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Journal articles on the topic 'Cree mythology in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Leconte, Marie. "(Non)Translation as Resistance in Tomson Highway's Kiss of the Fur Queen." TranscUlturAl: A Journal of Translation and Cultural Studies 10, no. 1 (2018): 11–28. http://dx.doi.org/10.21992/tc29381.

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After a brief explanation regarding the author’s settle-scholar status in regard of interpreting Indigenous texts, Tomson Highway’s novel Kiss of the Fur Queen is examined as a ‘first translation’ in which untranslatability plays the main role. The term ‘first translation’ will be defined, and a deliberately refined definition of a hybrid text will be reviewed through the lens of several Indigenous scholars. Then, following a brief description of Highway’s novel, the paper will envisage its translatory nature from the point of view of three narrative strategies: 1) The insertion of Cree lexica

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2

Nolasco, Ana. "Art, Mythology and Cyborgs." Dialogue and Universalism 25, no. 1 (2015): 104–11. http://dx.doi.org/10.5840/du201525114.

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Putra, I. Putu Deva Maha, I. Made Jodog, and I. Wayan Mudana. "Calonarang Mythology." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 4, no. 2 (2024): 123–30. http://dx.doi.org/10.59997/ctkr.v4i2.3383.

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Calonarang mythology depicts the story of Queen Nata Ing Girah (ruler in the village of Girah) which is considered scary because it has magical powers and supernatural. Various mythical stories and magical rituals always color the trail Airlangga in Kahuripan, East Java during the 11th century Javanese Hindu period. Research This aims to create and analyze Calonarang's mythological themes in the work art painting. Therefore, the author raised this story into the form of a work of art painting in this Final Project in partnership with Sanggar Wasundari Kamasan Klungkung Bali. Calonarang Mytholo

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4

Karim, Baigutov, Myrzakanov Madvakas Seksembaevich, Aiman Suyuberdieva, et al. "Painting education of Kazakh mythology." Cypriot Journal of Educational Sciences 16, no. 4 (2021): 1956–75. http://dx.doi.org/10.18844/cjes.v16i4.6064.

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Various scientific studies, interpretations, analyses, and comparisons have revealed a strong link in the origin of Kazakh mythology in contemporary Kazakh society. The main problem in this lies in the fact that existing research on mythology has always centered in fields of literature, philosophy, religion and culture, and history. Previous scholars have always overlooked the study of mythology in the field of art. It’s for this reason, that this research article centered on the mythology in the art of painting education and especially pictorial analysis of Kazakh mythology. In the article, t

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Ferrara, Nadia. "Art Therapy with a Cree Bushman." Canadian Art Therapy Association Journal 10, no. 1 (1996): 1–6. http://dx.doi.org/10.1080/08322473.1996.11432212.

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6

Md., Amir Hossain. "Rethinking Greek Mythology and Indian Mythology." Literary Druid 4, Special Issue 1 (2022): 9–14. https://doi.org/10.5281/zenodo.6945380.

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<em>This paper aims to look at Greek mythology, the “Iliad” and Indian mythology, “Ramayana” as a comparative study to foster common similarities based on plot construction and art of characterization. For this purpose, it would like to examine male and female characters in Greek mythology; myth in gender studies, gender in myth studies; truth, falsehood, and human knowledge; Ramayana as a reflection of social life; its impact on human life, culture and literature. The paper aims to motivate emerging scholars and novice researchers by making a comparative study between

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Zhao, Yiming, and Dongfang Zheng. "Traditional Chinese Mythology in Animation Art." Highlights in Art and Design 3, no. 3 (2023): 61–63. http://dx.doi.org/10.54097/hiaad.v3i3.11220.

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Chinese traditional myths, as an important part of Chinese culture, have been widely applied and expressed in animation art. From the perspective of animation art, this paper will discuss in depth the expression forms and expression methods of traditional Chinese myths in animation art, including the use of myth elements in animation, the creation of myth characters, the way of narrating myth plots, and the expression of myth meanings. Through analyzing and comparing related animation works, this paper will explore the performance characteristics of Chinese traditional myths in animation art a

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8

Dodson, Timothy. "Breaking Ground: Art, Archaeology & Mythology." International Journal of the History of Sport 34, no. 3-4 (2017): 300–301. http://dx.doi.org/10.1080/09523367.2017.1373458.

