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Dissertations / Theses on the topic 'Crise du drame'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Quiriconi, Sabine. "Marguerite Duras : mise en crise du drame et de la représentation." Paris 3, 2000. http://www.theses.fr/2000PA030024.

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Le processus creatif constituant le drame des pieces de duras, les conventions formelles sont bouleversees dans le cadre d'un projet intergenerique. Mais les textes pour la scene doivent leur polymorphie a la tradition theatrale et forment une oeuvre rhapsodique, naturalo-symboliste. L'agencement des signes paraverbaux tient aussi du decoupage sequentiel qui rythme les drames les plus aboutis : le statisme invente un corps fragmente, depsychologise, dessocialise, communicant ; l'espace, strie, pseudo-ancre, transitionnel garantit la predominance de l'epique sur le dramatique. Une relation kine

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2

Bonnier, Anaïs. "L'empreinte des rituels. Persistance et mutations des formes et mécanismes rituels dans les dramaturgies occidentales des années 50 à nos jours." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030145.

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Dans cette recherche, nous souhaitons mettre en jeu la mémoire des rites. Le rite est un élément fondamental de la vie sociale, un repère fixe et solide. Il demeure très présent dans le drame contemporain, vision réputée particulièrement sombre d’une société désenchantée. Regretté dans sa capacité dramatisante, le rite est d’abord réintroduit dans l’écriture comme une forme poétique, esthétique, déconnectée du divin mais capable d’élever le texte. Pourtant, déchu de sa place supérieure et dénué de symbole, il devient une forme dérisoire, vectrice de désespoir. Le rite est alors cible d’une dég

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3

Hemmerlé, Marie-Aude. "Représentations et figurations des dramaturgies québécoises contemporaines de Normand Chaurette à Daniel Danis." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030144.

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Examiner la dramaturgie québécoise contemporaine, c’est travailler la singularité et emprunter d’autres voies de la mise en crise du drame. Cette thèse montre comment des auteurs opèrent un double mouvement de représentation et de figuration qui renouvelle le drame. Malgré une décomposition de celui-ci, cette dramaturgie maintient une prégnance de la fable et du personnage grâce à la permanence de la fiction. Les auteurs continuent d’être des raconteurs d’histoires, mais les stratégies narratives ne vont plus de soi et engendrent un questionnement sur le personnage qui se transforme en agent e

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4

Vik, Frida. "Breaking maxims in a crime drama : A study on non-observances of maxims in crime drama Blindspot." Thesis, Umeå universitet, Institutionen för språkstudier, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-184990.

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The conversational maxims are guidelines to how a conversation should be conducted, but sometimes these maxims can be broken for different reasons. The aim of this thesis is to identify breakings of the conversational maxims in the crime drama Blindspot and to study which maxims are broken, for what purpose the maxims are broken and if there are any changes to the number of maxims broken between different seasons of the series. The results show that the maxim of quantity is most frequently broken in the episode from season one and the maxim of quality is broken most frequently in the episodes

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5

Chaves, Ian M. "Crime Drama Television Programs: Educational or Not?" Youngstown State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1322858428.

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6

Fonseca-Williams, Claudia. "Crime, corps, drame et humour : famille et quotidien dans la culture populaire." Paris 10, 1993. http://www.theses.fr/1993PA100048.

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Pour être compréhensible, la circulation d'enfants au Brésil doit être située dans le cadre historique de la culture populaire et analysée comme un élément de la dynamique familiale propre aux groupes urbains de bas revenu. L'étude ethnographique d'un quartier populaire à Porto-Alegre (RS), centrée sur l'observation du drame et de l'humour dans la vie quotidienne, révèle un contexte dans lequel l'Eglise, l'école et l'Etat ne jouent qu'un faible rôle. La vie familiale, caractérisée par la priorité attribuée au lien consanguin par rapport au lien conjugal, est régie par des principes culturels l

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7

Tiesset, Laurent. "L'image de Néron au théâtre : étude dramaturgique, morale et politique." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030039.

