Dissertations / Theses on the topic 'Creative cities'
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Oliveira, Carla Isabe Pinto. "Creative cities: the potencial of Portuguese Cities." Master's thesis, Faculdade de Economia da Universidade do Porto, 2011. http://hdl.handle.net/10216/57357.
Full textOliveira, Carla Isabe Pinto. "Creative cities: the potencial of Portuguese Cities." Dissertação, Faculdade de Economia da Universidade do Porto, 2011. http://hdl.handle.net/10216/57357.
Full textArmellin, Paolo <1992>. "Creative cities and city branding: the case study of London." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12496.
Full textPRUVOT, SEGOLENE JEANNE MARIE RENELLE VICTORINE. "Can participative arts help deliver (more) socially just creative cities?" Doctoral thesis, Università degli Studi di Milano-Bicocca, 2020. http://hdl.handle.net/10281/262326.
Full textCreative City policies have long been portrayed as the new packaging for neoliberal policies. While being widely criticised, the concepts of creative cities and creative class continue to travel around the world in the domain of policy making.That is why some researchers (Pratt, 2011, Ratiu, 2013, Leslie and Cantugal, 2012, Beaumont and Yildiz, 2017) have flagged up that there are other possibilities to conceive a creative city. The dimensions of Justice identified by S. Fainstein (2019), democracy, equality, diversity are at the core of some artists works. While placing my research in the frame of the urban planning literature on the creative city as my hypothesis show, I propose a slight displacement of focus. The specific contribution of my work is to make the link with arts theory and to bring in the debate an analysis of the new conceptions artists have developed of their role in the city, as regards to the city making, in theory and in practice. The theoretical background is provided by Jacques Rancière (2008), who has proposed a new conception of aesthetics. The specificity of art, aesthetics, is that it proposes a new “distribution of the sensible”. The thesis analyses three case studies of participative theatre in Saint-Denis, with the view to determine what the actual input of the artist in the making of the city and how this is relevant for the creation of an alternative creative city model. The three hypothesis of the work are that : 1. More-than-capitalist creative cities visions may already exist (Leslie and Cantugal, 2012) and they may be influenced by the political orientation of the carrier of the visions. (Garcia, 2013). This visions may take into account issues of inequalities (Jakob, 2011) and redistribution (Pratt, 2011). 2. These visions may differ between different stakeholders. There may be an interplay of these different visions on a territory. One needs to construct a situated and contextualised (Pratt, 2011; Prince, 2010) understanding of the way creative cities visions of different stakeholders play in a given location. 3. Artists may play an active role in building an alternative vision and implementation of the creative city, Sharp and al. (2005). A specific focus on the way art works are read by the audience and to the process of making of the art work helps understand its actual impact on issues of social justice, such as equality, democracy and diversity (Fainstein, 2010). The choice of the location has been motivated by its characteristics of being a poor traditionnally communist subburb of Paris, now flagged up as Territory of Culture and Creation in Greater Paris Metropolis. The thesis analyses 3 participative theatre projects in this territory : 1/‘The Football pitch, the player and the consultant’. It is an urban planning consultation participatory art project, commissioned by the local authority, with a duration of two years, co-managed by a theatre collective and an innovative urban planning consultancy, which aimed at stakeholders’ voices to be heard in a different way, using the resources of sports and theatre. 2/ Montjoie! Saint-Denis! by Hoc Momento - An in-situ theatre project commissioned by an independent art institution as regards to the future of a brownfield and its surrounding neighbourhood, led by researchers-artists. 3/ The Ephemeral Troup: a participative theatre project with young people, partly from disadvantaged background and from the area and led by a state financed theatre, the Théâtre Gérard Philippe (TGP) What this PhD brings to the debate on creative city, is the knowledge that it is not because art does not have direct economic impact, nor easily quantifiable social impact, that its specific input should be disregarded. By analysing the details of art projects, one can reveal the many ways artists use creativity to change the city. A new conception of just creative city should aim at encapsulating these types of contribution.
Leach, Heather. "Those inner cities : a fictional and critical exploration of urban change." Thesis, Liverpool John Moores University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247318.
Full textPaz, Mendes de Oliveira Lígia Isabel. ""Creative Cities". O papel da Cultura nos processos de transformação urbana." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/285429.
Full textThis Ph.D. Dissertation examines how the transformation of the economic base of the city of Barcelona had a transformative impact on its physical configuration, and therefore on its public space. This phenomenon is linked to urban regeneration processes, common to the dynamics that occur in other cities. We believe it is important to analyse such processes, as they allow us to relate the economic and political assumptions with the results in the territory. Beyond this general interest, the specific characteristics of Barcelona make it stand out in relation to the operations in other cities, therefore ensuring the commitment of this research. By characterizing Barcelona as a creative city, we then analyse the deindustrialization and subsequent re-industrialization of the Poblenou derived of the 22@ plnn, which transforms the old manufacturing industries in knowledgerelated industries, where culture is predominant. We use an innovative methodology, consisting of implementing a multi-scale analysis in space, and time, focusing on both economic and territorial policies in Poblenou. To contextualize this analysis, we first examine the general evolution of cities' cultural policies, in order to articulate the concept of “creative cities” with the process ot urban regeneration. Then, we look at the linkage between the uses evolution of the physical territory of Poblenou, and the progress of cultu.ral policies in Barcelona. Finally, we deepen the study of the 22@Barcelona project in its general context and, in particular, we evaluate the public space adjacent to buildings used for creating new productive activities. We analyse the intervention in Palo Alto by considering it esp«ially characteristic of this physical, productive and cultural transformation processes. This appreciation of Poblenou includes elements of continuity and rupture. On the first onc, wc observe the integration of its physical territory, in relation to the whole city; the continuity of its conceptualization as an industrial district, including the :ldaptation of the first industrialization buildings to new uses and valued an heritage; the attempt to keep the resident population; and finally, by the introduction of new physical and social infrastructures, providing an equivalence within the city. We consider the overall configuration of the public space designed for 22@ as qualitatively positive, by encouraging its integration in the city and its urban cohesion. But we also identify a break in the built environment: especially in the vertical plane, the intent of introducing new differentiators in the urban landscape results in a mundane image and on a cultural resources trivialization. On the ambiguity of these results, we highlight the value and integration and of these Poblenou's newly designed public spaces in the historical and territorial continuity of the whole city, emphasizing this aspect of excellence and as a representative of the contemporary Barcelona.