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9

Waites, Ian. "Breaking ground: art, archaeology & mythology." International Journal of Heritage Studies 23, no. 9 (2017): 906–8. http://dx.doi.org/10.1080/13527258.2017.1338604.

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10

Warwick, Tosh. "Breaking ground: art, archaeology & mythology." Sport in History 39, no. 1 (2019): 116–19. http://dx.doi.org/10.1080/17460263.2019.1572994.

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11

Borea, Giuliana. "Personal cartographies of a Huitoto mythology:." Revista de Antropologia da UFSCar 2, no. 2 (2010): 67–87. http://dx.doi.org/10.52426/rau.v2i2.27.

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Rember Yahuarcani López was born in Pebas, in the Peruvian Amazonian department of Loreto, in 1985. He belongs to the Aymenu clan of the Huitoto group. In 2003 he came to Lima for the first time. His father, the painter and sculptor Santiago Yahuarcani, was invited to impart workshops as part of the exhibition Serpiente de Agua. Instead, he decided to send his son. This opportunity would change Rember Yahuarcani’s perspective on his life and artwork. This article explores Rember Yahuarcani’s art practice and the creation of his own pictorial vocabulary based on his traditions, his artistic exp

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12

Ball, Laurie. "Parallels between Art and Mythology: Implications for Art Education." Art Education 44, no. 2 (1991): 8. http://dx.doi.org/10.2307/3193300.

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13

Л, Батнасан. "БАЙГАЛЬ БОЛОН УРЛАГИЙН ТАЛААРХ Ф.ШЕЛЛИНГИЙН ФИЛОСОФИЙН ҮЗЭЛ". Philosophy and Religious Studies 12, № 12(354) (2011): 89–92. https://doi.org/10.22353/prs20111.20.

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Fredric Wilhelm Joseph Shelling German idealist philosopher is specific over German romanticism ideology organizing system of transcendental philosophy, and cared more than others on art philosophy. In history of social thought. Generally in his opinion: Natural philosophy, Mythology, Art philosophy. He studied moral about nature in the beginning of study, so published ''System of transcendental idealism'' which tells combination of subjective idealism of Fichte his own objective idealism. Pondering over object and subject, natural and non natural led him into second natural opinion, so he rea

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14

Baigutov, Karim, Aman Ibragimov, Alzhanov Gadilbek Kh., Kumarkan Muratayev, Taiyrzhan Iskakov, and Dzhanaev Miyat. "Evaluating and redesigning the teaching practices of the Kazakh Mythology- engraving techniques." PLOS ONE 19, no. 5 (2024): e0296905. http://dx.doi.org/10.1371/journal.pone.0296905.

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The study was designed to explore and develop art students’ interest and engagement in Kazakh mythology and using engraving techniques. The archetypic and challenges of Kazakh mythology in art students were not previously explored. Therefore, the need for study in this domain was essential to cover the gap in the literature. The gap has been recently discovered by Kazakh scholars although it has been explored by foreign authors but the authenticity of such studies remains a question. The study was experimental and the results show a strong association between art’s student’s engagement with Ka

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Putri, Vathya Anindita, Shobichatul Aminah, and Henny Saptatia Drajati Nugrahani. "Mise En Scene Technique on Nordic Representation in the Sequel of Thor by Marvel Cinematic Universe." Formosa Journal of Sustainable Research 4, no. 5 (2025): 850–66. https://doi.org/10.55927/fjsr.v4i5.269.

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This research aims to explore why the context of Norse Mythology attracts and inspires the Marvel Cinematic Universe in the production of the four sequels, Thor. Norse mythology talks about supernatural figures, cosmologists, legends, and fables. This research will analyze mise en scene to become something that can be understood and become the medium of learning about Norse mythology by the audience. With the creation of the Thor movies, the Marvel Cinematic Universe has the concept of representing Norse mythology in a commercial way with a more modern story. Through characterizations, histori

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16

Westman, Clinton N. "Cautionary Tales: Making and Breaking Community in the Oil Sands Region." Canadian Journal of Sociology 38, no. 2 (2013): 211–32. http://dx.doi.org/10.29173/cjs19892.

