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Dissertations / Theses on the topic 'Creative style'
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1
Yoshifumi, Saitō. "Style and creativity : towards a theory of creative stylistics." Thesis, University of Nottingham, 1997. http://eprints.nottingham.ac.uk/12549/.
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The purpose of this thesis is to present a new theory of creative stylistics as an antithesis to traditional description-oriented stylistics. For this purpose it undertakes: (1) a selective historical survey of stylistics with special attention to its academic formation in the context of the theoretical dissociation between linguistics and literary criticism (Chapter 1), (2) a theoretical survey of stylistics with special attention to the way it has been defined and subcategorized (Chapter 2), (3) a rearrangement of various stylistic theories according to the criterion of purpose, and a cognitively oriented demonstration of redefined linguistic, literary, and pedagogical stylistics (Chapter 3), (4) a theorization of creative stylistics as a prescriptively oriented discipline complementing the descriptivism of traditional stylistics, in terms of the cognitive processes of textual creation (Chapter 4), and (5) a demonstration of creative stylistics through an examination of my own literary writing, together with a discussion of further pedagogical and cross-cultural issues arising from this (Chapter 5). Through these chapters I make it clear. (a) that the theoretical proliferation, the variety of nomenclature, and the arbitrary subcategorization of stylistics has made this discipline seem more complicated than it really is; (b) that stylistics has so far only followed the course laid down by descriptive linguistics and literary criticism, and has not yet fully explored or exploited the dynamic interaction between language and literature, since it has hardly paid attention to the issue of the creativity of style and language; (c) that, in order to establish stylistics as a truly interdisciplinary field of study between linguistic and literary studies, we need to take up the classical idea of rhetoric with its prescriptive function as well as the new idea of 'creative language awareness' in order to open up the domain of stylistic study for the purpose of textual creation; (d) that, as the descriptive analyses of traditional stylistics should be retrievable, so the processes of creative stylistics should be replicable for any creatively-motivated writer, irrespective of the kind of text he or she is trying to create; (e) that, by being replicable, the theory of creative stylistics would be extraordinarily useful in pedagogical contexts in helping language learners both to improve their skills in writing and to sensitize themselves to language and literature; and (f) that creative stylistics is designed to explore and exploit the possibilities of breaking down the native/non-native opposition in English studies and of bridging native/non-native cultural gaps in aesthetic creation.
2
Parkinson, P. M. "The small business entrepreneur : information, innovation and creative style." Thesis, University of Bath, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.254970.
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Adams, Zackary Michael. "Comedy Basque Style: A Recontextualization of Commedia all'Italiana." ScholarWorks @ UVM, 2019. https://scholarworks.uvm.edu/graddis/1021.
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Commedia all'italiana, a genre of Italian film satires that emerged in the late 1950s and sustained through the late 1970s, is primarily understood through its close relationship to Italian culture. The evolution of the genre appears to be less tied to the revision of iconography and narrative codes of previous films than it is to the trajectory of Italian society during its years of prominence. The following thesis will attempt to find a definition of commedia all'italiana that is discrete from the genre's strong link to Italian culture by isolating the films' common narrative strategies. The aim in constructing this definition, which will be called the "commedia all'italiana narrative methodology," is to negotiate the possibility of formal elaboration upon the genre by a modern filmmaker, even outside of the strictly Italian context of the films in question. The viability of this endeavor will be put to the test in the final chapter, a plot outline for a feature film, entitled Commedia Vasca, that emulates the narrative approaches assembled in the commedia all'italiana narrative methodology.
This thesis begins by presenting the common understanding of commedia all'italiana, with a particular focus on the genre's close connection to Italian society. The second chapter tracks the formation of the commedia all'italiana narrative methodology by isolating and analyzing distinct and adaptable narrative strategies at play among the films of commedia all'italiana. Then the thesis changes course to set up the creative experiment in narrative adaptation, Commedia Vasca, which will engage with Basque culture, rather than Italian. The plot outline for the film is preceded by a short summary of relevant Basque history and the ways the cultural specificities of the Basque Country influenced the process of utilizing and adapting the commedia all'italiana narrative methodology.
4
Butler, Michele Jean. "Understanding the aesthetic effect of the familiar essay and its importance in the composition class." CSUSB ScholarWorks, 1987. https://scholarworks.lib.csusb.edu/etd-project/406.
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Fisher, Deborah L. "There's a dinosaur in my armoire: A creative exploration of women's dress choice." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/86534/1/Deborah_Fisher_Thesis.pdf.
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This project explores social negotiation, that sees dress used to style a personal and appropriate public image in everyday situations. The research seeks to identify and gain insight into the external influences and internal motivations of a small group of Australian women.
6
Solomon, Ryan. "In Search of Copia: Using Rhetoric to Teach Creative Writing." BYU ScholarsArchive, 2007. https://scholarsarchive.byu.edu/etd/1011.
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James Berlin, in his book Rhetoric and Reality, points out that our disparate epistemologies lead to inevitable classroom practices, which mean that different epistemologies impact our pedagogical approach and enforce certain views about the role and function of writing in classrooms. This thesis highlights the impact of Romantic beliefs about writing on creative writing pedagogy, as well as exploring how those beliefs hamper the critical function of the workshop. Romantic beliefs have enforced the idea that talent and genius is most important in creative writing, and that writing is spontaneous, organic, original, and expressive. Because of this, many creative writing teachers have come to believe that a structured pedagogical approach hampers creative writing, but this creates problems in workshop where the need for collaborative criticism conflicts with Romantic beliefs. The result is that students, who are assumed to know how to offer effective criticism, struggle to negotiate expressive ideals as opposed to critical response. This thesis therefore explores the problems of Romantic beliefs in detail. This thesis proposes the classical rhetorical curriculum, supported by appropriate rhetorical theory, as a solution to the problems created by Romantic beliefs. This curriculum provides a detailed, structured approach to teaching writing, which is best highlighted by the way it combined stylistic analysis together with production; therefore, helping students use criticism as a way to develop their writing. In doing so, I look at a rhetorical approach to style as detailed by Richard Lanham and Winston Weathers who emphasize helping students with stylistic analysis by helping students understand the function of style. Also, because I recognize that creative writers are often resistant to any discussion of the links between creative writing and rhetoric, this thesis emphasizes the critical links between creative writing and rhetoric, thereby showing that the view of rhetoric held by creative writers is a substantially reduced view of a more dynamic discipline. The truth is the two disciplines share a fundamental critical purpose aimed at assisting student in the production of new texts, and therefore, because the two disciplines have a great deal in common, there is a viable opportunity to build on their theoretical links in order to enhance pedagogy in both disciplines. Therefore, this thesis looks at some specific ways that the classical rhetorical curriculum can be applied within the constraints of the contemporary creative writing classroom.
7
Gratias, Melissa B. "Leader Effectiveness among Patterns of Personality Types and Creativity Styles." Diss., Virginia Tech, 2000. http://hdl.handle.net/10919/28555.
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In the current study, a person-centered approach was taken to the examination of the relation between leader effectiveness and personality preferences. Type Theory and Adaption-Innovation Theory precepts were examined in tandem using cluster analytic techniques in order to discover whether past variable-centered findings relating these two theories would generalize to a person-centered examination. Eight patterns were hypothesized to emerge from the cluster analysis based on past correlational research, and three of these patterns were present in the seven-cluster solution.
Leader effectiveness was measured in terms of multisource ratings on Benchmarks™. Hypotheses were proposed based on past variable-centered research examining the relations between Jungian personality types and self, superior, peer, and subordinate ratings of leader effectiveness. Some support was found for the variable-centered predictions, but the pattern-focused approach provided insight into the dynamics of the five personality preferences examined as well as suggested that indicators other than what would be predicted based on variable-centered studies may contribute to perceptions of leader effectiveness. Overall, the results of this study show that, taken together, variable and person-centered approaches to research may help strengthen the sometimes fragile relationship between personality and leader effectiveness.<br>Ph. D.
8
Miller, Angela L. "Creativity and cognitive style : the relationship between field-dependence-independence, expected evaluation, and creative performance." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1347732.