La tesi doctoral presentada a les pàgines següents examina rom la transformació de la base econòmica de la ciutat de Barcelona va tenir un impacte transformador en la seva configuració física i per tant el seu espai públic. Aquest fenomen està lligat a processos de regeneració urbana. comuns a les dinàmiques que ocorren en altres ciutats. Considerem que és important analitzar aquests processos doncs permeten que ens relacionar els supòsits econòmics i polítics amb els resultats sobre el territori. Més enllà d'aquest interès general. el cas de Barcelona té característiques especifiques que fan que es destaqui en relació amb les operacions desenvolupades en altres ciutats, que garanteix el compromís d'aquesta investigació. Caracteritzant Barcelona com a ciutat creativa, ens permet concentrar-nos en la desindustrialització i la posterior re-industrialització del barri del Poblenou gràcies al projecte 22@, trobant-hi el pas de les velles indústries a les indústries relacionades amb el coneixement,. on la cultura és predominant. Utilitzem una metodologia innovadora que consisteix en l'aplicació d'una anàlisi multi-escala, en l'espai i en el temps, i incideix en l'àmbit de les polítiques econòmiques i territorials al Poblenou. Per tal de contextualitzar l'anàlisi, examinem primer l'evolució general de les polítiques culturals a les ciutats, per tal d'articular el concepte de "ciutats creatives" amb els processos de regeneració urbana. Després observem el vincle entre l'evolució dels usos del territori físic del Poblenou, així com l'avanç de les polítiques culturals a Barcelona. Finalment, aprofundim l'estudi del projecte 22 @ Barcelona en el seu context general i, en particular, avaluem l'espai públic adjacent als edificis destinats a les noves activitats productives creadores. Això es mostra a tall d'exemple per la intervenció a Palo Alto, donada el seu procés de transformació física, productiva i cultural. D'aquesta apreciació del Poblenou, en destaquem els elements de continuïtat i ruptura. Els primers, la integració del territori físic, en relació a tota la ciutat; la continuïtat de la seva conceptualització com un districte industrial, incloent-hi l'adaptació dels edificis de la primera industrialització als nous usos i valorats com a patrimoni; tractant de mantenir a la població resident, i la introducció de nova infraestructura física i social, que proporcionen una equivalència amb tota la ciutat. Considerem que la configuració global de l'espai públic dissenyat per al 22@ és qualitativament positiva, fomentant la seva integració a les ciutat i la seva cohesió urbana. D'altra banda, comprovem una ruptura en l'entorn construït: sobretot en el pla vertical, l'intent d'introduir nous elements diferenciadors en els resultats paisatge urbà en una imatge trivial i, també, una trivialització dels recursos culturals. Sobre l'ambigüitat d'aquests resultats, valorem la integració del disseny d'aquests nous espais públics del Poblenou en una continuïtat històrica i territorial de tota la ciutat, destacant aquest aspecte d'excel.lència i representatiu de l'actual Barcelona.
La tesis doctoral presentada en las páginas siguientes examina cómo la transformación de la base económica de la ciudad de Barcelona tuvo un impacto transformador en su configuración física y por consiguiente su espacio público. Este fenómeno está ligado a procesos de regeneración urbana, comunes a las dinámicas que ocurren en otras ciudades. Consideramos que es importante analizar estos procesos pues nos permiten relacionar los supuestos económicos y políticos ron los resultados sobre el territorio. Más allá de este interés general, el caso de Barcelona tiene características específicas que hacen que destaque en relación con las operaciones desarrolladas en otras ciudades y que garantiza el compromiso de esta investigación. Caracterizando Barcelona como ciudad creativa, nos permite analizar la desindustrializadón y la posterior re-industrialización del Poblenou gracias al proyecto 22@, transformando las viejas industrias fabriles en las industrias relacionadas con el conocimiento, donde la cultura es predominante. Utilizamos una metodología innovadora consistente en la aplicación de un análisis multi-escala, en el espacio y en el tiempo, que incide en el ámbito de las políticas económicas y territoriales en el Poblenou. Para contextualizar el análisis, examinamos primero la evolución general de las políticas culturales en las ciudades, para articular el concepto de “ciudades creativas” con los procesos de regeneración urbana. Después, observamos el vínculo entre la evolución de los usos del territorio físico del Poblenou, así como el avance de las políticas culturales en Barcelona. Finalmente, profundizamos el estudio del proyecto 22@ Barcelona en su contexto general y, en particular, evaluamos el espacio público adyacente a los edificios destinados a las nuevas actividades productivas creadoras. Esto se muestra, a modo de ejemplo, en la intervención en Palo Alto, dado su proceso de transformación física, productiva y cultural. De esta apreciación del Poblenou, destacamos los elementos de continuidad y ruptura. Los primeros, la integración del territorio físico, en relación a toda la ciudad; la continuidad de su conceptualización como un distrito industrial, incluyendo la adaptación de los edificios de la primera industrialización a los nuevos usos y valorados como patrimonio; tratando de mantener a la población residente y la introducción de nueva infraestructura física y social, que proporcionan una equivalencia con toda la ciudad. Consideramos que la configuración global del espacio público diseñado para el 22@ es cualitativamente positiva, fomentando su integración en la ciudad y su cohesión urbana. Por otra parte, comprobamos una ruptura en el entorno construido: sobre todo en el plano vertical, con el intento de introducir nuevos elementos diferenciadores en el paisaje urbano que se traduce en una imagen trivial y, también, una trivialización de los recursos culturales. Sobre la ambigüedad de estos resultados, valoramos la integración del diseño de estos nuevos espacios públicos de Poblenou en una continuidad histórica y territorial de toda la ciudad, destacando este aspecto de excelencia y representativo de la actual Barcelona.
Vai, Elena <1970>. "INCORPOREAL CITIES. Dalle città creative al commoning design delle comunità progettanti." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amsdottorato.unibo.it/9633/1/Vai_Elena_tesi.pdf.
Full textThe research topic refers to time, processes, practices and tools of design, expressed in the designed events as agents of trans-formation in relation to the individual, the community and the territory. The context is the contemporary city affected by a process of continuous mutation, due to the economic and financial crisis since 2007 onward, and transformed by the effects of digital enabling technologies, whose changing condition has now ampli-fied by the Coronavirus epidemic. The great crisis of financial capitalism has deprived public administrations of resources and policies to support top-down urban transformation, while enabling technologies have accelerated and disabled the traditional processes of relationships between subjects. The current crisis is encouraging the migration of social behaviors from the natural environment to the virtual environment, replacing the physical space-time experience of the city within the digital experience, at the advantage of incorporeal. The weak signs witnessing this transformation process are the emergence of interactive platforms that enable co-design models for development, production, distribution, communication. Thanks to open-source software and creative commons licenses, they encourage bottom-up engagement processes. These techniques to create and collaborate are based on methodologies bor-rowed from design; on widespread practices such as crowdsourcing and crowdfunding; on informal actions and temporary events that rely on enabling technologies and the participation of communities of interest. The research developed from a record of international cases; up to contextualize the experience of large Italian cities. It finally moves on, assuming the city of Bologna as application field, where I experience the research topic through Bologna Design Week. The demonstrated hypothesis is that the designed events can be assumed as a tool for cultural reactivation and community care; as a strategy for orienteering changing identities in the contemporary city; as a set of repeatable practices of commoning design, creativity, digital technologies and storytelling.