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I consider data from Cree and Métis history, ethnology, and mythology to focus on three transformative modes (integration, disintegration, and media- tion) in relation to concepts of community. I develop an allegorical fantasy of oily monsters, tricksters, and their appetites arising from liquid commodities, in opposition to more integrative ritual practices that have historically underpinned community in the oil sands region of northern Alberta. Specifically, I suggest that (petro)-capitalism can be compared to the monstrous Windigo (not a trick- ster) with respect to its uncontrolled appetit

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17

Hikmatova Muqadas Nurilloevna. "Mythology in folklore and its features." Middle European Scientific Bulletin 6 (November 18, 2020): 63–66. http://dx.doi.org/10.47494/mesb.2020.6.117.

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In the article, folk art - artistic, creative-practical and amateur activity of the masses; folklore, folk music (folklore), folk theater (performing arts), folk dances (dances), puppetry, wood and wooden foot games (folk circus), folk fine and applied arts of traditional material and intangible culture information and examples of art and technical and artistic hobbies

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18

Holman, Beth L. "Goltzius' Great Hercules: mythology, art and polities." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 42-43, no. 1 (1991): 397–412. http://dx.doi.org/10.1163/22145966-90000625.

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19

McKegney, Sam. "Healing Through Art: Ritualized Space and Cree Identity (review)." University of Toronto Quarterly 75, no. 1 (2006): 175–77. http://dx.doi.org/10.1353/utq.2006.0154.

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20

Adhikari, Anasuya, and Birbal Saha. "Shakuntala: As Authored by Kalidas and Painted by Raja Ravi Varma." Galore International Journal of Applied Sciences and Humanities 5, no. 4 (2021): 45–53. http://dx.doi.org/10.52403/gijash.20211008.

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Mythology has always been an appealing area which has been engrossing readers and listeners since ages. Mythology plays distinctive roles and employs its sacred narratives, art and rituals to keep the values and morals of the society intact. This system of writing texts on mythology was common to the entire subcontinent and produced its own literature written in Sanskrit. One such magnum opus is Abhijnanashakuntalam authored by the great Sanskrit maestro, Kalidas. It is also important to note that mythology in the form of texts was accessible to a very limited class of people which included th

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21

Neils, Jenifer, and Frances van Keuren. "Guide to Research in Classical Art and Mythology." American Journal of Archaeology 98, no. 4 (1994): 783. http://dx.doi.org/10.2307/506562.

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22

Steiner, Ann, and Frances Van Keuren. "Guide to Research in Classical Art and Mythology." Classical World 87, no. 3 (1994): 247. http://dx.doi.org/10.2307/4351479.

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23

Türe, Hatice, Uğur Türe, F. Ylmaz Göğüş, Anton Valavanis, and M. Gazi Yaşargil. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 56, no. 1 (2005): 178–86. http://dx.doi.org/10.1227/01.neu.0000146209.19341.3b.

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24

Türe, Hatice, and Uğur Türe. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 58, no. 3 (2006): E590. http://dx.doi.org/10.1227/01.neu.0000207973.21811.20.

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25

Machinis, Theofilos G., and Kostas N. Fountas. "The Art of Alleviating Pain in Greek Mythology." Neurosurgery 58, no. 3 (2006): E590. http://dx.doi.org/10.1227/01.neu.0000207974.15973.ef.

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26

Ntaidou, T. K., and I. I. Siempos. "The Art of Providing Anaesthesia in Greek Mythology." Anaesthesia and Intensive Care 40, no. 1_suppl (2012): 22–27. http://dx.doi.org/10.1177/0310057x120400s105.

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27

Siempos, Ilias I., Theodora K. Ntaidou, and George Samonis. "The Art of Providing Resuscitation in Greek Mythology." Survey of Anesthesiology 59, no. 3 (2015): 161. http://dx.doi.org/10.1097/01.sa.0000464146.74928.9c.