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This study explored the effects of cognitive style and expected evaluation on creativity. Past research has shown that an expectation of evaluation can have a negative impact on creativity, and those individuals classified as field-independent rather than field-dependent are more likely to have higher creativity scores. An interaction between expected evaluation and cognitive style was hypothesized. Participants created a collage to measure creativity, either with or without an expectation of evaluation, and then cognitive style was measured. The hypothesis was partially supported. The more field-independent an individual, the higher the creativity score. Those in the evaluation condition scored higher in creativity than those in the non-evaluation condition, but this effect disappeared when controlling for time and previous art experience. The effect of expected evaluation is discussed in terms of the experimental situation and the conceptualization of motivation. Further investigations of cognitive style and motivational conditions are suggested.<br>Department of Educational Psychology
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Kim, Jounggun. "A study of relationships among work motivation, problem-solving style, leadership style, and team climate on creative behavior in the South Korean workplace /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9988678.
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Williams, Denise Rochelle. "The vagaries of voice in the composing process." CSUSB ScholarWorks, 1989. https://scholarworks.lib.csusb.edu/etd-project/445.
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Haapanen, Heta-Liisa, and Ulla Kaukonen. "Creative Control : How to Manage Innovation and New Product Development." Thesis, Uppsala University, Department of Business Studies, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-126833.
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<p>The topic of this research is to explore to what extent innovation and new product development (NPD) are managed with formal and informal control mechanisms respectively and in combination in five international food industry companies. The topic deals with finding an understanding of controlling innovation processes which require freedom to some extent but at the same time are to be managed in order to keep track of the resources. Cases’ selection was designed to bring variation and catch the complexity of the phenomenon by studying one prime case and validating the results with four minor case companies’ results. The findings of the study indicate that first of all formal and informal control mechanisms coexist and interact and secondly that a more informal and personalized take is beneficial in R&D settings.</p>
12
Polynone, Devon, and Devon Polynone. "An American Belly Dancer." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12387.
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The purpose of this research was to investigate the creative process of six professional American Belly Dancers: Shannon Conklin, Elena Villa, Lila McDaniel, TC Skinner, Manny Garcia, and Cera Byer. I took a class with each dancer, witnessed each dancer creating movement, and witnessed each dancer perform. After each experience I held discussions with each dancer. I learned that, for some of the dancers, music is everything, but for others, Belly Dance can be performed to any sound. For some of the dancers, Belly Dance is highly codified, and for others it is experimental. For some of the dancers, Belly Dance is a solo endeavor, but for others, dancing with a troupe is essential. Following these findings, I created six movement explorations - one based on each professional Belly Dancer in my study. Supplemental video footage of these explorations can be viewed as a companion to this written document.
13
Jennings, Danny Roy. "The Aesthetics of Nature and the Cinematic Sublime: A Creative Investigation into an Organic Transcendental Film Style." Thesis, Curtin University, 2017. http://hdl.handle.net/20.500.11937/58984.
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The aim of this practice-based screen arts doctoral thesis is to investigate how cinematic representations of nature evoke an aesthetic of the sublime. The thesis answers this research question both through experimental film practice and critical analysis of theoretical and artistic texts. Informed by concepts such as the sublime, transcendence, the metaphysical imagination, critical realism and phenomenology, and the films Werner Herzog and Andrei Tarkovsky, this thesis investigates an organic transcendental film style.
14
Dew, Robert. "Understanding how to enhance business creativity." Thesis, Queensland University of Technology, 2009. https://eprints.qut.edu.au/29311/1/Robert_Dew_Thesis.pdf.
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This PhD study examines some of what happens in an individual’s mind regarding creativity during problem solving within an organisational context. It presents innovations related to creative motivation, cognitive style and framing effects that can be applied by managers to enhance individual employee creativity within the organisation and thereby assist organisations to become more innovative.
The project delivers an understanding of how to leverage natural changes in creative motivation levels during problem solving. This pattern of response is called Creative Resolve Response (CRR). The project also presents evidence of how framing effects can be used to influence decisions involving creative options in order to enhance the potential for managers get employees to select creative options more often for implementation.
The study’s objectives are to understand:
• How creative motivation changes during problem solving
• How cognitive style moderates these creative motivation changes
• How framing effects apply to decisions involving creative options to solve problems
• How cognitive style moderate these framing effects
The thesis presents the findings from three controlled experiments based around self reports during contrived problem solving and decision making situations. The first experiment suggests that creative motivation varies in a predictable and systematic way during problem solving as a function of the problem solver’s perception of progress. The second experiment suggests that there are specific framing effects related to decisions involving creativity. It seems that simply describing an alternative as innovative may activate perceptual biases that overcome risk based framing effects. The third experiment suggests that cognitive style moderates decisions involving creativity in complex ways. It seems that in some contexts, decision makers will prefer a creative option, regardless of their cognitive style, if this option is both outside the bounds of what is officially allowed and yet ultimately safe.
The thesis delivers innovation on three levels: theoretical, methodological and empirical. The highlights of these findings are outlined below:
1. Theoretical innovation with the conceptualisation of Creative Resolve Response based on an extension of Amabile’s research regarding creative motivation.
2. Theoretical innovation linking creative motivation and Kirton’s research on cognitive style.
3. Theoretical innovation linking both risk based and attribute framing effects to cognitive style.
4. Methodological innovation for defining and testing preferences for creative solution implementation in the form of operationalised creativity decision alternatives.
5. Methodological innovation to identify extreme decision options by applying Shafir’s findings regarding attribute framing effects in reverse to create a test.
6. Empirical innovation with statistically significant research findings which indicate creative motivation varies in a systematic way.
7. Empirical innovation with statistically significant research findings which identify innovation descriptor framing effects
8. Empirical innovation with statistically significant research findings which expand understanding of Kirton’s cognitive style descriptors including the importance of safe rule breaking.
9. Empirical innovation with statistically significant research findings which validate how framing effects do apply to decisions involving operationalised creativity.
Drawing on previous research related to creative motivation, cognitive style, framing effects and supervisor interactions with employees, this study delivers insights which can assist managers to increase the production and implementation of creativity in organisations. Hopefully this will result in organisations which are more innovative. Such organisations have the potential to provide ongoing economic and social benefits.
15
Dew, Robert. "Understanding how to enhance business creativity." Queensland University of Technology, 2009. http://eprints.qut.edu.au/29311/.
Full textAbstract:
This PhD study examines some of what happens in an individual’s mind regarding creativity during problem solving within an organisational context. It presents innovations related to creative motivation, cognitive style and framing effects that can be applied by managers to enhance individual employee creativity within the organisation and thereby assist organisations to become more innovative.
The project delivers an understanding of how to leverage natural changes in creative motivation levels during problem solving. This pattern of response is called Creative Resolve Response (CRR). The project also presents evidence of how framing effects can be used to influence decisions involving creative options in order to enhance the potential for managers get employees to select creative options more often for implementation.
The study’s objectives are to understand:
• How creative motivation changes during problem solving
• How cognitive style moderates these creative motivation changes
• How framing effects apply to decisions involving creative options to solve problems
• How cognitive style moderate these framing effects
The thesis presents the findings from three controlled experiments based around self reports during contrived problem solving and decision making situations. The first experiment suggests that creative motivation varies in a predictable and systematic way during problem solving as a function of the problem solver’s perception of progress. The second experiment suggests that there are specific framing effects related to decisions involving creativity. It seems that simply describing an alternative as innovative may activate perceptual biases that overcome risk based framing effects. The third experiment suggests that cognitive style moderates decisions involving creativity in complex ways. It seems that in some contexts, decision makers will prefer a creative option, regardless of their cognitive style, if this option is both outside the bounds of what is officially allowed and yet ultimately safe.
The thesis delivers innovation on three levels: theoretical, methodological and empirical. The highlights of these findings are outlined below:
1. Theoretical innovation with the conceptualisation of Creative Resolve Response based on an extension of Amabile’s research regarding creative motivation.
2. Theoretical innovation linking creative motivation and Kirton’s research on cognitive style.
3. Theoretical innovation linking both risk based and attribute framing effects to cognitive style.
4. Methodological innovation for defining and testing preferences for creative solution implementation in the form of operationalised creativity decision alternatives.
5. Methodological innovation to identify extreme decision options by applying Shafir’s findings regarding attribute framing effects in reverse to create a test.
6. Empirical innovation with statistically significant research findings which indicate creative motivation varies in a systematic way.
