Relevant bibliographies by topics / Critic-poet

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Critic-poet'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Critic-poet.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Critic-poet"

1

Gustafson, Richard F., Robert Louis Jackson, Lowry Nelson, and Vyacheslav Ivanov. "Vyacheslav Ivanov: Poet, Critic and Philosopher." Russian Review 47, no. 1 (1988): 91. http://dx.doi.org/10.2307/130447.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Cheron, George, Robert Louis Jackson, and Lowry Nelson. "Vyacheslav Ivanov: Poet, Critic and Philosopher." Slavic and East European Journal 33, no. 2 (1989): 310. http://dx.doi.org/10.2307/309356.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Abrahams, Lionel. "Poet, Novelist, Critic, Publisher, Human Being." English Academy Review 4, no. 1 (1987): 143–52. http://dx.doi.org/10.1080/10131758785310101.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Oliveira, Solange Ribeiro de. "T. S. Eliot: critic and poet." Estudos Germânicos 6, no. 1 (1985): 395. http://dx.doi.org/10.17851/0101-837x.6.1.395-411.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Shusterman, Richard. "Remembering Hulme: A Neglected Philosopher-Critic-Poet." Journal of the History of Ideas 46, no. 4 (1985): 559. http://dx.doi.org/10.2307/2709545.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bush, Andrew. "Overhearing Hollander's Hyphens: Poet-Critic, American-Jew." diacritics 30, no. 2 (2000): 70–87. http://dx.doi.org/10.1353/dia.2000.0011.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

McFadden, Hugh. "‘Our own fastidious John Jordan’: Poet, Literary Editor, Critic." Irish University Review 42, no. 1 (2012): 124–40. http://dx.doi.org/10.3366/iur.2012.0012.

Full text
Abstract:
For more than three decades, John Jordan (1930–88) was one of the most astute and perceptive literary critics in Ireland. As editor of the magazine Poetry Ireland in the Sixties he helped to revive Dublin as a significant literary centre, maintaining friendships with Patrick Kavanagh, Brendan Behan, and Austin Clarke. Himself a poet in the late modernist mode and a writer of witty and idiosyncratic short stories about the bohemian Dublin of the Forties and Fifties, Jordan was equally well-known as a drama critic, a staunch advocate of the later plays of Sean O'Casey, a defender of Joyce and Beckett, and a champion of the work of women authors including Kate O'Brien and the playwright Teresa Deevy. A child prodigy who corresponded with the famous English drama critic James Agate and evaluated play scripts for Edwards and MacLiammóir at the Gate Theatre, where he also acted, John Jordan distinguished himself as a scholarship student at Pembroke College Oxford and at UCD, where he lectured brilliantly on English literature. He was also a noted broadcaster on radio and TV programmes such as the Thomas Davis Lectures, Sunday Miscellany, and the TV book programme Folio.
APA, Harvard, Vancouver, ISO, and other styles
8

Eismann, Marianne, Gerald Graff, and Reginald Gibbons. "Fighting "Theory, Inc.": The Situation of the Poet-Critic." Contemporary Literature 29, no. 2 (1988): 311. http://dx.doi.org/10.2307/1208446.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Katharine Capshaw Smith. "Bessie Woodson Yancey, African-American Poet and Social Critic." Appalachian Heritage 36, no. 3 (2008): 73–77. http://dx.doi.org/10.1353/aph.0.0060.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Jensen, Jørgen I. "Nekrolog over Poul Borum." Grundtvig-Studier 48, no. 1 (1997): 10–15. http://dx.doi.org/10.7146/grs.v48i1.16241.