Gathen, Constanze. "Benefits of Networks within Cultural and Creative IndustriesThe Case of the UNESCO Creative Cities Network with a Particular Focus on Gastronomy." Thesis, Mittuniversitetet, Avdelningen för ekonomivetenskap och juridik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-28212.
Full textCamilo, Maria Inês Fonseca de Oliveira. "Lisboa: Cluster Musical: Projeto de submissão de Lisboa à The Creative Cities Network, UNESCO." Master's thesis, Instituto Superior de Ciências Sociais e Políticas, 2013. http://hdl.handle.net/10400.5/6500.
Full textA criatividade tem vindo a assumir-se como uma componente primordial para o crescimento económico, sendo reconhecido o seu valor no contexto de diferentes profissões e atividades. A música, enquanto forma de representação da identidade cultural, contribui ativamente para a construção da identidade nacional, vinculando-a através dos seus artistas e criações. No quadro da The Creative Cities Network, da UNESCO, e tendo por base a dinamização do sector das “Industrias Criativas”, procedeu-se à identificação das condições base para a preparação de uma futura proposta de atribuição do selo "creative city" à cidade de Lisboa, no sector da música. Foi analisado um conjunto de estudos de carácter científico e estatístico, acerca da performance económica das Indústrias Criativas em Lisboa. Os resultados sugerem que Lisboa reúne as condições materiais, os recursos humanos e técnicos e os espaços físicos para se posicionar como uma cidade criativa, atuando como cluster musical. O Selo poderá promover a internacionalização e a capacidade competitiva da economia da cidade, numa escala regional e global. Paralelamente, este projeto abarca uma componente multimédia de criação de um mapa interativo, aberto e acessível a todos, para consulta dos espaços culturais em Lisboa, lançando as bases para um serviço de geo-localização, tagging e agenda, como complemento a Lisboa enquanto membro desta rede.
Creativity has been defining itself as a major factor towards economic development, and its value has been recognized in the context of different jobs and activities. Music, as a representation of cultural identity, actively contributes to the construction of the national identity, conveying it through its artists and creations. As part of The Creative Cities Network, of UNESCO, and based on the dynamics of the sector of "Creative Industries", the identification of the basic conditions for the preparation of a future proposal for awarding the Tag of "creative city" to the city of Lisbon, in the music sector, was accomplished. A set of studies of scientific and statistical character was analyzed, about the economic performance of the Creative Industries in Lisbon. The results suggest that Lisbon has the conditions, human resources and technical and physical spaces to position itself as a creative city, acting as musical cluster. The Seal could promote the internationalization and competitiveness of the city's economy, both at regional and global scale. In addition, this project includes a component of multimedia creation of an interactive map, open and accessible to all, for consultation of cultural spaces in London, laying the foundation for a service of geo-location, tagging and agenda, as a complement to Lisbon while member of this network.
Wen, Wen. "Scenes, quarters and clusters : new experiments in the formation and governance of creative places in China." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/52840/1/Wen_Wen_Thesis.pdf.
Full textArthurs, Kerri Elizabeth. "Creative cities, creative spaces, and urban policy : the impacts of regulations on artist-run centres and independent arts spaces in Vancouver, British Columbia." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43405.
Full textWaellisch, Ulrike. "Geographies of creative production : the perspective of visual artists in Paris." Thesis, Loughborough University, 2010. https://dspace.lboro.ac.uk/2134/14546.
Full textTsilemanis, Amy. "Creative activation of the past: Mechanics' Institutes, GLAM, heritage, and creativity in the twenty-first century." Thesis, Federation University Australia, 2020. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/175258.
Full textDoctor of Philosophy
Ferreira, Victor Moura Soares. "A rede de cidades criativas da Unesco: uma perspectiva das cidades brasileiras." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7795.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The idea of the creative city emerges as the fruit of the post-industrial era, when cities needed to reinvent themselves from a strategic relationship with creativity, specifically with the creative industry and the creative economy. The formulation of those expressions, first raised by the australian government and later by the british, discussed the value of art and culture through those which were possible the creation of jobs and wealth production. The United Nations, through UNCTAD and Unesco, incorporated in their discourses and policies the importance of the development of the urban environment ordered by creativity. Its intention was embodied after the launch of the Unesco Network of Creative Cities in 2004, platform that established a commitment to invest in creativity and culture as a strategic factor for "sustainable" urban development. In order to understand this dynamic that uses culture as an urban management strategy, the Network's research from the perspective of the five Brazilian cities - Florianópolis and Curitiba, with the insertion in 2014, and the cities of Belém, Santos and Salvador, in 2015 - allowed to identify the strategies that configure this program and, also, the nuances of each one. The idea was based on the investigation of application forms, information in electronic media and digital files. The research rethinks that the discourse of the creative city is closer to the image bias, economic and political than the ideal model of a post-industrial city, as some theorists claim. Possibly, the creative city is only a reflection of an image that began in the economy and was diluted in the discourse of managers, possessing the Nation-State as controlling agent.
ideia da cidade criativa surge como fruto da era pós-industrial, época em que as cidades precisavam se reinventar a partir de uma relação estratégica com a criatividade, especificamente com a indústria criativa e a economia criativa. A formulação de tais expressões, colocadas em questão, primeiramente pelo governo australiano e depois pelo britânico, discutiu acerca da valorização da arte e da cultura, por meio das quais eram possíveis a criação de empregos e a geração de riqueza. As Nações Unidas, por meio da UNCTAD e da Unesco, incorporaram, em seus discursos e políticas, a importância do desenvolvimento do meio urbano ordenado pela criatividade. Sua intenção se corporificou após o lançamento da Rede de Cidades Criativas da Unesco, em 2004, plataforma que firmou o compromisso em investir na criatividade e na cultura como fator estratégico para o desenvolvimento urbano “sustentável”. Com o objetivo de compreender essa dinâmica que utiliza a cultura como estratégia de gestão urbana, a investigação da Rede pela perspectiva das cinco cidades brasileiras – Florianópolis e Curitiba, com a inserção em 2014, e as cidades de Belém, Santos e Salvador, em 2015 – permitiu identificar as estratégias que configuram esse programa e, também, as nuances de cada uma. A ideia partiu da averiguação de formulários de candidatura, de informações em meios eletrônicos e arquivos digitais. A investigação faz repensar que o discurso da cidade criativa está mais próximo do viés imagético, econômico e político, do que de um modelo ideal de cidade pós-industrial, como alguns teóricos afirmam. Possivelmente, a cidade criativa seja apenas reflexo de uma imagem, que se iniciou na economia e diluiu-se no discurso de gestores, possuindo o Estado-Nação como agente controlador.
Liao, Pei-Ling. "The adaptation of the cultural and creative industries cluster policy in Eastern Asian cities : the case studies in Taiwan." Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5229/.
Full textNdhlovu, Raymond. "The impact of the cultural and creative industries on the economic growth and development of small cities and towns - guidelines for creating a regional cultural policy." Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/61524.
