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1
Aydin, Filiz Tutku, and Fethi Kurtiy Sahin. "The politics of recognition of Crimean Tatar collective rights in the post-Soviet period: With special attention to the Russian annexation of Crimea." Communist and Post-Communist Studies 52, no. 1 (February 19, 2019): 39–50. http://dx.doi.org/10.1016/j.postcomstud.2019.02.003.
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This paper examines the process of how Crimean Tatars strived to attain group-differentiated rights since they have returned to their homeland in the early 1990s. Whereas the politics of minority rights were viewed through security lens in earlier literature, we emphasize the significance of cultural constructs in influencing the minority policies, based on qualitative content analysis of “speech acts” of elites, and movement and policy documents. Focusing on the interaction of the framing processes of Crimean Tatars with the Crimean regional government, Ukraine, and Russia, we argue that the “neo-Stalinist frame” has played a major role in denying the rights of Crimean Tatars for self-determination and preservation of their ethnic identity in both pre and post annexation Crimea. The Crimean Tatars counter-framed against neo-Stalinist frame both in the pre and post-annexation period by demanding their rights as “indigenous people”. Ukraine experienced a frame transformation after the Euromaidan protests, by shifting from a neo-Stalinist frame into a “multiculturalist frame”, which became evident in recognition of the Crimean Tatar status as indigenous people of Crimea.
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Murtazina, Lyalya R. "Scientist, poet, teacher of the Crimea and Tatarstan (on the 115th birthday of Kerim Jamanakli)." Crimean Historical Review, no. 1 (2020): 94–99. http://dx.doi.org/10.22378/kio.2020.1.94-99.
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The article discusses certain moments of Tatarstan period of life and work of the famous Crimean Tatar scientist, poet and teacher Kerim Jamanakli. He made a great contribution to the development of literature and pedagogy of the Crimean Tatars and Kazan Tatars. The article describes the activities of Kerim Jamanakli in training teachers for national schools of Tatarstan. The last 20 years of his life he taught at the Elabuga Pedagogical Institute.
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Vlasenko, V. M., and M. O. Bondarenko. "TO THE BIOGRAPHY OF AMET OZENBASHLY." Sums'ka Starovyna (Ancient Sumy Land), no. 54 (2019): 18–31. http://dx.doi.org/10.21272/starovyna.2019.54.2.
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The article is devoted to the public and political activity of Amet Ozenbashly who was one of the leaders of the Crimean Tatar national movement in the first half of the XX century. His public activity during the period of the national liberation movement (1917-1920) is characterized in the article. Amet Ozenbashly’s participation in convening and conducting the Constituent Assembly of the Crimean Tatar nation (the first Kurultai), his activity within the Directory and the Central Committee of the Crimean Tatar national party “Milliy Fyrqa” is also emphasized in the work. A. Ozenbashly didn’t immigrate after the defeat of the national revolution. At the beginning of the 1920s he participated in the establishment of the Crimean Autonomous Soviet Socialist Republic and was the member of its Central Executive Committee. He also held the position of the headmaster in the Crimean pedagogical college, the Deputy People’s Commissar of Finance; he practiced as a neurologist in Simferopil and was engaged in the literature activity. He was repressed in 1928. He was sentenced to death but his verdict was changed to 10 years of imprisonment. He was released from prison prematurely in 1934. A. Ozenbashly’s activity during the period of the German occupation is characterized in the study. He wrote the memorandum about the collaboration with the German although the document was not manifested. He made covert public statements against the collaboration with the German. He urged the Crimean Tatars to choose the third way (neither Hitlerism nor Stalinism) and value their own national interests above all. Because of risk of being arrested he had to hide. According to H. Porokhovsky’s (the former colonel of the UNR army, the leader of the Ukrainian military emigration in Romania, the employee of the Romanian special information service) archive-investigation file A. Ozenbashly moved to Odesa and then to Romania with his assistance. Being in this Balkan country he established linkages with the leaders of the Crimean Tatar emigration in Turkey, helped the refugees from the Crimea to settle in Romania and got ready to move to Istanbul. However he was arrested and repressed by the Soviet intelligence agency for the second time in spring 1945. Key words: Amet Ozenbashly, the Crimea, the Crimean Tatars, Milliy Fyrqa, Romania, Hnat Porokhovsky.
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Finnin, Rory. "Captive Turks: Crimean Tatars in Pan-Turkist Literature." Middle Eastern Studies 50, no. 2 (March 4, 2014): 291–308. http://dx.doi.org/10.1080/00263206.2013.870897.
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Honcharenko, Nadiia. "The Deportation of 1944 in the Cultural Memory of Crimean Tatar People (the Case of Literary Works of Ervin Umerov and Shamil Aladin)." Culturology Ideas, no. 17 (1'2020) (2020): 139–48. http://dx.doi.org/10.37627/2311-9489-17-2020-1.139-148.
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The article deals with the coverage in works of literature of the forceful deportation of Crimean Tatar people in May, 1944. Here, literary works are seen as functioning elements of cultural memory of the people. The works in question are Ervin Umerov’s short stories Loneliness, The Black Trains, The Permit, and Shamil Aladin’s novels Invitation to Devil’s Banquet and I’m Your King and God, recently published in Ukrainian translations. The importance of Ukrainian publications of works of Crimean Tatar literature, telling i. a. about the deportation of 1944, is determined by the persistence of negative stereotypes and anti-Crimean Tatar bias cultivated for decades. In the XXI century, much has been accomplished by scholars and journalists in order to deconstruct historic myths, i. a. the Stalinist black legend about Crimean Tatars’ “treachery” during the 2nd World War. True facts about the deportation of 1944 were publicized as well. Back in Soviet times, when telling the truth about tragic past directly was impossible, Crimean Tatar writers saw their mission in preserving at least some of the people’s memories in their works of fiction. The emotional and aesthetic power of historic fiction is of key importance in bringing images of the past to contemporary readers. Memories of the deportation of May, 1944 were parts of their life experiences both for Umerov (1938–2007) and Aladin (1912–1996). In their works written mostly during Soviet period, they transformed into fictional accounts both their own experience and tragic memories of their compatriots, using multi-layered plots, subtext and Aesopian language so as to bypass Soviet censorship.
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Sulaimanov, Mukhamed-Ali Usmanovich. "Ethnocultural code in the Crimean Tatar literary criticism (on the example of Shakir Selim’s literary-criticism article “About Shamil Alyadin, Charyks and a Pocket Knife”)." Litera, no. 4 (April 2021): 104–17. http://dx.doi.org/10.25136/2409-8698.2021.4.35485.
