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Journal articles on the topic 'Cretan Mythology'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Harris, Paul A. "Tracing the Cretan Labyrinth: Mythology, Archaeology, Topology, Phenomenology." Kronoscope 14, no. 2 (2014): 133–49. http://dx.doi.org/10.1163/15685241-12341301.

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This essay discusses the Cretan labyrinth in relation to J.T. Fraser’s concept of eotemporality. The Cretan labyrinth is treated in diverse contexts, including its depiction in mythology and the archaeological attempts to locate it. The topology of the ‘Cretan’ or ‘classical’ labyrinth is analyzed, and a phenomenological account of the temporal experience facilitated by walking the labyrinth is provided.

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Arnaiz-Villena, Antonio, Tomás Lledo, Valentin Ruiz-del-Valle, Ignacio Juarez, Christian Vaquero-Yuste, and Fabio Suarez-Trujillo. "The myth of the Abduction of Europa: Its African, Cretan and Iberian bases." International Journal of Modern Anthropology 3, no. 22 (2025): 100–113. https://doi.org/10.4314/ijma.v3i22.3.

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The myth of The Abduction or Rape of Europa tells that a Middle East aristocrat (princess) was abducted by Zeus (gods father in Greek mythology) disguised as a white bull. The Bull-Zeus took Europa to Crete (Zeus birth place) and Europa became as the the first Creta Queen. Minos was one of the Zeus and Europa sons. He was a legendary Cretan King who kept the Minotaur a monster man with a bull head in a labyrinth. Some authors maintain that the Minotaur was a direct son of Europa and the Bull-Zeus. Crete was imposing Athens to offer young people that were left in the labyrinth and eaten by the

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3

Filipović, M. D., Z. J. Smeaton, A. C. Bradley, et al. "ASKAP and VLASS Search for a Radio-continuum Counterpart of Ultra-high-energy Neutrino Event KM3–230213A." Astrophysical Journal Letters 984, no. 2 (2025): L52. https://doi.org/10.3847/2041-8213/adca37.

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Abstract We present the results of an Australian Square Kilometre Array Pathfinder (ASKAP) 944 MHz and Very Large Array Sky Survey (VLASS) 3 GHz search for a radio-continuum counterpart of the recent ultra-high-energy neutrino event, KM3–230213A. Using ASKAP, we catalog 1052 radio sources within the 1 . ° 5 radius search area (68% certainty region) around the particle’s calculated origin, 10 of which we classify as blazar candidates based on their radio spectra. The most prominent radio source in the search area is the nearby spiral galaxy UGCA 127 (nicknamed Phaedra, from Greek ϕαiδρα, a Cret

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Semybratska, Anastasiia. "The Origin and Formation of the Image of the Goddess Athena within the Olympian Pantheon." Journal of V. N. Karazin Kharkiv National University. Series: History, no. 60 (December 10, 2021): 86–100. http://dx.doi.org/10.26565/2220-7929-2021-60-05.

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The article considers the formation of the image of the goddess Athena as a member of the Olympian pantheon of gods. It should be noted that many aspects of ancient Greek religion and mythology still remain controversial. In particular, while the historiographical tradition has dwelled in relative detail on the cult of the goddess Athena and the Panathenaea, the essential origins of her image and theonym remain less studied and open to question. However, the investigation of this issue can help trace the transformation of the image of the goddess and determine her role and place among the Olym

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Cutler, Wendy. "Voyage dans la culture indienne à travers quelques échantillons du cinéma bollywoodien." Voix Plurielles 11, no. 1 (2014): 20–30. http://dx.doi.org/10.26522/vp.v11i1.914.

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L’objectif de cet article est de déchiffrer les codes spécifiques du cinéma bollywoodien afin de considérer le 7e Art comme une porte d’échanges ainsi qu’une porte d’entrée dans la culture de l’Autre. À travers l’étude d’une sélection de films populaires indiens des années 1970-80, nous souhaitons mettre en lumière la présence de symboles à caractère universel (la chaine, le couteau, le train, le labyrinthe) mais également la présence de symboles spécifiquement liés à la mythologie hindoue. Tout en gardant la mythologie comme fil conducteur, les films bollywoodiens nous permettent de trouver d

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Repšienė, Rita. "Šiuolaikinės medijos, „naujoji“ mitologija ir kultūros (de)komunikacija." Lietuvos kultūros tyrimai 10 (2018): 14–31. https://doi.org/10.53630/lkt.2018.1.

