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Journal articles on the topic 'Creative preservation'
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Lopez, Mandi J. "Creative technology advances tissue preservation." Annals of Translational Medicine 5, no. 23 (December 2017): 463. http://dx.doi.org/10.21037/atm.2017.09.08.
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Guthey, Greig Tor, Lauren Gwin, and Sally Fairfax. "Creative Preservation in California's Dairy Industry." Geographical Review 93, no. 2 (April 1, 2003): 171–92. http://dx.doi.org/10.1111/j.1931-0846.2003.tb00028.x.
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Le Masson, Pascal, Armand Hatchuel, and Benoit Weil. "SHEAFIFICATION AS A DESIGN TECHNIQUE FOR CREATIVE PRESERVATION – PRINCIPLES, ILLUSTRATIONS, AND FIRST APPLICATIONS." Proceedings of the Design Society 3 (June 19, 2023): 3165–74. http://dx.doi.org/10.1017/pds.2023.317.
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AbstractIn times of ‘grand challenges’, design theorists dealing with complex systems are facing a dilemma: grand challenges require rule breaking, but they also require the preservation, as much as possible, of existing resources, systems, know-how and societal values. Design for transition calls not for ‘creative destruction’, but for ‘creative preservation’. How do we model a design process that involves ‘creative preservation’?Today, it is recognized that category/topos theory provides a solid foundation for modelling complex systems and their evolution in design processes. Category theory can account for a design process inside a given ‘theory of the object’, while topos theory and design theory can account for the phenomena whereby a design process is innovative to preserve the knowledge structure. At the heart of this creative preservation is sheafification.In this study, we analyse the sheafification process using design theory. First, we characterize sheafification from a design perspective. Next, we propose a very simple illustration involving the sheafification of an ordinal 2 category presheaf. Finally, we show how sheafification can be used to enable ‘creative preservation’ in specific complex systems.
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SHEAIL, J., J. R. TREWEEK, and J. O. MOUNTFORD. "The UK transition from nature preservation to ‘creative conservation’." Environmental Conservation 24, no. 3 (September 1997): 224–35. http://dx.doi.org/10.1017/s0376892997000313.
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A half century has elapsed since the appointment of an official body, the Nature Conservancy, in 1949, and the beginnings of what might be described as the modern nature conservation movement in the UK. Whilst ecologists perceived the 'heritage of wild nature' to be largely the outcome of past land use, and that the nature reserves would have to be managed consciously if their wildlife interest were to be sustained, there was only the most rudimentary understanding of how this might be achieved. Drawing for the most part on projects affecting wetlands, the paper illustrates the early steps taken to bring greater scientific rigour to reserve management. Whilst the potential for habitat restoration was recognized, there was little opportunity for its practice in the intensively-farmed countryside until grant aid was made available for such purpose from the agricultural budget in the 1980s. Where nature conservation had begun to subsume nature preservation, some fifty years ago, notions of 'creative conservation' have similarly encouraged reassessment of the purpose and practice of wildlife-resource management. This time however the challenge is being met in both the wider countryside and the built environment.
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Kuznetsova, Nataliya, Viacheslav Tkachuk, Svitlana Obikhod, Tetiana Vlasenko, Oksana Samborska, and Lyubov Chorna. "Development and Preservation of Human Capital Under the Conditions of the Creative Economy." Financial Engineering 1 (June 1, 2023): 80–87. http://dx.doi.org/10.37394/232032.2023.1.7.
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The transformation of the world economy is characterized by a change of emphasis from an industrial society to a society of knowledge and intelligence. This leads to the emergence of a new segment of the economy – the creative economy, which is essentially a symbiosis of culture, art and economy and it is based on creative human capital. The purpose of the academic paper is to study the features of the process of intellectualization, the role of human capital and its creative functions in a new type of economy based on intellectual activity. Methods. The basic methods used in the present research are as follows: statistical analysis, index and analytical methods, methods for estimating structural dynamic shifts, the method of comparisons. Along with this, the generally accepted methods of economic research have been also used, namely: the economic and statistical method and the method of economic and mathematical modeling (regression analysis) (in order to determine the impact of indicators characterizing the development of the creative sector of the economy on the level of GDP per capita), etc. Results. The importance of the creative economy in the development of the European countries and the role of human capital in the context of the formation of this economy sector has been updated. The essence of the category “development of human capital under the conditions of a creative economy” has been defined and its components have been specified. The features of the creative economy’s structure in the EU have been analyzed through the study of the dynamics of the number and structure of enterprises operating in the creative sphere. The number and the relative share of the population employed in the creative sector of the economy have been studied. The basic features of human capital development in European countries through the dynamics of the following indicators have been illustrated, namely: the coefficient of age dependence, life expectancy of the population, the risk of poverty, fully representing the social standards of the EU member states. In order to study the mutual interaction of the creative economy and human capital, a regression analysis has been performed. The basic components of development and preservation of human capital under the conditions of creative economy have been outlined.
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Kuznetsova, Nataliya, Viacheslav ,. Tkachuk, Svitlana Obikhod, Tetiana Vlasenko, Oksana Samborska, and Lyubov Chorna. "Development and Preservation of Human Capital Under the Conditions of the Creative Economy." PROOF 2 (May 10, 2022): 123–29. http://dx.doi.org/10.37394/232020.2022.2.15.
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The transformation of the world economy is characterized by a change of emphasis from an industrial society to a society of knowledge and intelligence. This leads to the emergence of a new segment of the economy – the creative economy, which is essentially a symbiosis of culture, art and economy and it is based on creative human capital. The purpose of the academic paper is to study the features of the process of intellectualization, the role of human capital and its creative functions in a new type of economy based on intellectual activity. The basic methods used in the present research are as follows: statistical analysis, index and analytical methods, methods for estimating structural dynamic shifts, the method of comparisons. Results. The importance of the creative economy in the development of the European countries and the role of human capital in the context of the formation of this economy sector has been updated. The essence of the category “development of human capital under the conditions of a creative economy” has been defined and its components have been specified. The features of the creative economy’s structure in the EU have been analyzed through the study of the dynamics of the number and structure of enterprises operating in the creative sphere. The number and the relative share of the population employed in the creative sector of the economy have been studied. The basic features of human capital development in European countries through the dynamics of the following indicators have been illustrated, namely: the coefficient of age dependence, life expectancy of the population, the risk of poverty, fully representing the social standards of the EU member states. In order to study the mutual interaction of the creative economy and human capital, a regression analysis has been performed. The basic components of development and preservation of human capital under the conditions of creative economy have been outlined.
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Abankina, T. "Creative economy: Towards cultural heritage capitalization." Voprosy Ekonomiki, no. 4 (April 20, 2017): 100–116. http://dx.doi.org/10.32609/0042-8736-2017-4-100-116.