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28

Romaine, James Gaillard, Carol Zemel, Jan Hulsker, et al. "Van Gogh's Dilemma: Caught between Mythology and Art." Art Journal 57, no. 1 (1998): 84. http://dx.doi.org/10.2307/777997.

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29

Siempos, Ilias I., Theodora K. Ntaidou, and George Samonis. "The Art of Providing Resuscitation in Greek Mythology." Anesthesia & Analgesia 119, no. 6 (2014): 1336–41. http://dx.doi.org/10.1213/ane.0000000000000416.

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30

Lee, Jong-chul. "Generative Ideology of AI Art through Mythology Aspect." Journal of Communication Design 85 (October 30, 2023): 504–14. https://doi.org/10.25111/jcd.2023.85.34.

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31

Kirsanova, Anna Vladimirovna. "Catastrophism and eschatology in the context of religion, philosophy, and art." Uchenyy Sovet (Academic Council), no. 6 (May 25, 2022): 407–21. http://dx.doi.org/10.33920/nik-02-2206-08.

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The article deals with the concepts of catastrophism and eschatology, which are directly related to the mythological and religious vision of the world. The author shows that ideas about the other world have deep psychological roots and, along with moral aspects, thoughts about retribution and judgment in a different reality, as well as gaining bliss, were already present in the mythology of Ancient Egypt, ancient mythology and philosophy. The material of the article can be useful for the disciplines "History of Culture", "History of Religion", and "Culturology".

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32

Rehman, Shazia. "INDIAN MYTHOLOGICAL HYBRID FORMS IN CONTEMPORARY INDIAN ARTWORKS." International Journal of Research -GRANTHAALAYAH 4, no. 12 (2016): 155–69. http://dx.doi.org/10.29121/granthaalayah.v4.i12.2016.2405.

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In this paper I have highlighted those art works which have hybrid/composite imagery. These images are not only appealing visually but also have strong connections with Indian Mythology. In Indian Myths these are considered as heavenly being and are mentioned in mythological stories in many forms such as aerial or atmospheric mythical animals, terrestrial mythical animal, and aquatic mythical animals etc. I have provided analysis of these types of images which are a part of Indian contemporary paintings with a new interpretation of meaning. I have included variety of these images and distribut

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Shazia, Rehman. "INDIAN MYTHOLOGICAL HYBRID FORMS IN CONTEMPORARY INDIAN ARTWORKS." International Journal of Research -GRANTHAALAYAH 4, no. 12 (2016): 155–69. https://doi.org/10.5281/zenodo.223833.

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In this paper I have highlighted those art works which have hybrid/composite imagery. These images are not only appealing visually but also have strong connections with Indian Mythology. In Indian Myths these are considered as heavenly being and are mentioned in mythological stories in many forms such as aerial or atmospheric mythical animals, terrestrial mythical animal, and aquatic mythical animals etc. I have provided analysis of these types of images which are a part of Indian contemporary paintings with a new interpretation of meaning. I have included variety of these images and distribut

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34

Bogatyrev, Dmitriy, and Aleksey Svyatoslavskiy. "MYTHOLOGY AND POETICS OF SOCIALIST REALISM." Проблемы исторической поэтики 22, no. 1 (2024): 250–72. http://dx.doi.org/10.15393/j9.art.2024.13502.

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The purpose of the study is to identify the artistic features of socialist realism as a cultural phenomenon. The article examines the history of the emergence of the term and the concept behind it in connection with the socio-political situation in the USSR at the turn of the 1920s — 1930s. The definition of socialist realism, enshrined in the Charter of the Union of Soviet Writers, as “a truthful, historically concrete depiction of reality in its revolutionary development” in combination with “the task of ideological alteration and education of workers in the spirit of socialism,” is critical

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Tsuji, Leonard J. S., Zachariah General, Stephen R. J. Tsuji, et al. "Akimiski Island, Nunavut, Canada: The Use of Cree Oral History and Sea-Level Retrodiction to Resolve Aboriginal Title." ARCTIC 73, no. 4 (2020): 421–32. http://dx.doi.org/10.14430/arctic71481.