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Today’s changes, caused by the changing rhetoric of eurointegration and globalization, reveal a difficult situation of identity preservation, nurturing and survival. In the face of emerging actuality as (dez) orientation of mediality and “network” technology, it is important to assess global threats and shape a cultural worldview capable of developing critical thinking, creative ambitions and unifying priorities. Cultural policy, as an essential position in the formation and identity and statehood, must free itself from the clutches of formality and become a real power of content, fulfilling i

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Putra, I. Putu Deva Maha, I. Made Jodog, and I. Wayan Mudana. "Calonarang Mythology." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 4, no. 2 (2024): 123–30. http://dx.doi.org/10.59997/ctkr.v4i2.3383.

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Calonarang mythology depicts the story of Queen Nata Ing Girah (ruler in the village of Girah) which is considered scary because it has magical powers and supernatural. Various mythical stories and magical rituals always color the trail Airlangga in Kahuripan, East Java during the 11th century Javanese Hindu period. Research This aims to create and analyze Calonarang's mythological themes in the work art painting. Therefore, the author raised this story into the form of a work of art painting in this Final Project in partnership with Sanggar Wasundari Kamasan Klungkung Bali. Calonarang Mytholo

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Sukharieva, Svitlana. "Attributes of National Identity in the Poetry of Lesya of Ukraine and its Polish Translations: how to Illuminate the Soul with a Word." Volyn Philological: Text and Context, no. 33-2022 (June 28, 2022): 47–57. https://doi.org/10.5281/zenodo.7550238.

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The article analyzes the Polish translation versions of the realities and markers of national identity used by Lesya Ukrainka in her poetry. Attention is drawn to the semantic content of individual national attributes of Lesya Ukrainka, rooted in mythology and folk tradition, and their invariance within the scope of the poetic interpretation of various translators. A special place in this attributive-figurative system is given to the “Forest Song” as a system of mythologies that create the folk background of Ukrainian and Polish cultures. It is emphasized that the main ones in this

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Putri, Vathya Anindita, Shobichatul Aminah, and Henny Saptatia Drajati Nugrahani. "Mise En Scene Technique on Nordic Representation in the Sequel of Thor by Marvel Cinematic Universe." Formosa Journal of Sustainable Research 4, no. 5 (2025): 850–66. https://doi.org/10.55927/fjsr.v4i5.269.

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This research aims to explore why the context of Norse Mythology attracts and inspires the Marvel Cinematic Universe in the production of the four sequels, Thor. Norse mythology talks about supernatural figures, cosmologists, legends, and fables. This research will analyze mise en scene to become something that can be understood and become the medium of learning about Norse mythology by the audience. With the creation of the Thor movies, the Marvel Cinematic Universe has the concept of representing Norse mythology in a commercial way with a more modern story. Through characterizations, histori

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10

Obertová, Zuzana. "Slavic Mythology Lost in Fantasy." Narodna umjetnost 59, no. 2 (2022): 119–32. http://dx.doi.org/10.15176/vol59no206.

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Slavic myths increasingly survive in people’s consciousness as supernatural elements or as literary characters rather than as real beliefs in their existence. Adult readers in Poland and Slovakia, for example, encounter Slavic supernatural beings in the fantasy literature book series such as Wiedźmin by Andrzej Sapkowski and Černokňažník by Juraj Červenák; however, literature cannot be expected to portray superstitions and demons in the same way as belief legends. Placing Sapkowski’s and Červenák’s works within the context of ethnographically recorded beliefs illuminates various aspects of int

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Podder, Kishalaya. "RESISTANCE AGAINST CONVENTIONAL MASCULINITY IN SELECTED MYTHOLOGICAL FICTION OF ANAND NEELAKANTAN AND USHA NARAYANAN." JOURNAL OF ENGLISH LANGUAGE AND LITERATURE 11, no. 04 (2024): 10–15. https://doi.org/10.54513/joell.2024.11402.

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This paper primarily focuses on the delineation of relationship between masculinity and mythology in selected Indian fiction in English of Anand Neelakantan and Usha Narayanan. It attempts to re-access several critical facts of Indian mythology and related literary pieces that goes beyond the parameters of colonial and postcolonial viewpoints in India. The paper offers some points where the mythological characters took contemporary form surpassing the conventional treatment of masculinity, class, caste and gender performances. The connection between the social divisions like caste, class and g

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Shukurova Nigina Oripovna and Avezova Nigora Safarovna. "INTERPRETATION OF MYTH AND MYTHOLOGICAL IMAGES IN ENGLISH AND UZBEK LITERATURE." Middle European Scientific Bulletin 6 (November 12, 2020): 54–56. http://dx.doi.org/10.47494/mesb.2020.6.114.

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It is well known from the past that during their centuries-long history, the Turkic peoples have managed to create a multi-layered cultural heritage. One of them is the mythology of the Uzbek and English peoples, which is the product of primitive thinking. Mythology is one of the first examples of artistic thinking of our ancestors. It is the immortal memory of nations, the encyclopedia of knowledge, and the inexhaustible spiritual wealth.