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The paper analyzes trends in the development of the creative economy in Russia and estimates the export potential of the Russian creative industries. The author demonstrates that modern concepts of cultural heritage preservation focus on increasing the efficiency of its use and that building creative potential and systematic support of the creative industries are becoming a key task of the strategic development of regions and municipalities in the post-industrial era.
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Sari, Yulita Kusuma, Agita Santa Maria, and Riris Rinonce Hapsari. "KOLABORASI KREATIF KEGIATAN PARIWISATA DAN PELESTARIAN BUDAYA DI TAMAN BUDAYA YOGYAKARTA (TBY)." Journal of Indonesian Tourism, Hospitality and Recreation 3, no. 1 (April 28, 2020): 85–101. http://dx.doi.org/10.17509/jithor.v3i1.21853.
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ABSTRACTSebagai kota budaya, kota seni, kota pendidikan, dan kota pariwisata, Yogyakarta berpotensi untuk berkembang sebagai kota kreatif. Saat ini, konsep kota kreatif banyak digunakan sebagai konsep perencanaan untuk menyelesaiakan isu sosial budaya dan ekonomi di perkotaan untuk mendukung pembangunan berkelanjutan. Aktifitas interaksi di dalam maupun antar komunitas merupakan nyawa yang menjadi motor penggerak kehidupan bagi kota kreatif. Berbagai studi menunjukkan bahwa ruang interaksi berperan penting dalam terlaksananya kegiatan kreatif pada wisata perkotaan, interaksi dapat menghasilkan gagasan atau metode baru dari yang terdahulu ada. Taman Budaya Yogyakarta (TBY) merupakan salah satu fasilitas ruang interaksi publik milik pemerintah di Kota Yogyakarta yang banyak digunakan untuk penyelenggaraan acara seni dan budaya. Penelitian ini bertujuan untuk memahami pola kolaborasi kreatif dari kegiatan pariwisata dan pelestarian budaya di TBY. Dengan menggunakan metode induktif dan data kualitatif yang didapatkan dari observasi lapangan, dan wawancara, setiap aspek aktivitas di TBY akan dianalisis mengenai bentuk-bentuk kolaborasi kreatif, aktor, dan pola kolaborasi kreatif. Hasil menunjukkan bahwa kolaborasi kreatif muncul dari aspek nilai-nilai kegiatan, bentuk kegiatan, manajemen kegiatan, serta peranan pemangku kepentingan. Terwujudnya kolaborasi kreatif didukung oleh komunitas sebagai aktor penggerak dominan penyelenggaraan acara di TBY. Peran TBY sebagai daya tarik wisata sekaligus sarana pelestarian budaya juga disadari oleh pemerintah dan pengelola yang kemudian mengatur pergerakan kegiatan melalui kebijakan dan peraturan. Selain itu, motivasi dan persepsi masyarakat terhadap pariwisata budaya yang berkembang seiring pesatnya informasi juga mempengaruhi terwujudnya kolaborasi kreatif pariwisata dan pelestarian budaya di TBY. Kata Kunci: Kolaborasi Kreatif, Konservasi Budaya, Taman Budaya Yogyakarta CREATIVE COLLABORATION OF TOURISM ACTIVITIES AND CULTURE PRESERVATION IN TAMAN BUDAYA YOGYAKARTA (TBY) ABSTRACTYogyakarta has potential capacity in developing it to be a creative city due to its being cultural, art, education, and tourism city. Today, the concept of creative city is often used in planning concepts to offer a way in solving social, cultural, and economic problems in a city whenever it concerns sustainable development and the most important factor in this issue is human beings who inhabit the city. Human beings, the people as a local community, are the soul that enables the creative city to be alive. Many studies show that interaction space plays an important role in a creative city as it is with this interaction that creative activities take place, and this is significant in developing city tourism. It is with this interaction that new ideas or new methods may appear. It is in this context that this research is conducted. It focuses on how a group of people create a collaborative work in cultural preservation and tourism. This interaction space is called Taman Budaya Yogyakarta (TBY). TBY, or Yogyakarta Culture Space, provides a space for communities to hold art and cultural events. With the objective of mapping the creative collaboration facilitated by TBY in the effort to preserve the culture, this research finds out the creative patterns in each aspect of cultural activities which bears cultural preservation and tourism aspects. The creativity patters appear in activity values, form, management and the role of the stakeholders. The creative collaboration is supported by dominant actors in providing the activities in TBY. TBY is therefore a driving factor in not only cultural preservation but also in tourism. Government role and people’s perception and motivation developing along with the development of information technology also contributes to the success of tourism creative collaboration and cultural preservation in TBY. Keywords: Creative Collaboration, Culture Preservation, Taman Budaya Yogyakarta
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Ardiyanto, Antonius, Rudyanto Soesilo, Valentinus Suroto, and Hudi Prawoto. "Utilization and Preservation of Colonial Houses with Creative Economic Enterprises." International Journal of Scientific and Research Publications (IJSRP) 9, no. 2 (February 18, 2019): p8673. http://dx.doi.org/10.29322/ijsrp.9.02.2019.p8673.
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Wienberg, Jes. "Four churches and a lighthouse—preservation, ‘creative dismantling’ or destruction." Danish Journal of Archaeology 3, no. 1 (January 2, 2014): 68–75. http://dx.doi.org/10.1080/21662282.2013.910366.
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Dahm, Kristi, and Margo McFarland. "CREATIVE COLLABORATIONS: PRESERVATION DIALOGUES BETWEEN ARTISTS AND FINE ART PUBLISHERS." Studies in Conservation 49, sup2 (September 1, 2004): 119–23. http://dx.doi.org/10.1179/sic.2004.49.s2.026.
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Morin, Ran. "Creative preservation: The development of an artistic approach to the preservation and presentation of the past." Conservation and Management of Archaeological Sites 3, no. 4 (January 1999): 191–201. http://dx.doi.org/10.1179/135050399793138509.
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Malinovskaya, Yana V. "Interdisciplinary Creative Laboratories for “Sustainable” Heritage Actualization." Observatory of Culture 22, no. 1 (January 30, 2025): 65–75. https://doi.org/10.25281/2072-3156-2025-22-1-65-75.
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Actualization of natural and cultural heritage is considered in an integrated approach: preservation/archiving and presentation through museum institutions (archives), including protected areas, and “transfer” of tangible objects and intangible values into real life to include them in the modern meaningful context. While the preservation and presentation of heritage has an extensive tradition and practice in museology, the methods and approaches of incorporating heritage into the contemporary context are constantly changing and being updated to reflect the current situation. The appeal to contemporary art as a method of heritage interpretation is based on its potential to use various methods, techniques and approaches from different disciplines: artistic research, interdisciplinary approach, etc. The specificity of protected areas in Russia as complex formations that combine multiple practices (scientific, educational, recreational, etc.) opens up the possibility of using a variety of formats for data interpretation, such as creative laboratories that include contemporary artistic research, interdisciplinary and social co-operation, and presentation of research results to a wide audience. As an example of such a laboratory, the study considers international art research projects implemented on the territory of the Divnogorye Museum-Reserve.
