Relevant bibliographies by topics / Cree mythology in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Cree mythology in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Cree mythology in art"

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Leconte, Marie. "(Non)Translation as Resistance in Tomson Highway's Kiss of the Fur Queen." TranscUlturAl: A Journal of Translation and Cultural Studies 10, no. 1 (2018): 11–28. http://dx.doi.org/10.21992/tc29381.

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After a brief explanation regarding the author’s settle-scholar status in regard of interpreting Indigenous texts, Tomson Highway’s novel Kiss of the Fur Queen is examined as a ‘first translation’ in which untranslatability plays the main role. The term ‘first translation’ will be defined, and a deliberately refined definition of a hybrid text will be reviewed through the lens of several Indigenous scholars. Then, following a brief description of Highway’s novel, the paper will envisage its translatory nature from the point of view of three narrative strategies: 1) The insertion of Cree lexica
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Nolasco, Ana. "Art, Mythology and Cyborgs." Dialogue and Universalism 25, no. 1 (2015): 104–11. http://dx.doi.org/10.5840/du201525114.

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Putra, I. Putu Deva Maha, I. Made Jodog, and I. Wayan Mudana. "Calonarang Mythology." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 4, no. 2 (2024): 123–30. http://dx.doi.org/10.59997/ctkr.v4i2.3383.

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Calonarang mythology depicts the story of Queen Nata Ing Girah (ruler in the village of Girah) which is considered scary because it has magical powers and supernatural. Various mythical stories and magical rituals always color the trail Airlangga in Kahuripan, East Java during the 11th century Javanese Hindu period. Research This aims to create and analyze Calonarang's mythological themes in the work art painting. Therefore, the author raised this story into the form of a work of art painting in this Final Project in partnership with Sanggar Wasundari Kamasan Klungkung Bali. Calonarang Mytholo
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Karim, Baigutov, Myrzakanov Madvakas Seksembaevich, Aiman Suyuberdieva, et al. "Painting education of Kazakh mythology." Cypriot Journal of Educational Sciences 16, no. 4 (2021): 1956–75. http://dx.doi.org/10.18844/cjes.v16i4.6064.

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Various scientific studies, interpretations, analyses, and comparisons have revealed a strong link in the origin of Kazakh mythology in contemporary Kazakh society. The main problem in this lies in the fact that existing research on mythology has always centered in fields of literature, philosophy, religion and culture, and history. Previous scholars have always overlooked the study of mythology in the field of art. It’s for this reason, that this research article centered on the mythology in the art of painting education and especially pictorial analysis of Kazakh mythology. In the article, t
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Ferrara, Nadia. "Art Therapy with a Cree Bushman." Canadian Art Therapy Association Journal 10, no. 1 (1996): 1–6. http://dx.doi.org/10.1080/08322473.1996.11432212.

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Md., Amir Hossain. "Rethinking Greek Mythology and Indian Mythology." Literary Druid 4, Special Issue 1 (2022): 9–14. https://doi.org/10.5281/zenodo.6945380.

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<em>This paper aims to look at Greek mythology, the &ldquo;Iliad&rdquo; and Indian mythology, &ldquo;Ramayana&rdquo; as a comparative study to foster common similarities based on plot construction and art of characterization. For this purpose, it would like to examine male and female characters in Greek mythology; myth in gender studies, gender in myth studies; truth, falsehood, and human knowledge; Ramayana as a reflection of social life; its impact on human life, culture and literature. The paper aims to motivate emerging scholars and novice researchers by making a comparative study between
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Zhao, Yiming, and Dongfang Zheng. "Traditional Chinese Mythology in Animation Art." Highlights in Art and Design 3, no. 3 (2023): 61–63. http://dx.doi.org/10.54097/hiaad.v3i3.11220.

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Chinese traditional myths, as an important part of Chinese culture, have been widely applied and expressed in animation art. From the perspective of animation art, this paper will discuss in depth the expression forms and expression methods of traditional Chinese myths in animation art, including the use of myth elements in animation, the creation of myth characters, the way of narrating myth plots, and the expression of myth meanings. Through analyzing and comparing related animation works, this paper will explore the performance characteristics of Chinese traditional myths in animation art a
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Dodson, Timothy. "Breaking Ground: Art, Archaeology & Mythology." International Journal of the History of Sport 34, no. 3-4 (2017): 300–301. http://dx.doi.org/10.1080/09523367.2017.1373458.