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Vasic, Danijela. "Solar deity in Japanese mythology." Bulletin de l'Institut etnographique 72, no. 1 (2024): 59–78. http://dx.doi.org/10.2298/gei2401059v.

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In order to create an orderly state, the first imperial chronicles emerged in the early 8th century in the territory of modern Japan through the integration and systematization of mythical elements that proved the legitimacy of the government and the descent of the imperial Yamato lineage from the supreme deity of the Shinto pantheon - the Great Sun Goddess Amaterasu. This mythic paradigm was created on the existing mytho-historical foundations fostered by cultural and political contacts with the Korean kingdoms and the Chinese empire. There is evidence that the cult of the solar deity, origin

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Varga, Stephanie T. "Cultivating Ecological Imagination with a Web-Based Mythology." Alberta Academic Review 4, no. 1 (2021): 6. http://dx.doi.org/10.29173/aar126.

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This generative, theoretical descriptive paper, presents a framework I have designed to help teachers create on-line lessons that weave science from the curriculum into mythology. By mythologizing the curriculum, the teacher broadens the mindset of their students by allowing them to see the living-Earth as interconnected. This framework is timely, as many students are reacting to the policy around climate change, or absence of it, with fear and anxiety. The culminating artistic project of the digital game provides an opportunity for expression. It calls on the player to create a work of art th

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15

Vasylyshyn, Igor P. "EXISTENTIAL IMAGES AND NARRATIVES IN RILKE`S POETRY (Bogdan Kravtsiv`s translation experience)." Alfred Nobel University Journal of Philology 2, no. 24 (2022): 63–81. http://dx.doi.org/10.32342/2523-4463-2022-2-24-6.

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In 1947, in the German city of Nuremberg, Bohdan Kravtsiv`s book of translations from Rainer Maria Rilke`s “Things and Images” was published, which became a significant contribution to Ukrainian Rilkeanism. B. Kravtsiv`s translations were highly appreciated by critics and literary experts. The purpose of the article is the study of Rilke images and narratives in Bohdan Kravtsiv’s translations, the analysis of the main concepts related to the ideological and thematic layers of the lyrics that B. Kravtsiv chose for translation, and the highlighting of the existential discourse as a translation p

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Nugroho, Oki Cahyo, Deny Wahyu Tricana, Pinaryo Pinaryo, and Niken Lestarini. "VISUAL MYTHOLOGY REYOG PONOROGO IN ARTIFICIAL INTELEGENT." Jurnal Ilmiah Dinamika Sosial 8, no. 2 (2024): 174–92. https://doi.org/10.38043/jids.v8i2.5280.

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Reyog Ponorogo is an artwork with a rich history and folklore, as well as a particular visual narrative that is worth studying through the lens of visual data studies. Reyog performers offer significant meanings via the visuals of their performance as well as the ideology of Ponoragan Javanese culture. The purpose of this project is to convert oral myths into visual signals in Reyog performances using visual data. Using W.J.T. Mitchell's "Picture Theory" method, this research investigates the complicated interplay between pictures and text, introducing the idea of "imagetext" as one manifestat

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17

Li, Yanni. "Immersive Entertainment: The Reconstruction and Value Analysis of Chinese Mythology." Highlights in Business, Economics and Management 41 (October 15, 2024): 490–96. http://dx.doi.org/10.54097/3xs3y294.

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As an integral part of Chinese culture, Chinese mythology embodies rich historical, cultural, and philosophical connotations. With the accelerated development of the cultural and creative industry, Chinese mythology, with its rich content, imagery, and narratives, has gained favor among practitioners. It is deconstructed and reshaped in contemporary contexts, showing a trend of pan-entertainment in the field of cultural consumption. The immersive real-scene entertainment industry, a nascent sector in China with just over twenty years of development, utilizes advanced technologies to create mul

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18

Petev, Nikolay I. "The Game/Play Aspect of Mythology: Dressing Up and the Specifics of Clothing." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 2 (May 1, 2024): 124–34. http://dx.doi.org/10.37482/2687-1505-v340.

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This article analyses and compares two related phenomena, namely, game/play and mythology in the aspect of using special clothing in corresponding activities. Special attention is paid to the practical side of mythology, i.e. its implementation within the framework of rituals and other religious practices. In this paper, dressing up (special role of costume and other attributes) is considered as a procedure characteristic of both game/play and religious action. As a result, the author comes to the following conclusions. Firstly, the game/play process seeks the demonstrative, while religious pr

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19

López Ramírez, Manuela. "Icarus and Daedalus in Toni Morrison's "Song of Solomon"." Journal of English Studies 10 (May 29, 2012): 105. http://dx.doi.org/10.18172/jes.183.