7. Empirical innovation with statistically significant research findings which identify innovation descriptor framing effects
8. Empirical innovation with statistically significant research findings which expand understanding of Kirton’s cognitive style descriptors including the importance of safe rule breaking.
9. Empirical innovation with statistically significant research findings which validate how framing effects do apply to decisions involving operationalised creativity.
Drawing on previous research related to creative motivation, cognitive style, framing effects and supervisor interactions with employees, this study delivers insights which can assist managers to increase the production and implementation of creativity in organisations. Hopefully this will result in organisations which are more innovative. Such organisations have the potential to provide ongoing economic and social benefits.
16
Knopf, Michael David. "Style and Genre Synthesis in Music Composition: Revealing and Examining the Craft and Creative Processes in Composing Poly-Genre Music." Thesis, Griffith University, 2011. http://hdl.handle.net/10072/366075.
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Enhancing new musical works by referencing style and genre is a well-established practice in music making around the world. Audiences and artists of the past century were particularly exposed to music of many styles and genres through the growth of information and knowledge transfer as a result of travel, various media and the Internet. This musical and cultural interaction was, as Nettl (1986, p. 371) characterized it, a “prevailing force in musical innovation.” Aubert (2000, p. 4) states that the “generalization all over the planet of the cultural hybridization process observed today is a phenomenon without precedent.” Alongside this is the “need to investigate musical hybrids” that Leavy sees (2009, p. 105) as having “increased exponentially with globalization and the multidirectional cultural exchange it has fostered.” My work as a performer and composer is deeply influenced by music hybrids, with genre and style synthesis integral to my creative practice. In my search of the literature to place my work in style and genre synthesis, I was unable to find a systematic description of content, process or operational philosophy. This study aims to examine and reveal the technical and creative concepts and processes I use to generate new cross-genre compositions. The research is carried out through the composition of new works as examples of genre synthesis, and through reflections on, and analyses of, the particular processes of synthesis occurring in the new works. The research furnishes evidence of the use of new and conventional concepts, strategies and terminology, and offers a model for the creative practice of composing with styles and genres.<br>Thesis (Professional Doctorate)<br>Doctor of Musical Arts (DMA)<br>Queensland Conservatorium<br>Arts, Education and Law<br>Full Text
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Kenny, Laura Jean. ""Something's happening here! Something's awry!": A creative and critical exploration of 'awryness' in contemporary Australian attachment trauma fiction." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/210856/1/Laura_Kenny_Thesis.pdf.
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This practice-led thesis explores how an examination of ‘awryness’—conceptualised as an emotional response to environmental stimuli which is characterised by feelings of disorientation and uncertainty—might generate new ways of thinking about the writing, reading, and interpretation of contemporary Australian attachment trauma fiction. In fiction, awryness occurs when the reader encounters something that is unexpected or difficult to categorise. Writing the novel, On Either Side, alongside textual analysis of three novels, reveals just some of the ways that awryness might be induced or evoked in order to represent the effects of attachment trauma on a character.
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Бабак, С. В. "Креативний підхід та напрями удосконалення стилів та методів управління персоналом (на матеріалах ТОВ «Буд Ком Сервіс»)". Thesis, Чернігів, 2020. http://ir.stu.cn.ua/123456789/19966.
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Бабак, С. В. Креативний підхід та напрями удосконалення стилів та методів управління персоналом (на матеріалах ТОВ «Буд Ком Сервіс») : магістерська робота : 073 Менеджмент / С. В. Бабак ; керівник роботи Хмелевський С. М. ; Національний університет «Чернігівська політехніка», кафедра управління персоналом та економіки праці. – Чернігів, 2020. – 114 с.<br>Предметом дослідження в випускній кваліфікаційній роботі є процес управління персоналом на підприємстві.
Об’єктом дослідження даної випускної кваліфікаційної роботи є креативний підхід та напрями удосконалення стилів та методів управління персоналом.
Мета випускної кваліфікаційної роботи полягає в дослідженні концептуальних засад процесу креативного управління персоналом на підприємстві та обґрунтуванні практичних шляхів удосконалення стилів і методів підвищення його ефективності.
Завданнями випускної кваліфікаційної роботи є: дослідити концептуальні підходи до визначення поняття «організація праці»; визначити елементи та основні завдання організації праці на підприємстві; обґрунтувати необхідність креативного підходу до управління персоналом; розширити основні складові наукової організації праці; проаналізувати стилі і методи управління персоналом, методичні підходи економічної та соціальної оцінки ефективності організації праці на підприємстві; дослідити основні етапи процесу управління персоналом; провести оцінку стану та впливу організації праці на ефективність фінансово-господарської діяльності; розробити практичні заходи щодо удосконалення управління персоналом в сучасних умовах та розрахувати їх економічну ефективність.
За результатами дослідження були запропоновані і економічно обґрунтовані заходи, які спрямовані на запровадження креативного підходу управління персоналом на підприємстві. Запропоновані заходи призведуть до зростання продуктивності праці в майбутньому та сприятимуть підвищенню ефективності функціонування підприємства.<br>The subject of research in the final qualification work is the process of personnel management at the enterprise.
The object of the study of this final qualification work is the creative approach and directions of improvement of styles and methods of personnel management.
The purpose of the final qualification work is to study the conceptual foundations of the process of creative personnel management in the enterprise and to substantiate practical ways of improving the styles and methods of improving its effectiveness.
The objectives of the final qualification work are: to explore conceptual approaches to the definition of the concept of "work organization"; determine the elements and main tasks of the organization of work in the enterprise; justify the need for a creative approach to HR management; expand the basic components of the scientific organization of labor; to analyze the styles and methods of personnel management, methodological approaches of economic and social assessment of the effectiveness of organization of work in the enterprise; explore the main stages of the HRM process; to conduct an assessment of the status and impact of work organization on the effectiveness of financial and economic activity; to develop practical measures to improve personnel management in modern conditions and to calculate their economic efficiency.
According to the results of the research, measures were proposed and economically justified, aimed at introducing a creative approach to personnel management at the enterprise. The proposed measures will lead to increased productivity in the future and will improve the efficiency of the enterprise.
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Panisson, Luciane Salete. "Moda e processos de criação: ações comunicacionais a partir da montagem de looks." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/4479.