Full text
Abstract:
Poul Borum 1931-1996By Jørgen I. JensenJørgen I. Jensen has written an obituary of the Danish literary critic and poet Poul Borum, whose book The Poet Grundtvig (Digteren Grundtvig) stands out as an essential contribution to the understanding of Grundtvig with implications far beyond the borders of literary criticism.
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Critic-poet"

1

Newcomb, Christine Caroline. "August Wilhelm Schlegel : poet, critic and translator /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/6681.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Chu, Sin-man Alison, and 朱善雯. "Artist (poet) as critic: T.S. Eliot's modernist ambiguities : turning the old upside down." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31953013.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Chu, Sin-man Alison. "Artist (poet) as critic : T.S. Eliot's modernist ambiguities : turning the old upside down /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23473101.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Tang, Sheung-wo, and 鄧雙和. "The poet as cultural critic: an investigationof aspects of T.S. Eliot's critique of modern culture in his poetryand prose." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31951740.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Tang, Sheung-wo. "The poet as cultural critic : an investigation of aspects of T.S. Eliot's critique of modern culture in his poetry and prose /." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19537384.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bueno, Danilo Rodrigues. "A função poético-crítica em Jorge de Sena: problemáticas do poeta moderno." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-04022010-103714/.

Full text
Abstract:
Esta dissertação estuda a obra de Jorge de Sena a partir do cotejo de sua poesia e de sua crítica. O corpus de leitura é composto pelos Quatro sonetos a Afrodite Anadiómena, presentes no livro Metamorfoses, bem como dos ensaios constantes nos livros Dialéticas Teóricas da Literatura e Dialéticas Aplicadas da Literatura. Dessa comparação, busca-se entender a função poético-crítica na obra de Jorge de Sena e suas variadas implicações com a modernidade literária.<br>The dissertation studies the works of Jorge de Sena from the comparison of his poetry and his critical. The reading corpus is composed by Quatro sonetos a Afrodite Anadiómena, present in the book Metamorfoses, and by the essays contained in the books Dialéticas Teóricas da Literatura e Dialéticas Aplicadas da Literatura. From this comparison, searches to understand the poetic-critical function of Jorge de Sena works and its varied implications with the modernity literary.
APA, Harvard, Vancouver, ISO, and other styles
7

Bueno, Danilo Rodrigues. "Para voltar à poesia: interpretações e desdobramentos do \'voltar ao real\' na obra de Joaquim Manuel Magalhães." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-25102017-163817/.

Full text
Abstract:
Esta tese pretende analisar e problematizar a poesia de Joaquim Manuel Magalhães (JMM), comparando-a pontualmente com sua produção crítica e tradutória para discutir a temática surgida pelo verso voltar ao real, a esse desencanto. Tal proposta foi publicada pelo poeta em 1981, primeiro como ensaio, depois reformulado como poema, tornando-se preceptiva para a produção do poeta-crítico, bem como basilar para as mais variadas interpretações de seus poemas. A análise de sua obra passa, inicialmente, pelo poema Princípio, súmula poética de Magalhães. Em seguida, analisam-se os poemas publicados antes de 1981 que possam ter preparado a declaração de voltar ao real, para, ato contínuo, analisarem-se os poemas imediatamente posteriores ao ano de 1981, investigando-se traços que apontem para diálogos ou afastamentos, período mais maduro e reconhecido da obra de Magalhães. Por último, trata-se dos desdobramentos mais atuais, notadamente a substituição da obra proposta em 2010, quando há uma ampla mudança de perspectiva, acenando para novos contornos de sua escrita poética, diversos do itinerário poético construído de 1974 até 2010. O interesse dessa tese, portanto, é entender essa movimentação da obra, por meio das irradiações que a ideia de voltar ao real embasa.<br>This thesis aims to analyze and problematize the poetry of Joaquim Manuel Magalhães (JMM), comparing it punctually with his critical and translational production in order to discuss the topic of the verse \"to return to the real, to this disenchantment\". The poet published this proposal in 1981, first as an essay, later reformulated as a poem, becoming mandatory for the production of the poet-critic, as well as fundamental for the most varied interpretations of his poems. The analysis of his work passes, initially, by the poem \"Principle\", poetic synthesis of Magalhães. Then, we analyze the poems published before 1981 that may have prepared the declaration of \"to return to the real\", in order to analyze the poems immediately after the year 1981, investigating traits that point to dialogues or departures, the more mature and recognized period of Magalhãess work. Lastly, we discuss his most current developments, notably the replacement of the work proposed in 2010, when there is a wide change of perspective, waving to new contours of his poetic writing, different from the poetic itinerary constructed from 1974 to 2010. The interest of this thesis, therefore, is to understand this movement of the work, resorting to the irradiations that the idea of to return of the real bases.
APA, Harvard, Vancouver, ISO, and other styles
8