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Tacite et Suétone laissent une image délirante de Néron, tout à la fois matricide perfide et histrion précieux, amant insatiable ou Orphée cocasse. La dramatisation de ces visions antagonistes se poursuit depuis l’antiquité depuis l’Octavie du Pseudo-Sénèque jusqu’au Britannicus de Racine. Loin de nous proposer une énième effigie tragique du despote latin, le XVIII e siècle présente une image paradoxale de Néron : d’abord celle d’un despote timoré et peu sanguinaire dans l’œuvre d’Alfieri puis celle d’un dictateur artiste du crime qui se suicide sur scène avec Legouvé. Le sang répandu signifie

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8

Bull, Sofia. "A Post-genomic Forensic Crime Drama : CSI: Crime Scene Investigation as Cultural Forum on Science." Doctoral thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-81474.

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This thesis examines how the first 10 seasons of CSI: Crime Scene Investigation (CBS, 2000–) engage with discourses on science. Investigating CSI’s representation of scientific practices and knowledge, it explicitly attempts to look beyond the generic assumption that forensic crime dramas simply ‘celebrate’ science. The material is analysed at three different levels, studying CSI’s wider cultural discursive context, genre linkages, and audio-visual form. In order to fully account for the series’ specificity, the thesis undertakes comparative analyses of earlier forensic crime dramas and other

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9

Sparks, Richard. "Television and the drama of crime : moral tales and the place of crime in public life /." Buckingham [u.a.] : Open Univ. Press, 1992. http://www.gbv.de/dms/spk/sbb/recht/toc/276912519.pdf.

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10

Laufer, Danièle. "Drames d'amour : étude psychanalytique des crimes passionnels." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080104/document.

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Notre pratique d’expert psychologue au pénal nous a amenée à entreprendre cette recherche, sur les crimes passionnels. Cette catégorie, non reconnue par le droit met l’accent sur ce qui se joue parfois de façon dramatique entre un homme et une femme. Amour, crime et folie fondent l’humanité.La criminologie, au XIXe siècle, à partir des aliénistes et de la médecine légale, s’inscrivant dans un mouvement de défense sociale, a posé la question de la folie et de la dangerosité de ces criminels. Au XXIe siècle, le signifiant majeur est violence faite aux femmes, la femme devient victime ayant des d

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11

Sanches, João Alberto Lima. "A crise do drama entre nós: uma reflexão sobre dramaturgias contemporâneas encenadas em Salvador." Escola de Teatro da UFBA, 2013. http://repositorio.ufba.br/ri/handle/ri/14177.

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Submitted by João Sanches (sanchesjoao@ig.com.br) on 2013-12-13T19:31:02Z No. of bitstreams: 1 cópia de DissertaçãoFinal.pdf: 2604842 bytes, checksum: e4f83bea445b022f58f9047d9e75c92d (MD5)<br>Approved for entry into archive by Ednaide Gondim Magalhães (ednaide@ufba.br) on 2013-12-16T12:22:24Z (GMT) No. of bitstreams: 1 cópia de DissertaçãoFinal.pdf: 2604842 bytes, checksum: e4f83bea445b022f58f9047d9e75c92d (MD5)<br>Made available in DSpace on 2013-12-16T12:22:25Z (GMT). No. of bitstreams: 1 cópia de DissertaçãoFinal.pdf: 2604842 bytes, checksum: e4f83bea445b022f58f9047d9e75c92d (MD5)<br>CNPQ<

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Chatelain, Megan E. "Minority Representations in Crime Drama: An Examination of Roles, Identity, and Power." Scholarly Commons, 2020. https://scholarlycommons.pacific.edu/uop_etds/3716.

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The storytelling ability of television can be observed in any genre. Crime drama offers a unique perspective because victims and offenders change every episode increasing stereotypes with each new character. In other words, the more victims and criminals observed by the audience, the more likely the show creates the perception of a mean world. Based on previous literature, three questions emerged which this study focused on by asking the extent of Criminal Minds’ ability to portray crime accurately compared to the Federal Bureau of Investigations Uniform Crime Report (UCR) and the Behavioral A

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13

Weissmann, Elke. "Crime, the body and the truth : understanding the shift towards forensic science in television crime drama with the CSI-franchise." Thesis, University of Glasgow, 2006. http://theses.gla.ac.uk/4526/.