Full textMartin, Michael. "The role and function of temporary use in urban regeneration : the case of England's core cities." Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/the-role-and-function-of-temporary-use-in-urban-regeneration-the-case-of-englandas-core-cities(54e82a3f-cb70-4c8c-aa3f-92b770c66173).html.
Full textReis, Ana Carla Fonseca. "Cidades Criativas: análise de um conceito em formação e da pertinência de sua aplicação à cidade de São Paulo." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/16/16139/tde-08042013-091615/.
Full textOver the past fifteen years, a convergence of factors of global impact has motivated new understandings and organisations of economic and urban order. This is the background leading up to the emergence of the \"creative economy \" and, more recently, the \"creative city\". In Brazil, the bibliography of both subjects is still scarce, the same applying to their potential benefits to the urban context. The present thesis aims to respond fundamentally to two questions: to draw the features of a creative city and to analyse if São Paulo could claim to be one. Therefore, this work encompasses a conceptual review; the proposal of a driving concept of creative city; an experimentation of its suitability to three cities; and a practical analysis of its adherence to the city of São Paulo, at two levels: comprehensive and in--depth, using contemporary art as a tool for analysis.
Katz, Ivanna. "Understanding the Contemporary Character of Braamfontein Johannesburg: Towards a renewed understanding of urban renewal in cities in the South." Master's thesis, Faculty of Science, 2019. http://hdl.handle.net/11427/31417.
Full textPfeiffer, Elisabeth R. "Placing Munich: A Search Through Aufbruch." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/586.
Full textComério, Larissa de Melo. "Cidades criativas e desenvolvimento regional : o caso de Vitória-ES." reponame:Repositório Institucional da UFES, 2014. http://repositorio.ufes.br/handle/10/1105.
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O presente trabalho pretende dedicar-se a discussão dos elementos que compõem a economia criativa, para tanto, utiliza diferentes conceitos de criatividade, indústrias criativas e cidades criativas. O termo economia criativa surgiu em 2001 com o livro de John Howkins, mas a idéia básica foi apresentada no estudo Creative Nation realizado pelo governo australiano em 1994. A partir de então, diversos países têm adotado o conceito como instrumento de fomento ao desenvolvimento econômico e social. Assim, a associação da economia criativa a uma economia voltada ao desenvolvimento está ligada, portanto, ao reconhecimento de que a criatividade humana pode ser um ativo econômico (REIS, 2012). Diferentes países e regiões podem utilizar essa abordagem com o objetivo de alcançar efeitos positivos sobre o emprego e como ferramenta para a promoção da inclusão social. A discussão é recente no Brasil, um dos estudos pioneiros foi desenvolvido pela Federação das Indústrias do Estado do Rio de Janeiro (FIRJAN), intitulado “A Cadeia da Indústria Criativa no Brasil”. A partir desse trabalho e do banco de dados da Secretaria de Turismo, Trabalho e Renda – SETGER da prefeitura de Vitória foi possível desenvolver um estudo espacial dos empreendimentos criativos para Vitória -ES. Concluiu-se, então, que a desconcentração dos empreendimentos criativos nas diferentes regiões do município deve ser um dos objetivos buscados para que a cidade se transforme em um espaço mais colaborativo e coeso.
The present work intends to engage in discussion of the elements that make up the creative economy, therefore, uses different concepts of creativity, creative industries and creative cities. The term creative economy appeared in 2001 with the book of John Howkins, but the basic idea was presented in the Creative Nation study conducted by the Australian government in 1994. Since then, several countries have adopted the concept as an instrument to promote economic and social development. Thus, the combination of a creative and a development economy is linked, therefore, to the recognition that human creativity can be an economic asset (Reis, 2012). Different countries and regions can use this approach with the objective to achieve positive effects on employment and as a tool for the promoting social inclusion. The discussion is recent in Brazil, one of the pioneering studies was developed by the Federation of Industries of the State of Rio de Janeiro ( FIRJAN ) entitled "The Chain of Creative Industry in Brazil". From that job and the database of the Department of Tourism, Work and Income from the City of Vitória was possible to develop a spatial study of creative enterprises to the county. Then it was concluded that the deconcentration of creative enterprises in different regions of the municipality must be one of the goals pursued for the city to become a more collaborative and cohesive space.
Ritchey, John Michael. "Elvis Plays Texas." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1418.
Full textJäger, George Felipe Bond. "Economia criativa e seus indicadores: uma proposta de índice para as cidades brasileiras." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/3/3136/tde-19032015-165137/.
Full textIn current times, the discussion around the importance of the creative economy for countries and regions has become notarial high. In fact, virtually all human activity has been used the creativity in some way, so there has been a movement in recent years to recognize certain activities in intellectual, cultural and artistic content that can add value to goods and services. Beginning in the 2000s, several methodologies emerged with the objective of measuring the Creative Economy, bolstered by high levels of interest on the part of local and national governments that are saw an opportunity to use direct efforts and public investments in order to boost local economic development. One of the first methods launched, the Index of Creative Cities, developed by Richard Florida, has generated significant repercussions in both the of academic community and civil society with the use of different indicators divided into three dimensions: Talent, Technology and Tolerance (the 3 T\'s). Several subsequent methodologies, with a similar goal of measuring the Creative Economy, were strongly influenced by the structure of the 3 T\'s. However, great difficulties are encountered when attempting to apply any of these methodologies to Brazilian cities, due to several reasons, most notably the lack of public data relevant to the indicators used. To mitigate this issue, this project aimed to identify, based on four international indexes previously selected, which data could be used to compare against the ones existing in Brazil, by proposing an index called the Brazilian Creative Economy Index (IECBr). After this analysis, we selected seven cities (São Paulo, Rio de Janeiro, Curitiba, Brasilia, Salvador, Fortaleza and Belem) to measure the Creative Economy. Two statistical tools were used, the Pearson correlation coefficient and Cluster Analysis. The first tool revealed that there were some indicators contradicted other indicators of the same dimension, so it was decided to recalculate the index without these indicators. Lastly, the second statistical tool showed that the chosen cities formed two distinct groups, one group consisting of Southern and Southeastern cities and the other consisting of all other regions.
Martinho, Ana Sofia Pacheco. "A gastronomia como ferramenta para uma cidade criativa. Projeto de uma cooking factory." Master's thesis, Faculdade de Arquitetura de Lisboa, 2012. http://hdl.handle.net/10400.5/5754.
Full textKrochta, Carrie Ann. "Layers of Branding: City and Arts Organization Branding in Columbus, Ohio." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1345471017.
Full textBarreto, Luisa Marques. "O avesso da cidade criativa e a emergência de ações coordenadas como novos modos de comunicação urbana." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/19549.