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In Song of Solomon Toni Morrison rewrites the legend of the Flying Africans and the Myth of Icarus to create her own Myth. Her depiction of the black hero’s search for identity has strong mythical overtones. Morrison rescues those elements of mythology black culture which are still relevant to blacks and fuses them with evident allusions to Greek mythology. She reinterprets old images and myths of flight, the main mythical motif in the story. Her Icarus engages on an archetypical journey to the South, to his family past, led by his Daedalic guide, on which he finally recovers his ancestral abi

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Geller, M. J. "Fragments of magic, medicine, and mythology from Nimrud." Bulletin of the School of Oriental and African Studies 63, no. 3 (2000): 331–39. http://dx.doi.org/10.1017/s0041977x00008429.

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A new volume of literary texts from Nimrud has been in gestation for a very long time. Tablets were first found in Max Mallowan's excavations at Nimrud in 1949, with many more tablets found in subsequent seasons. In 1963 the decision was made to publish all the literary tablets from the Nabû Temple in hand copy, and this effort has finally culminated in the form of Literary texts from the Nabû temple, edited by J. A. Black and D. J. Wiseman (Cuneiform Texts from Nimrud 4, 1998). As is so often the case with the publication of new literary texts, these copies often solve many problems and creat

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Chaudhary, Renu. "Gandhian Concept of Ramrajya to Mythology and Modernism." International Journal for Research Publication and Seminars 14, no. 4 (2023): 111–16. http://dx.doi.org/10.36676/jrps.2023-v14i4-015.

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Throughout Hindu literature, but especially in the Ramayana, an ancient Indian epic, the word Ramrajya is used to represent a utopian society characterised by just and equitable rule. It's a metaphor for a perfect society where everyone is treated fairly and provided for. As a metaphor for a just and peaceful monarchy, Ramrajya is commonly used to refer to a system of government in which the monarch acts justly and fairly toward his people. Throughout history, this idea has served as motivation for a wide range of political and social groups whose leaders sought to create a more just and fair

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Keeling, Diane Marie. "Colonizing cuts of labyrinth mythology, a tangling parable of white sensibilities." Communication and the Public 5, no. 1-2 (2020): 45–54. http://dx.doi.org/10.1177/2057047320950631.

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This article demonstrates the way wounds, and affects generally, are figured by the writing of history. It traces patterns of thinking about the labyrinth primarily in histories, theories, and myths of the past 150 years to demonstrate how the labyrinth has been cut by colonization. From the Mycenaean colonization of Indigenous Cretans (inaccurately named “Minoans”) to the emergence of white feminism and its present day practice, figures of the labyrinth iteratively cut history to perpetuate the un/common loss of colonized communities and to enact white racist sensibilities of exclusion. Entan

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23

Coskuner-Balli, Gokcen. "Citizen-Consumers Wanted: Revitalizing the American Dream in the Face of Economic Recessions, 1981–2012." Journal of Consumer Research 47, no. 3 (2020): 327–49. http://dx.doi.org/10.1093/jcr/ucz059.

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Abstract This article brings the sociological theory of governmentality to bear on a longitudinal analysis of American presidential speeches to theorize the formation of the citizen-consumer subject. This 40-year historical analysis—which extends through four economic recessions and the presidential terms of Ronald Reagan, Bill Clinton, George W. Bush, and Barack Obama—illustrates the ways in which the national mythology of the American Dream has been linked to the political ideology of the state to create the citizen-consumer subject in the United States. The quantitative and qualitative anal

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Sadono, Teguh Priyo, and Nurtyasih Wibawanti Ratna Amina. "Branding Mythology in Postmodern Culture Sampoerna Cigarette Advertising A-Mild version "Nanti juga lo Paham"." Journal of Ecohumanism 3, no. 4 (2024): 9–18. http://dx.doi.org/10.62754/joe.v3i4.3497.

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Advertising is an important instrument in Marketing Communication to build a Product Image. However, with the Republic of Indonesia Law number 32 of 2002 concerning Broadcasting, article 46 prohibits the promotion of cigarettes by displaying their appearance. To get around this, Sampoerna A-Mild cigarettes broadcast advertisements in the "You'll Understand" version which has meaning and mythology requirements. What mythology is used in branding to show the ideology of building a strong image for A-Mild Cigarettes? Through a postmodern philosophical approach in popular culture, this research wa

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Turley, Elliott. "The Freedom Mythology of Father Comes Home from the Wars." Modern Drama 67, no. 4 (2024): 402–26. https://doi.org/10.3138/md-67-4-1297.