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On 1 April 1999, Akimiski Island of the western James Bay region of northern Ontario, Canada, was included in the newly formed territory of Nunavut, Canada—an Inuit-dominated territory—even though the Inuit had never asserted Aboriginal title to the island. By contrast, the Omushkegowuk Cree of the western James Bay region have asserted Aboriginal title to Akimiski Island. The Government of Canada by their action (or inaction) has reversed the onus of responsibility for proof of Aboriginal title from the Inuit to the Cree. In other words, the Government of Canada did not follow their own guide

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36

Jo‘rayeva, Munis Yunusovna. "Folklorist Mamatqul Jo'rayev And Uzbek Mythology." European International Journal of Philological Sciences 5, no. 5 (2025): 91–94. https://doi.org/10.55640/eijps-05-05-21.

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Studying the historical foundations of oral folk art, which represents a valuable legacy of our ancestors’ intellectual heritage, remains a relevant and significant task. In particular, the study of myths and the discipline that examines them—mythology—allows for a deeper understanding of ancient perceptions and the roots of the people's worldview. This article highlights the research of folklorist Mamatkul Jo‘rayev on the formation and evolutionary development of Uzbek mythology.

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37

BOZOK, Barış. "GODDESS CYBELE AND UMAY ANA İN CONTEMPORARY TURKİSH ART." IEDSR Association 7, no. 20 (2022): 167–79. http://dx.doi.org/10.46872/pj.579.

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In the past and today, many artists have made artistic productions based on their mythologies and cultures. It is seen that they are trying to convey their mythology and culture with works from all branches of art. In this research, it is studied how the cult of Goddess Cybele, which is considered as a subject in plastic arts, and the cult of Umay Ana, which is included in Turkish Mythology, reflected in Contemporary Turkish Art, from the Anatolian mythology and culture field, which has a very wide structure. In the research, the works of Neslihan Kıyar, one of the artists who reflect the cult

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38

Sayeed, Saria, and Pooja Tiwari. "Medusa and the Art of Female Rebellion: A New Interpretation of an Ancient Myth." Journal of Social Science and Humanities 6, no. 12 (2024): 40–45. https://doi.org/10.53469/jssh.2024.6(12).10.

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The fascinating mythological determination of Medusa has lengthy intrigued pupils and artists alike, embodying a multifaceted image of energy, femininity, and transformation. This paper pursuit to get to the bottom of the enigma surrounding Medusa via a multidisciplinary evaluation, encompassing mythology, artwork history, psychology, and feminist theory. By delving into historical Greek mythology, we discover the origins and evolution of Medusa's character, her position as a Gorgon, and the importance of her serpentine hair and petrifying gaze. Moreover, we delve into mental theories and arch

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39

Beal, Jane. "'A Mythology for England': Teaching Tolkien's Arthurian Inspirations." Arthuriana 32, no. 4 (2022): 10–29. http://dx.doi.org/10.1353/art.2022.0036.

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40

Malyarchuk, Kateryna. "The makeup art: social stratification and social myth." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 121–26. http://dx.doi.org/10.32461/2226-0285.1.2021.238600.

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Purpose of the article. The purpose of the article is to analyze the phenomenon of makeup art and its connection with social stratification and social myth. Methodology. The study of the phenomenon of makeup in connection with social mythology and social stratification is associated with the use of general scientific methods of analysis, generalization, synthesis, etc. Not only in line with art history and sociological knowledge, but also knowledge of psychology, cultural studies, philosophy, etc., which provides for the integration and inclusive combination of appropriate methods and approach

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41

Murali, Chaya N. "The stories behind the art—Malformations and Hindu mythology." American Journal of Medical Genetics Part C: Seminars in Medical Genetics 187, no. 2 (2021): 261–64. http://dx.doi.org/10.1002/ajmg.c.31909.

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42

Türe, H., U. Türe, F. Y. Gögüs, A. Valavanis, and M. G. Yasargil. "987 THE ART OF ALLEVIATING PAIN IN GREEK MYTHOLOGY." European Journal of Pain 10, S1 (2006): S255b—S255. http://dx.doi.org/10.1016/s1090-3801(06)60990-7.

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Butterworth-McDermott, Christine. "Dolls, Freaks, Art: American Poets Creating a New Mythology." Pleiades: Literature in Context 37, no. 2S (2017): 1–4. http://dx.doi.org/10.1353/plc.2017.0164.