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This thesis investigates the shift towards the use of forensic science in crime drama by combining an examination of the British national and historical contexts with a close textual analysis and content analysis of the three series of the CSI-franchise which were shown in Britain on the terrestrial broadcaster Five. The thesis describes how this shift occurred and draws attention to parallel developments towards a greater visibility of body traumas in medical dramas and documentaries which situates CSI in a tradition of programming. The analysis of the franchise highlights that CSI locates th

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Girel-Pietka, Virginie. "La crise de l'identité dans le théâtre de Denis Johnston." Thesis, Lille 3, 2013. http://www.theses.fr/2013LIL30029/document.

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La question de l’identité est au cœur de l’œuvre de Denis Johnston. Son théâtre revient de manière insistante sur l’histoire irlandaise, en particulier sur le processus de fabrication des mythes républicains qui transforment les meneurs des insurrections en héros de la nation, et dévoile l’écart entre les aspirations de ces grandes figures romantiques et les préoccupations fort terre-à-terre de ses contemporains au lendemain de la création de l’Etat Libre d’Irlande. La nation, telle qu’il la met en scène, semble s’être érigée sur les ruines de l’« identité irlandaise » telle que l’exaltaient l

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15

Kilgore, Terri Leigh. "THE EFFECTS OF CRIME DRAMA VIEWING ON PSYCHOLOGICAL PROFILE ACCURACY FOR A SEXUAL HOMICIDE OFFENDER." MSSTATE, 2008. http://sun.library.msstate.edu/ETD-db/theses/available/etd-04032008-183131/.

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This study investigated whether watching crime related television shows affected accuracy of psychological profiles for a sexual homicide offender. The television shows in the study were a fiction drama with a profiling element, a fiction drama without a profiling element, a nonfiction show with a profiling element, a nonfiction show without a profiling element, and a fiction drama with no crime element at all. Participants were 290 college students who watched a television show and then profiled a sexual homicide offender. High self-exposure to crime related television shows and experimental

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MATOS, Bruno Sérvulo da Silva. "A crise da palavra no centro do drama: uma leitura de Eu sei que vou te amar de Arnaldo Jabor." Universidade Federal do Pará, 2012. http://repositorio.ufpa.br/jspui/handle/2011/7726.

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Submitted by Irvana Coutinho (irvana@ufpa.br) on 2017-02-20T13:58:14Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_CrisePalavraCentro.pdf: 3817964 bytes, checksum: 5fa05f214e61ee9f828458f754562e8a (MD5)<br>Approved for entry into archive by Irvana Coutinho (irvana@ufpa.br) on 2017-02-20T14:03:58Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_CrisePalavraCentro.pdf: 3817964 bytes, checksum: 5fa05f214e61ee9f828458f754562e8a (MD5)<br>Made available in DSpace on 2017-02-2

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17

Ferris, Amber L. "Examining the “CSI Effect”: The Impact of Crime Drama Viewership on Perceptions of Forensics and Science." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1311000932.

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18

Ellison, Hannah. "'Nothing but the truth' : genre, gender and knowledge in the US television crime drama 2005-2010." Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/48772/.

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Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave

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19

Gaffney, Jessica E. "Evolving Gender Hybridity in the Crime Solving Partnerships of 'Bones' and 'Castle': A Study of the Move Away from Gender Binaries in Media and Society." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1292850627.

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20

Diassinous, Nicolas. "Crise de scène : dramaturgies poétiques du romantisme au symbolisme." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0398.