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Based on the analysis of causality and reasonableness of arguments of such literary scholars as Shakir Selim and Shamil Alyadin, this article attempt to determine the ethnocultural code of the Crimean Tatar literary criticism. The author applies the approach of methodological pluralism, as well as hermeneutical, logical, historical-genetic, comparative-typological, phenomenological, and psychological methods. This allows considering various perspectives of the aforementioned literary scholars upon the variants of critical analysis of the artistic heritage of the classic of Crimean Tatar literature Memet Nuzet. The article outlines the basic principles of literary criticism, declared by Shakir Selim and Shamil Alyadin, as well as their dependence on the ethnocultural code of the Crimean Tatars. The scientific novelty of this research consists in the attempt of carrying out a comprehensive hermeneutical analysis of Shakir Selim’s literary-criticism work “About Shamil Alyadin, Charyks and the Pocket Knife” through the prism of methodological pluralism in the aspect of ethnocultural code. The author’s main contribution consists in the reflection of the “clash of opinions” of three literary critics – this is the critical article by Shakir Selim, based on the response of Pirae Kadri-Zade, written to Shamil Alyadin’s criticism essay on the poem composed by the classic of the Crimean Tatar literature Memet Nuzet.
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Djemileva, A. A. "Lev Tolstoy and crimean tatar literature." Язык и текст 6, no. 1 (2019): 17–21. http://dx.doi.org/10.17759/langt.2019060102.
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One of the great writers of Russian literature, whose works are addressed by Crimean Tatar writers, is Leo Tolstoy. At present, interest in the creative heritage of the writer is growing: his works are read and studied in many languages of the world. Translations of works by L. Tolstoy in the Crimean Tatar literature, as in other national literatures, were updated in the 1930s. Twentieth century. Among the talented translators of works of L. Tolstoy into the Crimean Tatar language should be called Umer Ipchi. The writer translates into his native language "Aji Murat" ("Hadji Murat") and "Kazaklar" ("Cossacks"), which will soon be published as a separate book. Of particular value for the Crimean Tatar reader are the translations of the story "Hadji Murad", made by the Crimean Tatar leader Abdullah Latif-zade. The classic of the Crimean Tatar literature Eshref Shemii-Zadeh also contributed to the study of the works of L. Tolstoy in his native language. He translated into his native language the works of Tolstoy "Hadji Murat", "Cossacks" and "Sevastopol Stories".
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Moskalenko, Olga A., and Aleksandr A. Irkhin. "The Crimean war of 1853–1856 in the modern British literature: evolution of the Russian myth." Philological Sciences. Scientific Essays of Higher Education, no. 3 (May 2021): 32–39. http://dx.doi.org/10.20339/phs.3-21.032.
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The article considers the problem of the emergence and development of images of Russia and Russians in the cultural consciousness of Great Britain in the period of the Crimean War of 1853–1856, which played an important role in shaping the national identity of the British through the opposition of “Our” to “Other”. Based on historical and literary analysis, the authors identify the basic components of the myth of Russia and Russians in British literature during the Crimean War: a hostile territory where three very different ethnotypes (Tatars, Cossacks and Russians) exist quite independently, the absolute tyranny of Tzar and the slavish essence of Russians. The created myth of the Crimean War justifies the imperial “moral interventionism” of Great Britain, which implies the protection of the weak from the strong and visually enshrined in the images of the Russian bear. The intensity of the negative assessment of Russia and Russians is dependent on the political situation, nevertheless, Sevastopol stands out in the space of the Russian myth and is represented as topos, which does not receive any negative assessment and evolves to the level of the core of the myth of Russia both past and present.
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Konnova, D. M. "Lev Tolstoy and crimean tatar literature." Язык и текст 6, no. 2 (2019): 64–68. http://dx.doi.org/10.17759/langt.2019060210.
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Humeniuk, Olha N. "Figurative-Compositional Ornamentality of Sudak Song in the Émigré Folklore of Crimean Tatars." Studia Litterarum 6, no. 2 (2021): 342–57. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-342-357.
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Laconic songs, describing with the picturesque expressiveness and aphorismic clearness the sadness of parting with the motherland, became really wide-spread in the émigré folklore of Crimean Tatars. Compositional sophistication, emotional expressiveness are characteristic for these songs. They are notable for the touching lyricism, connected with the fact that exactly these songs are mainly about the parting with the loved ones: parents, friends, beloved girl. Fixed in several variants, Sudak tyurkyusi (Sudak Song) belongs to such folklore compositions. This song deals with the complicated dramatic relationships of two lovers who have to part. We can only guess what makes their relationships so complicated, but it is rather definitely mentioned that nobody could help the fatal influence of external factors. As well as difficult relationships of the lovers, bitterness and harm of adverse circumstances are clearly accented. The analyzed song has a certain lightness characteristic of the folklore style manner, even some playfulness, which effectively contrasts with the deep dramatic quality. The transfer of subtle, barely perceptible psychological nuances, emotional saturation are connected with the sophisticated oriental ornamentality, intensified by the eloquent, albeit unobtrusive, poetic parallelisms, as well as rhythmic and euphonic peculiarities of poetic description.
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Humeniuk, Olha N. "Figurative-Compositional Ornamentality of Sudak Song in the Émigré Folklore of Crimean Tatars." Studia Litterarum 6, no. 2 (2021): 342–57. http://dx.doi.org/10.22455/2500-4247-2021-6-2-342-357.
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Laconic songs, describing with the picturesque expressiveness and aphorismic clearness the sadness of parting with the motherland, became really wide-spread in the émigré folklore of Crimean Tatars. Compositional sophistication, emotional expressiveness are characteristic for these songs. They are notable for the touching lyricism, connected with the fact that exactly these songs are mainly about the parting with the loved ones: parents, friends, beloved girl. Fixed in several variants, Sudak tyurkyusi (Sudak Song) belongs to such folklore compositions. This song deals with the complicated dramatic relationships of two lovers who have to part. We can only guess what makes their relationships so complicated, but it is rather definitely mentioned that nobody could help the fatal influence of external factors. As well as difficult relationships of the lovers, bitterness and harm of adverse circumstances are clearly accented. The analyzed song has a certain lightness characteristic of the folklore style manner, even some playfulness, which effectively contrasts with the deep dramatic quality. The transfer of subtle, barely perceptible psychological nuances, emotional saturation are connected with the sophisticated oriental ornamentality, intensified by the eloquent, albeit unobtrusive, poetic parallelisms, as well as rhythmic and euphonic peculiarities of poetic description.
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Kerimov, Ismail A. "Our “Emel” (“Aspiration”) (1930–1940)." Crimean Historical Review, no. 1 (2020): 136–50. http://dx.doi.org/10.22378/kio.2020.1.136-150.