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Suriyankietkaew, Suparak, Krittawit Krittayaruangroj, Sukanda Thinthan, and Syamol Lumlongrut. "Community Capitals Framework for Sustainable Development: A Qualitative Study of Creative Tourism in Ban Chiang World Heritage Site." Sustainability 17, no. 8 (April 8, 2025): 3311. https://doi.org/10.3390/su17083311.
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This study explores creative tourism strategies in community-based tourism for sustainable development, focusing on the millennium-old Ban Chiang UNESCO World Heritage site in Thailand. It aims to uncover how creative tourism strategies support community-based tourism by optimizing development through cultural preservation, heritage revitalization, and sustainable outcomes. The research investigates how creative tourism approaches foster community-based tourism and how a community achieves sustainable socio-economic growth using the Community Capitals Framework (CCF). Using a qualitative case study approach, this research employs in-depth interviews, participant and non-participant observation, and document analysis to explore the interactions between creative tourism, community-based tourism, and sustainability. The findings reveal that creative tourism strategies can promote environmental conservation, cultural preservation, economic empowerment, and social well-being in Ban Chiang. This study highlights the successful development of strategies and collaborative actions by Ban Chiang’s community enterprise network for creative tourism progression, emphasizing multilateral stakeholder collaboration in enhancing community capital. The research proposes a model for creative tourism strategy and community capital development aimed at sustainability. It provides valuable insights for policymakers, practitioners, and local communities aiming to leverage creative tourism for sustainable development. By emphasizing the synergies between creative tourism and community-based tourism, it offers practical guidance for enhancing destination management, fostering community engagement, and promoting cultural and environmental conservation. This study bridges a critical gap in the literature by demonstrating how the CCF can be implemented to create positive impacts on creative tourism in heritage destinations such as Ban Chiang, presenting novel insights into its potential as a driver for positive transformation.
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Liu, Qing, Amer Shakir Zainol, and Nurul Huda Mohd Din. "Research on Dunhuang Cultural and Creative Product Design." Journal of Creative Arts 1, no. 2 (October 24, 2024): 23–36. https://doi.org/10.24191/jca.v1i2.1496.
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In the context of the development of cultural and creative industries, the preservation and transmission of cultural heritage are facing many new opportunities. Using creative design to transform cultural heritage content into cultural and creative products and build a pathway between cultural heritage and contemporary life is a good way to perpetuate cultural heritage. This study reviews the literature on Dunhuang culture and creative products, surveys Dunhuang creative products, collates the current state of Dunhuang cultural creativity, analyses basic design methods for the application of Dunhuang culture to creative design, and makes recommendations for future Dunhuang creative research and development. This study demonstrates the achievements of Dunhuang's cultural creation and contributes to the sustainability of Dunhuang's cultural heritage.
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Khusaini, Moh, Firdaus Finuliyah, and Alfi Muflikhah Lestari. "Eco-Creative Hub Model as The Key to Integrating Creativity and Sustainability." Indonesian Journal of Multidiciplinary Research 3, no. 2 (March 1, 2023): 435–44. https://doi.org/10.17509/ijomr.v3i2.60879.
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Islamic boarding school is essential to developing business in the creative economy with the best quality human resources. This study aims to analyze the potential of Islamic boarding schools to develop creative products with sustainability, with the SWOT analysis. The sample is an eco-creative hub model as a solution to integrate creativity and sustainability with qualitative descriptive analysis. The creative hubs can be facilities to produce creative economy products, collaborate with the creative economy actors, and accelerate innovation. The creative hub model is not only about creativity but also about developing products with sustainability. The development of environmentally friendly products starts with packaging. Institutionally, the government encourages the preservation of the environment.
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Meffe, Gary K. "Conservation science – a creative tension." Oryx 30, no. 4 (October 1996): 226–28. http://dx.doi.org/10.1017/s0030605300021712.
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Conservation science is born of an inherent conflict. On one hand it is based in science, an objective, value-free search for truth that leads to general laws, with no a priori desire for particular outcomes. On the other hand it is clearly driven by value–laden goals related to making the human–nature relationship an enduring one. In contrast to an objective science, particular outcomes – such as preservation of biodiversity and protection or restoration of functioning ecosystems – are clearly pursued in conservation. The result is a sometimes uncomfortable merging of two human endeavours – one objective and one value-laden – that are inherently antagonistic and can result in tension. To make this tension creative, rather than destructive, we need to understand how both components are necessary and synergistic in forming a complete conservation science.
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Sliger Krause, Rose, Andrea Langhurst Eickholt, and Justin L. Otto. "Creative collaboration: student creative works in the institutional repository." Digital Library Perspectives 34, no. 1 (February 12, 2018): 20–31. http://dx.doi.org/10.1108/dlp-03-2017-0010.
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Purpose The purpose of this paper is to describe the music performance collection preserved in Eastern Washington University’s institutional repository (IR). This collection of recordings of student music performances is the result of an ongoing collaboration between the university?s library and music department, which serves to provide discoverability, preservation and access to a collection of student creative works, which had heretofore been a hidden collection. Design/methodology/approach This collection of student creative work was identified as a suitable project for the Eastern Washington University’s IR while it was still in the planning stages because it was identified as an existing need that the new IR could address. Much of the groundwork for the collaboration between the library and music department was completed prior to IR implementation. Thus, the library was ready to begin work on this collection once the IR was operational. Findings The student music performance collection has been a successful project for the IR, which benefits the music department by making student performances discoverable and accessible, and benefits the library by providing the opportunity to demonstrate that the then-new IR could support the university’s student-centered focus on teaching and learning. Originality/value While there is a growing body of literature on IRs emphasizing student work, there is little literature on music or other creative works’ collections in IRs, much less on creative works by students. This paper adds to the limited body of literature on student creative works in the IR by describing the development, implementation and lessons learned from the successful music performances collection.
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Iyengar, Kalpana Mukunda, and Howard L. Smith. "Asian Indian American Children's Creative Writing: An Approach for Cultural Preservation." Educational Studies 52, no. 2 (March 3, 2016): 95–118. http://dx.doi.org/10.1080/00131946.2016.1142993.
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Phuong, Bui Thi Kim. "VIETNAM CA TRÙ SINGING: FROM HERITAGE REVIVAL TO CONSERVATION AND SUSTAINABLE DEVELOPMENT OF TRADITIONAL MUSIC HERITAGE." Journal of Tourism, Hospitality and Environment Management 9, no. 37 (October 30, 2024): 136–46. https://doi.org/10.35631/jthem.937011.
