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Books on the topic 'Creativity Research Journal'

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1

Runco, Mark A. Longitudinal Studies of Creativity: A Special Issue of creativity Research Journal ("Creativity Research Journal"). Lawrence Erlbaum, 1999.

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2

Interdisciplinarity, the Psychology of Art, and Creativity: A Special Issue of creativity Research Journal (Creativity Research Journal). Lawrence Erlbaum, 1998.

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3

(Editor), Mark A. Runco, and Jonathan A. Plucker (Editor), eds. Commemorating Guilford's 1950 Presidential Address: A Special Double Issue of creativity Research Journal (Creativity Research Journal). Lawrence Erlbaum, 2001.

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4

(Editor), Louis A. Sass, and David Schuldberg (Editor), eds. Creativity in the Schizophrenia Spectrum: A Special Issue of the creativity Research Journal (Creativity Research Journal Volume 13, Number 1). Lawrence Erlbaum, 2001.

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5

Runco, Mark A. Creativity and Deviance: A Special Issue of creativity Research Journal. Lawrence Erlbaum, 1999.

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6

RUNCO. Divergent Thinking: A Special Issue of the Creativity Research Journal (Special Issue of the "Creativity Research Journal"). Lawrence Erlbaum Associates, 2006.

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7

Donaldson, Judith Elaine. Organizing and disseminating knowledge about creativity--themes in the 1998 issues of the Creativity Research Journal: A project in Creative Studies. 1999.

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8

Runco, Mark A. Longitudinal Studies of Creativity: A Special Issue of Creativity Research Journal. Taylor & Francis Group, 2013.

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9

Attributional Approach To Creativity: A Special Issue of creativity Research Journal. Lawrence Erlbaum, 1995.

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10

Creativity, Art, and Artists: A Special Issue of creativity Research Journal. Lawrence Erlbaum, 1997.

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11

Runco, Mark A. Longitudinal Studies of Creativity: A Special Issue of Creativity Research Journal. Taylor & Francis Group, 2013.

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12

Runco, Mark A. Longitudinal Studies of Creativity: A Special Issue of Creativity Research Journal. Taylor & Francis Group, 2013.

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13

Longitudinal Studies of Creativity: A Special Issue of Creativity Research Journal. Taylor & Francis Group, 2013.

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14

Longitudinal Studies of Creativity: A Special Issue of Creativity Research Journal. Routledge, 2013.

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15

Miller, Arthur I. Can We Unravel Scientific Creativity?: A Special Issue of creativity Research Journal. Lawrence Erlbaum, 1996.

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16

Sass, Louis Arnorsson, and David Schuldberg. Creativity in the Schizophrenia Spectrum: A Special Issue of the Creativity Research Journal. Taylor & Francis Group, 2017.

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17

Festschrift for Howard E. Gruber: A Special Issue of the Creativity Research Journal. Taylor & Francis Group, 2018.

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18

Runco, Mark. Festschrift for Howard E. Gruber: A Special Issue of the Creativity Research Journal. Taylor & Francis Group, 2018.

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19

Runco, Mark. Festschrift for Howard E. Gruber: A Special Issue of the creativity Research Journal. Lawrence Erlbaum, 2003.

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20

Runco, Mark. Festschrift for Howard E. Gruber: A Special Issue of the Creativity Research Journal. Taylor & Francis Group, 2018.

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21

Runco, Mark. Festschrift for Howard E. Gruber: A Special Issue of the Creativity Research Journal. Taylor & Francis Group, 2018.

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22

KAUFMAN/BAER. Tribute to E. Paul Torrance: A Special Issue of the Creativity Research Journal. Lawrence Erlbaum Associates, 2006.

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23

Cohen, Robert, and Joel Veenstra. Working Together in Theatre. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350333635.

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This book explores how theater artistry melds the forces of collaboration and leadership, igniting creativity from the first spark of an idea to the climactic curtain call. It throws the spotlight on the dynamic interplay of roles, covering the collaboration between producer, director, playwright, actor, designer, stage manager, dramaturg, and stage crew. Each chapter illuminates various strategies and insights, revealing how you can harness these transformative techniques on your own journey, crafting spellbinding productions through the power of collective creativity. In this new edition, Jo
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24

Sherman, Sara L., and Morton Sherman. Resonant Minds. The Rowman & Littlefield Publishing Group, Inc., 2025. https://doi.org/10.5040/9798881844967.

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Resonant Minds: The Transformative Power of Music, One Note at a Time invites readers to reimagine music as a dynamic, interactive force that reshapes how we live, learn, and connect. By blending personal stories—recalling childhood car rides where “Ode to Joy” was joyfully reinvented with animal noises and made-up words—with cutting-edge research and practical insights, the father/daughter writing team, Sara Leila Sherman and Mort Sherman, PhD, help us understand how to use music intentionally. Featuring a distinct approach, this book includes interactive QR codes that bring the music to life
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25

Ahmed, Omar. Revolution of Indian Parallel Cinema in the Global South (1968–1995). Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9798765101049.

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Drawing from over a decade of research and writings, this book takes you on an epic journey through the history of Indian Parallel Cinema (1968 – 1995). India, the late 1960s. Something was in the air. A film manifesto penned by passionate cinephiles called for a new cinema. An exciting generation of iconoclastic filmmakers were on the march, the first to graduate from the newly incarnated Film and Television Institute of India, seizing the moment to forge one of the first major post-colonial film movements. What emerged was an unprecedented level of creativity, merging international influence
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26

Anderson, David. Landscape and Subjectivity in the Work of Patrick Keiller, W.G. Sebald, and Iain Sinclair. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198847199.001.0001.

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Situating Keiller, Sebald, and Sinclair as the three leading voices in ‘English psychogeography’, this book examines what, apart from a shared interest in English landscape and townscape, connects their work; it discovers this in the cultivation of a certain ‘affective’ mode or sensibility especially attuned to the cultural anxieties of the twentieth century’s closing decades. As it goes on, the book explores motifs including ‘essayism’, the reconciliation of creativity with ‘market forces’, and the foregrounding of an often agonised or melancholic subjectivity. It wonders whether the work it
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