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Cette réflexion porte sur l’influence de la poésie lyrique dans les œuvres théâtrales du romantisme au symbolisme. En essayant de confronter les corpus du drame romantique et du théâtre symboliste et en exhumant celui du théâtre des poètes parnassiens et de leurs contemporains, elle entend dégager des constantes et mettre en lumière une crise du théâtre aristotélicien, dont les effets se prolongent jusque dans les dramaturgies de l’extrême contemporain. Mais penser un théâtre de poètes, autrement dit un théâtre qui intègrerait les propriétés de la poésie lyrique au sein du genre dramatique, re

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21

Moler, Lara Biasoli. "Da palavra ao silêncio: o teatro simbolista de Maurice Maeterlinck." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-08082007-155902/.

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Nos últimos anos do século XIX, o poeta, dramaturgo e ensaísta belga Maurice Maeterlinck (1862-1949) concretiza as aspirações teatrais do movimento simbolista com um conjunto de oito peças, escritas entre 1889 e 1894, que são testemunho não apenas de sua concepção dramática, mas também da própria evolução do teatro simbolista. Fundamentando-se nas limitações da comunicação verbal e na premissa de um silêncio eloqüente, Maeterlinck desenvolve um projeto de reformulação da linguagem dramática que, recentemente, tem sido apreciado do ponto de vista de sua contribuição para a formação do teatro mo

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Legros, Emily Ann. "Unsubs and Profilers: Reality or Fiction? Depictions of Criminal Profiling in the Television Series "Criminal Minds"." Thesis, Boston College, 2010. http://hdl.handle.net/2345/1199.

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Thesis advisor: Bonnie Jefferson<br>Images of crime and authorities' attempts to protect society from evil, which saturate dramatic programming on television, have the potential to influence public perception of crime and of crime-solving tools used in the real world. Although "Criminal Minds," a popular broadcast series, shares this potential, it distinguishes itself from others of its genre through its use of criminal profiling as its crime solving mechanism. Using standards provided in Douglas et al.'s "Crime Classification Manual: A Standard System for Investigating and Classifying Violent

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23

Board, Virginia E. "Semper Fi: How Images of Death in NCIS Affect Attitude Change." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/32724.

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This pre-test, post- test experiment examined the effects of mortality salience, frames of the military and military personnel, and regulatory focus on viewer attitudes toward the military, support for the military, and their perceptions of military personnelâ s criminal behavior. Participants viewed a short video clip from an episode of NCIS which contained either a sympathetic or non-sympathetic frame of the military and, in the treatment condition, a mortality salience reminder. Frame (sympathetic or non-sympathetic) had a significant effect on participant attitudes toward the military in

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Strömstedt, Isabelle. ""How do you know all this crap?" : The Representation of Cognitive Processes and Knowledge in CSI: Crime Scene Investigation and Sherlock." Thesis, Linköpings universitet, Institutionen för studier av samhällsutveckling och kultur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-122771.

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In contemporary crime drama there has been a shift of main character from the forensic scientist to the consultant. This put the representation of knowledge in a different light. In this study the focus is on how, and what kind of cognitive processes and knowledge are represented in two crime dramas with consultants as main characters; CSI: Crime Scene Investigation and Sherlock. Basing the analysis on concepts of cognitive processes and knowledge, it becomes evident that due to the shift in main character the representation of knowledge also has changed; from an institutionalized and science

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Koski, Melissa F. "The Representations of Race and Ethnicity on NYPD Blue and Law & Order: An Analysis of the Portrayal of New York City on Crime and Police Drama." Thesis, Boston College, 2007. http://hdl.handle.net/2345/375.

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Thesis advisor: William Stanwood<br>The purpose of the study is to look at the representations of race in the popular television genre, the crime drama. An analysis of episodes of Law & Order and NYPD Blue was utilized to discover what portrayals the show contains of ethnicity in New York City, with an emphasis on the depictions of the victim of the crime, the perpetrator, and the criminal justice personnel. Along with these variables, theoretical analysis was taken into consideration. Results showed that although whites make up the majority of the characters on the programs, blacks and Hi

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Diaz, Sylvain. "Poétiques de la crise dans les dramaturgies européennes des XXe et XXIe siècles." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20070.

