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Relevant bibliographies by topics / Cristina Siscar

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Academic literature on the topic 'Cristina Siscar'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Cristina Siscar"

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Matos, Thais Esllem Silva, Ismael Alves Amorim, Diego De Macedo Rodrigues, and Érica De Jesus Silva. "AVALIAÇÃO DA SOBREVIVÊNCIA DO AÇAIZEIRO, CULTIVAR BRS- PARÁ, EM ÁREA DE PRESERVAÇÃO PERMANENTE EM SÃO DOMINGOS DO ARAGUAIA-PA." Revista Agroecossistemas 11, no. 2 (September 7, 2020): 32. http://dx.doi.org/10.18542/ragros.v11i2.7385.

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As Áreas de Preservação Permanente (APP) são áreas encontradas ao longo de curso de água e são constituídas pela flora e fauna e pelos recursos hídricos. Além, disso desempenham importantes funções ecológicas e biológicas para a preservação dos recursos hídricos de uma região, como proteção contra erosão. Mesmo sendo comprovada a importância dessas áreas, elas não são poupadas das intervenções antrópicas. Neste contexto, o objetivo desta pesquisa foi avaliar a sobrevivência do açaizeiro cultivar BRS - Pará, em uma área experimental de Preservação Permanente-APP, da Fazenda Cristalina, em São Domingos do Araguaia-PA. Foram utilizadas quatro parcelas de açaizeiro, com dimensão de 24 m x12 m, as parcelas foram distribuídas casualmente ao longo do córrego, cada uma contendo 81 plantas e foram avaliadas as 20 plantas centrais. O estudo foi realizado durante 10 meses e as avaliações foram a cada 60 dias, sendo nos meses de janeiro a outubro de 2015. O parâmetro avaliado foi à sobrevivência e os dados coletados em campo foram organizados em planilhas do Microsoft Excel e no programa Sisvar. Em relação à taxa de sobrevivência houve diferença entre os meses avaliados, a menor sobrevivência foi no período de menor precipitação. Isso evidencia que as condições das subáreas e pluviosidade influenciaram as mudas de diferentes formas. PALAVRAS-CHAVE: Degradação, Ecossistema ripário, Recomposição vegetal.

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MALUFE, Anitta Costa. "O não-senso em Ana Cristina Cesar e Marcos Siscar." Revista Texto Poético 7, no. 10 (November 6, 2013). http://dx.doi.org/10.25094/rtp.2011n10a59.

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As poéticas de Ana Cristina Cesar e de Marcos Siscar encontram-se em um importante ponto comum: o trabalho com o nãosenso. Trata-se de um gesto arriscado de escrita, pouco frequente dentre as poéticas atuais, que aproximaria seus projetos das propostas das vanguardas artísticas do século XX. Para além de identificar ou valorar este gesto, o artigo analisa a composição de seus poemas levando-se em conta este trabalho com o não-senso enquanto modo de produzir um abalo na linguagem e, com isto, uma vertigem poética.

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Guy, Orianne. "L'espace de l'exil dans La sombra del jardín de Cristina Siscar." Amerika, no. 9 (December 20, 2013). http://dx.doi.org/10.4000/amerika.4464.

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4

Berwanger da Silva, Maria Luiza. "POESIA BRASILEIRA CONTEMPORÂNEA, PAISAGEM E MEMÓRIA." Organon 31, no. 61 (November 30, 2016). http://dx.doi.org/10.22456/2238-8915.66133.

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Com base na reflexão teórica de Michel Collot sobre os estudos da Paisagem, este artigo evidencia a eficácia do “pensamento-paisagem” para a leitura simbólica da Poesia Brasileira Contemporânea. Para tanto, examina fragmentos poéticos de José Horácio Costa, de Haroldo de Campos, de Ana Cristina César, de Manoel de Barros, de Adélia Prado e de Marcos Siscar, nos quais verifica a produtividade de dois eixos articuladores do “pensamento-paisagem”: o da percepção, como redescoberta de espaços enigmáticos do sujeito, e o da paisagem, como substituição da representação pela experiência paisagística da presença. A eficácia desses dois eixos para o pensamento paisagístico brasileiro da contemporaneidade é configurada neste artigo como composição de uma paisagem intervalar, resultante da dupla ressimbolização processada pelo sujeito. Com base na articulação do “pensamento-paisagem”, o sujeito, enquanto presença, inventa-se, reinventando a paisagem.

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Dissertations / Theses on the topic "Cristina Siscar"

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Malufe, Annita Costa 1975. "Poeticas da imanencia : Ana Cristina Cesar e Marcos Siscar." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270291.