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Conselho Nacional de Desenvolvimento Científico e Tecnológico
The term creative cities has first appeared in a Brazilian government policy, specifically in the Plan of the Secretariat of the Creative Economy: policies, guidelines and actions, 2011-2014, as a new urban planning strategy based on the revitalization of specific parts of the city and the creation of creative territories. The purpose of this thesis is to analyze the formation of the creative city concept in Brazil, as well as the mechanisms of power involved. The research problem focuses on what the statement creative cities hidden, namely the fact that it is an improvement of neoliberal rationality applied in space. LEFEBVRE (1996), Virilio (1999) and HALL (2013) were essential to think about the different forms of organization of cities and their renovation projects; while FOUCAULT and AGAMBEN grounded the inclusion of biopolitics in this discussion. The hypothesis of the thesis is that the creative class has a particular status in the cities, reinforcing the image of creative cities as open, cosmopolitan, young, culturally interesting and transforms urban centers like São Paulo, Berlin, New York, Barcelona in a fetish and lifestyle in commodity, collaborating with the thought and with the neoliberal system. The research methodology includes a bibliographic review on the topic of economics and creative cities and an analysis of experiences based in other space-time usage possibilities of using, from coordinated actions of reappropriation of idle spaces by small groups or collectives. The expected result is to collaborate with the criticism of the naturally positive valued idea of creativity that has invaded the big cities, acting from gentrification and thanatopolitics
O termo cidades criativas apareceu pela primeira vez numa política governamental Brasileira no Plano da Secretaria da Economia Criativa: políticas, diretrizes e ações, 2011 a 2014, como uma nova estratégia de planejamento urbano baseada na revitalização de pontos específicos da cidade e na criação de territórios criativos. O objetivo desta tese é analisar a formação o conceito de cidade criativa no Brasil, assim como, os mecanismos e dispositivos de poder envolvidos. O problema da pesquisa concentra-se naquilo que o enunciado oculta, a saber, o fato de se tratar de um aperfeiçoamento da racionalidade neoliberal plicada no espaço. LEFEBVRE (1996), VIRILIO (1999) e HALL (2013) foram essenciais para pensar as diferentes formas de organização das cidades e seus projetos de reforma; enquanto FOUCAULT e AGAMBEN, fundamentaram a inserção da biopolítica nessa discussão. A hipótese da tese é que a classe criativa possui um status particular nas cidades, reforçando a imagem das cidades criativas como ambiente aberto, cosmopolita, jovem, culturalmente interessante e transforma centros urbanos como São Paulo, Berlim, Nova Iorque, Barcelona em fetiche e o estilo de vida em commodity, compactuando com o pensamento e com o sistema neoliberal. A metodologia da pesquisa compreende uma revisão bibliográfica sobre o tema da economia e das cidades criativas e uma análise de experiências que se baseiam em outras possibilidades de uso do espaço-tempo, a partir de ações coordenadas de reapropriação de espaços ociosos por pequenos grupos ou coletivos. O resultado esperado é colaborar com a crítica à ideia naturalmente positivada de criatividade que tem invadido as grandes cidades, agindo a partir da gentrificação e da tanatopolítica
Lefevre, Bruno. "Entrepreneurs musicaux et territoires : Les clusters culturels sous l'emprise des politiques publiques et des acteurs locaux." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCD093/document.
Full textSince the 2000's, many cultural clusters have emerged and have been developped in Frenchcities and urban areas. At the same time, these local territories have been physically andsymbolically re-shaped, re-configured, through social development or creative cities policies.The statement of this thesis is that the encounter of these two phenomena, especially whenthey are dominated by local institutions, mostly enhances territorial development andvalorization, at the expense of cultural workers' economic structuration. Eight Frenchmusical clusters have been studied in relation with their own local political context. Practices,strategies and modalities of the organization of the inter-dependent actors of these clustersare constitutive of a range of material and symbolic heterogeneities that clusters' teamshardly manage to match.We propose three ideal types related to the emergence of such cultural clusters. Each of themspecifies the representations of the cluster that cultural entrepreneurs, politics and localsconjure up
Knob, Astrit. "Planejamento estratégico para os municípios de pequeno porte no contexto das cidades criativas : ações para a Selbach/RS de 2040." Universidade do Vale do Rio dos Sinos, 2017. http://www.repositorio.jesuita.org.br/handle/UNISINOS/6322.
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As cidades, são o produto da coletividade dos acontecimentos, dos fatos históricos e culturais, das relações e experiências vivenciadas pelas pessoas em meio aos seus espaços urbanos. Cada cidade, é um organismo vivo, em constante transformação, dotada de uma personalidade própria, consequência de sua história e da capacidade de se adaptar às mudanças ocasionadas pelo seu desenvolvimento ao longo dos anos. Este trabalho, parte da intenção de qualificar o desenvolvimento de cidades de pequeno porte, através da criação de um planejamento estratégico focado ao município de Selbach/RS, objeto de estudo desta pesquisa, envolvendo uma visão renovada, capaz de implementar soluções criativas, através de uma visão prospectiva – com áreas de atuação delimitadas como setores prioritários, sugerindo à eles uma série de estratégias inovadoras, revertido posteriormente em uma publicação, que possa nortear e servir de auxílio referencial para o desenvolvimento sadio do município ao longo dos próximos 20 anos, e a partir disso, posicionar a cidade de Selbach como uma Cidade Criativa. A partir dos objetivos traçados e o desfecho deste trabalho, evidencia-se que por meio de sua ação sobre o espaço em que vive, o ser humano tem o poder de transformar o ambiente ao seu redor. Isso não se limita apenas a dominá-lo, melhorá-lo, destruí-lo ou conservá-lo como tal, significa imprimir nele suas marcas de sentimentos e valores.
Cities are the product of the collective events, the historical and cultural events, the relationships and experiences lived by people in their urban spaces. Each city is a living organism in constant transformation, endowed with a personality of its own, a consequence of its history and the ability to adapt to the changes brought about by its development over the years. This work, part of the intention to qualify the development of small cities, through the creation of a strategic plan focused on the city of Selbach/RS, object of study of this research, involving a renewed vision, capable of implementing creative solutions, through A prospective vision - with areas of activity delimited as priority sectors, suggesting to them a series of innovative strategies, reversed later in a publication, that can guide and serve as a reference aid for the healthy development of the municipality over the next 20 years, and From there, position the city of Selbach as a Creative City. From the objectives outlined and the outcome of this work, it is evident that through its action on the space in which it lives, the human being has the power to transform the environment around him. This is not limited to dominating it, improving it, destroying it or keeping it as such, means to imprint on him his marks of feelings and values.
NIESSEN, BERTRAM MARIA. "Going Commercial. L'integrazione degli artisti dall'underground al mainstream." Doctoral thesis, Università degli Studi Milano-Bicocca, 2009. http://hdl.handle.net/10281/12322.
Full textLucas, Sátiro María Angélica. "Pedagogía para una ciudadanía creativa." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/96169.