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This article analyses how Suzan-Lori Parks’s trilogy Father Comes Home from the Wars (Parts 1, 2, & 3) remakes American Civil War mythology and interrogates the enduring myth of American freedom. Parks, I argue, combines Greek mythology with Black American history to create a new, Parksian mode of myth-making. First, I highlight Parks’s exploration of the paradoxes underneath the Lost Cause myth (in the Barthesian sense of the word) that Black men willingly fought for the Confederacy. Next, I probe the trilogy’s treatment of American freedom more broadly, assessing freedom’s historical and

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ΜΑΡΙΟΛΑΚΟΣ, ΗΛΙΑΣ Δ. "The Geoenvironmental dimension of Greek Mythology." Bulletin of the Geological Society of Greece 34, no. 6 (2002): 2065. http://dx.doi.org/10.12681/bgsg.17334.

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Native civilizations, as that of the ancient Greeks, are directly connected to the geological and the physicogeographical regime of the regional area in which they have been developed, and mainly to its geoenvironmental evolution since the last glacial period (18,000 BP). Volcanoes, earthquakes and mineral resources, as building materials, the underground water and the various minerals, consist the so called geological regime. Soil, climate, relief, shorelines and coastal areas belong to the physicogeographical regime of an area. The regional territory, where the prehistorical and historical a

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Ю.О., Куліш. "ПРОТИДІЯ МІФОЛОГІЗАЦІЇ ІСТОРИЧНОЇ ПАМ’ЯТІ В КОНТЕКСТІ НАЦІОНАЛЬНОЇ І ДЕРЖАВНОЇ ІДЕНТИФІКАЦІЇ ОСОБИСТОСТІ". Вісник Харківського національного педагогічного університету імені Г.С. Сковороди "Філософія" 1, № 46 (2016): 117–26. https://doi.org/10.5281/zenodo.46946.

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National identity is a complex phenomenon. The «identity crisis» has never been so profound and urgent than nowadays. Myth is the unit of historical memory. Modern mythology «is based on" solid foundation that appeared due to influence of different aspects: epistemological, social which also include government efforts to create and broadcast myths in the public mind.

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Geen, Jonathan. "Kṣṇa and his rivals in the Hindu and Jaina traditions". Bulletin of the School of Oriental and African Studies 72, № 1 (2009): 63–99. http://dx.doi.org/10.1017/s0041977x09000044.

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AbstractThis paper compares the relationship between the vāsudeva Kr̥ṣṇa and his prativāsudeva rival Jarāsandha in the Jaina tradition (primarily in Hemacandra's Triṣaṣṭiśalākāpuruṣacarita) with Kr̥ṣṇa Vāsudeva's rivalries with Jarāsandha, Śiśupāla and Pauṇḍraka in the Mahābhārata and Hindu purāṇas. Three main points arising from this comparison are proposed. First, the Jainas conflated characteristics of the Hindu figures Jarāsandha, Śiśupāla and Pauṇḍraka in order to create a new Jarāsandha, who was now a single powerful nemesis for Kr̥ṣṇa. Second, this new relationship between Kr̥ṣṇa and Ja

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முனைவர், செ. ஜெபக்குமார் /. Dr. C. Jebakumar. "புதுக்கவிதைகளில் விவிலியத் தொன்ம மாற்றம் / The Classiness of Bible in the New Poetry". செங்காந்தள் / Chenkaantal Volume 2, Special Issue 2 (2023): 220–26. https://doi.org/10.5281/zenodo.7593446.

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<em>T</em><em>his article speaks about how the new poets take biblical myths and use biblical myths to express their ideas according to their imaginations. Some poets keep mythological ideas unchanged and create them in their poetry. Some poets change the biblical myth and use it to suit their poetry. Mythology means antiquity. Mythology in each religion is defined as appropriate to the respective religion. All the stories, values, proverbs and facts of life are embedded in it. Myths from every era are revived when creators take them. The poets of the epic (Kaapiya) period and the period of de

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Gemza, Melinda. "Magánmitológiák Nagy József és Romeo Castellucci előadásaiban." Theatron 14, no. 4 (2020): 45–60. http://dx.doi.org/10.55502/the.2020.4.45.

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This paper explores and compares the threads of private mythology within the performances created for the stage of the Avignon papal palace by two original theatre creatives, József Nagy and Romeo Castellucci. Both of them primarily define themselves as visual artists, and they prioritise the visual within theatre. The image overrides the expression of the text, their performances do not represent, but create an independent world.

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Madras, Tomasz. "Imperial Mythology in the Political Thought of Benjamin Disraeli." Stosunki Międzynarodowe – International Relations 5 (April 24, 2025): 8. https://doi.org/10.12688/stomiedintrelat.17934.1.