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Waites, Ian. "Breaking ground: art, archaeology & mythology." International Journal of Heritage Studies 23, no. 9 (2017): 906–8. http://dx.doi.org/10.1080/13527258.2017.1338604.

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Warwick, Tosh. "Breaking ground: art, archaeology & mythology." Sport in History 39, no. 1 (2019): 116–19. http://dx.doi.org/10.1080/17460263.2019.1572994.

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Dissertations / Theses on the topic "Cree mythology in art"

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Lee, Chanju. "Birth and Women in Mythology." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/art_design_theses/35.

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The Birth is a multi-media video installation inspired by my personal experiences of a miscarriage and the births of my two children. The work is influenced by the mythologies found in Korean culture that focus on the mother figure as a ¡°Great Mother¡±. She is an ¡°ideal woman¡±, a ¡°good mother¡± and a ¡°sincere wife¡±. Working abstractly across the media of painting, video, digital animation, and the paintings of my son, The Birth exploits metaphors and symbols, to tell the story of women, especially the stories of mothers. The work speaks to motherly love and my own identity as an artist a
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Stocek, Christine Mary. ""How to approach collaborations?" A Freirian journey honouring Cree relationships, skills, and values." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116872.

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This thesis presents research carried out in the Cree Nation of Wemindji (James Bay), Northern Quebec. Wemindji, not unlike other northern Indigenous communities, is living through a time of great social change. At stake are questions of Cree identity, customs, traditions, values and knowledge as the community attempts to shed the tethers of colonization and navigate new pathways for the 21st century. Two questions have guided and shaped this research: (i) how can collaborations between Indigenous and non-native research partners be improved?; and (ii) how does the changing social context in
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Kohn, Mareile. "Das Bärenzeremoniell in Nordamericka : der Bär im Jagdritual und in der Vorstellungswelt der Montagnais-Naskapi-East Cree und der Chippewa-Ojibwa /." Hohenschäftlarn : [BRD] : K. Renner, 1986. http://catalogue.bnf.fr/ark:/12148/cb34897419c.

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Vollkommer, Rainer. "Herakles in the art of classical Greece." Oxford : Oxford University Committee for Archaeology, 1988. http://books.google.com/books?id=ur2fAAAAMAAJ.

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Dipla, Anthi. "Images of revolt : women of myth in the art of classical Athens." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297329.

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Walker, Kathleen. "Chasing the Dragon's Tale: Europe's Fascination and Representation of the Dragon from the Twelfth to the Seventeenth Century." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1437605968.

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Robinson, Scott E. (Scott Elmon) 1961. "Dichotomy in American Western Mythology." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500528/.

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The fundamental dichotomy between savage and civilized man is examined within the archetypal Western myth of American culture. The roots of the dichotomy are explored through images produced between 1888 and 1909 by artists Frederic Remington and Charles Russell. Four John Ford films are then used as a basis for the "dichotomous archetype" approach to understanding Western myth in film. Next, twenty-nine "historical" and "contemporary" Western movies are discussed chronologically, from The Virginian (1929) to Dances with Wolves (1990), in terms of the savage/civilized schema as it is personifi
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Winch, Lauren. "Metabolism, mythology, magic or metaphor? : animals in the rock art of Thailand." Thesis, University of Bristol, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658567.

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A common feature of many rock art corpora is the inclusion of animals, both naturalistic and fantastical. For a long time it was assumed that animals in the art simply related to actual or desired prey species. In recent decades, however, research has increasingly revealed rock art to be full of subtle nuances, mythological phenomena, multifaceted magic and potency, and metaphorical references to various aspects of society and culture. In line with this burgeoning interest in the multiplicities inherent within rock art, the central aim of this thesis is to examine which animals feature in the
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Kelly, Ann Therese. "Contemporary truths through creation-centered mythology: a visual thought process /." Online version of thesis, 1991. http://hdl.handle.net/1850/11292.