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One of the most respected journals in the Crimean Tatar language, in 1930s was “Emel” (“Aspiration”), which was published in Pazarchik (Romania) from the 1st of January of 1930s up to the 1940s. “Emel“ was arabographic up to the end of the 1930s, and only the last issues were published in Latin. Totally there were published 154 issues. The style of the journal in logotype was shown like this: “Scientific, literary, public and economical journal. Published once in 15 days”. Chief editor of the journal was popular Crimean Tatar writer, publicist and public figure Mistergip Fazil (Ulkusal). Different problems of the language, literature, culture and public life were highlighted regularly and published in the journal. At the same time there were given critical articles, reviews on the results of the scientific conferences of 1927, 1929, 1934 and discussions of Crimean Tatar literary language materials. A very big amount of literary material was published and discussed there: fiction literature, poetry, drama. Lots of articles were devoted to Stalin` s policy in the USSR. Real reasons of repressions against kulaks (wealthy citizens of the USSR) were presented and analyzed, severe repressions against Crimean Tatar specialists: scholars, writers and teachers of the Crimea were highlighted on the pages of the journal. The given article also analyzes the content of the journal connected with the Crimean Tatar diaspora in Romania. The attribution of some pseudonyms and abbreviations are given as well.
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Bergne, P. "Review: The Crimean Tatars: The Diaspora Experience and the Forging of a Nation." Journal of Islamic Studies 14, no. 2 (May 1, 2003): 242–45. http://dx.doi.org/10.1093/jis/14.2.242.
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Memetova, L. A. "Literary and artistic process on the pages of "Alem-i Subyan" ("Children's World")." Язык и текст 6, no. 1 (2019): 22–28. http://dx.doi.org/10.17759/langt.2019060103.
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In the recent decades, interest in the Crimean-Tatar periodicals of the late XIX and first half of the XX centuries has been intensified in the domestic scientific community, as to chronicles that have captured the literary background of the pre-war period. The modern researches in this area are the result of the consolidation of scientific forces to fill in the gaps in the historiography of Crimean Tatar philological thought. The purpose of the article is to review and analyze the literary and artistic process on the pages of the first specialized periodical for children in the Crimean Tatar language - the journal Alem-i Subyan ("Children's World"). The work analyzes original and translated creations published in various issues of the publication, assigns the individual works, defines the role of Alem-i Subyan ("Children's World"), which served as a platform for the presentation of the writers works' in the development of Crimean Tatar children's literature, and in general, in the evolution of the Crimean Tatar aesthetic thought early XX century. The implemented research contributes to the formation of the new knowledge in the history of the Crimean Tatar literature and in the development of the ethnic journalism.
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ÜŞENMEZ, Emek. "Ashiq Omer in the Modern Crimean Tatar Literature." Journal of Turkish Studies Volume 7 Issue 1, no. 7 (2012): 2055–65. http://dx.doi.org/10.7827/turkishstudies.2971.
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Kirimov, Tair Nuridinovich. "Historiography of life and creative path of the devotee of the Crimean Tatar literature and enlightenment Y. N. Baiburtlu." Филология: научные исследования, no. 7 (July 2021): 84–90. http://dx.doi.org/10.7256/2454-0749.2021.7.36067.
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This article gives a brief overview of the life and creative heritage of the figure of Crimean Tatar literature and enlightenment of the early XX century Yahya-Naji Bayburtlu (1876-1943). The author introduces into the scientific discourse the poorly studied biographical and bibliographic archival materials, which include the prewar literary and historiographical texts transliterated from the Arabic script to the Roman script. The article also employs the reminiscences of the relatives and contemporaries of Y. N. Baiburtlu that have been published in modern national press and give a better perspective of the creative path and environment of Y. N. Baiburtlu: the newspaper article of the writer's daughter Niyara Baiburtlu, autobiographical texts of the prominent Crimean Tatar publicistic writer Shamil Alyadinov. The methodological framework is comprised of the biographical, comparative-typological, and meta-critical analysis. The theoretical framework is based on the works of Arslan Krichinsky, Cemil Kermenchikli, Ismail Kerimov, Dmitry Ursu, Natalia Yablonovskaya, Mukhiddin Khairuddinov, Enisa Abibullayeva. Therefore, the overview of the life and literary-enlightenment activity of Y. N. Baiburtlu reveals his creative personality, outlines the prospects for the aspectual research of his biography as a writer and playwright, translator of literary works, public figure, and enlightener of his time. The author believes that the examination of the versatile literary-pedagogical heritage may significantly enrich the scientific representations of the traditions, factors of development and formation of the Crimean Tatar literary elite of the prewar period in Crimea.
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Rory Finnin. "Forgetting Nothing, Forgetting No One: Boris Chichibabin, Viktor Nekipelov, and the Deportation of the Crimean Tatars." Modern Language Review 106, no. 4 (2011): 1091. http://dx.doi.org/10.5699/modelangrevi.106.4.1091.
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Abliametova, Susanna Marlenovna. "The study of synonymy in Turkic and Crimean Tatar linguistics." Филология: научные исследования, no. 12 (December 2020): 109–15. http://dx.doi.org/10.7256/2454-0749.2020.12.34439.
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The study of lexical-semantic structure of the Crimean Tatar language is one of the relevant tasks of modern Turkology. Systematic interpretation and presentation of the language suggests comprehensive characteristics of lexical-phraseological composition in terminology of paradigmatics, syntagmatics and epidigmatics. Selection of this topic is substantiated by the fact that the category of synonymy in the Crimean Tatar language has not previously become the object of special research. The relevance of studying this topic is defined by insufficient coverage of the problem in the Crimean Tatar language. The existing in modern scientific and educational literature records on synonymy of the Crimean Tatar language are rather fragmentary. The question of synonymy is one of the central in modern linguistics. Multiple aspects of synonymy are also relevant in the Turkic linguistics. The interest towards lexical morphology of synonyms, synonymous use of the borrowed lexis, as well as phraseological synonymy has increased over the recent years. A historiographical overview of the existing in Turkology scientific literature proves that the study of synonymy in Turkic linguistics is currently picking up. A substantial number of works dedicated to this topic examine various concepts of the phenomenon of synonymy, as well as its other important aspects. Many aspects of synonymy are quite relevant in the Turkic linguistics. The interest towards morphology of synonyms, synonymous use of the borrowed lexis, and phraseological synonymy is growing significantly.
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Volkova, Tat’yana F., and Yekaterina I. Makarova. "Image of Muslim characters by the author of «Kazan Chronicle»." Vestnik of Kostroma State University 26, no. 4 (January 28, 2021): 78–82. http://dx.doi.org/10.34216/1998-0817-2020-26-4-78-82.