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Background The article examines the construction of imperial mythology, its structure and its significance for political activity within Benjamin Disraeli’s political thought. The research questions concerned the structure of Disraeli’s imperial thought and the role it played within the broader framework of his political philosophy. The central hypothesis of this study posits that Disraeli developed a new myth of empire as a key component of his conservative national mythology. This mythology not only underpinned the ideological foundations of his political agenda but also served as a means of

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Plotichkina, N. V. "Media mythology of the social in the contemporary society." RUDN Journal of Sociology 20, no. 2 (2020): 239–51. http://dx.doi.org/10.22363/2313-2272-2020-20-2-239-251.

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The article considers the media mythologization of the social: the media create representations of the world as a place for power struggle and suggest various versions of sociality which are legitimized in mythical narratives. Academic arguments emphasize the complexity of the social, the necessity of its theorization and dereification in the digital context. The study of the social/media dialectic reveals three myths - of natural collectivity, of the mediated center and of big data. The myth of the mediated center is a double construct: a narrative about the center of knowledge, values and me

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Shirkhani, Mohammad Amin. "Self-mythology Through Trauma Studies in Paul Auster’s Invention of Solitude." International Journal of Applied Linguistics and English Literature 9, no. 1 (2020): 67. http://dx.doi.org/10.7575/aiac.ijalel.v.9n.1p.67.

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Auster’s first novel The Invention of Solitude was significant, in that it not only catalogued his own experiences, but also provided one of the earliest examples of the psychological processes involved in trauma and memory storage. It demonstrates the self’s psychological use of the Ego, in a classical sense, to negotiate between emotional response and reality, in order to create meaning around a set of events. More specifically, the death of Auster’s father operates as a catalyst for the author’s journey of self-discovery, which is richly tied to the psychoanalytical principles of Freud and

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Sharma, Khum Prasad. "Between Mythology and Modernity in Hernan Diaz’s In the Distance." Mindscape: A Journal of English & Cultural Studies 2, no. 1 (2023): 87–94. http://dx.doi.org/10.3126/mjecs.v2i1.61684.

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This paper deals with Hernan Diaz’s In the Distance (2017) that challenges and subverts conventions and myths of the West. It follows the journey of Håkan Söderström, a young Swedish immigrant who arrives in California by mistake and attempts hard to cross the continent in order to his brother, Linus in New York. Håkan Söderström becomes a legendary and solitary figure in the eyes of the indigenous people and the immigrants who meet him in the landscape of the American West. Along the way, he encounters various characters and situations that expose the violence, racism, and exploitation of the

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BALAN, Rodica. "The reflective teacher, integrator of folklore content through new technologies." Acta et commentationes: Științe ale Educației 38, no. 4 (2024): 107–12. https://doi.org/10.36120/2587-3636.v38i4.107-112.

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This paper analyzes the role of the reflective teacher in integrating folkloric content in education, with an emphasis on the use of new technologies. We explore ways to create an authentic connection between folklore and students, stimulating interest and respect for cultural values. Starting from the etymology of the term "folklore" we identify a wide range of traditions, oral expressions, including language as a conveyor of intangible cultural heritage, literature, culinary arts, music, song, dance, sounds, games, mythology, rituals, customs, ancestral skills and crafts, as well as the inst

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Kim, Suh Yoon. "Representation of Greek Mythology in History Textbooks of Greek Primary schools." Journal of Literary Education, no. 1 (December 8, 2018): 151. http://dx.doi.org/10.7203/jle.1.12268.

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This article aims to highlight the representation of Greek mythology in Greek primary textbooks and the educational purpose of this representation, which includes macroscopic rearrangement, modification of individual texts, and addition of ancillary materials. In Greek primary schools, third graders begin to learn mythology in the introductory part of the subject History. The educational aspect of mythology in textbooks focuses on heroes being represented as exemplary models for teaching values to children. The texts reflect modern metanarrative of individualism, which teachers and parents con

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А. K. Khussainova, К. T. Tulebayeva, and B. M. Kadyrova. "CONCEPTUAL FEATURES OF THE IMAGES OF «WOMEN» IN TURKIC MYTHOLOGY." Bulletin of Toraighyrov University. Philology series, no. 4.2022 (December 30, 2022): 282–94. http://dx.doi.org/10.48081/dcck8920.

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"When studying the concept of «woman» in Kazakh literature, first of all, we take into account that the concept of concept is a complex structure transmitted by the ethno-cultural concept of a centuries-old idea of being, cultural values, short and deep truths transmitted from generation to generation, stored in our consciousness. In order to become a concept of conceptuality, it is necessary that the words used by the people have a close connection with the centuries-old culture, traditions, religion, mentality of this people, have an ethno-cultural degree. Speaking about the concept of «woma

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LEAUA, Crenguţa. "The Greek Gods and the Metaverse: Legal Order in the Layered Universe." ANALELE ȘTIINŢIFICE ALE UNIVERSITĂŢII „ALEXANDRU IOAN CUZA” DIN IAȘI (SERIE NOUĂ). ȘTIINŢE JURIDICE 70, no. 1 (2024): 5–14. http://dx.doi.org/10.47743/jss-2024-70-1-1.