Kimori, Ligia Rivello Baranda. "Os mestres no passado: Mário de Andrade lê os parnasianos brasileiros." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-24042015-105947/.

Full text
Abstract:
A dissertação focaliza Mário de Andrade leitor dos parnasianos brasileiros a partir de sua marginália nos autores e obras com os quais ele dialoga, em sua biblioteca particular, na segunda metade do decênio de 1910 e antes de 1921, quando o Jornal do Comércio estampa a série de sete artigos, Mestres do passado, em que ele se posiciona como modernista. Aos doze títulos vinculados à abordagem dos poetas parnasianos Francisca Júlia, Raimundo Corrêa, Alberto de Oliveira, Olavo Bilac e Vicente de Carvalho, nos artigos referidos, circunscreve-se a exploração das anotações autógrafas que preservam instâncias do processo criativo do crítico e de Mário de Andrade poeta em formação, na primeira parte deste mestrado. A recuperação integral dessa marginália, mediante transcrição e classificação acompanhada de notas da pesquisa esclarecendo determinados aspectos e traçando correlações com obras do escritor, compõe a segunda parte da dissertação, parte que constitui também um rigoroso instrumento de trabalho para os estudos sobre o escritor e sobre o parnasianismo no Brasil.<br>The dissertation focuses on Mario de Andrade reader of brazilian parnassians from his margin notes in the authors and works with whom he dialogues, in his private library in the second half of the decennary of 1910 and before 1921, when the Jornal do Comércio stamp a series of seven articles, \"Mestres do passado\", in wich he stands as modernist. To the twelve titles linked to the approach of the parnassian poets Francisca Julia, Raimundo Corrêa, Alberto de Oliveira, Olavo Bilac and Vicente de Carvalho, in the articles referred, is limited to exploitation of handwritten notes that preserve instances of the creative process and critical of Mário de Andrade poet in training, in the first part of this masters degree. The full recovery of his margin notes, by transcription and classification accompanied by notes explaining certain aspects of the research and plotting correlations with works of the writer composes the second part of the dissertation, which is also part of a rigorous working tool for studies on the writer and on the parnassianism in Brazil.
APA, Harvard, Vancouver, ISO, and other styles
9

Ben, Mansour Mohamed. "Le poète et le Prince : couleurs de l'éloge et du blâme à l'époque abbasside (750 - 965)." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSEN086.