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One of the features of ‟Kazan Chronicle” – the manuscript of the three hundred year history of relations between Russia and Kazan Khanate – is the unusual attitude of the author, a supporter of the policy of Ivan the Terrible, to the Kazan Tatars (the latter ones in some cases are portrayed sympathetically by him), is discussed in the article; examples of the destruction of literary etiquette in the ‟Chronicle” are given, the reasons for such descriptions, hidden in the biography of the unnamed author of ‟Kazan Chronicle”, are explained. Episodes about violation of the contract with the fugitive Crimean tsar Ulanus, about the stay of the latter at the borders of Russia, by Vasily II the Blind, the Grand Prince of Moscow (Chapter 9), about treason of Kazan Khan Muhammad Amin against Ivan III the Great and about the further repentance of the former (Chapter 12), the perfidy of Shahghali, Khan of Kazan, who was Moscow's appointee, and killing by him of Chura, son of Naryk, Kazan nobleman who had saved him (Chapter 25), are discussed in the article in this aspect. In all those episodes of ‟Kazan Chronicle”, what is reflected is not only the circumstances of the personal sympathy towards Kazan Tatars from the side of the author of the ‟Chronicle”, who had lived for twenty years as a prisoner in Kazan, but also the destruction of literary etiquette, which was a trend characteristic of the 16th century literature.
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Seres, István. "A crimean tatar variant of theČora Batirepic." Acta Orientalia Academiae Scientiarum Hungaricae 63, no. 2 (June 2010): 133–66. http://dx.doi.org/10.1556/aorient.63.2010.2.2.
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Finnin. "“A Bridge Between Us”: Literature in the Ukrainian-Crimean Tatar Encounter." Comparative Literature Studies 56, no. 2 (2019): 289. http://dx.doi.org/10.5325/complitstudies.56.2.0289.
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Shved, E. V. "Crimean Tatar Future-Past Tense Ending in -джакъ эди Contrasted With English Verb Forms." Язык и текст 6, no. 1 (2019): 89–96. http://dx.doi.org/10.17759/langt.2019060116.
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The article researches the semantic meanings of the Crimean Tatar Future-Past Tense ending in джакъ эди, as well as determines the English language verb forms that carry equivalent meanings. The research is based on the analysis of literature written by seventy-five Crimean Tatar authors. The research allows to make a conclusion that the tense ending in -джакъ эди has three main semantic meanings: unrealized intent, relaying of information about a past intention without clarifying whether it was completed, past agreement or plan to carry out an action, and also a separate case involving the construction with аз къалды. It is determined, that similar meanings are carried respectively by the English constructions of Future Perfect in the Past, constructions with was/were going to with an infinitive, constructions with Future Indefinite in the Past, and also constructions with was/were about to with an infinitive, as well as constructions involving Past Simple Tense together with the words almost and barely.
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Kozelsky, Mara. "Casualties of Conflict: Crimean Tatars during the Crimean War." Slavic Review 67, no. 4 (2008): 866–91. http://dx.doi.org/10.2307/27653028.
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During the Crimean War, Crimean Tatars were charged en masse with collaborating with the Allies. At the war's conclusion, nearly 200,000 Tatars left the peninsula to relocate in the Ottoman empire. Mara Kozelsky contributes to an understanding of this critical episode in the Crimean War by examining secret surveillance documents, a collection that records complex state attitudes toward Tatars from the Allied landing on the Crimean coast to the Treaty of Paris. These documents reveal that intelligence operations provided no evidence of a collective Tatar guilt and instead testified to the diversity of pressures on state policies toward subject populations on the front lines of battie. Shifting wartime conditions, religious tensions, and repeated crises at the front highlighted unresolved debates about religion and loyalty to the state. Some officials recommended deporting the Tatars, others encouraged their migration, and still others advocated on the Tatars’ behalf.
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Kirimov, Tair Nuridinovich. "Peculiarities of artistic thinking of Mehmet Nuzhet." SENTENTIA. European Journal of Humanities and Social Sciences, no. 3 (March 2020): 51–59. http://dx.doi.org/10.25136/1339-3057.2020.3.32246.
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The goal of this work is determine the peculiarities and origins of artistic thinking of the Crimean Tatar writer of the XX century Mehmet Nuzhet. The methodological and theoretical framework of this research is comprised of the works of U. Ipchi, E. Shemizade, J. Bekirov, A. Altanly, I. Kerimov, Y. Kandymov and others. The aforementioned authors made an indisputable contribution to the development of Crimean Tatar literature and literary criticism. The artistic heritage of M. Nuzhet is diverse and unique. His poetic, prosaic and translation works are fused with national spirit. The actions and feelings of the protagonists of the artist’s lyrical works are a direct reflection of his psychological state. This article pays special attention to the psychological type of the lyricist. Using comparative, textual analysis, the author examines the published and original handwritten texts by M. Nuzhet. The conclusion is made that the writer systematically worked on the study of the depth feelings, emotions and ways their expression. The application of traditional folk poetic forms, genres, images allows creating the new patterns of influence upon the audience. Conveying the eternal anthropological topics, he transforms into a wise folk storyteller and preacher. For depicting the life realities, he disguises an old poor man or a street drunkard. Poetic alliterations and assonances enliven these images. In the process of declamation of such poems, the audience is captivated by the text and uses various mimic emotions intended by the context.
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Kondratjuk, Grigorii N. "Crimean Tatars in the Soviet Ethnopolitics in the interwar twenty years." Crimean Historical Review, no. 1 (2020): 85–93. http://dx.doi.org/10.22378/kio.2020.1.85-93.
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The article studies formation of the Soviet Ethnopolitics of treatment of the Crimean Tatars in 1920–1930s. It analyses formation and realization of national policy in the Crimean ASSR towards the Crimean Tatars. The most important component of the Soviet Ethnicpolitics was the policy of “korenization of the apparatus”, creation of national village councils, implementation of agrarian reforms, formation of the proletariat from among the Crimean Tatars, reorganizations in cultural and humanitarian spheres.
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Akat, Abdullah. "The Influences and Changes of the Crimean Tatars Music in the Process." Rast Müzikoloji Dergisi 1, no. 1 (April 15, 2013): 1–7. http://dx.doi.org/10.12975/rastmd.2013.01.01.0001.
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Crimea is now an autonomous parliamentary republic which is governed by the Constitution of Crimea in accordance with the laws of Ukraine. But, Crimea has been home to different nations during the history, as a result of the cultural wealth and thisfactor has been moved to today patterns. Crimean Tatars is one of the important parts of this wealth. The Crimean Tatars were forcibly expelled to Central Asia by Joseph Stalin's government after II. World War. After the fall of the Soviet Union, some Crimean Ta began to return to the region. Now, Crimean Tatars, an ethnic minority in Crimea and make up about 13% of the population. So, Crimean Tatars’ music must be evaluated in two periods. Before exile and after exile. There are many networks in the music of Crimea, and these networks can continue their existence even in small villages. On the other hand, the effects of popular culture increasing on Crimean Tatars music. The aim of this paper is to explain the musical differences in the process of change Crimean Tatars from generation to generation; define the effects of the people, places and mass media that cause them, observe them in daily practice and analyze these type of issues.