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Orientador: Marcio Seligmann-Silva
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-10T13:53:51Z (GMT). No. of bitstreams: 1 Malufe_AnnitaCosta_D.pdf: 1864725 bytes, checksum: 102361a29777328303e6fcf39624d67e (MD5) Previous issue date: 2008
Resumo: Este trabalho consiste na investigação de procedimentos de escrita em dois poetas brasileiros contemporâneos, Ana Cristina Cesar e Marcos Siscar, tendo como ponto de partida conceitual a filosofia da imanência de Gilles Deleuze e Félix Guattari. Ao invés de um ¿estudo de caso¿, o objetivo é a reflexão acerca da leitura de poesia contemporânea a partir, principalmente, do conceito de sentido enquanto acontecimento, tal como é formulado desde as obras de Deleuze Logique du sens e Différence et répétition. Nesta direção, as poesias de Ana C. e Siscar são tomadas como ressonâncias brasileiras atuais para se pensar o funcionamento de poéticas que sugeririam, ou possibilitariam, uma leitura imanente do plano de composição do poema
Abstract: The present thesis is an investigation of writing¿s procedures in two contemporaries brazilian poets, Ana Cristina Cesar and Marcos Siscar, having as conceptual starting the Gilles Deleuze¿s and Félix Guattari¿s philosophy of imanence. Instead of a ¿study of case¿, the objective is the reflexion concerning the contemporary poetry reading, starting from the concept of the sense as event, as it is formuled by Deleuze since his works Logique du sens and Différence et répétition. In this direction, Ana Cristina¿s and Siscar¿s poetries are taken as current brazilian resonances to think the functioning of poetical that would suggest, or would make possible, an imanent reading of the poem¿s plan of composition
Doutorado
Teoria e Critica Literaria
Doutor em Teoria e História Literária

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Guy, Orianne. "Les romans de la perte en Argentine : la sombra del jardín de Cristina Siscar (1999) et Informe de París de Paula Wajsman (1990)." Thesis, Rennes 2, 2011. http://www.theses.fr/2011REN20051.

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Suite à l’expérience de l’exil, la culture d’un pays, expression artistique de la mémoire, est ramifiée. L’oeuvre de l’exilé n’est alors qu’une partie du rhizome culturel, reflétant l’identité initiale, dont la souche est la même que celle de ceux qui sont restés, mais en ajoutant l’expérience du présent « ailleurs ». Georges Steiner pousse la réflexion jusqu’à concevoir cette expérience comme étant l’élément déclencheur de la littérature actuelle, que nous considérons comme re-production d’un signifiant qui lui pré-existe. Or, le XXème siècle est celui de l’exil, qui s’est vu imposé avec l’apparition de multiples dictatures ou problèmes économiques (le nazisme persécutant les Juifs, les dictateurs d’Afrique ou d’Amérique Latine, etc.). L’objet de l’étude se focalise sur deux romans argentins : Informe de París de Paula Wajsman (1990) et La sombra del jardín de Cristina Siscar (1999). Les auteures mettent en scène l’exil dans leurs fictions. Nous dédions l’étude à l’analyse de ces deux textes dont les styles diffèrent mais dont les thématiques s’apparentent : rapport à l’espace, perte des repères imaginaires, position face à l’Autre et construction identitaire dans un nouvel environnement. Nous nous demandons ainsi sous quelles formes peut s’exprimer l’exil, synonyme d’une perte généralisée
Following the experience of exile, a country's culture, artistic expression of memory, branches forth. The exile's work is thus only part of the cultural rhizome, reflecting initial identity, whose root is the same as those left behind, while adding the experience of the current “elsewhere”. Georges Steiner pushes the idea to the point of conceiving this experience as being the trigger of current literature, something we consider as the pre-existing signifier. As such, the 20th century is littered with exiles, imposed by the emergence of multiple dictatorships or economic difficulties (Nazi persecution of the Jews, dictators of Africa or Latin America, etc.). The study focuses on two Argentinian novels: Paula Wajsman's Informe de París (1990) and Cristina Siscar's La sombra del jardín (1999). The authors bring to light exile in their fiction. The study is dedicated to the analysis of these two texts whose styles differ but whose themes have much in common : relationship with space, loss of imaginary reference points, situating oneself in regards to the Other and the construction of identity in a new environment. Thus we question in what forms can be expressed the general feeling of loss so synonymous with exile

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Regoczy, Lucia Graciela, and n/a. "Espiritu de subversion : la construccion del discurso de la mujer en la narrativa posmoderna hispanoamericana." University of Otago. Department of Languages and Cultures, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070927.141659.