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Previous issue date: 2012-12-06<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This research approaches the building of an outfit as an individual creative process, which
happens in a cultural environment that allows the consumer to become the author by
matching products through their use. These different kinds of behavior are gaining strengths
and influencing designers to rethink their creations, in favor of esthetics proposed by their
users, fact that deserves deeper studies about its creation procedures. For this matter, the
comprehension of the individual creational process inside culture occurs from the following
questioning: How can the creative process of individuals be identified in the composition of
their outfit from the perusal of their usage? What are the differences between the spectacle
created by internet users and what actually is seen in the streets? The elucidation of this
questioning aims to identify the composition procedures of an outfit as a process of creation
in culture and, from this identification, discuss how the change in the communicative flow of
who produces and who receives visual messages occurs. As specific objectives, this paper
searches for the detection of creative resources which people use in the composition of their
outfit and the development of a visual reading system that may assist this observation,
elaborated from the concept of Networking Creation. The theoretical contribution which leads
this study begins in the contextualization of fashion and style as social processes that allow
the self-narratives (BARNARD, 2006; CRANE 2008; MIRANDA, 2008; ROCHE, 2007,
SVENDSEN, 2010, MESQUITA, 2008), by cultural theoreticians who approach the changes
in the roles of individuals from users to creators of visual messages through the use of
products (CERTEAU, 1994 e LURIE, 1997), their transformation in intercultural beings
(CANCLINI, 2003) inserted into the culture, but distinguished from it (COLAPIETRO, 1989)
and that become creators (MORACE, 2009), finalizing with theories of Net Creation
(SALLES, 2008) and Post-Production (BOURRIAUD, 2009) which will serve as base for the
comprehension of the outfit composition as a creative process. Starting with images of this
users-creators day by day in the streets and comparing them to images posted in the web
by the users themselves, from 2010 to 2012, procedures of outfit construction that allow the
intersection of creative resources used by distinguishes individuals and that, up a new and
innovative creative process, reveal post-production strategies of the outfit and the image<br>A pesquisa aborda a montagem do traje como um processo criativo individual, advindo de
um ambiente cultural que permite o consumidor se tranformar em autor ao recombinar
produtos por meio de seu uso. Esses comportamentos estão ganhando força e influenciando
designers a repensar suas criações, em prol de uma estética proposta pelo usuário e
merecem estudos mais aprofundados sobre seus procedimentos de criação. Desta maneira,
a compreensão do processo individual de criação dentro da cultura parte dos seguintes
questionamentos: Como identificar o processo criativo dos indivíduos na composição de seu
traje a partir da leitura de seu uso? Quais as diferenças entre o espetáculo criado pelo
usuário da internet e o que efetivamente se observa nas ruas? A elucidação destes
questionamentos, objetiva identificar os procedimentos de montagem do traje como um
processo de criação na cultura e, a partir desta identificação, discutir como se dá a mudança
do fluxo comunicativo de quem produz e recebe mensagens visuais. Como objetivos
específicos, busca a detecção dos recursos criativos que as pessoas utilizam na
composição de seus trajes e uma leitura visual que auxilie esta observação elaborado a
partir dos conceitos de Criação em Rede e Pós-Produção. O aporte teórico que conduz o
estudo inicia-se na contextualização da moda e do estilo como processos sociais que
possibilitam as autonarrativas (BARNARD, 2006; CRANE 2008; MIRANDA, 2008; ROCHE,
2007, SVENDSEN, 2010, MESQUITA, 2008), por teóricos da cultura que abordam as
mudanças de papel dos indivíduos, de usuários para criadores de mensagens visuais por
meio do uso dos produtos (CERTEAU, 1994 e LURIE, 1997), sua transformação em sujeitos
intercultuais (CANCLINI, 2003) inseridos em meio à cultura mas distinguíveis dela
(COLAPIETRO, 1989) e que se transformam em autores (MORACE, 2009) finalizando pelas
teorias de Criação em Rede (SALLES, 2008) e Pós-Produção (BOURRIAUD, 2009) que
servirão de base para o entendimento da composição do traje como um processo criativo.
Partindo da coleta de imagens destes usuarios-criadores no cotidiano das ruas e
comparando-as com imagens postadas na internet pelos próprios usuários, de 2010 a 2012,
observaram-se procedimentos de construção do traje que permitem um cruzamento entre os
recursos criativos utilizados por indivíduos distintos e que acima de um processo criativo
inédito ou inovador, revelam estratégias de pós-produção do traje e da imagem
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Sand, Anne. "Rain from the Dublin Bus." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1398273904.
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Efone, Ekemi Shella. "La question de l'originalité dans le roman contemporain : Identification des caractéristiques stylistiques dans trois oeuvres : La Place d'Annie Ernaux, Lac de Jean Echenoz, La Place de l'étoile de Patrick Modiano." Thesis, Tours, 2015. http://www.theses.fr/2015TOUR2015.
Full textAbstract:
La question de l’originalité dans le roman contemporain : identification des caractéristiques stylistiques dans trois oeuvres : La Place d’Annie Ernaux, Lac de Jean Echenoz et La Place de l’étoile de Patrick Modiano est un travail qui consiste à mener des analyses sur la spécificité du roman français aujourd’hui. Ce travail s’appuie sur trois principaux axes dont le premier consiste à identifier les rapports d’influence et d’intertextualité qui relient les textes de nos auteurs à leurs prédécesseurs. Le roman puise sa matière dans le patrimoine littéraire et il se transforme progressivement par l’acte d’écriture. Annie Ernaux, Jean Echenoz et Patrick Modiano sont des auteurs atypiques qui ont su extraire de l’héritage littéraire une véritable source d’inspiration. Pour le montrer, nous avons mené une étude analytique des procédés d’écriture utilisés par chaque écrivain. Leur particularité réside dans la vision personnelle et l’univers de chaque auteur<br>The subject of originality in the contemporary novel: identification of stylistics caracteristics in the three works of Annie Ernaux, Jean Echenoz and Patrick Modiano. This work consists in a relevant analysis of the stylistic features of the French novel these days. This work is based upon three approaches whose the first consist in identifying the relation of influence and intertextuality which link the texts of ours authors with the texts of their predecessors. The novel takes its roots in the literary heritage, and then it transforms itself progressively through the writing act. We have seen that Annie Ernaux, Jean Echenoz and Patrick Modiano are atypical authors who have been able to extract from the literary heritage its very substance in order to produce a masterpiece. In addition, we have conducted an analytical study of the writing methods used by each one of these authors
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Панюкова, К. І. "Проєктування творчої колекції моделей жіночого одягу". Магістерська робота, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/19553.
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В дипломному магістерському проекті розроблено колекцію моделей комплектів жіночих в мінімальстичному стилі з використанням сучасних матеріалів та технологій виготовлення виробів. Базова модель розроблена на типову фігуру розміром 164-92-96. Проведено маркетингові дослідження і аналіз допроектної ситуації. Виконано розробку творчої концепції колекції, дизайн-проекту колекції та технологічного процесу виготовлення колекції. В роботі здійснений аналіз методів та режимів обробки, вибір обладнання та проектування технологічної послідовності виготовлення.<br>В дипломном проекте разработана коллекция моделей женских комплектов в минималистическом стиле с использованием современных материалов и технологий изготовления изделий. Базовая модель разработана на типовую фигуру размером 164-92-96. Проведены маркетинговые исследования и анализ допроектной ситуации. Выполнена разработка творческой концепции коллекции, дизайн-проекта коллекции и технологического процесса изготовления коллекции. В работе проведен анализ методов и режимов обработки, выбор оборудования и проектирование технологической последовательности изготовления.<br>The collection of models of women's kits in minimalist style with the use of modern materials and fabrication technologies is developed. The basic model is designed for a typical figure of size 164-92-96. Marketing research and pre-project situation analysis have been carried out. Performed the development of creative concept of the collection, the design of the collection and manufacturing process of the collection. The work involves analysis of processing methods and modes, equipment selection and design of the technological sequence of manufacturing.
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Lin, Wan-Ying, and 林宛穎. "Development of Creative Life Style Check List." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/57073541502433299334.
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碩士<br>國立中山大學<br>教育研究所<br>100<br>This study is aim to develop and validate the Creative Life Style Check List by analysis of the literature scale and integration expert opinions. This scale for the self-report scale, a total of 28 questions, uses Likert five-point scale scoring. There were four subscale, “wildly life experiences “, “imagination”, “new creation and expression”, and “openness mind”. Purposive sampling method to extract the Sun Yat-sen University, Ministry of students as the study sample, the pre-pilot scale a total of 304 samples, a total of 983 formal scale samples.
The MPCM analysis by the Rasch model is to examine the scale of reliability and validity. Content validity Infit MNSQ is between 0.75 ~ 1.3logits, each subscale internal consistency from .831 to .893. Scale internal consistency reliability was .93. Construct validity of the comparison of PCM and MPCM that estimated residuals of MPCM smaller than PCM. That means four-dimensions model more fit than one-dimension model. The correlation between each subscale is in the range of 0.684 ~ 0.861. The validity generalization, the scale of the boys and girls difficulty estimate differences in the range of 0.000 to 0.198, on behalf of this scale is no gender differential item functioning (DIF). Participants separated reliability coefficient of 0.844 to 0.900 that means this scale can stability measure the location of participants of the creativity construct. Difficulty estimated values of each subscale in the formal questionnaire and the pre-test scale ranged from .815 to .944 is high correlation. And p <0.05 show the scale has cross-sample stability.
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Yin, She-Fen, and 尹淑芬. "The Works of Punk Style Creative Makeup." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/ve385j.
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碩士<br>樹德科技大學<br>應用設計研究所<br>106<br>Cosmetics and makeup is an indispensible part of the fashion and the wedding industry. However, the strong competitiveness and the extreme visual stimulation of the new generation bring crisis to the practioners as well as the educators. They are facing the problems of how to get the attention from consumers, struggling to have technological breakthroughs and creating a unique personal style.
This study analyzes the characteristics of the Punk style from literature data. It also incorporates Punk spirit with reality makeup operation by using main colors of Punk;suchas black, white and colorful water-based pigments. Besides, styles of stripped, flake and different materials are utilizes to reinterpret the Punk makeup.