Full textThis is a Thesis by Publication which seeks to provide a themed unit of ten articles published in referred books and journals as well as two books which result from investigation. These texts which have been published in five countries (Spain, Brazil, Mexico, Argentina and Guatemala) are evidence of a trajectory of research effort that commenced in the 1980’s. The issue which provoked this investigation was the question of creative capacity and its ethical, social and civic potential, applied to education in its broadest sense. Over the years a praxis, which has proposed various practices and ideas, has been created around the possible relationships between these thematic areas. The texts of this compendium represent thoughtful opinions about this praxis and were published between 2002 and 2012. This Thesis proposes pedagogy for the development of creative citizens. It seeks to develop resourceful individuals and groups, capable of creating original "products" through imaginative process in order to create societies which are prepared to face the challenges of the XXI century. It is based on the principle that nobody is taught to be a creative citizen, rather the conditions can be provided to allow them to learn to become one. For this the issue of systemic interaction between the following four basic elements is raised: the person, the process, the environment and the creative product. From this perspective is it the educational field that has the opportunity to favour the emergence of creative citizens. That is, it is the educational environment that encourages individuals and collectives to become enabled to use social evolution against current challenges. This process can become evident as actions and interactions that are coherent with a way of being and thinking on citizenship are favoured (creative ethos). So, the thematically unifying element of this compendium is an understanding of education as a systemic creative process. This Thesis is accompanied by the Ciudadanía Creativa website (www.crearmundos.net/tesis) where the elements of the compendium are expanded with quantitative and qualitative evidence of the projects quoted in the articles.
Torlegård, Chahaya, and Marthe Nehl. "Culture Moving Center Stage: Exploring the potential of Culture in Sustainable Urban Development in the City of Malmö." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-24012.
Full textZignani, Clarice Eckert. "Uma cidade mais criativa no contexto dos vazios urbanos de Novo Hamburgo que chegaram com o trem." Universidade do Vale do Rio dos Sinos, 2016. http://www.repositorio.jesuita.org.br/handle/UNISINOS/6299.
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UNISINOS - Universidade do Vale do Rio dos Sinos
No contexto urbano da cidade de Novo Hamburgo, surgiram, a partir da obra para implementação da linha férrea em 2014, diversos vazios urbanos ao longo do percurso do trem. Possivelmente devido ao contexto de construção em malha urbana consolidada, espaços que outrora foram funcionais passaram a não ter uso. A população não criou vínculos nem ocupou a área residual formada embaixo dos trilhos. Assim, o objetivo deste trabalho foi o de buscar alternativas para reincorporar estas áreas na cidade e no cotidiano de seus habitantes. O trabalho iniciou com o referencial teórico acerca de conceitos necessários para a compreensão do tema de trabalho, sendo eles: vazios urbanos, cidades criativas, espaço público, mobilidade urbana, direito à cidade e lugar e não lugar. Na sequência, buscaram-se referências de transformações urbanas ocorridas, que pudessem ilustrar as possibilidades de mudança para o município hamburguense. Na continuidade, foi realizada uma pesquisa de campo, através da aplicação de um questionário com o intuito de identificar a percepção da população sobre o uso do espaço. A compilação de todas essas informações resultou em um projeto urbano para a área central da cidade, mais precisamente no entorno da Estação Novo Hamburgo. O princípio norteador deste projeto foi regido pela temática das cidades criativas, por entender-se que esse contexto é adequado à transformação urbana almejada. O resultado deste trabalho é, portanto, uma proposta projetual, passível de mudanças futuras e de continuidade ao longo de toda a extensão da linha férrea.
In the urban context of the city of Novo Hamburgo, Brazil, several vacant spaces emerged as a result of the implementation of an elevated railway track in 2014. Possibly due to its construction in a densely built-up area, spaces that were once functional to the city became useless. The residents did not create ties to this area, nor did they effectively occupy the area under the tracks. Our aim in this thesis is thus to seek alternatives to reintegrate such areas to the city and to the everyday life of its residents. Our thesis begins with a review of the concepts employed to grasp our object of study, including vacant spaces, creative cities, public space, urban mobility, right to the city, place/non place. After that, we reviewed urban interventions in other cities that could inspire an intervention in Novo Hamburgo. Following that, we carried out fieldwork that consisted in a questionnaire with the aim of identifying the residents’ perceptions on the use of space. After compiling all this information, we propose a project for the central area of the city, more precisely the area surrounding the city’s main train station. The guiding principle of this project is the idea of creative cities, which we believe frame the context of the urban transformations we are seeking. The result of our work is thus a proposal for intervention, open to future adjustments and to an extension to the rest of the rail track.
Tay, Jinna. "Looking modern : fashion journalism and cultural modernity in Shanghai, Singapore and Hong Kong." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16455/1/Jinna_Tay_Thesis.pdf.
Full textTay, Jinna. "Looking modern : fashion journalism and cultural modernity in Shanghai, Singapore and Hong Kong." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16455/.
Full textRemus, Bruna do Nascimento. "Design aplicado ao território no contexto das cidades criativas: o design que projeta para a cidade na busca por soluções inovadoras de velhos problemas." Universidade do Vale do Rio dos Sinos, 2012. http://www.repositorio.jesuita.org.br/handle/UNISINOS/3374.
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A globalização aparece hoje como um processo que permeia as mais diversas relações e contextos, influenciando as dinâmicas sociais, econômicas e culturais. Nesse cenário, fenômenos como a hibridação cultural proposta por Canclini e a compressão tempo-espaço exposta por Bauman aparecem influenciando as dinâmicas que nos envolvem. Como resultado das ações de todos esses processos, surgem alterações na lógica da construção de identidades, bem como na lógica de consumo, onde tais relações acabam acarretando em esvaziamentos dos territórios, (vistos como extensão das identidades e possuindo identidades próprias), e transformação destes em mercadorias. Nesse contexto surge o conceito de Cidades Criativas, que será discutido como a base desta pesquisa. Compreendido tal conceito, cenários para a cidade de Porto Alegre serão construídos e, a partir de uma lógica do design, se dará a reflexão que é o objetivo desta pesquisa: pensar Porto Alegre, através de uma ótica do design, no contexto das Cidades Criativas, gerando uma atualização deste conceito trazido para a área do design.
This research comes from the acknowledgment of globalization's actual stage that today seems to be a process that permeates the most complex relations and contexts, influencing the social, economical and cultural dynamics. As consequence of this process, phenoms such as the cultural hybridisation proposed by Canclini and the compression of time and space exposed by Bauman appear, altering the territorial dynamics, generating the emptying and retaking of territories, represented by the concepts of deterritorialization and reterritorialization. In this context of emptying cities, this research focuses on the comprehension of the concept of "creative cities" as a device of territorial valorization, reinventing and innovating the cities from their very own crises. The objective is to verify in the context of the studied project aspects of the strengths and weaknesses for the supplying of means so that the city of Porto Alegre can project as a creative city. The methodological approach happens through strategic design, understanding projective factors capable of evincing a creative logic for cities. As an empirical study, a case study was developed about “PortoAlegre.cc” project. This project is an initiative made in the city of Porto Alegre that furthers the participation of the population on the search for solutions of the city's problems. The analysis and discussion of the case happens through the methodology of scenario building oriented by design and complements itself in an experiment. The results point that “PortoAlegre.cc” project, while still not being able to supply the needed conditions to start a process of articulating the city as a creative city, is a fundamental initiative that represents a change in mentality about the process of co-creating a city.