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The article explores how human relations in relationship with „the metaverse” – a novel term used to describe an alternative reality enabled by nascent immersive technologies like virtual reality and augmented reality, in combination with blockchain and artificial intelligence ‑ can be understood conceptually by drawing parallels to systems of thought based on a multi‑layered universe. Greek mythology offers insightful examples of interactions between the different layers of the ancient Greek universe. One can easier understand how to design the rules for the responsibility of humans interacti

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Soto, Boris Briones. "La religión mapuche según los cronistas de Indias." Anthropos 117, no. 1 (2022): 107–16. http://dx.doi.org/10.5771/0257-9774-2022-1-107.

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This article deals with the Mapuche religion as seen by Spanish chroniclers who wrote about the indigenous peoples of Chile. In these documents, we find numerous religious elements that help us understand the mythology and beliefs of the Mapuche at the beginning of the conquest. Addressing the subject of his study, the author analyzes the works of those chronicles in order to create a general panorama of their vision of indigenous religions, taking into account certain methodological problems that such study entails, e.g. religiocentrism and religious syncretism.

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Tonu, Constantin. "Andreï Makine – From Anonymity to Literary Fame." Studia Universitatis Babeș-Bolyai Philologia 69, no. 2 (2024): 125–36. http://dx.doi.org/10.24193/subbphilo.2024.2.07.

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Andreï Makine – From Anonymity to Literary Fame. The aim of this article is to analyse the strategies that enabled Andreï Makine to go from being a penniless Russian immigrant living in a Parisian cemetery to becoming a celebrity in the French literary world. The first aspect to be considered is the use of pseudo-translation. Unlike another Russian writer in exile, Alexander Solzhenitsyn, who always believed that his works would be read by his compatriots and have an impact on the Russian cultural space, Makine, who settled in France in 1987, decided to write in French, mainly for a French rea

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Walsh, Richard. "The Gospel According to Judas: Myth and Parable." Biblical Interpretation 14, no. 1-2 (2006): 37–53. http://dx.doi.org/10.1163/156851506776145832.

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AbstractJesus films improve the Judas story by adding plot connections and amplifying Judas' character, but their Judases reprise "the Gospel according to _" pattern. Like Jewison's Judas, they all are part of the adoring Christian chorus. Films' selective uses of the gospel Judas incidents intensify the gospel exclusions. Judas remains the traitorous disciple who deserves his fate. Films' visuals continue the iconography of art and create interlocking scenes associating Judas with Jesus' opponents. While some films motivate Judas traditionally, others modernize Judas' motivation in order to c

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Fischer, André. "Deep Truth and the Mythic Veil: Werner Herzog's New Mythology in Land of Silence and Darkness." Film-Philosophy 22, no. 1 (2018): 39–59. http://dx.doi.org/10.3366/film.2018.0061.

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This article begins with Werner Herzog's programmatic statements on new images and deep truth and connects it to ideas of Nietzschean aesthetics, mainly the Apollonian image and the Dionysian horror. My main argument is that Herzog contributes to the literary and aesthetic tradition of new mythology within the medium of film by developing a distinct visual language that tries to express non-rational truth claims. In a first step I explore how Nietzschean aesthetics influenced the debates about the mythic image and total cinema in classic film theory and visual studies. More importantly I show

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McReynolds, Clayton. "Yeats's Barfieldian Rebellion: Locating Yeats's Synthetic Symbolism in Barfield's Evolution of Consciousness." Journal of Inklings Studies 8, no. 1 (2018): 65–82. http://dx.doi.org/10.3366/ink.2018.0004.

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In this paper, I draw on Barfield's theory of the evolution of consciousness and language to argue that William Butler Yeats employs language in his poetry in a way which resembles the older, ‘organic’ poetry Barfield describes. I observe how Yeats's ‘concrete’ understanding allowed him to weave a rich web of meaning into his poetry without feeling confined by T.S. Eliot's ‘dissociation of sensibility’. Many of Yeats's Modernist contemporaries struggled to bridge a perceived gap between thought and feeling, but Yeats's view of the world as innately symbolic allowed him to use language both lit

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Artamonov, Denis Sergeyevich, and Svetlana Mikhailovna Frolova. "Internet Meme in the System of Social Mythology of the Digital Age." Общество: философия, история, культура, no. 11 (November 13, 2020): 13–17. http://dx.doi.org/10.24158/fik.2020.11.1.