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Notion dramaturgique majeure au vu de la récurrence de son emploi dans les traités d’esthétique, la crise souffre toutefois d’un déficit théorique : ignorée par Aristote dans La Poétique, par Corneille dans ses Discours sur la tragédie ou encore par Hegel dans son Cours d’esthétique, la crise est une notion encore à construire. C’est à partir du XIXe siècle qu’est développée une interprétation de la tragédie classique comme crise : il s’agit alors de penser en quoi la représentation de dérèglements tant intimes que politiques participe d’une remise en cause de la conception classique du monde

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Sierra, Simon. "99¢ Dreams." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/978.

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Desperate to post bail after the love of his life is seized by ICE, an undocumented dishwasher descends into the underbelly of California’s Central Valley and a bloody bidding war for the severed head of a man everyone is looking for.

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Accornero, Giulia. "Breaking the Offender - The Representation of Criminals in TV Series." Thesis, Malmö universitet, Fakulteten för hälsa och samhälle (HS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-24357.

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Mass media play an important role in shaping public perceptions about differentthematics, including crime and justice. The consumption of mediatic contents indifferent forms, such as newspapers, television news and crime dramas, can affectthe way people perceive and interpret concepts as deviance and punishments, theattitude towards the criminal system and the level of concern for becoming a victim.In the last years, Streaming Videos On Demand platforms have made easier theaccess and the consumptions of contents as crime dramas; the changes in themodality of fruition have been followed by chan

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Deaton, Michaela. "Coney Island." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/981.

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Pellen, Romain. "Géodynamique et impact de la crise d'érosion et de salinité Messinienne sur les transferts sédimentaires (bassin de Valence, bassin Adriatique)." Thesis, Brest, 2016. http://www.theses.fr/2016BRES0041/document.

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L’évolution géodynamique et physiographique de l’espace Méditerranéen, en particulier au sein des bassins bordiers de Valence et Adriatique, sont intimement liées à l’héritage anté-Néogène. L’identification de la segmentation des bassins et leur implication dans l’histoire tectonique et environnementale au Néogène, en particulier lors de la crise d’érosion et de salinité Messinienne (MESC - 5.96-5.32 Ma), reste cependant méconnus et font l’objet de ce travail de recherche. Afin de les mettre en lumière, nous proposons une vision complète du remplissage sédimentaire Néogène des deux bassins, su

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Desmet, Maud. "Les confessions silencieuses du cadavre : de la fiction d’autopsie aux figures du mort dans les séries et films policiers contemporains (1991-2013)." Thesis, Poitiers, 2014. http://www.theses.fr/2014POIT5001.

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Sans corps, pas d'histoires. Vecteur d'action, instrument de la narration, et support d'un lien d'identification fort entre le spectateur et le personnage, le corps est la principale figure des médiums cinématographique et télévisuel. Si le cinéma a toujours, depuis ses balbutiements, glorifié la vivacité inépuisable des corps, parallèlement déjà, planait la face inversée de cette exposition, la menace muette de la mort. Mais si le dernier souffle avant la mort est bien souvent encore, au cinéma et à la télévision, synonyme d'ultime communion avec la vie et de résistance à la mort, qu'en est-i

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Rodda, Sally. "Yellow roses in Fortitude Valley." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16175/.

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This exegesis interrogates the mental illness Pure Erotomania, the rare delusional disorder which presents with the sufferer having the delusional (and therefore unshakeable) belief that the person they objectify is in love with them. My play Yellow Roses in Fortitude Valley is about one woman's emotional journey as she is relentlessly stalked by a Pure Erotomanic male. It is a fascinating mental illness, which includes all the 'box office type' features, which make it an exciting and frightening subject to write a dramatic work about. It is confusing, illusory, surreal and frightening, but be

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Somburanasin, Monsicha. "Risky Business : Does recognition reduce uncertainty of the movie industry global box office revenue? * of the movie as a one-liner to reflect the characteristics of the movie industry. notifies that Risky Business (1983) is a comedy-drama movie starring Tom Cruise. The writer intentionally uses the name Master Thesis." Thesis, Internationella Handelshögskolan, Högskolan i Jönköping, IHH, Nationalekonomi, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-12795.

