Academic literature on the topic 'Critic (Sheridan, Richard Brinsley)'

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Journal articles on the topic "Critic (Sheridan, Richard Brinsley)"

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GLEN, ROBERT. "A NEW LETTER BY RICHARD BRINSLEY SHERIDAN." Notes and Queries 37, no. 1 (1990): 11—b—14. http://dx.doi.org/10.1093/nq/37-1-11b.

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Price, Cecil, and James Morwood. "The Life and Work of Richard Brinsley Sheridan." Modern Language Review 83, no. 3 (1988): 684. http://dx.doi.org/10.2307/3731317.

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Ruddick, William, and James Morwood. "The Life and Works of Richard Brinsley Sheridan." Eighteenth-Century Studies 20, no. 4 (1987): 530. http://dx.doi.org/10.2307/2738791.

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Kord, Catherine, and Fintan O'Toole. "A Traitor's Kiss: The Life of Richard Brinsley Sheridan, 1751-1816." Antioch Review 58, no. 1 (2000): 122. http://dx.doi.org/10.2307/4613967.

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Wiesenthal, Christine S. "Representation and Experimentation in the Major Comedies of Richard Brinsley Sheridan." Eighteenth-Century Studies 25, no. 3 (1992): 309. http://dx.doi.org/10.2307/2739338.

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Roberts, David. "David Francis Taylor,Theatres of Opposition: Empire, Revolution, and Richard Brinsley Sheridan." Notes and Queries 63, no. 2 (2016): 307–8. http://dx.doi.org/10.1093/notesj/gjw016.

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Evans, James. "The Rivals: An Irish Expatriate Comedy." Restoration and Eighteenth-Century Theatre Research 31, no. 2 (2016): 5–18. http://dx.doi.org/10.5325/rectr.31.2.0005.

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Abstract In The Rivals Richard Brinsley Sheridan uses the allegorical possibilities of setting, character, and plot to represent the Irish expatriate’s crossing act. Bath is home to none of the characters, who, like immigrants on the move, occupy temporary residences and perform in a social milieu where they may refashion themselves and compel others to respond to their new scripts. Unlike the stage Irishman Sir Lucius O’Trigger, Jack Absolute and Bob Acres represent this crossing by assuming a different status or style. Acting as Beverley, a nobody rather than a gentleman, Jack performs the e
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JONES, ROBERT W. "A Matter of Honour: The Duel in Thomas Moore'sLife of Richard Brinsley Sheridan." Journal for Eighteenth-Century Studies 36, no. 1 (2011): 1–16. http://dx.doi.org/10.1111/j.1754-0208.2011.00456.x.

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Ribes Traver, Purificación. "Sheridan “arreglado” para la escena española: La escuela de la murmuración, de Rafael Galves Amandi (1861)." Quaderns de Filologia - Estudis Literaris 22 (January 7, 2018): 189. http://dx.doi.org/10.7203/qdfed.22.11259.

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La comedia más notable de Richard Brinsley Sheridan, The School for Scandal, se estrenó en Londres en 1777 y, debido a su enorme popularidad, se editó, representó y tradujo a diferentes lenguas a lo largo del siglo XIX. Rafael Galves, consciente de las notables diferencias de carácter ideológico, cultural y estilístico entre el teatro inglés y el español, realizó una profunda adaptación de la obra al verterla al castellano en 1861. Este artículo tiene como objetivo analizar de qué forma los rasgos estructurales, temáticos y estilísticos de su versión libre de la comedia se adecuaron a la sensi
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REDFORD. ""A Peep behind the Curtain at Drury Lane": The Richard Brinsley Sheridan Archive at Princeton." Princeton University Library Chronicle 46, no. 3 (1985): 249. http://dx.doi.org/10.2307/26403755.

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Dissertations / Theses on the topic "Critic (Sheridan, Richard Brinsley)"

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Clayton, Christopher A. "The political career of Richard Brinsley Sheridan." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334098.

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Taylor, David Francis. "Theatres of opposition : empire, revolution, and Richard Brinsley Sheridan." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611724.

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Chatar, Fatiha. "La dramaturgie de Sheridan : approche sémiologique." Paris 4, 1996. http://www.theses.fr/1996PA040089.