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This study explores the preservation and promotion of Ca trù, a traditional Vietnamese musical heritage listed by UNESCO as an Intangible Cultural Heritage in Need of Urgent Safeguarding. The research objectives focus on understanding the methods and strategies employed by artists, artisans, heritage practitioners, and local communities in safeguarding this cultural form. Using a mixed-methods approach that combines qualitative interviews, participant observation, and case studies, the study investigates the innovative practices adopted to revitalise Ca trù within the framework of cultural and creative industries. The findings reveal that the transformation of Ca trù from a ceremonial art form into an artistic product has played a significant role in its preservation. This shift has not only enhanced public awareness but has also provided new opportunities for sustainable cultural development. The study concludes that integrating heritage preservation with contemporary creative practices is essential for ensuring the continued relevance and vitality of Ca trù in the modern era.
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Khabarova, T. A. "PRESERVATION AND DEVELOPMENT OF THE SCHOOL OF CLASSICAL DANCE IN N.A. YERMAKOVA." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 25, no. 88 (2023): 49–52. http://dx.doi.org/10.37313/2413-9645-2023-25-88-49-52.
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Subject of the article: the choreographic heritage of the Saratov region is the preservation and development of the school of classical dance. Object of the article: choreographic art and its special role in the development of a creative personality. The purpose of the project: to update information about the methods and forms of plastic work of teachers in children's choreographic groups in order to preserve the traditions of the Russian school of classical dance. The article considers the method of teaching classical dance by N.A. Ermakova ("Children's Art School No. 1 named after P.A. Frolov", Engels). She developed an adapted educational author's program "Smart Rhythm", which includes a gradual transition from basic rhythmic movements to mastering the initial, initial elements of classical dance. Thanks to creative imagination, dance classes for younger students turn into an "exciting journey" into the world of classical dance. The author comes to the conclusion that it is necessary to include new methods, forms of organization of teaching in choreography lessons into the general traditional system of teaching classical dance. The scientific novelty of the study lies in identifying the features and forms of teaching classical dance for the purpose of creative and professional development of the individual, as well as transferring the cultural heritage of our time, internal motives and values through dance. Scope of the results: this experience, which has become a unique practice for the formation of a special type of thinking and creative activity, stimulates and opens up opportunities and abilities for search, research and experimental activities in the field of choreography.
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Pletsan, Khrystyna. "Historical and Cultural Heritage and Preservation of Traditions during Ethno-festivals in the Space of Creative Industries." NaUKMA Research Papers. History and Theory of Culture 5 (September 6, 2022): 70–80. http://dx.doi.org/10.18523/2617-8907.2022.5.70-80.
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The article offers the theoretical and methodological analysis of the role of preservation, revival, and promotion of Ukrainian narratives, through the prism of holding ethno-festivals in the space of creative industries. The author carries out a retrospective analysis of the activities of ethno-festivals in the creative space in Ukraine as a tool for development and opportunities for cultural self-realization of representatives of creative industries. Emphasis is placed on the regional features of the authenticity of the Ukrainian people, creative initiatives, history, cultural values, customs and traditions, art and creativity during ethnofestivals. The importance of ethno-festivals in preserving traditions and historical and cultural heritage in Ukraine from generation to generation has been proven in the cultural aspect.
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Bria, Rebecca E., and Elizabeth K. Cruzado Carranza. "Making the Past Relevant." Advances in Archaeological Practice 3, no. 3 (August 2015): 208–22. http://dx.doi.org/10.7183/2326-3768.3.3.208.
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AbstractThis paper outlines several outreach initiatives that the Proyecto de Investigación Arqueológico Regional Ancash (PIARA) established to address the challenges of heritage preservation at the prehistoric archaeological site and rural community of Hualcayán, located in rural highland Ancash, Peru. We discuss three projects—a heritage festival, a textile enterprise, and an oral history project—that were designed and executed through a collaboration between PIARA and the Hualcayán community. We find that these “co-creative” projects encourage local stakeholders to discover and define for themselves the value of both their ancient and modern heritage. Reflecting on the outcomes from these projects, we discuss the co-creative approach as an effective strategy for improving the preservation of archaeological remains and enhancing the livelihood of the modern community.
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Fahmiati, Mia, Indrayuda Indrayuda, and Hana Shilfia Iraqi. "REPOSITIONING THE CREATION OF NEW MINANGKABAU DANCE: ENTERTAINMENT MEDIA AND PRESERVATION OF LOCAL WISDOM." Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni 25, no. 1 (June 16, 2023): 34. http://dx.doi.org/10.26887/ekspresi.v25i1.3508.
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This article aims to analyze the position of Minangkabau dance creations as entertainment and as a preservation of Minangkabau local wisdom. In addition, this article introduces creative dance as a new culture for the people of West Sumatra which has an impact on preserving Minangkabau local wisdom. This study used a qualitative method where data was collected through interviews, observation and literature review of Minangkabau contemporary dance creations. The validity of the data was tested through triangulation and analyzed based on the phenomena contained in the Minangkabau creation dance and then verified. The results of the study found that the existence of Minangkabau creative dance today is a form of representation of Minangkabau local wisdom so that creative dance can be accepted by the Minangkabau people in West Sumatra. Minangkabau dance creations are in process of creation and cannot be separated from the acculturation and reconstruction of Minangkabau dance traditions that once existed. In turn, this creative dance can maintain the existence of Minangkabau traditional dance as a cultural heritage of the Minangkabau people. Dance created by Minangkabau during this period has a position as public entertainment and as a medium for preserving the local wisdom values of the Minangkabau people.
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Campbell, Mark V. "Mixtapes and memory-making: A hip hop remix of the traditional archive." Global Hip Hop Studies 2, no. 1 (June 1, 2021): 131–36. http://dx.doi.org/10.1386/ghhs_00037_1.
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The preservation of hip hop cultures presents opportunities to examine archival methods, procedures and protocol anew. By focusing in on DJ cultures and mixtapes, these elements of hip hop culture offer us pathways to decolonial and anti-colonial interventions into institutional archives. This article asks: what is at stake when we envision creative practice and artists at the centre of practices of preservation of hip hop culture?
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Pavlenko, O. O. "EDUCATIONAL ACTIVITY OF STUDENTS AS DETERMINING FACTOR OF FORMATION CREATIVE PERSONALITY." Educational Dimension 17 (December 27, 2007): 274–84. http://dx.doi.org/10.31812/educdim.6374.
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The problem of creative personality’s formation in conditions of modern higher educational establishment's functioning and restructuring is observed in the article. The need for creative potentials preservation and development as one of the principal tasks of innovative education is stressed. The attention to realization of a student as an activity }s subject, who is able to show his creative (reformative) activity himself in this future profession is paid. In this connection, the use of the group and collective forms of education, the introduction in the educational process are observed.
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Fomina, Olga, and Inna Druzhinina. "Conversion of the Kedr distillery into a creative cluster." проект байкал, no. 73 (October 21, 2022): 85–87. http://dx.doi.org/10.51461/pb.73.14.