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Zaatov, Ismet A. "Semantic parallels of archaic Crimean Tatar musical terminology with the musical vocabulary of “Divan Lugat at-Turk” by Mahmud al-Kashgari in the context of the Turkic musical culture of the early Middle Ages." Crimean Historical Review, no. 2 (2020): 97–123. http://dx.doi.org/10.22378/kio.2020.2.97-123.
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The process of the formation of the Crimean Tatar musical culture can be divided into post-Byzantine-Golden Horde, Tatar-Seljuk and Nogai Kypchak (Nogai) – Ottoman periods of the cultural genesis of the Crimean Tatar people. The fact that the ancestors of the steppe Crimean Tatars are the Turkic tribes of the Kypchaks and the ancestors of the southern coastal Crimean Tatars are the Turkic tribes of the Oghuz, from the earliest centuries of their history were ethnic groups with a developed musical culture, written evidence from ancient Turkic authors and, in particular, the dictionary “Divan Lugat ata” – Turk “Mahmud al-Kashgari”. This article attempts to determine, based on the lexical analysis of the text of the vocabulary, the direct connection between the semantics of musical terminology in the language of modern Crimean Tatars with the semantics of the musical vocabulary of their Oguz and Kipchak ancestors, as well as identifying patterns of Oguz and Kipchak musical vocabulary in lexicon of the Crimean Tatars by the time of Mahmud Al-Kashgari has written his creation.
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Kizilov, Mikhail. "Post-Ottoman Cities: Changes in the Urban Structure of the Ottoman and Tatar Crimea after the Russian Annexation until the Crimean War (1783-1853/6)." Acta Orientalia Academiae Scientiarum Hungaricae 59, no. 2 (June 2006): 181–91. http://dx.doi.org/10.1556/aorient.59.2006.2.2.
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Napadysta, V. G. "IDEOLOGICAL GROUNDS OF CULTURAL IDENTIFICATION OF THE CRIMEAN TATARS: FORMATION CONTEXTS." UKRAINIAN CULTURAL STUDIES, no. 1 (2017): 65–69. http://dx.doi.org/10.17721/ucs.2017.1.14.
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The article describes the current ideological grounds of the cultural identity of the Crimean Tatars; the historical and political contexts of their formation is studied, comparative analysis of the activity of the first institutional bodies of the Crimean Tatar national movement – National movement of the Crimean Tatars and Organization of the Crimean Tatar national movement – representations of the ideological longings of the nation, is performed; their role in the creation, expansion, extension of the meaning and practical implementation of the ideological grounds stated in program documents of the named organizations, are determined; it analyzes their differences inthe strategic value landmarks and tactical steps, stipulated by them, which have become the reason of different vectors of the mentioned institutional representatives of the Crimean Tatar people in the process of cultural identification, based on unified ideological grounds – national identity, repatriation and national-cultural revival. This study articulates the value of the ideological grounds of the cultural identification of the Crimean Tatars in solving a whole range of problems, caused by the return of the Crimean Tatars to their historical motherland. The traditional orientation of the power establishments of the independent Ukraine on the economic, inter-ethnic,religious segments of the integration process of the Crimean Tatars into the Ukrainian community, neutral lized the role of their value orientations and ideological longings, which in its turn did not allow to see the CrimeanTatars as the most proUkrainian power in the Autonomous Republic of Crimea. The importance of the analysis of the ideological grounds of the cultural identity of the Crimean Tatars, differences in strategic values and tactical steps of the various establishments of the Crimean Tatar national movement, isstipulated by the search of models of efficient projects to return and re-integrate the occupied territory of Ukraine, which would include the humanitarian components, based on specific ideological and valuable grounds, but not limited to the economical and political measures.
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Seferova, Fera. "The role of folklore within the worldview and creative individuality of the Crimean Tatar children's writers." Филология: научные исследования, no. 8 (August 2021): 35–47. http://dx.doi.org/10.7256/2454-0749.2021.8.36119.
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The study of interrelation between folklore and literature is one of the most relevant trends in literary studies. Folk poetic symbols as the genetic memory of the nation infiltrate consciousness not only as artistic material, but also as a emotions that awaken the writer’s imagination, giving rise to various associations. The subject of this research is the creative activity of folklore is in the works of the Crimean Tatar children's writers. Examination of the folklore-mythological context, determination of the peculiarities of transformation of folklore motifs in a literary reveals the creative laboratory, allowing determining the specificities of personal reflection of the writer, as well as tracing the psychological patterns of the creative process, and the evolution of artistic thinking overall. The scientific novelty is defined by the absence within Russian literary studies of monographic and significant critical works on determination of the folklore-mythological context, transformation, functionality, and interpretation of folklore elements in works of the writers. The conclusion is made that folklore as part of the culture of a particular nation, is an organic element of the artistic world of the Crimean Tatar writers, such as E. Amit and T. Khalilov. The novel by E. Amit presents the new comprehension of myths, paroemias, and legends. An example of interaction of the mythological views and modern perspective in the novel “Last Chance” is the folk legend on the “happy and unhappy stars”. It also encompasses such ancient forms of folklore as cursing and benevolence, as well as the elements that take roots in the ancient taboos, the period of totemism. In the psychological prose by T. Khalilov, an important role is played by the symbolism of birds and plants. The ancient legend of the winged horse Duldul organically intertwines with the author's creative idea without losing its specificity.
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Шевкетовна Шукурджиева, Зельфира. "Emigration processes in the Crimea and their display on the pages of the newspaper "Terdzhiman"." SCIENTIFIC WORK 68, no. 07 (July 22, 2021): 44–49. http://dx.doi.org/10.36719/2663-4619/68/44-49.
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The article addresses the issues of emigration of the Crimean Tatars in the general historical context. It examines the problem in terms of the vision of its well-known Crimean Tatar educator in details. Reformer, educator, publisher, journalist Ismail Gasprinsky analyzed a number of articles of the author on this theme, which expressed its position on this issue. Key words: Crimea, ethnic press, journalism of Gasprinsky, emigration waves, Crimean Tatars
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Kirimli, Hakan. "Crimean Tatars, Nogays, and Scottish missionaries." Cahiers du monde russe 45, no. 45/1-2 (January 1, 2004): 61–108. http://dx.doi.org/10.4000/monderusse.2603.
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KIRIMLI, HAKAN. "Crimean Tatars, Nogays, and Scottish missionaries." Cahiers du monde russe 45, no. 45/1-2 (January 1, 2004): 61–108. http://dx.doi.org/10.4000/monderusse.8679.