Full text
Abstract:
En partant de l’une des périodes les plus riches dans l’histoire de l’Islam en termes de créativité et de production poétiques, notre projet vise à mettre au jour les formes qu’a revêtues le rapport entre le poète et le Prince. Pour élucider ce rapport aussi complexe que protéiforme, nous ferons appel à un corpus riche et varié, et on tentera alors d’examiner la question de l’éloge et du blâme à travers trois prismes : la rhétorique, l’éthique et la politique. Le discours encomiastique mobilise la rhétorique afin d’emporter l’adhésion d’un auditoire sur une matière qui n’est pas encore établie. Mais l’effort déployé par l’orateur afin de convaincre l’auditoire ne peut se passer de la toile de fond éthique et du système commun de valeurs dont il procède pour arriver à la persuasion. Quant à la dimension politique, elle se reflète dans la fonction du poète comme « arme verbale » au service du Prince et instrument de légitimation de sa position politique contre ses adversaires réels ou potentiels. Par-delà la fonction de panégyriste officiel, la performativité du discours politique s’étend également à la parole, d’éducation, de réforme voire de critique ouverte qui pourrait évoquer la parrêsia antique. Grâce à un fonds sapiential, la poésie apporte sa contribution au processus de formation de l’homme politique et lui offre un excellent manuel de gouvernement. Quant à la veine contestataire, l’invective, la caricature et la mobilisation de la parole polémique constituent ses principaux ressorts. La veine contestataire traverse le regard que le poète jette sur l’univers de la cour, la politique du Prince ou le rapport entre gouvernants/gouvernés. Qu’il s’agisse de nominations, de projets politiques ou de l’ethos même de l’homme du pouvoir, le poète est toujours présent pour donner son avis. L’injustice d’une décision prise par un juge, le népotisme d’un gouverneur ou la dureté d’un général sont autant d’aspects qui témoignent de la vivacité de la critique du pouvoir par le poète, et du rôle que ce dernier endosse en tant que moralisateur de cette sphère. Le conseil se présente alors comme le moyen de rectifier les décisions ou les orientations générales du Prince et témoigne de l’existence d’une véritable rationalité poétique. Aussi, la rhétorique de l’éloge et du blâme témoigne-elle de l’existence d’une rationalité poétique qui arrive à maturité à l’époque abbasside et parvient à un degré d’efficience oratoire sans précédent en raison d’une conscience accrue du poète de la nécessité de s’impliquer dans la vie politique et de peser sur le cours de l’Histoire<br>Based on one of the richest periods in the history of Islam in terms of poetic creativity and production, our project seeks to revise the forms that characterized the relationship between the poet and the prince. To elucidate this relationship as complex as it is protean, we will call on a rich and varied corpus, and then examine the question of praise and blame through three prisms: rhetoric, ethics and politics. The encomiastic discourse uses rhetoric to gain an audience’s support for a matter that is not yet established. But the effort required by the orator to convince the audience necessitates the ethical backdrop and common system of values, from which he proceeds to persuade. As for the political dimension, it is reflected in the poet’s function as the “verbal arm” serving the prince and as an instrument legitimizing his political position against real or potential opponents. Beyond the function of official panegyrist, the performativity of political discourse also extends to speech, education, reform, even open criticism that could evoke the antique parrêsia. By virtue of its sapiential substance, poetry contributes to the process forming the politician and offers him an excellent manual to government. As for the dissenting vein, invective, caricature and the mobilization of polemical speech constitute his main resources. The dissenting vein passes through the poet’s gaze on the universe of the court, the prince’s politics and the relationship between governor/governed. Whether it involves nominations, political projects or the very ethos of the man of power, the poet is always present to give his opinion. The injustice of a decision made by a judge, the nepotism of a governor or the harshness of a general are all aspects that demonstrate the poet’s vivacious criticism of power, and the role that the latter assumes as the moralizer of this sphere. The counsel is then presented as a means to rectify the prince’s general decisions or orientations and attests to the existence of a veritable poetic rationality. Furthermore, the rhetoric of praise and blame indicates the existence of a poetic rationality that reached maturity in the Abbasid period and attained an unprecedented degree of oratory efficiency, due to the poet’s growing consciousness of the necessity to be involved in political life and to influence the course of history
APA, Harvard, Vancouver, ISO, and other styles
10

Ewington, Amanda. "A Voltaire for Russia? : Alexander Petrovich Sumarokov's journey from poet-critic to Russian philosophe /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3006491.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Critic-poet"

1

Chinua Achebe, novelist, poet, critic. 2nd ed. Macmillan, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Nirodbaran and R. Y. Deshpande. Amal-Kiran, poet and critic. Sri Aurobindo Ashram, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Seamus Heaney: Poet and critic. P. Lang, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

D.S. MacColl: Painter, poet, art critic. Lennard Pub., 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