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The author considers the reasons for degradation of the territory of Kedr distillery in Irkutsk and possibilities of preservation of the abandoned territory and transformation of a rare historical and town-planning industrial complex of the Baikal Region. The potential of the territory of the distillery and the Znamensky district is revealed through the formation of a single public centre for the development of creative industries in Irkutsk.
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Wollwage, Lance K., Allyson Brooks, Rob Smith, Morgan McLemore, Annie Strader, and Kim Gant. "Beyond Data Recovery: Developing Digital Information Systems for Cultural Resources in the Online Era." Advances in Archaeological Practice 8, no. 3 (June 10, 2020): 253–62. http://dx.doi.org/10.1017/aap.2020.13.
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ABSTRACTFor historic property types such as archaeological sites and historic buildings, data recovery is often the main part of mitigation plans offered by federal agencies with undertakings that will destroy part or all of a cultural resource. In theory, by extracting important information before destruction, we recover some part of a historic resource's cultural value. In some situations, however, data recovery is impossible or otherwise undesirable, and “creative” or off-site mitigation measures are necessary to mitigate adverse effects. In such circumstances, the Washington State Department of Archaeology and Historic Preservation has accepted funding from federal agencies to create, implement, and enhance an online digital information system for cultural resources. This article describes the Washington Information System for Architectural and Archaeological Records Data (WISAARD) and provides an example of a federal agency funding WISAARD development as creative mitigation for the transfer of archaeological sites out of federal ownership. We discuss the benefits of such systems and address how their development meets preservation goals established by the Advisory Council on Historic Preservation.
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Zaini, Rafiq, and Kamariah Ismail. "Harnessing Indonesian Local Wisdom for Innovative Tourism Development in the Creative Economy." International Journal of Accounting and Management Research 5, no. 2 (September 28, 2024): 57–66. https://doi.org/10.30741/ijamr.v5i2.1405.
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This concept paper investigates how Indonesian local wisdom can be incorporated into innovative tourism development in the context of creative economy. By conducting an in-depth literature review and analyzing various case studies, the research investigates diverse applications of local wisdom in tourism across Indonesia, examining economic impacts, cultural preservation efforts, and alignment with creative economy principles. The results reveal significant potential in utilizing cultural heritage to develop distinctive, environmentally friendly tourism experiences that support local communities and the national economy. The research highlight challenges in implementation, such as the risk of cultural exploitation and clashes between modernization and tradition and suggests methods for sustainable development. By blending the preservation of culture with economic advancement, Indonesia has the potential to become a pioneer in sustainable and culturally respectful tourism development, providing valuable insights for similar culturally diverse developing countries.
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Boutard, Guillaume. "Co-construction of meaning, creative processes and digital curation." Journal of Documentation 72, no. 4 (July 11, 2016): 755–80. http://dx.doi.org/10.1108/jdoc-09-2015-0121.
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Purpose – The preservation and curation of music with real-time or live electronics is challenging. The goal is not to preserve a recording of the performance but to keep the work alive by providing the means to re-perform them. The purpose of this paper is to present the theoretical and practical outcomes of the documentation, dissemination and preservation of compositions with real-time electronics (DiP-CoRE) project. Design/methodology/approach – The methodology combines methods stemming from work psychology and ergonomics with conceptual frameworks constructed according to grounded theory. Data were collected during a six months’ creative process. Subsequent interviews were conducted during confrontations with documents, including observational recordings, sketches and technical specifications. Findings – This paper demonstrates the relevance of the proposed documentation methodology for the preservation of contemporary music with live electronics, focussing on the notion of intelligibility. It brings into light the multiple perspective of the documentation of the activity in a multi-agent creative process, which encompasses what was done but also what could have been done. Research limitations/implications – The DiP-CoRE project bring to light connections between the notion of intelligibility, the thickness of the activity and boundary objects. The paper proposes further directions of research in order to embed the designed framework within digital repositories. Practical implications – The documentation methodology, designed and tested in this paper, proposes a framework for practitioners, building on video-stimulated recall as well as documents produced during the creative process. This framework requires less expertise (but a more important technical setup) than a traditional interview-based documentation framework. It thus provides opportunities for various size organizations to build methodical documentation processes and to further build on distributed expertise with computer-supported collaborative work. Originality/value – This paper proposes a new interdisciplinary documentation methodology relevant in the artistic domain, which brings together transmission with objects and by practice. It specifically defines the relation between this proposal and a high-level model for digital curation, namely, the mixed methods digital curation model. It further creates a link between documentation best practice and the ongoing research in the tracking of creative processes.
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Ratcliffe, Frederick W. "National Cooperation in Preservation and Conservation." Alexandria: The Journal of National and International Library and Information Issues 1, no. 3 (December 1989): 31–41. http://dx.doi.org/10.1177/095574908900100304.
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Conservation awareness has grown from virtual professional indifference at the beginning of the 1980s to a high degree of commitment. Neither the disaster in Florence nor the impending crisis of the embrittled book seemed to have stirred the conservation conscience of British librarians, and it was not until the full implications of the British Library's problems were revealed that the library community seriously began to take note. The Cambridge Preservation Project, sponsored by the British Library, showed that the problem was nationwide. As a result of the Project Report, the National Preservation Office came into being as an independent body in the British Library. Since then, preservation has achieved a high profile. The achievements and prospects of the National Preservation Office, its creative use of existing cooperative agencies, are described in the context of today's professional attitudes and the continuing crisis.
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Attas, Siti Gomo, Gres Grasia Azmin, and Marwiah Marwiah. "PRESERVATION OF PALANG-PINTU ORAL LITERATURE: THROUGH LOCAL WISDOM BASED ON CREATIVE INDUSTRIES IN THE TIDUNG ISLAND COMMUNITY." Indonesian EFL Journal 9, no. 1 (January 30, 2023): 25–34. https://doi.org/10.25134/ieflj.v9i1.6881.
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This study aims to find out how the conservation of oral literature through local wisdom based on creative industries in the Tidung Island community. The method used in this study is ethnography with observation, interview, and document techniques. The theory of performance structure by Koster as the theory used in this study, the value of local wisdom with the concept of John M. Echol and Hasan Syadily which is in accordance with the local wisdom of the people of Tidung Island, and the creative industry by Sariono in the show in the form of creative work of the people of Tidung Island. The results of this study: (1) the performance structure of Palang Pintu on Tidung Island in 2022, (2) The value of Islamic local wisdom in the Palang Pintu performance in the Tidung Island community, and (3) The creative industry of the Palang Pintu show on Tidung Island which was developed through a collaborative performance between Mandar silat as a local culture of the Tidung Island community by creating Betawi rhymes that are in accordance with the language and oral literary value on the Tidung Island.Keywords: conservation; creative industry; local wisdom; Palang Pintu; Tidung Island
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Mills, Michael J., Anne E. Weber, and Katherine McDowell Frey. "The Princeton University High-Reach Project: A Creative Approach to Preservation Contracting." APT Bulletin 33, no. 4 (2002): 3. http://dx.doi.org/10.2307/1504802.