Чернявський, Костянтин, та Тамара Галаган. "Монументально-декоративна скульптура в структурі малого міста". Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10065.
Full textThe approaches to establishing a monument or a monument caused by a city-planning situation are determined. A comparative analysis of complex city-planning situations is carried out on their activity in the spatial-plastic sense with the creation of an artificial "micro-assembly" characteristic of the town-planning situation of small cities. The area of the city for the establishment of the sculptural composition is determined, the relationship of monumental and decorative sculpture with the architectural environment in the structure of small cities for the organization of a comfortable environment, and the possibilities of providing an individual image of a small city by means of design and sculpture are considered.
Clay, Larry Clinton Jr. "Integrative Ecosystem Management: Designing Cities and Co-creating the Flourishing Ecosystem." Case Western Reserve University School of Graduate Studies / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=case162584034740029.
Full textCarvalho, Cláudia Monteiro Pato de. "The creative citizen : citizenship building in the Boston area." Doctoral thesis, FEUC, 2010. http://hdl.handle.net/10316/14028.
Full textGayley, Rebekah J. "A radical proposal policy and design to create smaller, smarter cities in the United States /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 153 p, 2008. http://proquest.umi.com/pqdweb?did=1619624151&sid=7&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Full textLeavy-Sperounis, Marianna (Marianna Breakstone). "Manufacturing recovery : a networked approach to green job creation in Massachusetts Gateway cities." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/59753.
Full textCataloged from PDF version of thesis.
Includes bibliographical references (p. 101-105).
In this thesis, I compare workforce development planning in Lawrence and Lowell, Massachusetts, two of the state's older industrial "Gateway" cities. I specifically examine local planning processes around job creation in the clean technology (clean tech) sector. Contradicting the notion of the cities as "urban twins," I find that Lawrence's original physical and social design led to a pattern of economic disinvestment and a deficit of municipal planning capacity compared to Lowell. Today, Lawrence experiences the resulting disadvantage when it competes with Lowell for clean tech economic development funds. I argue that state and federal policymakers should recognize critical differences that exist among even the seemingly most similar communities and implement strong, place-based programs so that investments in green workforce development do not perpetuate the historic inequities that cities such as Lawrence face. I conclude by proposing a networked planning strategy that, with stimulus from the state and federal governments, could help Lawrence and Lowell to leverage more effectively and collaboratively their respective assets in support of a regional green economy.
by Marianna Leavy-Sperounis.
M.C.P.
Lin, Jeffrey. "Agglomeration and labor-market activities evidence from U.S. cities /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3310079.
Full textTitle from first page of PDF file (viewed August 6, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.
Borrup, Tom. "Creativity in Urban Placemaking: Horizontal Networks and Social Equity in Three Cultural Districts." Antioch University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1444733569.
Full textBücker, Dennis. "Corporatization and Smart Cities: Creating a debate about economic interests in future urban infrastructure." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23967.
Full textHodges, Eric Brandon. "Creating Better Citizens? Investigating U.S. Marine Corps Basic Training." Diss., Virginia Tech, 2014. http://hdl.handle.net/10919/63892.
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Saifulloh, Ahmad. "Indonesian Pesantren: Creating ‘Good’ Citizens for Indonesia’s Multicultural Society." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/27590.
Full textHelm, Irene. "Creative cities : a case study on Lisbon." Master's thesis, 2015. http://hdl.handle.net/10400.14/20158.
Full textMajka, Sara. "Cities I've Never Lived In." 2013. https://scholarworks.umass.edu/theses/1066.
Full textRodrigues, Margarida Maria Mendes. "Networks and measuring the performance in current creative cities." Doctoral thesis, 2019. http://hdl.handle.net/10400.6/7156.
Full textO fenómeno da globalização e a emergência de se contornar os efeitos nefastos da recente crise financeira e económica associados ao rápido desenvolvimento urbano e à estagnação do crescimento económico dos países/regiões/cidades a que se assistiu na última década em todo o mundo, originou que a visão do papel das cidades no desenvolvimento económico urbano fosse alterada de modo paradigmático. Esta alteração profunda significa que atualmente as cidades estão perante um desafio complexo e enorme, o qual se consubstanciou na Estratégia 2020 da União Europeia que assenta nas premissas de um crescimento económico inteligente, inclusivo e sustentável a longo prazo. Contudo, estas premissas implicaram que os modelos de crescimento económico e que os seus fatores determinantes tradicionais fossem alterados, pelo que se tem assistido ao desenvolvimento da denominada nova economia. Isto significa que a nova economia preconizada pela União Europeia, para além de assentar nos fatores tradicionais geradores de crescimento económico, passou a incluir um novo recurso próprio, a intangibilidade e as amenidades soft e hard dos lugares urbanos, vulgo cidades, como fatores associados ao desenvolvimento económico urbano das cidades. As mudanças das políticas económicas regionais e públicas ligadas ao reposicionamento das cidades despertou um elevado interesse no meio académico e em outras agências públicas e privadas, pelo que surgiram inúmeros construtos, conceitos, modelos que visavam contribuir para a compreensão desse fenómeno global. Neste contexto, os conceitos de criatividade, de inteligência e de sustentabilidade urbana, enquanto dimensões indissociáveis das cidades, ganharam relevância nos estudos sobre cidades, particularmente no tocante à mensuração da sua performance. Por conseguinte, uma bateria de modelos e de índices têm sido desenvolvidos visando responder à questão de como avaliar a performance das cidades em torno destas dimensões. Esta proliferação de estudos não esgotou a fertilidade desta temática, pela que ainda persistem lacunas por colmatar, em particular aquelas que envolvem elevada complexidade ao interligarem vários construtos, como as redes urbanas, para além da criatividade, inteligência e sustentabilidade urbana nas cidades. Neste cenário, o objetivo geral da investigação aqui apresentada passa pela proposta de um modelo holístico e multidimensional para as Currents Creative Cities (CCCs) e a sua validação empírica através da construção de um Índice Compósito para a performance holística das mesmas. É clarividente o largo espectro deste objetivo, pelo subdividiu este em seis objetivos específicos a saber: 1) Mapear as temáticas mais investigadas sobre as redes e a performance das cidades criativas, através de uma análise bibliométrica; 2) Apresentar uma proposta de desenho multidimensional para as CCCs e respetivos indicadores para a mensuração da performance das mesmas; 3) Validar empiricamente o modelo proposto para cada uma das dimensões propostas per si e, posteriormente, para o conjunto da todas as dimensões de modo holístico; 4) Demonstrar que as redes são preditores da performance holística das CCCs; 5) Propor uma taxonomia para a performance holística das CCCs; e 6) Analisar o efeito que as living labs têm no crescimento económico das CCCs. Para dar resposta a estes objetivos seguiu-se uma metodologia de investigação mista, uma vez que a abordagem quantitativa e qualitativa são complementares uma da outra, nomeadamente no tocante à validade interna e externa, em que se