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Mambetova, Gulshen Rustemovna. "STRUCTURAL ANALYSIS OF THE CRIMEAN TATAR PEOPLE'S INSTRUMENTAL MUSIC." ASJ. 2, no. 38 (July 14, 2020): 4–12. http://dx.doi.org/10.31618/asj.2707-9864.2020.2.38.11.
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The study of Crimean Tatar musical folklore is one of the urgent scientific tasks of modern musicology, because, despite some existing studies, the musical culture of the Crimean Tatars is still poorly understood. The purpose of the article is to identify the belonging of the analyzed work to the genre of poppies. In the musical culture of the Crimean Tatars, a structural analysis of the Crimean Tatar folk instrumental music from the collection of F. Aliyev “Anthology of the Crimean folk music” has not yet been made, so the choice of topic is due to the need to fill in a significant gap. This study will provide an idea of the Crimean Tatar folk instrumental music.
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Valentinovich Pilipchuk, Yaroslav. "Circassians between Russians and Turks." SCIENTIFIC WORK 60, no. 11 (November 6, 2020): 69–91. http://dx.doi.org/10.36719/2663-4619/60/69-91.
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This article is devoted to the relationship of the Circassians with the Turkic peoples. The Caucasian-speaking ancestors of the Adyge, Circassians and Kabardians were known to contemporaries under several ethnonyms. Papags and Kasogians were mixed Turkic-Caucasian tribes and served in the Khazar Kaganate. Zikhians occupied the Northern-East Black Sea littotal lands and were ruled by Georgian (Abkhazian) kings and Zikhian archbishops of the Matarcha. The Pechenegs were allies of the Zikhians, and the Oguzes were their opponents. It can be argued about a certain period of dominance of the Zikhians on the Taman Peninsula in the 13th century, but in the 12th century the local Zikhians were supposed to recognize the power of the Byzantine Empire. The relations of the Zikhians with the Qipchaqs were friendly. The infiltration of Turkic elements into the ethnogenesis of the North-West Caucasus tribes contributed to the emergence of the Circassian ethnos. In the Golden Horde the Circassians actively maintained contacts with both the Genoese and the Tatars. Circassians living on the plane were integrated into the administrative system of Ulus Jochi (Golden Horde). Circassians also fought against the Tatars of the Golden Horde and the Great Horde. The first Circassian principalities sources are recorded in the XV century. These were Khetuk, Kremuk, Kopa, Tatarkosia, Kabarda. The first three principalities worked closely with the Genoese and became victims of Turkish aggression in the 70-80-ies of XV century In the XVI century the principalities of Zhaney, Temirgoy, Besleeney, Khatukai took shape. Natukhai, Abadzekhs, Shapsugs were circled Abazins and became part of the Circassian ethnosphere only in the 18th century. Zhaney, Temirgoy, Besleney, Khatukai in the XVI century suffered from the invasions of the Crimean Tatars, therefore, in the middle of the XVI century hoped for an alliance with the Russians and sent embassies to Moscow. The war against the Crimean Tatars was fought mainly by the forces of Kabardians and the Ukrainian condottier D.Vyshnevetsky. With the departure of the D.Vyshnevetsky to the Grand Duchy of Lithuania, Ivan IV virtually ceased to support the Western Circassians, which led to their reversal towards the Crimean Khanate. They took part in the Ottoman-Safavid war of 1578-1590 on the side of the Turks. In the XVII century the Besleney and Temirgoy rebelled against the Crimean Tatars, hoping for an alliance with the Russians, but to no avail. Success in the fight against the Crimean Tatars became possible thanks to several victories of the Kabardians over the troops of Gherays in the XVIII century. Temirgoy, Abadzekhs, Bjedugs, Shapsugs, Besleney, Makhosh, Ubykhs rebelled against Crimean Tatars in this century. With the annexation by the Russians of the Crimean Khanate, the Western Circassians underestimated the anti-Russian position. Key words: Zikhians, Kasogians, Papags, Circassians, Khazar Khaganate, Golden Horde, Crimean Khanate, Ottoman Empire, Russians, Crimean Tatars
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Kadzhametov, L. R. "Key features of sociocultural adaptation of Crimean Tatars." Ukrainian Society 30, no. 3 (October 9, 2009): 7–14. http://dx.doi.org/10.15407/socium2009.03.007.
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Chayinska, Maria, Anca Minescu, and Craig McGarty. "Political solidarity through action (and inaction): How international relations changed intracultural perceptions in Ukraine." Group Processes & Intergroup Relations 20, no. 3 (May 2017): 396–408. http://dx.doi.org/10.1177/1368430216682354.
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The present research sought to explain the mechanisms behind rival Ukrainian solidarity campaigns advocating protection of the minority Crimean Tatars in the immediate aftermath of Russia’s 2014 annexation of the Crimean peninsula. Adapting the social identity model of helping and solidarity we propose that political solidarity is a form of collective action in which allies can align their aspirational identities to the oppressed group’s political loyalties through a process of disidentification from powerful outgroups. We proposed and found supportive evidence ( N = 657) for the notion that both action (facilitation pathway) and inaction (inhibitory pathway) to support the Crimean Tatars were derived from disidentification from the European Union or the Russian-Federation-dominated Customs Union and are mediated by perception of the Crimean Tatars’ loyalties towards Russia and Ukraine. The findings provide initial evidence for a new understanding of political mobilization in support of third parties as a group-level emergent phenomenon in the context of identity threat.
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Useinov, Timur Bekirovich. "Ethnocultural stereotypes of the Steppe Crimean Tatars and Dobruja Tatars based on proverbs of the turn of XIX and XX centuries." Филология: научные исследования, no. 1 (January 2020): 39–47. http://dx.doi.org/10.7256/2454-0749.2020.1.31971.
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This article conduct an analysis of ethnocultural stereotypes of the Steppe Crimean Tatars and Dobruja (Romanian) Tatars based on proverbs of the turn of XIX and XX centuries. The subject of this research became the Kipchak Crimean Tatar paremiological fund of that period. The goal consists in an accurate, tolerant elucidation of the topic. Initially, the stereotypes are divided into auto-stereotypes, which is an outlook upon the own ethnic group; and hetero-stereotypes, which is the representations on a neighboring ethnos. The first ones, being an inseparable part of national identity, are prone to exaggeration of merits of their ethnos and carry a complementary character. This fact impedes a realistic assessment of the merits of neighboring ethnos, which is compared to the own in accordance with cultural values. The determined differences serve as a foundation for hetero-stereotypes, which usually belittle the positive sides of the other national portrait. The scientific novelty consists in examination of ethnocultural stereotypes based on proverbs of the turn of XIX and XX centuries. Which contributed to fuller understanding of the mentality of Crimean Tatars and Dobruja (Romanian) Tatars being a diaspora of Crimean Tatar ethnos. Paremiological material allowed dividing the stereotypes into auto-stereotypes and hetero-stereotypes. The research results offered an opportunity to determine and explore the ethnic composition of Crimean Peninsula of the turn of XIX and XX centuries.