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Naydysh, V. M. "MYTHOLOGY AND THEOLOGY. Second Article." RUDN Journal of Philosophy 23, no. 2 (2019): 210–21. http://dx.doi.org/10.22363/2313-2302-2019-23-2-210-221.

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The concept of interpretation (as a procedure for determining the values of those abstractions that are used in the theorization of knowledge, in the process of developing an abstract model of the subject) is applicable to any forms of knowledge, including systems of religious knowledge, designing the ideal model of the subject of religious veneration. The author analyzes the epistemological features of theology as a form of spiritual culture, its formation in ancient culture. It is shown that the epistemological basis for overcoming mythological consciousness was the decentralization of think

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45

SMORZHEVSKA, Oksana. "THE MYTHOLOGY OF WAR: ARTISTIC IMAGES AND MEANINGS." Almanac of Ukrainian Studies, no. 30 (2022): 108–14. http://dx.doi.org/10.17721/2520-2626/2022.30.15.

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In scientific research, the artistic images and meanings of the mythology of the Russian-Ukrainian war; their influence on the society and cultural space of Ukraine and its image in the world are outlined and broadly classified. The research focuses on the events after the full-scale invasion of Ukraine by Russia on February 24, 2022. The mythology of war has several vectors. First of all, it is the creation of new myths and an appeal to the archetypal images of Ukrainian culture, to the archaic layers of our worldview, actualized in the conditions of a fullscale war. Through art, you can conv

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46

Gnezdilova, Elena. "MYTHOLOGY OF ORPHEUS IN CLASSICAL CULTURAL TRADITION." Проблемы исторической поэтики 19, no. 3 (2021): 35–52. http://dx.doi.org/10.15393/j9.art.2021.9542.

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The article examines the peculiarities in the formation of the Orpheus mythologeme in the ancient cultural tradition. An analysis of the works of ancient authors, including Pindar, Aeschylus, Euripides, Apollonius of Rhodes, Virgil and Ovid allows to single out the specifics of creating the image of Orpheus. The latter is seen by the above-mentioned authors not only as a poet and musician who had lost his beloved Eurydice, but also as the founder of cult rites known as Orphic mysteries. “Orphism” as a system of religious and philosophical views became most widespread in the era of Peisistratus

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47

Adelson, Naomi. "Healing through art: ritualized space and Cree identity ? By Nadia Ferrara." Journal of the Royal Anthropological Institute 13, no. 3 (2007): 769–71. http://dx.doi.org/10.1111/j.1467-9655.2007.00455_26.x.

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48

WESTMAN, CLINTON N. "Healing through Art: Ritualized Space and Cree Identity by Nadia Ferrara." Museum Anthropology 32, no. 2 (2009): 129–30. http://dx.doi.org/10.1111/j.1548-1379.2009.01044.x.

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49

Akanova, Aikerim, Lyazzat Yespekova, Kuanyshbek Kenzhalin, Amangul Adilbek, and Amina Magzumbekova. "Mythical cognition and social consciousness (based on mythological characters)." Scientific Herald of Uzhhorod University Series Physics, no. 55 (November 24, 2023): 2674–81. http://dx.doi.org/10.54919/physics/55.2024.267vt4.

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Relevance. The set of views that are closely related to art and culture, which develops and develops in close connection with the life of the nations of the world over the centuries is called a worldview.Purpose. The root of such concepts as national cognition, national identity, general worldview is intertwined with mythology.Methodology. The article also proves the origin, foundation, continuity and irony of the mythology found in Turkic and foreign mythology, as well as analyzes the similarities and differences between the core of the Turkic worldview, mythical knowledge of the peoples in t

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Katzive, Bonnie. "Looking, Writing, Creating." Voices from the Middle 4, no. 3 (1997): 1–5. http://dx.doi.org/10.58680/vm19973754.

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Abstract:

Describes how a middle school language arts teacher makes analyzing and creating visual art a partner to reading and writing in her classroom. Describes a project on art and Vietnam which shows how background information can add to and influence interpretation. Describes a unit on Greek mythology and Greek vases which leads to a related visual assignment.

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