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Introduction Movies are considered entertainment goods. Entertainment is one of the experience industries. Intangibility, perishability and heterogeneity are the most significant characteristics of the movie industry. An emotional reaction of consumers cannot be calculated in the same sense that most other physical goods can. If the movie succeeded in meeting the expectations, ticket price decreases will not necessarily indicate further purchases in the future. There are high risks and uncertainty in the movie industry. Purpose The purpose of this paper is to define through a hedonic price the

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CHEN, YI-HUNG, and 陳奕宏. "Writing Crises into Drama Plays and Using Group Guidance for Recovery Regards !Utilizing Drama Strategies on Group Guidance for Students with At-risk Family." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/08923312320133314819.

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碩士<br>國立臺南大學<br>戲劇創作與應用學系碩士班<br>104<br>This study aimed to explore the process and responding measures of applying drama strategies to small group guidance for high-risk family members and field experiences and difficulties in practical teaching, and further came up with methods and strategies to resolve the problems found. This study adopted the approach of action research and conducted a small group guidance session every week for 12 weeks for 10 children from Dadu Elementary School in Taichung City. The dramatic structure of this study was based on the stage play "The Legend of Dadu King".

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Mekusi, Busuti. "Negotiating memory and nation building in new South African drama." Thesis, 2010. http://hdl.handle.net/10539/8887.

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ABSTRACT This thesis examines the representation of trauma and memory in six post-Apartheid plays. The topic is explored through a treatment of the tropes of racial segregation, different forms of dispossession as well as violence. The thesis draws its inspiration from the critical and self-reflexive engagements with which South African playwrights depict the Truth and Reconciliation Commission. The dramatists are concerned with the contested nature of the TRC as an experiential and historical archive. Others explore the idea of disputed and seemingly elusive notions of truth (from the embodi

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Chan, Ting-Hua, and 詹亭華. "When a Killer is a Good Man: The Enjoyment of Crime Drama in the Perspective of Moral Ambiguity, Mixed Emotions, and Affective Disposition." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/4dd5h3.

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碩士<br>國立交通大學<br>傳播研究所<br>107<br>Why do people like crime drama? It’s still an unexplained question in media entertainment research. Although there were many studies of crime drama in the past, most of them studied its effects. A few studies tried to solve the mystery of the enjoyment of crime drama, explaining it by violence, justice, affective disposition and moral judgment, but none of them led to further studies. There are still different opinions on the mechanism behind the sense of enjoyment in the crime drama. In this study, we define the crime drama constructed by three elements: 1) cen

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Jaszczowska, Joanna Katarzyna. "A busca de Alguém versus o alguém da Procura – entre o apocalipse ontológico de Mário de Sá-Carneiro e o drama psicológico de José Régio." Master's thesis, 2020. http://hdl.handle.net/10362/94013.

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No seu controverso artigo “Presença ou a Contra-Revolução no Modernismo Português” Eduardo Lourenço contrastou as duas gerações do Modernismo Português, sublinhando o caráter “modernista” de Orpheu e o caráter “tradicional” de Presença e denominando-os, respectivamente, como “aventura ontológica negativa” e “aventura psicológica”. As suas teses depararam-se com a crítica por parte de Eugénio Lisboa, para quem as diferenças entre as duas gerações não devem ser medidas em termos do “<tamanho> do tema” ou da “<profundidade> filosófica” mas, antes e sobretudo, a nível da linguagem. Tomando como po

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Krsková, Kateřina. "Motiv trestu a viny v povídkové a dramatické tvorbě Františka Langra." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-353971.

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The thesis describes the evolution and variances in the motive of crime and punishment throughout prosaic and dramatic works of František Langer. After an introductory reflection on crime and punishment the thesis deals with an analysis of Doskojevskij's novel "Crime and Punishment" which had a large impact on Langer's conception of these terms. It also outlines an image of crime and punishment in Czech literature at the turn of the 19th and 20th century, which might have influenced Langer. The first part also tries to clarify how these motives were evolved in author's incipient work. It follo

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