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Kravchuk, Alexandr S. "Name index of the Crimean Tatar officials of Tavricheskaya province (first half of the XIX century)." Crimean Historical Review, no. 2 (2020): 19–31. http://dx.doi.org/10.22378/kio.2020.2.19-31.
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In the article, for the first time, was restored the list of the Crimean Tatars who served in the civil service of the Taurida governorate in the first half of the XIX century. The reconstruction was carried out on the basis of «end-to-end» analysis of Address-Calendars and Mesyatseslovs of the Russian Empire. This information can serve as a background information for further research concerning the participation of the Crimean Tatars in the civil service. The facts, presented in the article, also expand understanding of the interaction ways of Russian administration in Taurida with representatives of the old-time population. In addition, the information given in the article, will help to restore previously unknown plages from the life of selected outstanding public and state leaders of the Crimean Tatars.
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Mireyev, М. V. "The Historical Preconditions of Genesis of the Crimean Tatar Literature in Romania at the End of XIX – first half of XX century." Oriental Studies 2012, no. 59 (September 30, 2012): 121–37. http://dx.doi.org/10.15407/skhodoznavstvo2012.59.121.
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Alieva, Arzy Yu. "Mary Holderness. Notes relating to the Manners and Customs of the Crim Tatars. Written during the four years` residence among that people." Crimean Historical Review, no. 1 (June 2021): 238–60. http://dx.doi.org/10.22378/kio.2021.1.238-260.
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This translation is based on the work “Notes Relating to the Manners and Customs of the Crim Tartars…” by the English traveler Mary Holderness. This work was published in London in 1821. It contains detailed information about the way of life of the Crimean Tatars, among whom Mary Holderness lived for four years in the village of Karagoz (Karagoss, at present the village of Pervomayskoye, Kirovsky district of the Crimea) since 1816 to 1820. The work is based on the author’s personal testimonies about the conduct of marriage, funeral and many other ceremonies of the Crimean Tatars: their customs, traditions, methods of housekeeping and education, especially intra-family relations. In her notes, Mary Holderness describes the development of women’s handicrafts and leather production. The author notes that all the Crimean footwear production was made in Bakhchisarai and Karasubazar, and subsequently sent to other Crimean cities. The author provides information on the development of sheep breeding among the Crimean Tatars. Lamb skins, after appropriate processing, were highly valued and exported to Moscow. Jewelry production was also well developed. Various jewelry decorations were made by them: jewelry made of silver, glass, brass, lead, as well as gold with colored stones. The significance of work lies in the fact that it provided the modern reader with the opportunity to get acquainted with the way of life and customs of the Crimean Tatars of the period described. An abundance of background information: food prices, Russian equivalents of British measures, indication of the distance between settlements make it possible to assess the standard of living of the Crimean Tatar people in the period under review.
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Zhogova, O. V., N. V. Lagunova, S. V. Ivanovsky, S. O. Salugina, and M. M. Kostik. "Familial Mediterranean fever in the Republic of Crimea: a description of a series of cases with an analysis of historical and ethnographic aspects of the disease." Rheumatology Science and Practice 57, no. 3 (July 11, 2019): 339–44. http://dx.doi.org/10.14412/1995-4484-2019-339-344.
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Familial Mediterranean fever (FMF) is a monogenic autoinflammatory disease with a high prevalence in some countries. The carriers of the MEFV gene causing FML are Jews, Armenians, Turks, Arabs and other nationalities of Mediterranean origin. Crimean Tatars are one of the nations that inhabit the Crimean peninsula, who do not formally belong to Mediterranean populations. Until 2016, there were no data on FMF in Crimea among the Crimean Tatar population; however, 15 new cases of FMF have been diagnosed in the Republic of Crimea in the past 2 years. The paper provides data on FML patients and information about the ethnic origin of the Crimean Tatars, explaining the possible origin of mutant alleles in the population.
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Kravchuk, Alexandr S. "Crimean Tatars in the Governing Bodies of the Taurida Province in the First Half of the 19th Century." RUDN Journal of Russian History 20, no. 1 (December 15, 2021): 47–60. http://dx.doi.org/10.22363/2312-8674-2021-20-1-47-60.
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The author identifies the amount of Crimean Tatars who served as officials in Taurida Governorate in the first half of the 20th century. The article is based on archival data, address-calendars and mesyatseslovs of the Russian Empire. Russian politics in the region after the Crimean annexation was characterized by an active interaction with the local population. The imperial authorities gave the Crimean Tatars broad rights and involved them in civil and military service. Tatar murzas and beys who entered service closely interacted with Russian officials and thus got acquainted with the Russian language and culture as well as with the new legal system. While the largest number of Crimean Tatars were in service during the reign of Catherine II, their number began to decline under her successors. The author argues that the Russian authorities interaction with the Crimean Tatar nobility was based on mutually beneficial conditions. The state received the loyalty of local leaders, which provided stability and allowed for communication with the ordinary population. In turn, the murzas and beys received titles and ranks, which allowed them to increase their property and keep their social status. However, the number of Crimean Tatars in local government functions during the first half of the 19th century was low. They served in the governing bodies only by election from the nobility. This was a result of central policy but also of the low level of training among Tatar officials. Many of them were not familiar with legal procedures laws and could not read and write in Russian. Consequently, they preferred service in military formations, which was more prestigious and did not require special training.
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Muratova, E. S. "ISLAM AND THE CRIMEAN TATARS AFTER 2014." Islam in the modern world 13, no. 1 (January 1, 2017): 133–44. http://dx.doi.org/10.22311/2074-1529-2017-13-1-133-144.
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Muratova, Elmira. "The Transformation of the Crimean Tatars’ Institutions and Discourses After 2014." Journal of Nationalism, Memory & Language Politics 13, no. 1 (July 12, 2019): 44–66. http://dx.doi.org/10.2478/jnmlp-2019-0006.
