restoring, gr
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Varbanova, Lidija. "Creative clusters: Typology, characteristics, financial models and success factors." Kultura, no. 169 (2020): 249–76. http://dx.doi.org/10.5937/kultura2069249v.

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The global pandemic is changing the world in significantly high speed and in many dimensions-economic, social, cultural, digital. Covid-19 certainly had a negative effect on all sectors requiring traveling and physical presence, including many arts and culture events and organisations, as well as sectors that are complementary to the culture and creative industries value chain. Despite, the global pandemic opened up new opportunities of living more among our communities, consuming more local products, reorganising our life to be more resilient, catalyzing both business and social innovations,
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Arifianti, Ria, and Mohammad Benny Alexandri. "AKTIVASI SUB SEKTOR EKONOMI KREATIF DI KOTA BANDUNG." AdBispreneur 2, no. 3 (2018): 201. http://dx.doi.org/10.24198/adbispreneur.v2i3.16488.

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ABSTRACT Creative Economy will be the world economic trend in the next few years. Stagnation of economic growth and environmental degradation is increasingly alarming, encouraging the whole world to put forward the creativity in economic life that maximizes the added value of a product of goods and services in the framework of the sustainability of human life and civilization. The research method used is a qualitative method of research procedures that produce descriptive data in the form of written words or oral from the people and behavior that can be observed. With the explorative approach
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Karas, I. R., M. Ben Ahmed, A. A. Boudhir, and B. K. Ane. "THE FIFTH INTERNATIONAL CONFERENCE ON SMART CITY APPLICATIONS: PREFACE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-4/W3-2020 (November 23, 2020): 1–5. http://dx.doi.org/10.5194/isprs-archives-xliv-4-w3-2020-1-2020.

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Abstract. This Conference Proceedings volume contains the written versions of the contributions presented during the 5th International Conference on Smart City Applications.At first, the event had been planned to organized in Safranbolu Campus of Karabuk University, Türkiye. Then, it has been converted to the online conference because of the Covid-19 situation. It took place with the motto of “Virtual Safranbolu” by inspiring historical UNESCO Heritage city Safranbolu, on October 07-08, 2020. The conference provided a setting for discussing recent developments in a wide variety of topics inclu
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Sun, Young-Hyun. "A Study on the Alternative Culture and Arts Festival in the Pandemic Era : Focusing on the Cases of UNESCO Media Art Creative Cities." Europe Culture Arts Association 12, no. 2 (2021): 153–71. http://dx.doi.org/10.26854/jeca.2021.12.2.153.

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Pintilii, Radu-Daniel, Daniel Peptenatu, Ana-Maria Ciobotaru, et al. "Creative economies in Romania – spatial projections and trends." Bulletin of Geography. Socio-economic Series 37, no. 37 (2017): 95–108. http://dx.doi.org/10.1515/bog-2017-0027.

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Abstract Creative economies are at the heart of the knowledge-based economy. The main objectives of the study are to present the spatial design of the regional systems of creativity in Romania and to identify the evolutionary trends, by creating spatial models for key economic indicators, specific to such economic activities. This paper focuses on how creative economies are concentrated in the national network of settlements and how they differentiate in terms of regional profile. Consequently, a yearly nationwide database was created for 2000-2012, which includes four-digit creative economic
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Purchla, Jacek. "The Central European City and Its Identity." Politeja 15, no. 6(57) (2019): 125–48. http://dx.doi.org/10.12797/politeja.15.2018.57.08.

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The form and shape of the city are, in a way, the sum of the development of its civilisation, and this is why urbanisation is so often cited as a symbol of Europe’s cultural advancement. A particular triumph of urbanisation is the concept known as “creative cities”, that is, cities that contribute creatively to the universal values of our civilisation without losing any of their local flavour or compromising their unique identity. This paper claims that the best evidence of Central Europe’s achievements as a civilisation, and the essence of its identity, are its cities. Indeed, an understandin
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Beretić, Nađa, Cecchini Bibo, Zoran Đukanović, and Alessandro Plaisant. ""Glocal" governance capacity: Mining heritage of Sardinia." SAJ - Serbian Architectural Journal 7, no. 3 (2015): 299–316. http://dx.doi.org/10.5937/saj1503299b.

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The paper explores government capacities of Sardinian mining heritage (dating back 8 thousand years of mining culture, crashed as an industrial engine in '60s and proclaimed as heritage of great importance by UNESCO in 1997.). Nowadays, characterized by depopulation, lack of management and managing, astonishing sites are conceived, semi-perceived and pseudo-lived. The research has an orientation, character and strategy, pragmatic orientated with qualitative character; oriented to determine what and how should be done in relation to what is wanted to be done. It is a multidisciplinary approach,
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Wu, Wen-Tsung, and Chie-Bein Chen. "Applying ANP in Establishing a Decision-Making Model for the Destination Selection of Large-scale Exhibitions." Business and Economic Research 7, no. 1 (2017): 100. http://dx.doi.org/10.5296/ber.v7i1.10905.

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This study investigates the decision-making issues in the selection of destinations for large-scale exhibitions by the cultural and creative industry. We use the Rubber Duck China Tour by the Dutch artist Florentijn Hofman as an example and adopt the analytic network process technique to evaluate destination options for the exhibition, as well as to explore the impacts of the evaluation of destination feasibilities on exhibition investment. The results show that power, a high benefit-cost ratio, first-tier cities, integration with local communities, and a rich and interesting theme are the top
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Mylonas, Naoum, and Eugenia Petridou. "Venture performance factors in creative industries: a sample of female entrepreneurs." Gender in Management: An International Journal 33, no. 5 (2018): 385–404. http://dx.doi.org/10.1108/gm-03-2017-0035.

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PurposeThe purpose of this paper is to investigate whether predicting factors of conventional ventures’ performance are appropriate in interpreting the creative industries context. Moreover, this paper introduces a way to measure venture performance in creative industries.Design/methodology/approachA structured questionnaire was used to address this research objectives, based mainly on scales tested in previous studies. Data were collected from a sample of 371 female entrepreneurs of creative industries. A hierarchical linear regression analysis was conducted to examine the research hypotheses
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Yoshida, Masami. "An Investigation of the Social Network System Competencies of High School Students in Japan." International Journal of Emerging Technologies in Learning (iJET) 13, no. 05 (2018): 4. http://dx.doi.org/10.3991/ijet.v13i05.8101.

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We investigated the Social Network System (SNS) competencies of high school students in Japan. Student groups (from cities or regional areas) and the opinions of their teachers were compared. Twenty-five UNESCO criteria in three competency categories were selected. By two-way analysis of variance and paired-comparisons, we detected a significant difference in the opinions of students and teachers. Although the magnitude of the difference was small, by Dunnett’s multiple comparisons, the city and regional groups also differed from each other. Performance criteria items of risk awareness were va
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