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Rhea, Jonthan P. "THE NEOTERICS A PANTHEON FOR THE 21ST CENTURY." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/theses/1897.

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My thesis work explores the spiritual embodiments of 21st century culture by creating a set/series of sights, sounds and other sensory experiences that are symbolically representative of a new pantheon called The Neoterics and its mythology. It examines the human quest for stability (survival, community, and mental/physical/ financial stability) in a world of constant change. The exhibition introduces the six members of the pantheon as the embodiments of the primitive or basic needs, contemporary wants, and future desires of humanity, at least from the perspective of Westernized culture. This
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Books on the topic "Cree mythology in art"

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McLeod, Neal. Abstraction and myth : Neal McLeod. Dunlop Art Gallery, 2004.

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Aryan, K. C. Hanuman: Art, mythology & folklore. 2nd ed. Rekha Prakashan, 1994.

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Parrinder, Edward Geoffrey. African mythology. P. Bedrick, 1986.

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Ansone, Elita. Padomjzemes mitoloģija =: The mythology of sovietland. Neputns, 2008.

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Vaysse, Jean-Marie. Schelling, art et mythologie. Ellipses, 2004.

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Sarah, Thomas. Antony Hamilton: The mythology of landscape. Art Gallery of South Australia, 1999.

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Graham, F. Lanier. Goddesses in art. Artabras, 1997.

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Gayatri, M. Usha. Kuchipudi art & Satyabhama. B.R. Rhythms, 2016.

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Wynne, Tina. Wisakecak eko maka maikanak =: Wesakaychak and the wolves. Highway Book Shop, 1993.

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George, Nelson. "The Orders of the Dreamed": George Nelson on Cree and northern Ojibwa religion and myth, 1823. University of Manitoba Press, 1988.

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Book chapters on the topic "Cree mythology in art"

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Dolan, Marion. "Maya Mythology, Cosmology and Art." In Decoding Astronomy in Maya Art and Architecture. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-61092-9_7.

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Thomopoulos, Stelios C. A., Panagiotis Tsimpiridis, Eleni-Ino Theodorou, Christos Maroglou, Efstathios Georgiou, and Christiana Christopoulou. "COSMOS. Cultural Osmosis – Mythology and Art." In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73043-7_30.

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Marini, Maria Giulia. "Bridging from Mythology to Contemporary Care: The Art of Listening." In Narrative Medicine. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-22090-1_2.

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Ovla, Arman. "Myth and Mythology Related to Water in Indian and Iranian Culture." In Art and Architectural Traditions of India and Iran. Routledge India, 2021. http://dx.doi.org/10.4324/9781003229421-8.

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Schmitt, Rüdiger. "Edward Burnett Tylor: Primitive Culture: Researches into the Development of Mythology, Philosophy, Religion, Language, Art and Custom (1871)." In Schlüsselwerke der Religionssoziologie. Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-15250-5_8.

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"Cree Mythopoetic Thought." In Healing through Art. MQUP, 2004. http://dx.doi.org/10.2307/j.ctt802fb.8.

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"Cree Mythopoetic Thought." In Healing through Art. McGill-Queen's University Press, 2004. http://dx.doi.org/10.1515/9780773571983-006.

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"Cree Styles of Communication." In Healing through Art. MQUP, 2004. http://dx.doi.org/10.2307/j.ctt802fb.7.

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"Cree Styles of Communication." In Healing through Art. McGill-Queen's University Press, 2004. http://dx.doi.org/10.1515/9780773571983-005.

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Aloff, Mindy. "Coaches and Teachers." In Dance Anecdotes. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195054118.003.0005.

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Abstract What Goes Around, Comes Around The story most frequently told by the Greeks about the beginning of dancing upon the earth—a story which became a part of Greek mythology—went as follows: In the early days of the world, before the race of man peopled the land, the Titan Rhea, wife of Cronus, taught the art of the dance to the Curetes, sons of Earth, who dwelt in the island of Crete, and to the Corybantes, who lived in Phrygia, in Asia Minor. This act stood Rhea in good stead later. Cronus, so the legend goes, habitually devoured his children at birth. Rhea fled to Crete and there her yo
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Conference papers on the topic "Cree mythology in art"

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Zhang, Dong. "Review of Research on Chinese Mythology." In 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.038.