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Abstract The article deals with the transformation of the Crimean Tatars’ institutions and discourses after the 2014 conflict around Crimea. It shows the change in the balance of power of traditional institutions such as Mejlis and Muftiyat, which for many years represented secular and religious components of Crimean Tatars’ ethnic identity. It tells how the Mejlis was dismissed from the political stage in Crimea, while the Muftiyat has enjoyed a great support by new authorities. This transformation and threats to societal security inevitably led to reassessment of previous views and goals of the main actors in the Crimean Tatar community and the formation of new institutions with hybrid composition and discourse. The article focuses on organization such as ‘Crimean solidarity,’ which was formed in 2016 as a reaction to authorities’ pressure over the Crimean Tatars. Using discourse analysis of statements of activists of this organization and content analysis of social media, the author presents the main topics of its discourse and types of activity. She shows how the traditional Islamic discourse of activists of this organization has been transformed by the incorporation of the main concepts of secular discourse developed by the Mejlis. The author argues that the appearance of ‘Crimean solidarity’ indicates the blurring of lines between secular and religious, and ethnic and Islamic in the Crimean Tatar society. It shows how people with different backgrounds and agendas manage to leave their differences aside to support each other in the face of a common threat.
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Valentinovich Pilipchuk, Yaroslav. "Kabarda between Turks and Russians." SCIENTIFIC WORK 61, no. 12 (December 25, 2020): 37–63. http://dx.doi.org/10.36719/2663-4619/61/37-63.
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of the East Circassians ancestors of the Kabardinians to the territory of the former Western Alanya can be dated to the time after the invasion of Timur 1395-1396. The design of Kabarda as a principality can be dated to the first half of the 15th century. The division of Kabarda into Idarey, Kaitukoi, Tlachtostan, Dzhelyakhstan can be dated to the first half of the XVI century. Kabarda in this era becomes one of the leading forces in the North Caucasus. Kabardinians competed with the Great Nogai Horde for control of the Astrakhan Khanate. Temryuk Idarov in 1563 attracted Nogais and Russians in his confrontation with the Ingush. Kabardians of Idarey to confront the Crimean Tatars and Kumyks in the XVI century. They were allies of Russians. The Idaroviches use the Russians in the confrontation with the Kumyks and Crimean Tatars, and they themselves take part in the Livonian War and the Russian campaigns against various Caucasian rulers. Ties of Kabardians and with Nogais are made. Kabardinians of Kaitukoi are guided by the Crimean Khanate and the Small Nogai Horde. Circassian expansion to the east leads to the fact that the Karachais, Balkars, part of the Ossetians and Chechens are under the control of the Kabardinians. In the struggle for hegemony in the North Caucasus, the Kabardinians in the 16th –17th centuries face with the kumyks. None of the parties managed to win a convincing victory and they mutually exhausted each other. Kabardinians were the guides of Russian influence in the 17th century in the North Caucasus and their helped Russians in the Russian-Qizilbash conflict in 1651–1653. Kabardinians actively support the Russians against the Crimean Tatars in the 17th century. The significance of the Battle of Kanzhal is greatly exaggerated in Kabardinian historiography. We can talk about the participation of 20 thousands of Crimean Tatars in the battle and the death of a fourth of them in the battle. The defeat of 1708 only temporarily weakened the Crimean Tatars. Crimean Tatars make revenge hikes to Kabarda and devastate the region in the 10-ies and 20-ies of XVIII century. The Kabardinians victories under Baksan (1729) and Chеrеshty (1731) helped to stop the Crimean Tatar advance. Kabarda there were the Baksan and Kashkatau parties oriented to the Russians and Crimeans in the 18th century. They sought to win over external forces in order to secure subjectivity in foreign policy relations. The anti-Russian position of the Kabardinians set up the construction by Russians of the Mozdok fortress. Key words: Kabarda, Lesser Kabarda, Great Kabarda, Idarey, Kaitukoi, Crimean Khanate, Russian state, Great Nogai Horde, Lesser Nogai Horde, Ottoman Empire
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Fedinec, Csilla. "Special Status of the Crimean Tatars in the Legislation of Ukraine." European Yearbook of Minority Issues Online 16, no. 1 (April 1, 2019): 173–87. http://dx.doi.org/10.1163/22116117_01601008.
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Though the Ukrainian state has not had sovereign rights over Crimea since 2014, Crimean Tatars have continued to repeatedly and emphatically assert their rights to self-determination. In March 2014, the Ukrainian Parliament (Verkhovna Rada) adopted a resolution on guarantees of the rights of the Crimean Tatar people as a part of the state of Ukraine. The resolution formally recognized the UN Declaration on the Rights of Indigenous Peoples. The resolution proposes that the Verkhovna Rada of Ukraine instructs the Cabinet of Ministers of Ukraine to urgently submit draft laws on status of the Crimean Tatar people as indigenous people of Ukraine. However, at the end of 2017, no such draft law or regulatory legal act has been seen. The purpose of this article is to analyse the situation of the Crimean Tatars in the Ukrainian legislation.
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Ganieva, Emine Suleimanovna, Zarema Seityag'yaevna Osmanova, and Akhtem Seit-Ametovich Mazinov. "Linguoculturological aspect of studying Turkic toponyms of Crimea." Филология: научные исследования, no. 5 (May 2020): 28–41. http://dx.doi.org/10.7256/2454-0749.2020.5.33007.
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The object of this research is the Turkic toponymic units of the Crimean Region. The subject of this research is the Crimean Tatar toponymic lexicon in the linguocultural aspect. The article examines the Turkic (Crimean Tatar) toponymic system as a fragment of the linguistic worldview of its native speakers. The need is underlined for comprehensive characteristics of geographical denominations of the Crimean Peninsula, with consideration of linguoculturological components as a full-fledged element. The goal consists in description of the Turkic toponymic units of Crimean Region as a phenomenon generated by the culture of Crimean Tatars. It is determined that the semantic of Turkic toponyms is motivated by different associations related to images of the animals and their habitat, plants, historical events and legends that defined names of the objects, etc. There also nomens with unmotivated semantics, permitting variable semantization. As a result of analysis, the examined in linguoculturological aspect toponyms of Crimea of Turkic origin are classified by most significant thematic groups. The Crimean Tatar toponymic lexicon is viewed from linguoculturological perspective for the first time, which defines the scientific novelty of the research. The following conclusions were made: geographical denominations of Crimea are the cultural artifact of Crimean Tatars, reflecting the historical stages of their settlement, ancient migrations and interethnic contacts, economic activity. Political and social transformations, geographical specificities, location, territorial traditions, including those that no longer exist. The geographical nominations, alongside the instances of creation of toponyms based on external resemblance of geographical object with the realities surrounded Crimean Tatars (color, form), also used cultural and mental associative principles of nomination. This is why the terms included religious, somatic, legend-based, and other components.
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Legvold, Robert, and Greta Lynn Uehling. "Beyond Memory: The Crimean Tatars' Deportation and Return." Foreign Affairs 84, no. 3 (2005): 146. http://dx.doi.org/10.2307/20034393.
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Aydingün, Ismail, and Ayşegül Aydingün. "Crimean Tatars Return Home: Identity and Cultural Revival." Journal of Ethnic and Migration Studies 33, no. 1 (January 2007): 113–28. http://dx.doi.org/10.1080/13691830601043554.
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