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Morin, Ran. "‘Creative preservation’ in the recently opened archaeological garden at Ramat Rachel, Jerusalem." Conservation and Management of Archaeological Sites 7, no. 1 (January 2005): 56–62. http://dx.doi.org/10.1179/135050305793137549.
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Bilyk, Nadiia, and Alina Uhryn. "PRESERVATION OF JOHN GEORGЕ PINZEL’S CREATIVE HERITAGE IN THE MUSEUMS OF TERNOPIL." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 163–69. http://dx.doi.org/10.25128/2411-3271.19.2.22.
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In the 60-80’s of the XX century by the aid of the search work of art expert V. Svientsitska, B. Voznytskyi, V. Stetsko the art works of John George Pinzel were saved (? –1761). Thus, the sculptures and carved icons of the talented artist appeared in the museum collections of Galicia. Today, part of the creative heritage is stored in the holdings of two museums in Ternopil: Ternopil Regional Museum of Local Lore (TRMLL) and Ternopil Regional Museum of Art (TRMA). Only since the proclamation of Ukraine’s independence J. G. Pinzel’s heritage has become an object of study. We thank the director of the Lviv Art Gallery B. Voznytskyi for returning the name of the sculptor and his creative achievements to the field of interest of Ukrainian scientists. Afterwards, the figure of I. G. Pinzel became central in the writings of the Ternopil researcher V. Stetsko. Topicality of the article is conditioned by the need of studying the state of conservation of the creative heritage of J. G. Pinzel in the museums of Ternopil. The purpose of the article is to carry out a comprehensive analysis of the sculptor’s works in the collections of TRMLL and TRAM, to highlight cultural projects on the representation of the artist’s work with the assistance of museums. Today, six sculptures and three reliefs created by J. G. Pinzel in the 18th century for Buchach churches are stored in the museums of Ternopil. The first works of the artist came to the collection of TRMLL in 1978. In 1993, four works by J. G. Pinzel (sculptures: Saint Vincent a Paulo and Saint Francis Borgia; bas-reliefs: Miracle of Saint Nicholas and Beheading of John the Baptist were exhibited in TRMLL in the section “Culture of the Region of the end of the XVII – first half of the XIX century”. In January 2012, the exhibition opened to mark the 250th anniversary of the sculptor’s death. The project curator V. Stetsko represented 300 exhibits. Six sculptures and two bas-reliefs of the artist were exhibited in a separate hall. For the first time, four allegorical figures have been demonstrated: Allegory of Faith, Wisdom, Courage and Allegory of St. Tobias. In 2014, all the artist’s works were placed in a separate “John George Pinzel Hall”, decorated in Baroque style. Significant contribution to the preservation and promotion of the creative work of J. G. Pinzel belonged to Vira Stetsko (1956–2016), art expert, local historian, scientific associate of TRMLL. Her work “Pinzel and Ternopil Region” (2007) was published in Ternopil. V. Stetsko hypothesized, that J. G. Pinzel carved his portrait on the sculpture “Allegory of Courage”. TRMA plays a significant role in preserving J. G. Pinzel’s creative heritage. Today the collection of the institution contains only one work of the sculptor – the bas-relief “Road to Emmaus”. The masterpiece is presented in the hall of “Art of Ukraine” in the section of sacred art of Galicia. The TRMA exposition previously stored Deacon Doors from the Protection of the Blessed Virgin Mary Church Town of Buchach. The reliefs were known as Guardian Angel and Annunciation. Thereafter, at the request of the residents of Buchach, the directorate of the art museum was forced to transfer the monument of sacred art to the church. The creative heritage of J. G. Pinzel, stored in the collections of museums of Ternopil, is of particular relevance, since the artist’s achievements represent a close connection of Western Ukrainian lands with European culture. The masterpieces of the sculptor from the Ternopil museums were selected for the exhibition of works by J. G. Pinzel in The Louvre in 2012. Today, every visitor of Ternopil museums can learn about the genius of the sculptor J. G. Pinzel, who was able to combine artistic traditions of the Baroque style with the canon of local professional carving in his own works.
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Sangmuenna, Watcharanon, Chalermsak Pikunsri, and Hirun Jaksen. "Lopburi archaeological guitar sonata: A creative concept for Thai music culture preservation." Multidisciplinary Science Journal 7, no. 4 (October 23, 2024): 2025201. http://dx.doi.org/10.31893/multiscience.2025201.
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The Lopburi Archaeological Guitar Sonata is a musical composition that combines ancient Thai melodies with Western classical guitar skills, showcasing the core of Thai music culture while also incorporating inventive creativity. The composer meticulously researched and creatively explored to create a three-part work—exposition, development, and recapitulation—that highlights the cultural significance of Lopburi's archeological dance tunes. The sonata form is methodically constructed, with precise consideration given to tempo, rhythm, and key alterations, culminating in a captivating and expressive musical voyage. The composer drew inspiration from their early encounters with Thai musical instruments and a profound admiration for Thai melodies. The aim was to both preserve and promote Thai music culture while also exploring new frontiers in artistic expression. The Lopburi Archaeological Guitar Sonata serves as evidence of the profound impact of music, surpassing cultural barriers to ignite a newfound admiration for Thai musical traditions and establishing lasting cultural preservation for future generations.
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Eroshenko, Tatiana, Aleksandr Fedoseenkov, Gennadiy Sorokin, and Aleksandr Malyshev. "Methodology of creative work: transformation structure." SHS Web of Conferences 72 (2019): 01002. http://dx.doi.org/10.1051/shsconf/20197201002.
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The authors consider the phenomenon of transformation of methodological strategies of social cognition, which in theory reflects the grounds of self-preservation and self-replication of social and anthropological reality. The article underlines that at present time social cognition tools are going through a renewal that is dynamic and subject to theoretical and methodological changes. The emphasis is shifting from research of the general social level toward individuality, subjectivity, spontaneity and cultural uniqueness of fractals of social existence. They observe the danger in creation of social reality, if it is not guided by organic unity of knowledge and morality. From our point of view, morality is a systemic factor of social reality, because as high as social barriers in modern world may be, universal values do exist and preserve and they are exactly the things that give human society an opportunity to survive on a global scale.
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Shamakhov, Vladimir A., and Dmitry I. Burlov. "ASSESSING THE IMPACT OF CREATIVE INDUSTRIES DEVELOPMENT ON CULTURAL HERITAGE AND TOURISM." EKONOMIKA I UPRAVLENIE: PROBLEMY, RESHENIYA 11/1, no. 140 (2023): 207–14. http://dx.doi.org/10.36871/ek.up.p.r.2023.11.01.022.