W.J. Turner: Poet and music critic. Smythe, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bellu, Ștefan. Ion Șiugariu: Poet și critic literar. 2nd ed. Editura Gutinul, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Edwin Muir: Poet, critic, and novelist. Edinburgh University Press, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

McCulloch, Margery Palmer. Edwin Muir: Poet, critic and novelist. Edinburgh U. P., 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

J.-K. Huysmans--novelist, poet, and art critic. UMI Research Press, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Blakeston, Oswell. Oswell Blakeston 1907-1985: Poet, painter, critic polymath. Hampstead Artists' Council, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Critic-poet"

1

Dutton, Richard. "Poet and Critic." In Ben Jonson Authority Criticism. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1057/9780230372498_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Blades, John. "The Poet as Critic and Theorist." In Wordsworth and Coleridge. Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-80197-4_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kidwai, Saleem. "“Firaq” Gorakhpuri: Poet vs. “Critic” (Urdu)." In Same-Sex Love in India. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-05480-7_37.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Kidwai, Saleem. "“Firaq” Gorakhpuri: Poet vs. “Critic” (Urdu)." In Same-Sex Love in India. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62183-5_37.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Campbell, Patrick. "The Poet as Critic: The Preface (1800)." In Wordsworth and Coleridge: Lyrical Ballads. Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21564-5_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Jeffares, A. Norman. "Wayne McKenna, W. J. Turner, Poet and Music Critic (Gerrards Cross, Bucks: Colin Smythe, 1990) xix + 257 pp." In Yeats and Women. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-11928-8_19.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Parkin, Andrew. "Digitization and Literature: The Approach of a Poet-Critic to Digital Influences on Poetry and Fiction with Special Reference to My Own Experience as a Writer." In Digital Humanities and New Ways of Teaching. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1277-9_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Šabasevičiūtė, Giedrė. "When a Coterie Becomes a Generation: Intellectual Sociability and the Narrative of Generational Change in Sayyid Qutb’s Egypt." In Methodological Approaches to Societies in Transformation. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65067-4_8.

Full text
Abstract:
AbstractDeparting from the case study of Egyptian intellectuals, focusing particularly on Sayyid Qutb, this chapter explores the relationship between narratives of generational change and cultural renewal. It argues that the observation of intellectual sociability is a productive angle from which to understand the conditions under which generational claims result in the effective reshuffling of the intellectual leadership, aesthetic norms, and principles of intellectual authority. The biography of Qutb (1906–1966), a poet and literary critic who abandoned his literary activity in the mid-1950s to pursue a career in Islamic activism—allows us to observe how the generational narrative articulates with his shifting intellectual networks. As a public intellectual, Qutb was at the forefront of two literary confrontations in early- to mid-twentieth century Egypt in which he made generational claims in order to place himself in the literary tradition that emerged at the beginning of the twentieth century, and later to cut himself off from that tradition by announcing the emergence of a new generation dedicated to political Islam. At the core of these competing uses of generational rhetoric, this chapter argues, is Qutb’s shifting relationship with the senior literary generation, some of whom he had considered his mentors. Departing from the case study, the chapter then argues that collectives defined as generational tend to emerge in tandem with the reshuffling of social bonds that a writer maintains with his seniors, switching from a bond of transmission to one of confrontation. The change announced in the generational narrative is effective when followed by the concrete action of shifting one’s intellectual solidarities from masters to peers, as this is the moment when the masters are abandoned to history and peers are promoted as the new literary generation. Depending on the particular set of relationships in which a writer finds himself, the notion of generation may act as a narrative of either change or tradition.
APA, Harvard, Vancouver, ISO, and other styles
9

Beer, John. "The Poet as Critic, Critic as Poet." In Coleridge's Play of Mind. Oxford University Press, 2010. http://dx.doi.org/10.1093/acprof:oso/9780199574018.003.0011.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Poet and critic." In Encyclopedia of Contemporary Italian Culture. Routledge, 2002. http://dx.doi.org/10.4324/9780203440254-75.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography