Academic literature on the topic 'Crime, fiction Golden Age mystery'

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Journal articles on the topic "Crime, fiction Golden Age mystery"

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Guarneri, Dr Cristina. "Thematic, Formal, and Ideological Aspects of Literary Fiction: The Rise of Detective Fiction." International Journal of English Literature and Social Sciences 10, no. 1 (2025): 062–71. https://doi.org/10.22161/ijels.101.7.

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From ancient Greece on, fictional narratives have entailed deciphering mystery. At almost the same period as the detective branch of the Metropolitan Police was evolving, the genre of detective fiction was also emerging, mainly in the short-story form. In these stories, a mystery or a crime occurs, and an amateur or professional detective is called in to solve it. The first modern detective story is often thought to be Edgar Allan Poe’s The Murders in the Rue Morgue, which first introduced the golden age of detective stories, and the world to private detectives, that would later Conan Doyle’s
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Guarneri, Dr Cristina. "THEMATIC, FORMAL, AND IDEOLOGICAL ASPECTS OF LITERARY FICTION : THE RISE OF DETECTIVE FICTION." JOURNAL OF ENGLISH LANGUAGE AND LITERATURE 12, no. 01 (2025): 06–21. https://doi.org/10.54513/joell.2025.12102.

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From ancient Greece on, fictional narratives have entailed deciphering mystery. At almost the same period as the detective branch of the Metropolitan Police was evolving, the genre of detective fiction was also emerging, mainly in the short-story form. In these stories, a mystery or a crime occurs, and an amateur or professional detective is called in to solve it. The first modern detective story is often thought to be Edgar Allan Poe’s The Murders in the Rue Morgue, which first introduced the golden age of detective stories, and the world to private detectives, that would later culminate into
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Sandberg, Eric. "Detective Fiction, Nostalgia and Rian Johnson's Knives Out: Making the Golden Age Great Again." Crime Fiction Studies 1, no. 2 (2020): 237–53. http://dx.doi.org/10.3366/cfs.2020.0023.

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The Golden Age is back with a vengeance: reprints, re-boots, and adaptations of interwar detective fiction and its off-shoots have proliferated in the twenty-first century, as have works more loosely, but nonetheless substantially, inspired by the clue-puzzle format developed and perfected by authors like Agatha Christie. This resurgence of the ‘whodunnit’ mystery is something of mystery itself, as the centre of gravity of crime writing has long shifted away from this ostensibly dated and aesthetically limited form. This paper explores this unexpected development, looking in particular at the
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Ramazan, Farman J. "THE GOLDEN AGE OF DETECTIVE FICTION: GENRE CONVENTIONS OF AGATHA CHRISTIE’S COSY MYSTERIES." Scientific Journal of Polonia University 49, no. 6 (2022): 17–21. http://dx.doi.org/10.23856/4902.

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The article focuses on the investigation of detective fiction in general and detective stories in particular which in this research is understood as a narrative where the plot hinges on a crime that the characters investigate and attempt to solve. The research also deals with various genre types of detective stories, such as police-department procedurals, hardboiled, locked room mysteries, cosy mysteries. Special attention is paid to the genre development of detective stories from a historical perspective. It is worth underlining that the period between World War I and World War II (the 1920s
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Obaid, Abbas Idan, Zakariya Yaseen Musa, and Akram Jabbar Najm. "Backtracking Script in Agatha's Selected Crime Fiction: A Stylistic Study." JOURNAL OF LANGUAGE STUDIES 8, no. 11 (2024): 97–109. https://doi.org/10.25130/lang.8.11.6.

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Backtracking script is a mode of speech presentation, encompassing a domain of the text (sub)world where the writer manipulates receivers' (or readers') mind to handle the conceptual gaps he presumes for them, provoking a schematic structure to be recognized by readers. The present study tackles the backtracking script in Agatha's detective stories: "The Adventure of the Christmas Pudding" And "The Mystery of the Spanish Chest". Agatha Christie was one of the most celebrated writers of the ‘Golden Age’ period of detective fiction in the years between the world wars. The propounded model for ba
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Macsiniuc, Cornelia. "Discipline and Murder: Panoptic Pedagogy and the Aesthetics of Detection in J.G. Ballard’s Running Wild." American, British and Canadian Studies Journal 28, no. 1 (2017): 72–90. http://dx.doi.org/10.1515/abcsj-2017-0005.

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Abstract My essay proposes a reading of J.G. Ballard’s 1988 novella Running Wild as a cautionary crime story, a parable about the self-fulfilling prophecies of contemporary urban fears and about the “prisons” they create in a consumerist, technology- and media-dominated civilization. Interpreted in the light of Foucault’s concept of panopticism, Ballard’s gated community as a crime setting reveals how a disciplinary pedagogy meant to obtain “docile bodies,” masked under the socially elitist comfort of affluence and parental care, “brands” the inmate-children as potential delinquents and ultima
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Ventura, Daniela. "La logique de l’enquête chez Noël Vindry." Studi Francesi 202 (LXVIII | I) (2024): 75–87. http://dx.doi.org/10.4000/11wi0.

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The primary aim of this paper is to bring out of oblivion Noël Vindry, one of the greatest French Detective writers of the “Golden Age” mysteries who has nothing to envy John Dikson Carr, an American master of the so-called “locked room mystery”. We will particularly highlight the interest of La Cinquième cartouche from an inferential point of view, by focusing our attention on the modus cogitandi of the detective in charge of the criminal investigation. It is from contingent facts that he arrives, through reasoning, at the rational explanation of an enigmatic fact by reconstituting, backwards
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Bolton, Sophie. "The Collins Crime Club." Logos 31, no. 4 (2021): 69–73. http://dx.doi.org/10.1163/18784712-03104005.

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Abstract The interwar years in Britain are regularly referred to by historians and literary commentators as the Golden Age of detective fiction (c. 1920–1940). This article focuses on the Collins imprint the Crime Club, established in 1930. It assesses the significance of this imprint in the context of the Golden Age, with a focus on its commercial animus, drawing on theories about class-based markets and the commercialization of print culture. The article examines the marketing methods used by the Crime Club to promote its titles, such as newsletters and card games, and takes into considerati
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Huang, Yunte. "The Lasting Lure of the Asian Mystery." PMLA/Publications of the Modern Language Association of America 133, no. 2 (2018): 384–87. http://dx.doi.org/10.1632/pmla.2018.133.2.384.

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Among the numerous accolades and awards garnered by viet thanh nguyen's debut novel, the sympathizer (2015), the one receiving the least attention from academic critics will probably be the Edgar Award, bestowed by the Mystery Writers of America. After all, The Sympathizer boasts aesthetic achievements that far exceed the generic confines of a conventional mystery novel. Also, even in the age of cultural studies, when the divide between the popular and the elite is supposed to have all but disappeared, literary scholars, if they are honest with themselves, still hang on to the notion that ther
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Philip, Susan. "Adapting the Golden Age Crime Fiction Genre in the “Kain Songket Mysteries” Series." Southeast Asian Review of English 55, no. 1 (2018): 21–36. http://dx.doi.org/10.22452/sare.vol55no1.3.

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Dissertations / Theses on the topic "Crime, fiction Golden Age mystery"

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Hoffman, Megan. "Women writing women : gender and representation in British 'Golden Age' crime fiction." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/11910.

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In this thesis, I examine representations of women and gender in British ‘Golden Age' crime fiction by writers including Margery Allingham, Christianna Brand, Agatha Christie, Ngaio Marsh, Dorothy L. Sayers, Josephine Tey and Patricia Wentworth. I argue that portrayals of women in these narratives are ambivalent, both advocating a modern, active model of femininity, while also displaying with their resolutions an emphasis on domesticity and on maintaining a heteronormative order, and that this ambivalence provides a means to deal with anxieties about women's place in society. This thesis is di
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Walton, Samantha. "Guilty but insane : psychology, law and selfhood in golden age crime fiction." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7793.

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Writers of golden age crime fiction (1920 to 1945), and in particular female writers, have been seen by many critics as socially and politically detached. Their texts have been read as morality tales, theoretically rich mise en scenès, or psychic fantasies, by necessity emerging from an historical epoch with unique cultural and social concerns, but only obliquely engaging with these concerns by toying with unstable identities, or through playful, but doomed, private transgressions. The thesis overturns assumptions about the crime novel as a negation of the present moment, detached and escapist
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Bright, Brittain. "Beyond the scene of the crime : investigating place in Golden Age detective fiction." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/11637/.

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Place is both physical and conceptual; in fiction, place offers an initial basic orientation, but also fulfills many more complex roles. This thesis considers place in the Golden Age detective novels of Agatha Christie, Gladys Mitchell, and Dorothy L. Sayers to establish place as a point of critical engagement, and uses place to re-consider influential works in the genre. The exploration of place uncovers textual clues that are not necessarily detective clues, complicating these novels and dismantling deceptive assumptions about the homogeneity of the Golden Age. The evidential place, or “the
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Trainin, Sarah Jean. "The rise of mass culture theory and its effect on golden age detective fiction." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2255.

