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Books on the topic 'Creative worker'

Author: Grafiati

Published: 10 September 2021

Last updated: 7 February 2022

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1

Hunter, Delridge LaVeon. The jazz worker: Creative musicians in times of crisis. [Cincinnati?]: Union Institute, 1995.

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2

Huttunen, Kristiina. How destructive is creative destruction? the costs of worker displacement. Bonn, Germany: IZA, 2006.

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3

Durand, Jean-Pierre. Creating the New Worker. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-93260-6.

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4

Create employment: Start worker co-operatives. Dublin: Irish Messenger Publications, 1985.

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5

Nyangasi, Apollo Dalton. Wealth creation for workers: A handbook for all workers. Kampala: A.D. Nyangasi, 2006.

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6

Carney, Glandion. Creative urban youth ministry: A resource for youth workers. Cincinnati, Ohio: Standard Pub., 1990.

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7

Library, Regina Public, ed. Creative storytimes: A resource book for child care workers. Regina, Sask: Regina Public Library, 1993.

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8

India's employment challenge: Creating jobs, helping workers. New Delhi: Oxford University Press, 2010.

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9

World Bank. South Asia Regional Office. Poverty Reduction and Economic Management Sector Unit. India's employment challenge: Creating jobs, helping workers. New Delhi: Oxford University Press, 2010.

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10

Dockrey, Karen. The youth worker's guide to creative Bible study. Wheaton, IL: Victor Books, 1991.

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11

The youth worker's guide to creative Bible study. Nashville, Tenn: Broadman & Holman, 1999.

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12

University of Chicago. Center for Urban Research and Policy., ed. Creating jobs, creating workers: Economic development and employment in Metropolitan Chicago. [Chicago, IL]: Center for Urban Research and Policy Studies, the University of Chicago, 1990.

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13

Storey, Rita. Creative cards. London: Wayland, 2009.

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14

Creative interviewing. Beverly Hills: Sage Publications, 1985.

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15

Creative music fundamentals. Englewood Cliffs, N.J: Prentice-Hall, 1985.

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16

Einon, Dorothy. Creative child. Hauppauge, N.Y: Barron's, 2002.

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17

Einon, Dorothy. Creative child. London: Hamlyn, 2002.

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18

Ritchie, Judy. Creative rubber stamping. [Westport, Conn.]: Hugh Lauter Levin Associates, 2004.

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19

1915-, Young Michael Dunlop, and Mutual Aid Centre (London, England), eds. Development of new growth areas: Workers co-operatives and their environment, comparative analysis with a view to job creation : support for worker co-operatives in the United Kingdom, Republic of Ireland, Netherlands. Luxembourg: Office for Official Publications of the European Communities, 1985.

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20

Lee, William G. Mavericks in the workplace: Harnessing the genius of American workers. New York: Oxford University Press, 1998.

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21

Addison, John T. The effect of worker representation on employment behavior in Germany: Another case of -2.5%. Bonn, Germany: IZA, 2004.

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22

Snowflakes: Creative paper cutouts. Salt Lake City: Gibbs Smith, 2009.

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23

Garriott, Richard. Explore/Create: My Life in Pursuit of New Frontiers, Hidden Worlds, and the Creative Spark. New York, USA: HarperCollins Publisher, 2017.

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24

1955-, Tourtillotte Barb, ed. Growing creative kids. Torrance, Calif: Totline Publications, 1997.

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25

Ruetz, Edward J. Love story of creation: Book one : the creative adventures of God, quarkie, photie, and their atom friends. New York: iUniverse Inc, 2009.

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26

Kasahara, Kunihiko. Papiroflexia creativa. Madrid: EDAF, 1993.

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27

Architect As Worker: Immaterial Labor, the Creative Class, and the Politics of Design. Bloomsbury Publishing Plc, 2015.

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28

Notebooks, Creacom. I'm a Zoologist That Means I'm Creative, Cool, Passionate, Dedicated and Underappreciated: Creative Zoologist Notebook, Zoo Worker Journal Gift, Diary, Doodle Gift or Notebook 6 X 9 Compact Size, 109 Blank Lined Pages. Independently Published, 2020.

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29

Banks, Mark. Creative Justice: Cultural Workcb. Rowman & Littlefield Publishers, Incorporated, 2017.

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30

Alperson, Philip. Creativity in Art. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0013.

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Perhaps no other concept seems as fundamental to common thinking about the arts as the concept of artistic creativity. This is not because creativity seems to most people to be unique to art. Quite the contrary: we speak freely of creative activity in the sciences, in academic disciplines, in cooking, in sports, and, indeed, in virtually every area of human productive endeavour. Nor is this surprising. Creating and making are closely associated etymologically (from the Latin creare) and in the popular mind, and it does no violence to common sense to say that what can be made or done can be made or done creatively. Nevertheless, creativity, if not a necessary condition of artistic practice, seems at least a hallmark or a characteristic feature of art generally. And so we think of artists as creating their works, we think of works of art (including physical things, performances, events, and conceptual objects and structures) as artistic creations, and we praise artists, their works, and even entire artistic epochs for their creativity. Many people take artistic creation to be the quintessential human creative activity.