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This article is devoted to the analysis of the impact of the development of creative industries on the spheres of cultural heritage and tourism. The key concepts of creative industries, their role in the preservation and popularization of objects of cultural and historical significance, as well as their contribution to increasing the tourist attractiveness of regions are examined. It is noted that creative industries play an important role in the processes of revitalization, reconstruction and creation of new uses for cultural monuments. In addition, the development of creative industries contributes to the formation of unique cultural experiences that increase tourist interest in specific destinations. It is concluded that there are close relationships between the creative economy, heritage and tourism. Effective strategic partnership in this area opens up new opportunities for the integrated development of territories.
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Saipova, Dilnoza. "Lighting design and modern trends in the organization of museum exhibitions." Общество и инновации 2, no. 11/S (December 25, 2021): 7–15. http://dx.doi.org/10.47689/2181-1415-vol2-iss11/s-pp7-15.
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This article analyzes an overview of lighting design projects and organizations of expositions in museums of Uzbekistan. Which is aimed at combining modern and national ideas, searching for creative solutions in interior and exterior design. These projects will help people of all ages, especially young people, to create and develop their creative abilities. To increase spiritual and cultural values. This will give the most complete picture of the history and culture of Uzbekistan to both compatriots and foreign tourists. Preservation of historical and cultural heritage means national identity, national culture in the context of globalization. One of the important factors in the development of these projects in the cultural and tourism field is the study of the activities of international and national organizations. Who are engaged in projects of revival, preservation of cultural and national traditions.
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Saipova, Dilnoza. "Lighting design and modern trends in the organization of museum exhibitions." Общество и инновации 2, no. 11/S (December 25, 2021): 7–15. http://dx.doi.org/10.47689/2181-1415-vol5-iss11/s-pp7-15.
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This article analyzes an overview of lighting design projects and organizations of expositions in museums of Uzbekistan. Which is aimed at combining modern and national ideas, searching for creative solutions in interior and exterior design. These projects will help people of all ages, especially young people, to create and develop their creative abilities. To increase spiritual and cultural values. This will give the most complete picture of the history and culture of Uzbekistan to both compatriots and foreign tourists. Preservation of historical and cultural heritage means national identity, national culture in the context of globalization. One of the important factors in the development of these projects in the cultural and tourism field is the study of the activities of international and national organizations. Who are engaged in projects of revival, preservation of cultural and national traditions.
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Damiani, Concetta. "Certification and preservation of artworks in digital environments." JLIS.it 13, no. 2 (May 5, 2022): 189–202. http://dx.doi.org/10.36253/jlis.it-467.
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Reflecting about the documentary heritage of artists requires the consideration of archival, legal, historical-artistic and museological factors. If the analogue productions of artifacts and the correlated documentation have been studied, transferring the creative perspective into a digital environment asks to face a reality in turmoil: the ways of expressing and representing contemporary art, in balance between digital and crypto art, require new visions in the production and management of works. In this redefinition of roles and relationships, which almost exclusively concern the documentary structure and the technological and digital components, document systems assume a primary role.
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Иванов, A. Ivanov, Рабаданов, and Zaur Rabadanov. "Preventive Measures for Educator´s Self-Preservation." Socio-Humanitarian Research and Technology 5, no. 2 (June 10, 2016): 34–38. http://dx.doi.org/10.12737/19844.
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The paper reveals preventive measures for educators´ selfpreservation based on an experimental programme for school teachers, professors of universities and colleges "Prophylaxis for educators´ self-preservation" in the system of professional development. The use of methods of self-regulation is effective in the prevention of tension, averting the occupational burnout syndrome. Diagnostic technique for prompt assessment of general health, activity and mood is proposed. Long-term outcome and indicator of the effectiveness of the programme of self-preservation are physical as well as professional and creative longevity of a person.
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Lin, Panli, and Sharul Azim Bin Sharudin. "Application of Hmong Painting Patterns to Batik Motifs Design in Anshun, Guizhou, China." South Asian Journal of Social Sciences and Humanities 5, no. 3 (June 5, 2024): 176–95. http://dx.doi.org/10.48165/sajssh.2024.5310.
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Purpose/Background: The Hmong ethnic minority in Anshun, China has a rich cultural heritage of embroidery handicrafts used in traditional rituals and festivities. This study aimed to examine the cultural significance and creative applications of traditional Hmong embroidery painting patterns. Methods: A qualitative approach was used involving semi-structured interviews with Hmong artisans in Anshun. Interviews explored cultural meanings of Hmong patterns and the process of adapting them into batik motifs. Detailed notes were taken during the interviews and later analyzed. Findings: These artisans offered profound insights into the cultural significance of Hmong painting patterns and highlighted the process of applying these patterns to batik motifs. The thematic analysis of the interview highlighted the significant role of Hmong painting in the preservation of the cultural heritage of the Hmong community and the promotion of creative expression among the members of this ethnic community. Conclusions: Findings demonstrate the value of Hmong embroidery patterns for maintaining cultural identity and enabling innovation among Hmong artisans. Adaptation of these patterns promotes cultural preservation while supporting economic development in the community. Preservation of traditional handicraft methods among the Hmong is vital for passing on this cultural heritage.
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Mihăilescu, Vintilă. "Introduction. Creative Traditions and Ecology of Heritage." Martor. The Museum of the Romanian Peasant Anthropology Review 22 (November 15, 2017): 9–31. http://dx.doi.org/10.57225/martor.2017.22.01.
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Eric Hobsbawm used a distinction between “customs” (collective representations of the past experienced as present) and “tradition” (as “imagined past”, a product of modernity), while at the same time introducing the concept of “invented traditions” into the theoretical terminology of the social sciences. He thus opened the way for a nuanced analysis of the concepts that come into discussion in the analysis of the relation between the past and the present that re-uses it. Starting from this methodological distinction, the article presents a discussion of past and present by analysing such concepts as tradition, patrimony, legacy, succession, and preservation. These are the concepts that govern the relation between and regarding the cultural-identitary politics that correspond to them, and this can be richly exemplified in the case of Romania.
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Panina, Elena A., Alexandra V. Leontyeva, and Evgeniy S. Franchenko. "Creative Strategies for the Development of Modern Cities: Features, Essence of the Concept and Approaches to their Understanding." Engineering Technologies and Systems 31, no. 4 (December 29, 2023): 770–87. http://dx.doi.org/10.15507/2413-1407.125.031.202304.770-787.