This study includes 6 collections:1. Rebirth 2. Silence 3. Shackles 4. Uninhibited 5. Seal 6. Dead-end.
In order to incorporate the cultural spirit of Punk, a new makeup look will be presented. The creation proposes:
1. Meet the characteristics of Punk cultural elements, extract its spirit and transform it into a creative makeup process.
2. Strengthen the creative thinking mode, precisely communciate the Punk elements and imagery. Improve the value of makeup and change the traditional mode so the Punk culture can be improved in terms of creativity and revenue and lasts forever.
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王文貞. "Creative Artworks Appling Papercut Style in Decoration." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/725q8n.
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碩士<br>大葉大學<br>設計暨藝術學院碩士在職專班<br>106<br>This study discuss the differences of between Chinese and western papercut,
understands the techniques and meaning of papercut, and using the skill of papercut
conversion to new style of painting creation.Papercut is one of the China traditional
folk arts.Combine the old decorative style of papercut with modern papercut style,
and make the papercut present a decorative style in painting.
The works are divided into human series, decorative painting and story
implication.The special visual effects of papercut and its manifestations are still
used in decorative. Placed in the form of painting can express feelings, make people
feel relaxed and happy, papercut decorative applications for life to add fun beauty.
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Kuo, Shiow-Jy, and 郭秀枝. "A Study on the Creative Tendency, Learning Style, Creative Motivation , and Creative Performance of the Visually Handicapped Students." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/94054722683552118378.
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碩士<br>國立臺灣師範大學<br>特殊教育研究所<br>82<br>A three-factor(2×3×4), between-subjects design was used to investigate the effects and the relationships of gender (female and male), stage of development (elementary, junior high and senior high schools) on four dependent variables: creative tendency (risk-taking, curiousty, imagination and challenge), learining style(left and right hemispheres), creative motivation, and creative performance (literatuer, music, crafts designing, home economics, and performing arts).
MANOVA ＆ REG analysis of the linear models were performed to check the results of the study.
The subjects were 76 visually handicapped students from the Taipei City School for the Visually Handicapped and the Taiwan Province School for the Visually Handicapped.
The results were as follows:
(1)There was no significant differences between the overall creative tendency on gender and developmental stages.
(2)The interaction and main effect of the learning style had significant differences on gender & stages. Futhermore it was the left hemisphere factor which affected on the all developmental stages(elementary, junior high and senior high schools).
(3)Both the creative motivation and creative performance had no significant differences on the gender and the developmental stages.
(4)Neither the creative tendency predict creative motivation, and creative performance, nor creative motivation predict creative performance for the subjects.
The results of the study reveal the needs for an educational model in an inclusion environment and the visually handicapped students should learn creative thinking which includes creative tendency, learning style, creative motivation and creative performance.
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"A Way to Write: My Influences, Interests, Style, and Process." Master's thesis, 2016. http://hdl.handle.net/2286/R.I.38538.
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abstract: This essay is an exploration of Michael Holladay's interests in style and influence related to his writing and overall writing process. I've chosen a selection of books that both reflect my interests as a writer, books that I've loved and have informed me in the past which continue to inform and inspire on each re-read (Battleborn by Claire Vaye Watkins, A Visit from the Goon Squad by Jennifer Egan, for example) and also books I hadn't read and needed to in order to challenge myself with writing I haven't been exposed to yet so I can continue to grow (I hadn't, for instance, read Jesus' Son by Denis Johnson or Reasons to Live by Amy Hempel before preparation for this essay.) The fiction I've chosen to discuss strikes a balance between favorites that have formed me up to this point and new work to "fill in the gaps" of books I needed to read. Additionally, I've chosen a selection of books on craft to provide a lens for thinking about writing. Finally, I've also included work in other genres that inform my fiction (Ryan van Meter's creative nonfiction essays, If You Knew Then What I Know Now and Andrew Haigh's film, Weekend.)
I've intentionally chosen work that is diverse in both form and content. I have more linear fiction represented (William Trevor, for example) matched with work that's fragmentary and language focused (Christine Schutt's Nightwork among others) since I'm interested in how linear form and fragmentation can intersect, and I've been experimenting with both during my time in the program. And in terms of content, the majority of the work speaks to my interest in how region, specifically the South, impresses itself on sexuality and gender, specifically queer or decentered sexuality and gender. So I have books with a heavy focus on region (Daddy's by Lindsay Hunter and Girl Trouble by Holly Goddard Jones) and work that explores the complexities of sexuality and identity (Michael Cunningham, Edmund White, Alexander Chee, and I'll mention Haigh's film Weekend again because it's always worth mentioning again.) These works will help synthesize and bring together my interests in style, language, structure, and form, and in content.<br>Dissertation/Thesis<br>Masters Thesis Creative Writing 2016
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CHEN-YUAN, TSAI, and 蔡振源. "A creative picture book in the style of narration." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/53980331342478022083.
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碩士<br>國立臺北教育大學<br>藝術學系碩士班<br>95<br>This creative picture book tells a love story which happened in a city. The city is a place which gathered many desires. Here we focus on the lonely men and women in the city. I try to use culture symbols to explain the loneliness of the city, via arranging scenes and characters, writing script. Finally, to finish the picture book by adding color, drawing sketch and editing the book.
I try to create a city which is named “loneliness”. Gazing at the men and women in this city. I conceived the contrast between the uncertain feelings about love and the sweet memories about love. By useing either similes or metaphors in my writing, to show the men and women’s misgivings and also the sweetness while they fall in love. The arrangement of many different events creating an delighted atmosphere.
Each person’s happiness correlates strongly with his/her needs. Everyone wants to satisfy their needs, and also wants to be needed. Between these two conditions, how to control your emotions, and pay the sweetness and happiness forward is very important. Therefore this sweetness and happiness must hide inside the book as a symbol. There is no need to do it on purpose, it will naturally manifest the beautiful happiness in the ordinary life. The purpose of this book is to let the readers also feel the character’s happiness.
Key words: Narration, picture book
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Yin, Chen Lin, and 林吟真. "Exploring Creative Entrepreneurs’ Happiness: Cognitive Style, Guanxi, and Creativity." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/53634481423730629923.
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碩士<br>國立中興大學<br>科技管理研究所<br>103<br>Happiness, a psychological status of well-being, has been studied as an important career outcome for the entrepreneurs. Traditional economic theories generally assume that entrepreneurial satisfaction is largely affected by their income from the entrepreneurial business, while recently research suggests that the perceived career happiness of self-employed individuals is more important than financial success. More and more researchers recognize that entrepreneurial happiness is a determinant of entrepreneurs’ persistence and endurance in running the new venture, entrepreneurial happiness has become an important topic in the recent entrepreneurship literature.
In this research, we find creativity is a determinant of entrepreneurial happiness. Research has suggested that creative individuals are happier and utility or usefulness of firm’s creative outcome positively related to entrepreneurial happiness. Thus the measure of creativity has multi-item subscales corresponding to two dimensions: individual creativity and firm creativity. Furthermore, in order to more understanding how does creativity influence entrepreneurial happiness, we explore two antecedent variables: cognitive style and Guanxi. Differences have been found between entrepreneurs with different cognitive styles; creative entrepreneurs with specific cognitive style were significantly more innovative. As deeply embedded in Chinese culture, guanxi networks have been identified as an important strategic mechanism. Entrepreneurs’ guanxi benefit individual and organizational innovativeness through providing flexibility, institutional advantages necessary resources, in terms of financial resources, information, as well as problem-solving. From the perspective of psychological cognitive style and social capital, this study developed and tested a theoretical model, which explores factors influencing entrepreneurial happiness.
This study focuses on creative entrepreneurs, who we defined as the founders and executives of a creative business. Researchers have pointed out that most creative entrepreneurs possess the attributes distinct from general entrepreneurs, and inherit the creative personality from their former career as a creative practitioner (e.g. designer, artist, craftsman, etc.). Among the various attributes, embracing novelty and originality is the most salient characteristics of creative entrepreneurs.