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Liu, Tianyi. "Reflections on Man and Nature in Greek Mythology: From the Name of Natural Creatures." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.019.

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Wang, Ruishu, and Wanbing Shi. "Teaching Objectives and Strategies of Greek and Roman Mythology for College Students*." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.141.

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Huang, Zhan. "Path Analysis of Chinese Mythology to Fantasy Film in the Digital Age." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.212.

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Bondarenko, Igor. "The Ensemble of the Acropolis of Athens in the Light of Ancient Greek Mythology." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.6.

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RUMYANTSEVA, M. V. "LINGUOCULTUROLOGICAL AND MYTHOPOIETIC FEATURES OF THE MYTHOLOGY «DISEASE» (BASED ON THE MATERIAL OF THE WORKS OF ART BY V.V. LICHUTIN)." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_339.

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The purpose of the study was to describe the linguoculturological and mythopoietic features of the functioning of the mythology «disease» in the artistic picture of the world of the modern Russian writer V.V. Lichutin. The linguoculturological approach to the study of mythologemes makes it possible to describe the naive linguistic representations of native speakers, which have developed under the influence of the worldview of the ethnic group, which seems relevant. The mythopoetic approach makes it possible to identify the most significant motifs, images, ideas, to determine the cultural, phil
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Butnaru, Tatiana. "Mihai Eminescu’s poetry from an archetypal perspective." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.25.

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In this article, the aesthetic orientation of the poet Mihai Eminescu towards national mythology is revealed, capable of contributing to the knowledge of the original roots of the nation, in order to reconstruct a heart of autochthonous spirituality in its archetypal dimensions. The four myths, about which George Călinescu speaks so inspired in his monumental “History of Romanian literature” from the origins to the present, determine “the mythological starting point” which can be found in several Eminescu’s writings, as proof of the genius of the writer, of its ability to reconstruct a hearth
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Tayyaba, Rakhshi. "THE ART OF THE SUBLIME: A LONGINIAN INTERPRETATION OF THE CITY OF BRASS BY S.A. CHAKRABORTY." In Transforming Knowledge: A Multidisciplinary Research on Integrative Learning Across Disciplines. The Bhopal School of Social Sciences, 2025. https://doi.org/10.51767/ic250308.

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The paper explores a comparative analysis of the book “The City of Brass” the first novel in the Daevabad Trilogy by S. A. Chakraborty and the classical work On The Sublime by Longinus. To explore a deeper understanding of the subject researcher has used the descriptive qualitative method, to compare both the texts along with their detailed analysis. The study examines how the classical concept of sublimity as articulated by Longinus is depicted in Chakraborty’s modern fantasy work. Through the findings one can investigate the key elements given by Longinus as grandeur, use of language, emotio
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Voloshina, L. "The existential meaning of traditional Russian art." In Actual Issues of Modern Science. Voloshina, L., 2024. https://doi.org/10.61726/6866.2025.25.59.001.

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The appeal to tradition has recently been particularly noticeable in art, pedagogy, and psychology. All these three areas of human activity are related to our perception of the world. Modern reality is faced with the existential problem of identifying a person, understanding their place and purpose in this world. The relevance of the study is primarily related to this problem. The study object is Russian art in general. The study subject is its existential content. The study aims to show the importance of preserving the Russian tradition in the 20th and 21st centuries art, as an existential ta
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Dimitrakopoulou, Georgia. "WILLIAM BLAKE�S: THE BOOK OF THEL. THE AESTHETIC VERSUS THE USEFUL?" In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.23.

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In The Book of Thel (The Book of ????, that is The Book of the Female), Blake�s main preoccupation, in my opinion focuses on the juxtaposition between the aesthetic and the useful, their antithesis and their synthesis to produce and explain the female identity. Knowing that Blake�s thought always moves in oppositional and synthetical structures, the useful versus the aesthetic is nothing more than the restless and perpetual fight of the dualisms of innocence and experience, energy and Urizen, imagination and reason. Taking into consideration that Blake�s dualisms are constructive rather than d
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