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The paper discusses the place of Internet memes in the structure of the social mythology of the digital world. The authors understand the Internet meme as a communication phenomenon. They characterize it as an online miniformat genre. An Internet meme integrates an image with an ironic text caption for a concise assessment of a situation, state or phenom-enon and visualization of reality. The myth is em-bedded in the semantic structure of the meme, which spreads it to large audiences. In the post-truth era, Internet memes are not only retransmitters of myths, but also actively create a new soc

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Swasti, Dubey. "Factual Origins of Myths." International Journal of Social Science And Human Research 05, no. 10 (2022): 4491–93. https://doi.org/10.5281/zenodo.7185830.

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Many cultures have developed myths and legends rooted in the ideas of vampirism, lycanthropy, and witchcraft. According to anthropological currents, these stories don’t come up from nothing, but follow a process of transformation of elements drawn from real experiences eventually transformed into fictional stories depending on the message they are meant to spread. Every legend has an origin in history, an event with no plausible explanation at the time due to lack of scientific technology and resources. Although, reality can be described in scientific terms. These possible facts connecte

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N.M., Vitvitska, and Yesypenko N. H. "Lexical and Grammatical Features of Direct Speech of the Trickster-Character in Fiction Discourse (Based on the Material of Neil Gaiman's Collection "Scandinavian Mythology")." Studia Philologica, no. 21 (2023): 46–56. http://dx.doi.org/10.28925/2311-2425.2023.214.

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The article is devoted to the analysis of lexical and grammatical features of direct speech of a trickster character in literary discourse. The material for the study was taken from Neil Gaiman's collection of short stories "Scandinavian Mythology". This article includes an analysis of previous studies with the aim of forming the theoretical basis for studying the direct speech of a trickster character, analysis of lexical and grammatical constructions used in the character's direct speech, consideration of the results obtained and drawing conclusions. The subject of the article is the lexical

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Deman Abdulla Salh. "The Role of Aziz Gardi in Translating the Legend of Nations into Kurdish." Zanco Journal of Humanity Sciences 28, S.Con (2024): 59–71. http://dx.doi.org/10.21271/zjhs.28.s.con.6.

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Kurdistan as a geographical region is the center of ancient civilizations, even according to archaeological and historical research was the first homeland of the Sumerians, later moved from Kurdistan to Mesopotamia. We have many Myths within this civilization. Mythology is an important historical, religious, and cultural resource for any nation. It is even sacred history. The role of myths in the formation of national and cultural identity is very important because it helps to create awareness and a common sense of history, values, beliefs, sacredness and traditions. At the same time, myths be

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Rahman, Rafi. "Grappling with Christian Mythology: First Corinthians Coming-of-Age within Song of Solomon." American Journal of Arts and Human Science 3, no. 4 (2024): 11–15. http://dx.doi.org/10.54536/ajahs.v3i4.2948.

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Toni Morrison’s Song of Solomon, published in 1977, is one of the foremost examples of literature in the African American context that employs Christian mythology and thematically develops the notions of love, morality, and difference. Therefore, this work presents qualitative descriptive research that explores how the character created in the coming-of-age process is portrayed in relationship to the biblical passages about the ecclesiastical work. First, Epistle to the Corinthians focuses specifically on the Dead, a character from the work, in attempting to identify how Morrison employs poeti

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Lumbantoruan, Margaretha Irma Yani Rosa, and Nunuk Endah Srimulyani. "Science Mythology in Mary Shelley's Frankenstein: A Case Study Using Roland Barthes' Semiotics." International Journal of Innovative Science and Research Technology 7, no. 11 (2022): 22–26. https://doi.org/10.5281/zenodo.7445000.

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The debates between science and religion have been a long way discussion in many life aspects; especially how one is compared to another and seen as more superior or inferior. Science has dramatically developed since the Renaissance era in the 14th century to the Age of Reason in the late 18th century, until today. The tremendous science advancement has been portrayed well in Mary Shelley’s book entitled Frankenstein where the scientific act of revival is clearly shown and practised. This study wants to emphasise the science mythology in the novel, related to how science and religion are

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Cruz, Maria Pilar, and Marcos Mortensen Steagall. "MARIA MARIA! Exploring Filipina Identity Through Mixed-Media Graphic Design." LINK PRAXIS 2, no. 1 (2024): 322–58. http://dx.doi.org/10.24135/link-praxis.v2i1.13.

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This practice-led project explores Filipina Identity through mixed media graphic design, asking how two halves of a Pre and Post-Colonial female identity may exist in visual and narrative harmony. Through a series of seven assemblages, the practitioner takes the bold landscapes and bright, colourful creatures of Pre-Colonial Philippine mythology into the intensely sacred space of devotional shrines. In doing so, the project reviews key areas of Western Storytelling; Filipino Cubism; and 20th Century Assemblage. By using Western devices to frame indigenous content, the practitioner hopes to cre

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