The model was tested by using a sample of 270 entrepreneurs in Taiwan who have established and are still in charge of new venture in the creative industries. Results showed that entrepreneurs’ creating cognitive style is positively related to individual creativity and firm creativity; conversely, entrepreneurs’ planning cognitive style were shown to have a negatively effect on entrepreneurs’ individual creativity and firm creativity. Moreover, family ties and business ties were found to positively affect individual creativity and firm creativity. Specially, community ties have no significant impact to either individual creativity or firm creativity. Government ties have a positive impact on individual creativity. Finally, our findings suggested that both entrepreneurs’ individual creativity and firm creativity are positively related to entrepreneurial happiness.
This paper mainly contributes to the literature in shedding the light on entrepreneurial happiness. Although researchers have increasingly acknowledged the importance of entrepreneurial happiness, little work has been done to empirically examine what makes entrepreneurs feel happiness and well-being in their career. In addition is the examination the mediating effects of entrepreneurs’ individual creativity and firm creativity. Entrepreneurs’ cognitive style and social network may not have a direct effect on their happiness, while they are likely to indirectly affect entrepreneurial happiness through influencing creativity.
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Huang, Hao-Chang, and 黃豪程. "A Study in European Style Residential Interior Creative Design- An Example in Neon-Classic Style." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/ctepz9.
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碩士<br>東方設計學院<br>文化創意設計研究所<br>103<br>Following the rapidly growing economy, the living quality are also increasing which lead to the raising requirements for living place and also commonly the housing style becoming a symbol of their personal taste, social status and personality. In same time, under the influence by international trends with various architectural and interior design styles, especially, an elegant neoclassical style becomes a most favor style for upper class society. Because neo-classical design is stylish, durable and lasting longer also shows an elegant and luxurious personality.
The foundation for creative interpretations in this study is Neoclassic style interior design technique and the specialists research assisted in Delphi method is also applied to a step further to discuss the images of Neo-classic style. This discuss is from an aspect of literal review and the viewpoint of cultural dimension to explain the forming process of neoclassic style which is beautiful highly-striated elegant and luxury under the context of European culture evolutions and it cultural content. To build a format via specialists' questionnaire from Delphi method which can shows the influence factors in neoclassic interior design. It cans also be used to analyzed those influence factors how to be applied via design skills and appear in neoclassic style.
This study uses a physical design project to demonstrate a transferable design process, to provide a reference in neo-classic style interior design.
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Ray, Deepa Kajal. "Impact of group member creative style on creative problem solving process in a technology-mediated environment." 2007. http://digital.library.okstate.edu/etd/umi-okstate-2430.pdf.
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Yang, Ching-Hsiu, and 楊境修. "Style of disciples- a creative research of digital portrait photography." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/84342k.
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碩士<br>國立東華大學<br>藝術創意產業學系<br>105<br>Multi-Christian artists when practising meditation put their Christian faith into practice by creation. In the Bible studying, the author read Jesus to exhort the disciples and said, “ Verily I say to you, except you be converted, and become as little children, you shall not enter into the kingdom of heaven.” (Matthew 18：3) And thus, the author became to capture the portraits of children as a way to consider the style of Jesus’ disciples as visual association. Through the literature, it analyzes the context of portrait photography in the history of photography and explores the creative nature of portrait photography, and collects relevant literature and image data to discuss the performance and function of portrait photography itself. In addition, we examine how Christian artists can express the artist’s life at the moment with God’s creation through the arts of spiritual practice.
This article of digital portrait photography creation captures the subject’s gaze and, from the belief, searches the image produced from the imagination with the inner ideas and creative meanings. Moreover, this article is added tangible light and cross visual elements to the portrait photography. The wirter tries to develop the works of these portraits with his individual evidence based on Christianity and to give the viewer a special visual experience and a deeper reflection of the space, and even to influence people’s view of Christianity.
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Chen, Hui-Chia, and 陳慧嘉. "A Study of Applying Montage Art Style to Creative Cosmetics." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/00666110372805764063.
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碩士<br>樹德科技大學<br>應用設計研究所<br>102<br>The aesthetic style is expressed through various expressions from the ancient times to the present. The pursuit of beauty is innate human instinct; however, the value and viewpoints of beauty vary with historical changes. Creations of modern make-up, in addition to skills, also stresses on creative viewpoints, the discussion of theories and conveyance of ideas. Many coordinate or incoordinate elements combined during this process in the realm of cosmetics design helping to develop various distinctive make-ups and extending the aesthetic point of view of the time. This study aims to apply the Montage images to creative cosmetics design and to display the photo images of creative make-ups through multimedia techniques. Hence, by the method mentioned above, this study is centering on infusing new elements to search for innovation and changes and initiating artistic values.
This study is carried out based on four phases. Phase one adopts documentary analysis to gain an understanding of Montage as a source of inspiration. Phase two extract elments from figures, characteristics, colors, lines or veins of natural animals, plants, and circumstances or well or converts them for applicatimin design. Phase three combines the converted elements with natural landscape and uses multimedia skills and techniques for creation, including three series: Animals- butterflies, leopards, fishes; Plants-morning glories, vines, dandelions; Circumstances-sky, the earth, water, total nine groups of makeup creation with Montage imageries. Phase four focuses on the verification of the actual creations; documentary analysis is adopted to collect appropriate adjectives and then sieves out 10 adjectives by using two stages proceedings. After that five sets of them are selected through 30 expert questionnaires. Finally, semantic differential analysis is applied to explore the subjects’ perceptions of makeup creations with Montage imageries.The results of this study shows that the subjects generally perceive a sense of consistency with the makeup works with Montage imageries.
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Chen, Angent, and 陳彥彰. "The Creative Study of the Line Emotion in Minimal Style." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/44926976205612656783.
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碩士<br>國立臺灣師範大學<br>美術學系在職進修碩士班<br>98<br>In Six Dynasties, He Xie proposed the concept of “the writing like a bone” to explain the relationship of the objects’ lines. And lines experience the trainings of time and develop several shapes. For example, in character painting, the lines of the skins are thinner, but there are thickness and thinness in clothing lines. Acute angles in stones, trees, and mountains in landscape painting are very different from lines of thinness, softness, and round in water waves. Lines are one of the elements in painting and design, but they are enough to show the representation of the emotion and the high quality.
This research focuses on the representations of the lines, the theory of Minimalism and Minimalism in Modern art and design fields and the extensive discussions of the literature information analyses and case analyses. The modern designs have great influence on the form, the concepts, and the feelings. The points at issue in the definitions of Minimalism are involved in the illustrations and picture books which are brief and show lines, the one-by-one discussion of the picture representation and the application of the Minimal style.
The creative research is based on the single line as the picture book form. The pictures make use of the Minimal style to show. By means of the well-known fables highlighting the meaning of the shape qualities, we cut the picture language to only the relationship between lines and shapes. We use the thickness and the thinness of the single lines, and the line modeling to simplify the general appearance of the pictures. We get rid of every unnecessary thing that will disturb the subjects. We revise a living way or a style. We establish a simple living philosophy on the familiar basis. The result shows that the brief concepts go beyond regions and cultures. Though it is not involved in the individual feelings in the thinking, it is very individual. The purpose of the human thinking is not in nothingness but in the essence.
For the Minimalism in the plane surface categories, we take good advantage of the different lines to make a spatial sense and the picture tension. We apply the simple forms to subvert the traditional value judgment. Finally, we induce the three angles of the simplicity, the omission, and the reflection from Minimal thinking.
We apply the basic framework of the Minimal style to the creations of the illustrations and picture books. We use the fables of “The Wind and the Sun,” Three Pigs,” and “The merchant the donkey and the salt” as the creative tests and propose the creative study combining lines and Minimalism to make the related industrial circle and the academic circle to refer to.
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Chung-Ching, Huang, and 黃崇敬. "A Case of Using Poster Performing Visually Minimalistic Creative Style." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/v72ye6.
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碩士<br>國立臺灣師範大學<br>設計研究所在職進修碩士班<br>97<br>Human beings are seeking simplified and original lifestyles in contrast to the increasingly complicated modern society. Nowadays, minimalism has been widely applied for all kinds of design, encompassing space, products, 2-D, advertisings or even abstract elements such as ideas and a life of philosophy. Minimalism fulfills the needs of the society with the most simplified visual effects through the logic of elimination. Minimalism presents purification as well as reflects people's hunger to return to purity.
