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Books on the topic 'Creativity Research Journal'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Runco, Mark A. Longitudinal Studies of Creativity: A Special Issue of creativity Research Journal ("Creativity Research Journal"). Lawrence Erlbaum, 1999.

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2

Interdisciplinarity, the Psychology of Art, and Creativity: A Special Issue of creativity Research Journal (Creativity Research Journal). Lawrence Erlbaum, 1998.

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3

(Editor), Mark A. Runco, and Jonathan A. Plucker (Editor), eds. Commemorating Guilford's 1950 Presidential Address: A Special Double Issue of creativity Research Journal (Creativity Research Journal). Lawrence Erlbaum, 2001.

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4

Runco, Mark A. Creativity and Deviance: A Special Issue of creativity Research Journal. Lawrence Erlbaum, 1999.

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5

(Editor), Louis A. Sass, and David Schuldberg (Editor), eds. Creativity in the Schizophrenia Spectrum: A Special Issue of the creativity Research Journal (Creativity Research Journal Volume 13, Number 1). Lawrence Erlbaum, 2001.

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6

RUNCO. Divergent Thinking: A Special Issue of the Creativity Research Journal (Special Issue of the "Creativity Research Journal"). Lawrence Erlbaum Associates, 2006.

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7

Creativity, Art, and Artists: A Special Issue of creativity Research Journal. Lawrence Erlbaum, 1997.

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8

Attributional Approach To Creativity: A Special Issue of creativity Research Journal. Lawrence Erlbaum, 1995.

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9

Miller, Arthur I. Can We Unravel Scientific Creativity?: A Special Issue of creativity Research Journal. Lawrence Erlbaum, 1996.

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10

Donaldson, Judith Elaine. Organizing and disseminating knowledge about creativity--themes in the 1998 issues of the Creativity Research Journal: A project in Creative Studies. 1999.

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11

Sass, Louis Arnorsson, and David Schuldberg. Creativity in the Schizophrenia Spectrum: A Special Issue of the Creativity Research Journal. Taylor & Francis Group, 2017.

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12

Runco, Mark. Festschrift for Howard E. Gruber: A Special Issue of the Creativity Research Journal. Taylor & Francis Group, 2018.

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13

KAUFMAN/BAER. Tribute to E. Paul Torrance: A Special Issue of the Creativity Research Journal. Lawrence Erlbaum Associates, 2006.

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14

Festschrift for Howard E. Gruber: A Special Issue of the Creativity Research Journal. Taylor & Francis Group, 2018.

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15

Runco, Mark. Festschrift for Howard E. Gruber: A Special Issue of the creativity Research Journal. Lawrence Erlbaum, 2003.

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16

Runco, Mark. Festschrift for Howard E. Gruber: A Special Issue of the Creativity Research Journal. Taylor & Francis Group, 2018.

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17

Runco, Mark. Festschrift for Howard E. Gruber: A Special Issue of the Creativity Research Journal. Taylor & Francis Group, 2018.

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18

Anderson, David. Landscape and Subjectivity in the Work of Patrick Keiller, W.G. Sebald, and Iain Sinclair. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198847199.001.0001.

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Abstract:

Situating Keiller, Sebald, and Sinclair as the three leading voices in ‘English psychogeography’, this book examines what, apart from a shared interest in English landscape and townscape, connects their work; it discovers this in the cultivation of a certain ‘affective’ mode or sensibility especially attuned to the cultural anxieties of the twentieth century’s closing decades. As it goes on, the book explores motifs including ‘essayism’, the reconciliation of creativity with ‘market forces’, and the foregrounding of an often agonised or melancholic subjectivity. It wonders whether the work it looks at can, collectively, be seen to constitute a ‘critical theory of contemporary space’. In the process, it suggests that Keiller, Sebald, and Sinclair represent a highly significant moment in English culture’s engagement with landscape, environment, and itself. There are six chapters in all, with two devoted to each subject: one to their early years and less well-known work; and another to their more famous later contributions, including important works such as Patrick Keiller’s London (1994), W.G. Sebald’s The Rings of Saturn (1995), and Iain Sinclair’s Lights Out for the Territory (1997). The book’s analyses are fuelled by archival and topographical research carried out in London and Germany and are responsive to various interdisciplinary contexts, including the tradition of the ‘English Journey’, the set of ideas associated with the ‘spatial turn’, critical theory, the so-called ‘heritage debate’ in Britain, and more recent theorization of the ‘anthropocene’. In all, the book suggests the various ways that a dialectical relationship between dwelling and displacement has been exploited as a means to attempt subjective reorientation within the axiomatically disorientating conditions of contemporary modernity.

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