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Billyeald, Penny. "What the butler did not do : the function of the domestic servant in the crime and detective fiction of the golden age." Thesis, University of Reading, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443936.

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Kydd, Christopher. "A mongrel tradition : contemporary Scottish crime fiction and its transatlantic contexts." Thesis, University of Dundee, 2013. https://discovery.dundee.ac.uk/en/studentTheses/965af68c-99ba-4b38-a20b-a23e052646cf.

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This thesis discusses contemporary Scottish crime fiction in light of its transatlantic contexts. It argues that, despite participating in a globalized popular genre, examples of Scottish crime fiction nevertheless meaningfully intervene in notions of Scottishness. The first chapter examines Scottish appropriations of the hard-boiled mode in the work of William McIlvanney, Ian Rankin, and Irvine Welsh, using their representation of traditional masculinity as an index for wider concerns about community, class, and violence. The second chapter examines examples of Scottish crime fiction that exp
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Books on the topic "Crime, fiction Golden Age mystery"

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1936-, Skene Melvin David, ed. Crime where the nights are long: Canadian stories of crime, adventure, and terror from the golden age of storytelling. Simon & Pierre, 1999.

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Smith, Marie. The Mammoth Book of Golden Age Detective Stories: Victorian and Edwardian Novels, Novellas, and Tales of Crime. Edited by Marie Smith. Carroll and Graf Publishers, 1994.

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The Golden Age Of Crime Fiction. Prion, 2013.

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Gender and Representation in British ‘Golden Age’ Crime Fiction. imusti, 2016.

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Hoffman, Megan. Gender and Representation in British 'Golden Age' Crime Fiction. Palgrave Macmillan, 2016.

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Thynne, Molly. The Crime at the 'Noah's Ark': A Golden Age Mystery. Dean Street Press, 2016.

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Gilbert, Anthony. Portrait of a Murderer: A Christmas Crime Story. ReadHowYouWant.com, Limited, 2018.

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Gilbert, Anthony. Portrait of a Murderer: A Christmas Crime Story. Poisoned Pen Press, 2018.

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Shaw, Bruce. Jolly Good Detecting: Humor in English Crime Fiction of the Golden Age. McFarland & Company, Incorporated Publishers, 2013.

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Bowers, Dorothy. Shadows Before: A Golden Age Detective Novel. Rue Morgue Press, 2005.

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Book chapters on the topic "Crime, fiction Golden Age mystery"

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Rowland, Susan. "The “Classical” Model of the Golden Age." In A Companion to Crime Fiction. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444317916.ch8.

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Link, Sarah J. "Defining Detective Fiction." In Crime Files. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-33227-2_2.

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AbstractThis chapter identifies common features of detective fiction and provides an overview of the history of the genre in order to explain the strong conceptual link between lists and detective fiction. The chapter explains how the idea of lists as an ordering principle is rooted in the genre’s history, and it illustrates the clearly marked reader positions that develop across various subgenres. Particular attention is paid to the Newgate Calendar, to the central role that Edgar Allan Poe and French detective fiction played in establishing the genre in Great Britain, to the genre’s close re
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Kaplan, Cora. "‘Queens of Crime’: The ‘Golden Age’ of Crime Fiction." In The History of British Women’s Writing, 1920–1945. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137292179_9.

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Mayhall, Laura E. Nym. "“Indecently Preposterous”: The Interwar Press and Golden Age Detective Fiction." In Crime Files. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-07159-1_7.

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Hoffman, Megan. "Introduction." In Gender and Representation in British ‘Golden Age’ Crime Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53666-2_1.

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Hoffman, Megan. "Change and Anxiety: Historical Context." In Gender and Representation in British ‘Golden Age’ Crime Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53666-2_2.

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Hoffman, Megan. "‘Everybody Needs an Outlet’: Nonconforming Women." In Gender and Representation in British ‘Golden Age’ Crime Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53666-2_3.

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Hoffman, Megan. "A Joint Venture?: Love, Partnership and Marriage." In Gender and Representation in British ‘Golden Age’ Crime Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53666-2_4.

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Hoffman, Megan. "Ladies of a Modern World: Education and Work." In Gender and Representation in British ‘Golden Age’ Crime Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53666-2_5.

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Hoffman, Megan. "Sensational Bodies: Villains and Victims." In Gender and Representation in British ‘Golden Age’ Crime Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53666-2_6.

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