This research aims to conduct design with data statistics, case study and practical works. The results are as follow :
1. Minimalism, through discussions on its development and ideas, is defined as the most limited design of color simplification, spacing, structural order and mood elimination. However, the completely logical designs without involving the designer's personal emotions has changed.
2. Minimalism has remained a clean, simplified and flawless element not only through modification of the modern design, but also created other elements such as curves, trajectory, asymmetry, or even low-profile Zen.
3. We discover the theory and development of Minimalism through the discussions of it. We understand and conclude the elements of Minimalism, and then we conduct research on the work that interprets it. We conclude the design structure and presentation, which refers to the processes:
The re-presentation of originality.
The elimination of complication.
The spacing.
With the three processes to reach the presentation of “purification”, we can not only rediscover the relationship between creatures and the environment but also reconstruct a life of philosophy. This idea can be put into practice in modern design.
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Chen, Chun-Chin, and 陳俊勤. "A Creative Video Image Research of Psychedelic Style in Digital Animation." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/9e78mk.
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碩士<br>銘傳大學<br>設計創作研究所碩士班<br>97<br>The image of vision is a bridge to accumulate experience. It reflects the connection between human being and history, and shoots their desire innermost. Artists make new style of avant-garde by using Visual illusion, Fusion and Different-Dimension-space, it called Psychedelic style.
The research confers technical literature of Psychedelic style’s elements of vision, Optical Art’s influence of vision and Surrealism’s expression of Different-Dimension-space. Choosing Yellow Submarine, Beavis and Butt-head Do America and CHANNEL[H], analyzing their expression and technique,then find out elements of creative to be the basis of this study. Applies severalty the dynamic phantom creations in this research, the performance psychedelic style creativity changeable vision style and the thought that hoped that develops the brand-new visual phantom because of this creation, for will be related the researcher to refer in the future.
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Wu, Jyun-Yun, and 吳俊運. "A Creative Mechanism Design for the Strap Buckle Style Tag Gun." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/6k65th.
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碩士<br>國立臺北科技大學<br>機電整合研究所<br>101<br>Garment industry usually uses tag gun to shoot tag-belt for hanging a tag of information. Tag gun is actuated by the pressing force from index finger so that the tag belt could be nailed on or buckled to the item. In general, tag guns can be classified into two types: one is nailed-style tag-guns which would drive the tag-belt penetrate through the knitted fabric, and the other one is buckle-style tag guns which would drive the tag-belt to pass through a hole or wrap around a belt of the item without destroying the item’s fabric. Generally speaking, the mechanism of a nailed-style style tag-gun could be roughly divided into two sections: input and feeding, and that of a buckle-style tag roughly divided into three sections: input, feeding and driving.
This research focuses on the mechanism design of a novel buckle-style tag-gun, including the sections of input, feeding and driving. The required mechanism for each section is separately designed and then integrated together. It is aimed to simply the required mechanism without changing its overall motion of the mechanism. Applying the idea of simplicity of the input mechanism for nailed-style tag-guns, this study presents a novel input mechanism design for buckle-style tag gun via Yan creative mechanism design method. The mechanisms for feeding and driving are also presented. Then, the solid model of this novel buckle-style tag-gun is constructed in Solidworks software and its parts as well. The interference check, dynamic simulation and stress-strain analysis have been performed via the simulation function of Solidworks software. The preliminarily results have been confirmed the feasibility of this novel design for a strap buckle-style tag-gun.
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Chang, Chien-hua, and 張倩華. "The effects of creativity level and creativity style on creative products." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/33925089508352032987.
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碩士<br>國立中山大學<br>人力資源管理研究所<br>97<br>Creativity has bee discussed for more than a decades, and there are creativity level and creativity style to explain and perceive creativity. Traditionally, researchers perceived creativity as creativity level, since Kirton (1976) brought out the concept of creativity style, researchers began to pay attention to creativity style. Therefore, in this study, I would like to understand creativity level or creativity style play an important role in affecting creative products. The respondents of this study were the workers in the craft hand made industry in south Taiwan. In the end, I found that creativity style, in deed, does affect creative products.
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Cheng, Ching Ming, and 簡靖敏. "The Application of Art Nouveau Style to Paper Art Creative Designs." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/70570868359833184535.
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碩士<br>華梵大學<br>工業設計學系碩士班<br>103<br>Art Nouveau was the popular Art Deco movement in European and American between around nineteenth century and early twentieth century. The artists must not imitate the earlier style but encompass the contemporary style of current century and seek to show the "novel" and the "youthful" ideas and advocating nature elements. Art Nouveau designs can be found easily in many places such as graphic design, product design, interior design, and even in architecture.
In this study, I try to extract the elements of female, flowers, curve and symbol from aesthetic creation of "new art" and use these elements into paper art creations. Artists usually create paper works through a combination of paper quilling and paper cutting techniques. Their creative concepts are to present natural beauty, the demands of environmental protection and combined with stylish and retro ideas. Also through the introduction of Art Nouveau, artist creation process can make more people become interested in Art Nouveau and inspire more discussion and artistic creation.
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Ting, Tsai Ya, and 蔡雅婷. "The relationships to organizational learning style of school, problem-solving style of teachers and the creative teaching behavior." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/38953138980236495320.
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Swope, Elise Anne Lefkowitz. "The significance of imaging ability and cognitive style in the creative process." Thesis, 1993. http://hdl.handle.net/10125/10227.
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Cheng, Wu-Jyun, and 程珷竣. "The Creative Application of Loft Style Elements - A Case of Bedroom Lamps." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/e8sp7w.
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碩士<br>大葉大學<br>設計暨藝術學院碩士班<br>102<br>"Loft-style” appears in Paris in Mid-nineteenth century, and it also caused an epidemic in Taiwan in recent years. Bedrooms are places to rest for people. It is very important that there is a light fit the bedroom atmosphere and also coupled with the demand for green environment and energy efficiency. That is the purpose I do this research. Through literature search and use the knowledge to analyze the parameters, and use the parameters to do 3D computer modeling after the sketch. After that I create a solid model and design a questionnaire to verify that the lights compliance with Loft style, Bedroom lighting elements required and Environment friendly needs to achieve the following research objectives.
1.Analysis of the constituent elements Loft style used in lamps.
2.To explore application techniques to comply energy-saving and comfortable.
3.Construct a creation mode of energy-saving and comfortable-feeling with Loft style elements as reference for those people want to design by themselves.
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Ma, Yi-Hsin, and 馬薏馨. "On the Creative Design Method of Hair Style with Theme and Fashion." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/24635580462946081385.
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碩士<br>樹德科技大學<br>應用設計研究所<br>95<br>The purpose of this research is to establish a design methodology for creative hairstyles. Such methods can be employed in hair salons to increase the level of communication between the customer and the hair designer. Furthermore, it can allow the customers to get the right level of trendy hair design with their own personal touch.
The research procedure is based on shape analysis and development that are subsequently adjusted for the purposes of this research. A discourse with a professional hair designer has been included to acquire the terminologies associated with hairstyles,
such as layer number, curl amount-straight hair, hair length, curve direction, hair color, bang region, scalp region, and temple region. In addition, various hair designs samples and photos from different classic era and modern times are also included to generate a chart for creative hair styles. This research applies the resulting chart and hair design methodology on real-life models to emulate a typical consumer for realistic results.
The research result has the following conclusions:
The costumer and the designer are able to better communicate their idea through the chart of creative hairstyles from this research. The costumers are able to receive the hairstyle that matches their individuality and personal needs. Simultaneously the hair designers can combine themes and hair characteristics with the costumer’s own attributes to create a trendy hair look that revolves around the costumer.
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Liu, Hsiao-Hua, and 劉曉樺. "Design Creative Research of Childlike Illustrative Style Applied in Taiwan Ecological Care." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/71985297408632887704.
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碩士<br>銘傳大學<br>設計創作研究所碩士班<br>98<br>The theme of the design project is to promote the conception of Ecological Care. In order to initiate the importance of Ecological Care, this project designs a series of posters and child-like collages with vivid images and articles.
This project is divided into 2 parts—Document discussion and Creative design. The focus of the child-like style is modeling, proportion, lines, colour and bright and darkness. The design features specialist sketchbooks and analysis of Taiwanese illustrators. The project brings out and analyses the speciality of the sketchbooks by analysis of Taiwanese illustrators and related ecological posters from TPDA.