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31

Notebooks, Creacom. Aerospace Engineer Because Freakin Miracle Worker Is Not an Official Job Title: Creative Aerospace Engineer Notebook, Journal Gift, Diary, Doodle Gift or Notebook 6 X 9 Compact Size- 109 Blank Lined Pages. Independently Published, 2020.

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32

Trucks, Trucks. Sketchbook: Womens Not for the Weak Postal Worker Women GiftUnlined 8. 5''x11'' White Paper Blank Sketchbook 111 Pages with Black Cover a Perfect Gift for Kid - Artists - Creative People and Students. Independently Published, 2020.

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33

Trucks, Trucks. Sketchbook: Dad of the Birthday Boy Construction Worker Party Gift Unlined 8. 5''x11'' White Paper Blank Sketchbook 111 Pages with Black Cover a Perfect Gift for Kid - Artists - Creative People and Students. Independently Published, 2020.

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34

Durand, Jean-Pierre. Creating the New Worker: Work, Consumption and Subordination. Palgrave Macmillan, 2019.

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35

Durand, Jean-Pierre. Creating the New Worker: Work, Consumption and Subordination. Palgrave Macmillan, 2018.

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36

Nadler, Robert. Plug&Play Places: Lifeworlds of Multilocal Creative Knowledge Workers. De Gruyter, Inc., 2014.

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37

Rossington, Michael. Creative Translation. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.35.

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This chapter addresses the theory and practice of translation in works by Lord Byron, Claire Clairmont, Felicia Hemans, Sir William Jones, John Keats, and Percy Bysshe Shelley. Despite Shelley’s view of its impossibility, translation is shown in the work of Jones, Byron, and Shelley to be one of the most vital and sophisticated literary activities of the Romantic era, at once a means to enlightenment about poetic traditions outside Britain and an arena for bold technical experimentation. For Shelley, translation constitutes a creative habitus through which he escapes his native language and then translates back into English from an assumed ‘foreign’ persona. Keats’s poetry, on the other hand, demonstrates how originality is prompted through engagement with the translations of others. The chapter also situates theories about translation in Britain within the context of wider debates on the Continent.

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38

Coulthard, Sally. Studio: Creative spaces for creative people. Jacqui Small, 2017.

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39

Creative Games in Groupwork (Creative Groupwork). Speechmark Publishing Ltd, 1997.

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40

Youth and Subculture as Creative Force: Creating New Spaces for Radical Youth Work. University of Toronto Press, 2008.

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41

Jentz, John B., and Richard Schneirov. The Internationale of the Citizen Workers. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036835.003.0002.

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This chapter focuses on the destruction of slavery in Chicago. The destruction of slavery as a national economic and political interest cleared the ground for the rise of a new working class of wage earners, in part by creating a space within the public sphere for working-class issues. Organized in April 1864 by eighteen unions, the General Trades Assembly served as the most important vehicle for articulating a class outlook. Labor's citywide organization was a political interest group representing workers of all skills and backgrounds in Chicago's public life. Workers' awareness of themselves as a class developed further as ethnic and political leaders began to appeal publicly to the new labor interest. The creation of such an enduring organized interest in the public sphere was a critical element in the formation of a new kind of urban politics appropriate to the new capitalist order.

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42

Creative Felting. Lark Books, 2008.

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43

Creating the Productive Workplace: Places to Work Creatively. Taylor & Francis Group, 2017.

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44

Joseph, Lawrence B. Creating Jobs, Creating Workers: Economic Development and Employment in Metropolitan Chicago. University of Illinois Press, 1990.

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45

Armstrong, Pat, and Ruth Lowndes, eds. Creative Teamwork. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190862268.001.0001.

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Creative Team Work: Developing Rapid, Site-Switching Ethnography is much more than a description of a new way of doing rapid ethnography to capture the rich complexity and contradictions of social relations, although it is certainly that. It is about the imagination, stimulation, and reflection that can come with international, interdisciplinary teams sharing the development, application, analysis, and dissemination of research. Although the book is based on a large, seven-year project studying care homes to search for promising practices and is guided by feminist political economy, the lessons we have learned are relevant for everyone undertaking empirical investigation. All research needs to consider theory, the organization of information, ethics, and dissemination, for example. The specific techniques and approaches we discuss can be applied to a wide range of qualitative methods and are not exclusive to this kind of ethnography. By dissecting our experiences together and uniting chapters through the theme of creative, reflexive team work, the book considers issues and methods of interest to all those struggling through the research process, with or without team support. Although some of our strategies may not work for everyone, and some did not work for us, we have identified areas that need to be addressed in research projects big and small, especially in those interested in putting research to work for change.

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46

Creative Correspondence. North Light Books, 2003.

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47

Kasahara, Kunihiko. Creative Origami. Japan Publications, 1997.

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48

Creative Cards. Hachette Children's Group, 2015.

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49

Creative Ropecraft. 4th ed. Adlard Coles Nautical, 2005.

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50

Grainger, Stuart E. Creative Ropecraft. 4th ed. Sheridan House, 2000.

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