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This thesis offers a typology of Postmodern women�s discourse from a sociological perspective. By focusing on the reading of Gioconda Belli�s Sofia de los presagios, Isabel Allende�s Paula, and Anacristina Rossi�s La loca de Gandoca, it examines how each writer achieves, thanks to the process of dialogism and the carnivalesque, a critique of social and aesthetic values, associated with Eurocentric discourse. Thanks to these two processes, the values associated with the marginalized position of women in Latin America, are brought to the surface, offering a better understanding of the relation that exists between women�s literary production and the cultural environment. Chapter one offers an overview of the concepts associated with Posmodernism, and its relevance in the Latin American context. This chapter also outlines the key concepts associated with dialogism and the carnivalesque. Chapter two examines the use of the carnivalesque in two plays by Sor Juana Ines de la Cruz, Los empenos de una casa and Amor es mas laberinto as antecedents of subversive writing in Spanish American women�s writing. It discusses how Sor Juana through appropriation and inversion, transforms her texts into a critique of marginalized social groups. This chapter proposes that Sor Juana sets the model for the subversive nature of Spanish American women�s writing. Chapter three offers a reading of Cristina Peri Rossi�s El libro de mis primos as an example of radical feminist discourse produced in the 60�s, focusing on the use of parody and irony as means of transgressing patriarchal discourse. Chapter four examines Gioconda Belli�s Sofia de los presagios, and the incorporation of ancestral and modern myths, to accentuate women�s marginality and the conflicting and contradictory nature of Nicaraguan society. Chapter five focuses on a reading of Isabel Allende�s Paula in which the techniques of magical realism and the carnivalesque are brought together to criticize social and cultural practices that marginalize women. Chapter six examines Anacristina Rossi�s La loca de Gandoca. It focuses on the way Rossi makes use of popular music, romantic literature, poetry, and bureaucratic discourse, to denounce the exploitation and destruction of Costa Rica�s natural resources through ecotourism.

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Books on the topic "Cristina Siscar"

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Poéticas da imanência: Ana Cristina Cesar e Marcos Siscar. Rio de Janeiro, RJ: 7Letras, 2011.

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de, León Pasquel Lourdes, ed. Mi hermanita Cristina, una niña chamula: My little sister Cristina, a Chamula girl. México, D.F: Archivo Fotográfico Indígena, 2000.

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Book chapters on the topic "Cristina Siscar"

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Humphris, Rachel. "Interlude | Facebook with Cristina." In Home-Land: Romanian Roma, Domestic Spaces and the State, 39–40. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781529201925.003.0003.

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It is 28 June 2013 and I’m sitting on the bed in my small room in Cristina’s house. There is a chest of drawers in the room that Cristina found in the street, which she cleaned and squeezed into the room next to the bed. Cristina comes in and stands on the small part of the floor between the bed and the wall. She has received a letter from the telephone company and she wants to know whether this means she can use the internet. She wants to use Facebook to try to find her sister. Dan, her husband, had mentioned to me before that Cristina’s sister moved to Italy when she was 15 (Cristina was 6 years old at the time) with an Italian man. Cristina thought that she would be able to find her sister through Facebook and often asked to use my phone, which could access the internet, to search for her sister’s name....

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Humphris, Rachel. "Interlude | Disappearing Dinni." In Home-Land: Romanian Roma, Domestic Spaces and the State, 69–72. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781529201925.003.0005.

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It is a Friday morning in May 2013 and Dan has risen very early. I hear the front door slam at around 5:30. I gradually fall asleep, trying to ignore the rats running through the walls and in the bathroom next door. I know that Dan is on his way to London to pick up someone from Victoria coach station in London because, about two weeks ago, I went with Cristina to Western Union to transfer money to an address in Moldavia. She told me it was to pay the coach fare for a lady to come to the house. When I asked exactly who, she replied a lady who was Dan’s sister but only ‘half-half’ (pash pash). At around 11 o’clock Dan returns accompanied by Dinni, a small lady who looks as though she could be around 50. Her face is tanned and rough as though she had been working outdoors for a long time and she is wearing a headscarf. She looks visibly tired and after being hugged by Cristina with “Peace, my sister” (...

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"Diáspora, errancia, raíz en La sombra del jardín de Cristina Sisear." In El escritor y el intelectual entre dos mundos, 425–42. Vervuert Verlagsgesellschaft, 2010. http://dx.doi.org/10.31819/9783964566324-035.

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"El exilio y otras transgresiones en la narrativa de tres autoras latinoamericanas en Europa: Cristina Peri Rossi, Ana Vásquez Bronfman y Cristina Sisear." In Aves de paso, 131–40. Vervuert Verlagsgesellschaft, 2005. http://dx.doi.org/10.31819/9783964563729-011.

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"Vicissitudes of Language: Nancy Huston's L'Empreinte de l'ange and Cristina Siscar's La sombra del jardín." In Exile and Nomadism in French and Hispanic Women's Writing, 67–97. Routledge, 2017. http://dx.doi.org/10.4324/9781315094236-4.

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