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Introduction. Creative strategies are strategies for activating the development of urban agglomeration, built on innovative projects, usually with an emphasis on the active development of local culture, the preservation of historical heritage and experience, the development of the uniqueness of the agglomeration, and may also include the ideas of a “smart city”. In agglomerations, creative strategies are implemented according to different scenarios, since urban spaces have different cultural and infrastructural contexts. The purpose of this article is to analyze approaches to understanding creative strategies in urban planning and urban space management; to consider the experience of a number of creative cities of the Russian Federation, including the city of Krasnodar, which will allow developing a number of measures within the framework of creative strategy as the most universal and promising approach to urban creativity. Materials and Methods. The presented research is based on the results of the works of authors studying various aspects and approaches to the development and use of creative strategies within the urban environment, engaged in the search for promising universal strategies that contribute to the development of the potential of the cultural, social, economic sphere of the creative city. Diagnostics of the state of the urban cultural environment, assessment of the creative activity of the largest Russian cities, identification of threats and justification of priorities for the development of the urban creative environment are based on the use of retrospective analysis, comparison, synthesis, analogy, generalization. Results. The features of modern creative strategies based on the concept of new urbanism are identified and analyzed. A comparative characteristic of the indices of creativity of urban spaces is given, the problems of their use are analyzed. The experience of creating and implementing projects of creative urban space of Russian cities is analyzed. A comprehensive analysis of internal and external factors, significant challenges and significant threats to the active development of the creative sphere of the city of Krasnodar has been carried out, which makes it possible to develop a number of measures within the framework of the creative strategy as the most promising approach to urban creativity. Discussion and Conclusion. The study allowed us to identify approaches to understanding creative strategies based on innovative ideas, a creative approach to solving problems with an emphasis on the development of art, local culture, preservation of historical heritage and the uniqueness of urban spaces. The conclusions and suggestions of this study can be used as a universal matrix for the development of activities within the framework of a creative strategy for the development of modern urban space.
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Lukyanova, Zoya. "Study of the Attitude of the Students of the Institute of Culture to Preservation and Transmission of the Ethno-Cultural Heritage." Proceedings of Altai State Academy of Culture and Arts, no. 4 (2022): 47–52. http://dx.doi.org/10.32340/2414-9101-2022-4-47-52.
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The article deals with the problems of the attitude of students of a creative higher educational institution to the need of preservation of the ethno-cultural heritage in a globalizing world. The article takes into account the results of the author's long-term research activity in the field of modeling, the formation of a multicultural society, problems of education in the field of culture and art, which made it possible to identify the main personality qualities of a student of a creative higher educational institution. The main approaches and optimal ways of coexistence of people of different ethnic groups in a multicultural society, based on universal values are highlighted. The practical significance of the research lies in the concretization of the foundations for the preservation and translation of ethno-cultural heritage, the experience of intercultural interaction in the context of globalization, aimed at preserving the stability of a multicultural society.
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Linda, Svitlana, and Olga Mykhaylyshyn. "THE SACRED HERITAGE OF WAWRZYNIEC DAYCZAK: PRESERVATION OF TRADITIONS." Space&FORM 2024, no. 60 (December 9, 2024): 403–18. https://doi.org/10.21005/pif.2024.60.e-03.
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The article is devoted to the analysis of the sacred heritage of the architect Wawrzyniec Dayczak, whose life and work were divided by the events of the Second World War. Based on the analysis of archival materials and visual inspection, it is shown that the architect’s creative outlook was formed in the interwar period in Lviv. After the Second World War, Dayczak W. continued to design sacred objects, the architecture of which reflects the features characteristic of Dayczak's W. work, which allows us to speak about the formation of this individual style.
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Engleng, Raj Bijoy, and Ganesh D. "Image-to-ASCII Conversion and Preservation." International Journal of Innovative Research in Computer and Communication Engineering 12, no. 03 (March 25, 2024): 1722–27. http://dx.doi.org/10.15680/ijircce.2024.1203058.
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ASCII (American Standard Code for Information Interchange) art is a fascinating and durable kind of visual expression in the everchanging digital realm. This study delves deeply into the complex craftsmanship associated with converting photos to ASCII characters art, making use of Python's versatility and strength as a programming language. We explore a wide range of methods, libraries, complex algorithms, and many applications related to this fascinating process as we go into a comprehensive investigation. Our main goal is to provide a comprehensive understanding of the image-to-ASCII art conversion by developing a GUI and reveal its deep relevance in modern digital culture. In addition, we analyse the instruments that are at our disposal with great care, meeting the needs of both the creative community and the practical use of this novel medium. We hope to shed light on the subtle nuances and draw attention to the artistic possibilities and useful applications that are there in the field of image-to-ASCII conversion by offering a thorough examination.
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Pletsan, Kh. "GLOBAL EXPERIENCE OF TRANSFORMATIONAL CHANGES DEVELOPMENT OF CREATIVE INDUSTRIES: CULTURAL ASPECTS OF RESEARCH." Bulletin of Mariupol State University Series Philosophy culture studies sociology 13, no. 25 (2023): 78–93. http://dx.doi.org/10.34079/2226-2830-2023-13-25-78-93.
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The article examines the cultural aspects of the world experience of transformational changes in the development of creative industries. The specifics and creative tools for the development of creative industries in the world are defined. The peculiarities of the cultural aspects of the study of the world experience of transformational changes in the development of creative industries are substantiated. The main global trends and factors affecting the development of creative industries are highlighted. Technological innovations and their impact on transformative changes in the development of creative industries are analyzed. The relevance of the influence of cultural values, traditions and identity on the development of creative industries has been established. It has been proven that the synergistic interaction of the sectors of creative industries in cluster models will ensure the achievement of significant results in the preservation of cultural diversity, values, traditions, uniqueness, the development of cultural tourism and creative industries in general. The possibilities and prospects of adapting the best practices of foreign countries for the development of creative industries in Ukraine at the current stage have been investigated and substantiated. Scientific novelty is characterized by a cultural analysis of the world experience of transformational changes in the development of creative industries and the possibility of their adaptation in Ukraine. Keywords: culture, creative industries, world experience, innovation, human resource, creative tools, creative space, cluster, sustainable development.
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Üzümcüoğlu, Doğa, and Mukaddes Polay. "User Perceptions on the Urban Waterfront Development in the Kyrenia Ancient Harbour, including the Creative Individuals." European Journal of Tourism, Hospitality and Recreation 14, no. 1 (August 1, 2024): 35–54. http://dx.doi.org/10.2478/ejthr-2024-0003.
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Abstract Various entities offer to evaluate the adequacy of applications for urban waterfront development. This study focused on the underlying assumptions that gave a comprehensive review of urban waterfront development projects and applications and analysed user impressions in Kyrenia Ancient Harbour. Visitors to Kyrenia, including employees, employers, students, and creative people, were asked to complete a questionnaire. This study discovered that the twelve underlying factors of creative waterfronts included awareness of people, promotion of entrepreneurs, creative spaces and activities, innovation, tolerance, physical comfort, political support, social cohesion, diversity of function, economic contribution, and cultural preservation. An evaluation of the creative environment at Kyrenia Waterfront found various degrees of user participation based on several statistical tests. Most community members saw the example area favourably due to its distinctive urban characteristics and socialisation possibilities. Locals, however, believe that creative folks require new technologies and ideas to be more productive.