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L'analyse dramaturgique que l'on a suivi a servi peut-être à examiner la réalité projetée dans le texte dramatique de Sheridan. La question essentielle de notre travail consiste alors à demander : "à quoi sert réellement une approche sémiologique ? De nombreuses personnes remarquent que la sémiologie du texte est un moyen qui aide à découvrir les richesses des structures mieux qu'un travail de mise en scène ne pourrait le faire. C'est surtout cette absence d'étude sémiologique antérieure, qui nous a obligé à appréhender son œuvre, et nous sommes étonnés de ne pas trouver dans la masse d'ouvrag
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Vives, Rofes Gema. "Polémicas Teatrales del siglo XVIII en España y en Inglaterra." Doctoral thesis, Universitat Pompeu Fabra, 2001. http://hdl.handle.net/10803/666498.

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En la primera parte de la tesis se establece una comparación entre dos obras metateatrales de finales del siglo XVIII, La comedia nueva de Leandro Fernández de Moratín y The Critic de Sheridan. Estas obras son examinadas en el contexto de las polémicas teatrales que se produjeron durante el siglo en España y en Inglaterra. La segunda parte de la tesis explora las razones de una discrepancia. A pesar de ser muchas las similitudes entre el panorama teatral dieciochesco en los dos países, en España la solución a un panorama que los neoclásicos consideran deplorable se plantea en términos de una
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Books on the topic "Critic (Sheridan, Richard Brinsley)"

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Sheridan, Richard Brinsley. The critic. A & C Black, 1989.

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Sheridan, Richard Brinsley. The rivals: The duenna ; A trip to Scarborough ; The school for scandal ; The critic. Oxford University Press, 1998.

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1926-, Mikhail E. H., ed. Sheridan: Interviews and recollections. Macmillan, 1989.

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Company, Royal Shakespeare. The school for scandal by Richard Brinsley Sheridan. Royal Shakespeare Company, 1998.

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O'Toole, Fintan. A traitor's kiss: The life of Richard Brinsley Sheridan. Granta Books, 1998.

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O'Toole, Fintan. A traitor's kiss: The life of Richard Brinsley Sheridan, 1751-1816. Farrar, Straus and Giroux, 1998.

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Sheridan, Richard Brinsley. Plays of Sheridan, containing The rivals, The school for scandal, The critic . By : Richard Brinsley Sheridan: Richard Brinsley Butler Sheridan ... of the London Theatre Royal, Drury Lane. CreateSpace Independent Publishing Platform, 2018.

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Sheridan, Richard Brinsley. Critic. Bloomsbury Publishing Plc, 2014.

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Sheridan, Richard Brinsley. Critic. Creative Media Partners, LLC, 2018.

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Sheridan, Richard Brinsley. Critic. Bloomsbury Publishing Plc, 2014.

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Book chapters on the topic "Critic (Sheridan, Richard Brinsley)"

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Schäffner, Raimund. "Sheridan, Richard Brinsley: The Critic, or A Tragedy Rehearsed." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17082-1.

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Schäffner, Raimund. "Sheridan, Richard Brinsley." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17079-1.

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McGowan, Ian. "Richard Brinsley Sheridan." In The Restoration and Eighteenth Century. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20143-3_37.

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McGowan, Ian. "Richard Brinsley Sheridan 1751–1816." In The Restoration and Eighteenth Century. Palgrave Macmillan US, 1989. http://dx.doi.org/10.1007/978-1-349-60485-2_37.

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Schäffner, Raimund. "Sheridan, Richard Brinsley: The Rivals." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17080-1.

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Jones, Robert W. "The Drama of Richard Brinsley Sheridan." In A Companion to Irish Literature. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444328066.ch15.

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Schäffner, Raimund. "Sheridan, Richard Brinsley: The School for Scandal." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17081-1.

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Ranger, Paul. "Richard Brinsley Sheridan and the Background to the Play." In The School for Scandal by Richard Sheridan. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08301-5_1.

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Fest, Kerstin. "Dramas of Idleness: The Comedy of Manners in the Works of Richard Brinsley Sheridan and Oscar Wilde." In Idleness, Indolence and Leisure in English Literature. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137404008_8.

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"Chapter 7. NAUMACHIA AND THE STRUCTURE OF THE CRITIC." In Richard Brinsley Sheridan, edited by Jack DeRochi and Daniel Ennis. Lexington Books, 2012. https://doi.org/10.5771/9781611484816-145.

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