utilizaram diferentes técnicas de investigação de natureza dedutiva e indutiva, como explicado a seguir. Assim, o capítulo 2 responde ao primeiro objetivo, a bibliometria revelou os tópicos mais estudados, para além de um interesse exponencial em estudar as cidades criativas e as redes em conjunto. Também se clarificou que a criatividade é passível de associação à inteligência e à sustentabilidade urbana nas CCCs, que persiste a urgência de se construir um modelo holístico e transversal a estas dimensões e que possibilitem que se mensure a performance e o efeito das redes nessa. Assim, a resposta obtida neste estudo direcionou a investigação para o capítulo 3, ou seja, para o segundo objetivo estabelecido, pelo que se apresenta um modelo multidimensional e holístico para a mensuração da performance holística nas CCCs. Ainda com a resposta aos primeiros objetivos definidos, os capítulos 4, 5, 6 e 7 visam ilustrar a resposta aos terceiro e quarto objetivos, em que se apresentaram Índices Compósitos individuais e para a Performance Holística das CCCs, obtidos pelo uso de técnicas estatísticas multivariadas – Análise Fatorial Exploratória (AFE) e Análise dos Componentes Principais (ACP). Estes índices foram validados empiricamente em Portugal. Os resultados obtidos e a sua discussão revelaram que as estratégias direcionadas para a implementação de medidas criativas, inteligentes e sustentáveis são visíveis no crescimento económico em Portugal, porém ainda urge que se continue a germinar e disseminar as bases estruturais e conjunturais através de políticas públicas que visem ultrapassar as fragilidades que ainda persistem. Deste modo, a ferramenta metodológica aqui apresentada é uma mais valia para os municípios e suas políticas públicas. A disparidade demográfica, espacial e territorial das cidades em Portugal induziu ao desenvolvimento de uma taxonomia de performance holística para as mesmas, dando resposta ao quinto objetivo definido pela utilização da Análise Hierárquica de Clusters (AHC), apresentado no capítulo 8. Os resultados mostram que as melhorias na performance holística só são conseguidas quando se encaram todos os eixos/dimensões das CCCs como um todo sinérgico e como uma consequência em ciclo e não per si. Por último, estes resultados foram complementados no capítulo 9 (sexto objetivo) pelo método de estudo de caso aplicado à cidade do Fundão, o que possibilitou que se demonstrasse que não basta acionar os meios para que os cidadãos sejam atores dinâmicos na melhoria da performance holística, pois é premente que as atuais politicas públicas sejam estrategicamente geridas e alavancadas pela redução dos encargos financeiros afetos a essas politicas. Os estudos aqui apresentados possibilitarem a apresentação de um Índice Compósito para a Performance Holística das cidades portuguesas, que com as devidas adaptações ao contexto em análise é passível de aplicação generalizada. Este instrumento constitui o principal contributo desta investigação e que assume um carácter inovador e pertinente ao ter como pedra basilar as redes urbanas como indutoras e catalisadoras da melhoria do crescimento económico urbano das cidades/municípios. Mostra-se ainda que as cidades que integram as redes nas suas políticas públicas obtêm retornos intangíveis que indiretamente beneficiam a sua performance holística. Finalmente, no capítulo 10 são explanadas as limitações dos estudos apresentados e tecidas as conclusões gerais e outros contributos com implicações para a teoria e para a prática.
Yao, Chi-Hsin, and 姚綺欣. "An Image Study of Official Tourism Websites in Creative Cities." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/93454335196888096539.
Full text中原大學
商業設計研究所
97
Abstract The Universal economics have been changed, there have been many cities in the word start out to pay attention to the culture and creativities, to develop the economics and city brand. The concept of the creative cities is appearing. The city image helps the developing of creative cities and the city tourism industry. The city image on the official tourism websites also influence how the travelers think about the city. The Research goals: 1) To analysis the city official tourism websites to realize the city image; 2) To analysis the Visual characteristics of the International creative cities official tourism websites, and provide our country on develop city marketing and tourism activities. This content of the paper is the official tourism websites of four cities: London, New York, Tokyo and Taipei. There are four results in this paper. First, there is much data in London website. The structure of the London website is complete, and the image is balance, stable and natural. Second, the color of New York website is bold. It makes the contrast of the yellow and blue and black and white is large. The image is bold, bustling and positive. Third, the layout of Tokyo website is the form of center. It causes the effect of stable and balance. Although the image of Tokyo website is traditional, but it emphasizes the image show of pure, natural and simple. That is a great style of city. Finally, the special color of the Taipei website is magenta, which shows fashion and modern. The black color shows mystery and luxury such as nightlife. The animation also makes the website user feel amazing by eyes and ears. In summary, this paper is able to promote the developing of creative cities and the city tourism industry.
Jean, Carol, and 簡妤珊. "Relationship among Culture Content, Culture Convergence and Culture Influence-Comparison Study on the Five China’s Culture and Creative Cities in the UNESCO Creative Cities Network." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/y23s46.
Full text中原大學
企業管理研究所
102
Development of cultural and creative city, it needs to have the relevant elements of the cultural and creative, which includes the resources of city's history and culture, the city atmosphere of inclusive multicultural, urban residents respecting and cognizing their unique culture, urban residents lifestyle with common values and consensus, the associated infrastructure to attract creative talent pool, and a variety of opportunities for the development of cultural and creative industries, etc. Through continuous excavate the culture content and enhance the culture convergence of the city's relevant elements, while effectively disseminate the city's cultural and creative products. Then, through government, proposed a series of policies to support and lead the effect. It will promote to enhance the city’s cultural influence, besides, the city cultural uniqueness can be further promote to international, bringing great helpful for city, residents and businesses. The study aims to discuss the five China’s culture and creative cities in the UNESCO Creative Cities Network and it also divide into three types of creative cities network and two levels of cities. Besides, the study also explores the relationship among Culture Content, Culture Convergence and Culture Influence. According to the literature review, the study selected related variables which are (1)resources intension, atmosphere intension, and quality intension;(2)cultural consensus, cultural integration, and cultural toleration;(3)cultural radiation, cultural penetration, and cultural attraction. This research adopts a questionnaire survey which collected 256 effective questionnaires. This research explores the relationship among Culture Content, Culture Convergence and Culture Influence of five China’s culture and creative cities. It can find that:(1)The degree of “Culture Content” and “Culture Convergence” has obvious relevance;(2)The degree of “Culture Content” and “Culture Convergence” will affect “Culture Influence”;(3)Different types of Creative Cities Network were no significant differences in the degree of “Culture Content”, “Culture Convergence” and “Culture Influence”;(4)Five China’s culture and creative cities are significant differences in the degree of “Culture Content” and “Culture Convergence”;(5)Different city levels are significant differences in the degree of “Culture Content” and “Culture Convergence”.