The creative design uses “World changed” as a topic and chooses Taiwanese endangered species as symbolic characters. The Taipei green tree frog, leopard cat, Hsueshan grass lizard, Formosan landlocked salmon feature in 2 kinds of posters and 5 notepads. The aim is to make the public and youth care about ecological issues in a relaxing and original way, using the illustrations and collages to present the posters.
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Liao, Shu Ti, and 廖書毅. "Use Charaters in Fantastic Style for the Research of Creative Design About Models." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/77837495902901173731.
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碩士<br>大葉大學<br>設計暨藝術學院碩士班<br>102<br>These days, original fictions in Taiwan are popular because of films adaptations, which lead a trend of fantasy. Actually, fictions have a long history, and the study of these literatures develops maturely. Lots of outstanding and interesting works appear individually.Audiences could experience the fictional world which is full of imagination and expectation authors create.As time goes by, the theme of fantasy is not only applied in novels, but it is also used in comics, animations, films, video games, and computer games. Those media could present audiences better images about appearances of characters rather than novels.
This research is aimed to provide artists a more proper method for characters-design which fits modern aesthetics. And also, this study can improve designers their understanding and creativity about appearances of fictional characters. In this study, the first part is to analysis recent famous fantasy. The second section is to select few main characters for this theme. And the last part is to create theme-models which are drawn on the computer instead of using traditional brushes and paper. In the end, I will create iconic characters through this process.
Series of related theories and studies are collected in my article. And it can improve readers’ deeper understanding about appearances of fictional characters. Therefore, it can better the quality and efficiency when combining computer generated painting techniques with experiences of traditional painting in the process about creating a fictional character in the style of fantasy.
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Lai, Po-Jo, and 賴般若. "A Creative Research of Punk Style in Visual Design Application - CD Cover Design." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/347sjt.
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碩士<br>銘傳大學<br>設計創作研究所碩士班<br>97<br>Punk was absolutely a leader in 19 century. The politic, society issue, popular fashion and rock & roll music were close to it. Even the clothing, hair style and behavior all influenced teenagers to adore and imitate. Until 2009, the new century, a lot of people still are influenced deeply by punk culture around the world. Therefore, the literature will comprehend the influences and development by conferring the punk culture.
The creative study proceed research by through three parts: （1）Document method, （2）Case approach,（3）Creative design. The literature for this study is conferring and arranging the punk sources, punk culture, punk and the visual graphic design and CD cover design. Secondly, generalizing punk for the spirit and the six consciousness features. And analyze the punk fanzine and Jamie Reid’s punk posters to be the reference basis of this creative study.
The subject of this creative study is a fictitious punk band 「Sniffin’ 38」 in creative design part. It has 9 series of 「D.I.Myself」, 「Liars」, 「Be Anarchy」, 「No Love」, 「All Star」, 「Gender Issue」, 「At The Outset」, 「Cut Corners」and「Least But Importantly」. Then, creating 60 kinds of CD cover design works and the poster of band images in this creative design.
Through documents verifying, case research and creative design, there are 3 conclusion: （1）The application could show the view and sense to approach propaganda and spread from the early punk style, （2）The application could make the creations has characters of simple and easy to understand from the punk visual graphic design,（3）Make the new modern punk visual images by combine succinct lines and visual patterns through the assistant of computer graphic application.
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LIN, HSUAN-YU, and 林宣余. "The Fashion Consumption Of WomenThe Creative Idea And Style Of Lin Hsuan-yu." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/wyb7ds.
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碩士<br>東海大學<br>美術學系<br>100<br>In the age of advanced technology nowadays, the woman is no longer a weak woman that can only stay at home to help the husband and teach the children, but they will go out of the home into the community and workplace to show their own talents and abilities, and that also promote the consumption of women on fashion and taste. With the rise of economy in the last four decades in Taiwan, and from material scarcity to modern affluence and luxury, the pursuit of material desires for people is also growing. The businessmen have designed a series of convenient consumption and use of credit cards, VIP cards and co-branded cards in response to the needs of consumers, and that has combined with media advertising practices to achieve the promotion of benefits, hence the cards have became the necessities of life of everyone, and “the fashion and consumption of women” is the main focus of this thesis.
The first chapter of this thesis is to explore the inner feelings of the individual as the motive, and I attempt to use paintings to express their individual heart events and objects around; The second chapter focuses on the eastern and western figure paintings, and I used lots of painters’ painting perspective as the learning and improved part of myself, and to clarify my own lost in the creation; The third chapter is to explore the modern women’s consumption about fashion, and I read about lots of information of fashionable consumption to understand the blind pursuit and consumer direction of modern women; In the forth chapter, I divide the creation into two series of fashion and cards, and I hope to present entirely the creation through the expression of the emotion and technique.
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Chen, Yueh-hsiu, and 陳月琇. "The Creative Lace Works Applied on Masks with Make up in Baroque Style." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/92256599190915496248.
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碩士<br>樹德科技大學<br>應用設計研究所<br>103<br>Baroque means the international art style that spreads through the whole Europe during the late 16th and 17th centuries. Its splendid dramatic artistic style not only inspires designs of many fashionable products, but also becomes necessary important elements of studies on modern clothes art creation.
The thesis studys the historic background and development of Baroque art through style charastics of clothes, paintings, and laces in Baroque time. It takes only the popular material of Barquoe time—laces as creation study, while the material is applied for designing masks with makeup. The study employs electrical scale and measuring cups to control the ratio of resin and water to proceed the study on the hardness of lace cloth. There are two kinds of experiment; one is to have 1, 2, 3, 4, and 5 grams of resin all tested with 10 grams distilled water, and the other is to have 10, 20, 30, 40, and 50 grams of distilled water all tested with 1 gram of resin.
According to the characteristics of Baroque time, makeups utilize glorious clothes colors as reference of analysis of creations of makeup colors, and Baroque combination of dramatic, energetic, and grand elements as extensive design of changes on light and shade. After experiments, the ratios of 1, 3, and 5 grams of resin all go with 10 grams of distilled water are chosen to demonstrate the hardness of lace and the three-dementional effects on masks by three works under different scaled resin. There six kinds of lace creation with Baroque art: Fabulous, Refreshing, Flowery, Crystal, Golden, and Extending, applied on lace creation on masks with makeup.
The aim is to be able to experiment the hardness of lace, and perform the correct ratio in teaching or thesis making, instead of perfoming the ratio at personal will.
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YEN, HUI-JING, and 顏惠菁. "Zen/Dry Landscape-The Creative Ideas and Style Analysis of Yen Hui-Jing." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/11434801637812830733.
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Liang, Ke-Hsien, and 梁可憲. "A Study on Picture-Text Creative Style in The Last Resort: the Fusion of the Creative Techniques as Superrealism and Intertexuality." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/42576835747311672469.
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碩士<br>國立臺東大學<br>兒童文學研究所<br>97<br>The Last Resort is a picture book painted by Italian creator Roberto Innocetti and then written by American poet John Patrick Lewis, who was invited by the publisher. It depicts the process of which a painter tries to find his “imagination” back. The main theme of this story obtains materials from Innocetti’s personal experiences and arranges the characters of classical works, the creators, the poets and the actors meeting by fate in “The Last Resort” near a beach, an imagery world the painter constructs, and experiencing an unknown process of exploring together. Simultaneously, the story presents an intensely interesting tone and pregnant with meanings with Lewis’s literary talent and witty construction.
This study focuses on analyzing how the creators of The Last Resort design and elaborate the process of finding the “imagination.” When it comes to the creative style, the illustrator and the writer excellently fuse the techniques of intertexuality and superrealism into this picture book. That is, with using intertexuality in this work, the creators put an emphasis on the use of the creating techniques of hyper-intertexuality and superrealism which urges the readers actively to develop more imagination to fill the gaps hidden in the text. In so doing, it shows the diverse possible interpretations of the text. On the one hand, making use of intertexuality as the main creative style in this work is to recall reader’s memories and interpret them in a new way which can provoke the pleasure of reading; on the other hand, for artists themselves, the basic principle to find the imagination is returning to the starting point to re-read the classics from different disciplines, and get new edifications and inspirations for creating their new works.