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Books on the topic 'Critical film studies'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

John, Hill, and Gibson Pamela Church, eds. Film studies: Critical approaches. Oxford University Press, 2000.

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2

Aitken, Ian. Documentary film: Critical concepts in media and cultural studies. Routledge, 2012.

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3

Philip, Simpson, Utterson Andrew, and Shepherdson K. J, eds. Film theory: Critical concepts in media and cultural studies. Routledge, 2003.

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4

Welsh Joint Education Committee., ed. Film Studies.A/AS level.FS6 Critical Studies.426/01.WJEC.June 2003. Welsh Joint Education Committee, 2002.

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5

Hefny, Mostafa. Arab studies for teachers: A critical guide to curricular materials. Wayne County Intermediate School District, 1986.

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6

Huang, Yingxia, and Jay Beck. Fang di hua tong gan: Dian ying sheng yin pi ping = Lowering the boom : critical studies in film sound. Zhong guo dian ying chu ban she, 2013.

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7

Ostrowska, Dorota, and Tamara L. Falicov. Shaping Film Festivals in a Changing World. Amsterdam University Press, 2025. https://doi.org/10.5117/9789463725576.

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This volume is a collective attempt on the part of a community of academics, film festival curators, and archivists to come to terms with practical and intellectual challenges of the pandemic and post-pandemic realities affecting cultures of film festivals. The collection draws contours of critical inquiry orienting current film festival research and practice to explore new directions in archiving and decolonizing practices and big data analysis in the post-Covid-19 context and beyond. The four-part study gathers the voices of academics and practitioners who engage in a dialogue to articulate

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8

Paul, Heike, Sarah Marak, Katharina Gerund, and Marius Henderson, eds. Lexicon of Global Melodrama. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459737.

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This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th century silent movies to contemporary films, from independent ›arthouse‹ productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics, and anyone who is i

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9

Kim, Soyoung. Korean Cinema in Global Contexts. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729147.

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Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films of Park Chan-wook, Bong Joon-ho and Kim Ki-young, Korean Cinema in Global Contexts: Postcolonial Phantom, Blockbuster and Trans-Cinema situates itself in the local, Inter-Asian, and transnational contexts by mobilizing the critical frameworks of feminism, postcolonial critique and comparative film studies. It is attentive to an enmeshment of the cinematic, aesthetics, politics and cultural history.

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10

(Editor), John Hill, Pamela Church Gibson (Editor), Richard Dyer (Editor), E. Ann Kaplan (Editor), and Paul Willemen (Editor), eds. Film Studies: Critical Approaches. Oxford University Press, USA, 2000.

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11

Perriam, Chris. Carmen: From Silent Film to MTV (Critical Studies 24) (Critical Studies). Editions Rodopi BV., 2005.

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12

Everett, Wendy. The Seeing Century: Film, Vision, and Identity. (Critical Studies 14) (Critical Studies). Editions Rodopi B.V., 2000.

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13

Everett, Wendy. The Seeing Century: Film, Vision, and Identity. (Critical Studies 14) (Critical Studies). Editions Rodopi B.V., 2000.

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14

(Editor), Alexander Graf, and Dietrich Scheunemann (Editor), eds. Avant-Garde Film. (Avant-Garde Critical Studies 23) (Avant Garde Critical Studies). Editions Rodopi BV., 2007.

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15

(Editor), Jay Beck, and Tony Grajeda (Editor), eds. Lowering the Boom: Critical Studies in Film Sound. University of Illinois Press, 2008.

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16

(Editor), Jay Beck, and Tony Grajeda (Editor), eds. Lowering the Boom: Critical Studies in Film Sound. University of Illinois Press, 2008.

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17

Lowering the Boom: Critical Studies in Film Sound. University of Illinois Press, 2023.

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18

O'Regan, Ben Goldsmith Tom. The Film Studio: Film Production in the Global Economy (Critical Media Studies). Rowman & Littlefield Publishers, Inc., 2005.

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19

Film Theory: Critical Concepts in Media and Cultural Studies. Routledge, 2003.

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20

(Editor), Philip Simpson, Andrew Utterson (Editor), and K. J. Shepherdson (Editor), eds. Film Theory: Critical Concepts in Media and Cultural Studies. Routledge, 2003.

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21

(Editor), Philip Simpson, Andrew Utterson (Editor), and K. J. Shepherdson (Editor), eds. Film Theory: Critical Concepts in Media and Cultural Studies. Routledge, 2003.

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22

Film Theory: Critical Concepts in Media and Cultural Studies. Routledge, 2003.

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23

Simpson, Philip. Film Theory: Critical Concepts in Media and Cultural Studies. Routledge, 2003.

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24

(Editor), Taylor Harrison, Sarah Projansky (Editor), Kent A. Ono (Editor), and Elyce Rae Helford (Editor), eds. Enterprise Zones: Critical Positions on Star Trek (Film Studies). Westview Pr (Short Disc), 1996.

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25

Critical queer studies: Queer life in law, film, and fiction. Ashgate Pub., 2012.

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26

Feminist Studies, Critical Studies: The Woman's Film of the 1940s (Language, Discourse, Society). Palgrave Macmillan, 1988.

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27

Charles, Casey. Critical Queer Studies: Law, Film, and Fiction in Contemporary American Culture. Taylor & Francis Group, 2016.

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28

Charles, Casey. Critical Queer Studies: Law, Film, and Fiction in Contemporary American Culture. Taylor & Francis Group, 2016.

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29

Charles, Casey. Critical Queer Studies: Law, Film, and Fiction in Contemporary American Culture. Taylor & Francis Group, 2016.

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30

(Editor), Taylor Harrison, Sarah Projansky (Editor), Kent A. Ono (Editor), and Elyce Rae Helford (Editor), eds. Enterprise Zones: Critical Positions on Star Trek (Film Studies (Boulder, Colo.).). Westview Pr (Short Disc), 1996.

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31

Hefny, Mostafa. Arab Studies for Teachers: A Critical Guide to Curricular Materials. Wayne County Intermediate, 1987.

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32

Zhang, Yingjin. Screening China: Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema (Michigan Monographs in Chinese Studies). Center for Chinese Studies, The Universi, 2002.

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33

Zhang, Yingjin. Screening China: Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema (Michigan Monographs in Chinese Studies). Center for Chinese Studies, The Universi, 2002.

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34

Neumeyer, David, ed. The Oxford Handbook of Film Music Studies. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195328493.001.0001.

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This volume explores the history and evolution of film music studies from the silent film to the sound film era. It examines the relevance of various theories, including ontological, feminist, queer, critical and apparatus theories, in film studies and analyzes the influence of theater or opera music on the development of film soundtrack. It also discusses the history of video game music and presents two case studies involving the analysis of the musical scores for Cecil B. DeMille’s The Ten Commandments and Terry Gilliam’s 12 Monkeys.

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35

Dixon, Wheeler Winston. Film Genre 2000: New Critical Essays (The Suny Series, Cultural Studies in Cinema/Video). State University of New York Press, 2000.

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36

Byrge, Paul. Critical Study of the Screwball Comedy Film, 1934-1941 (Studies in Cinema, No 46). Umi Research Pr, 1990.

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37

Dixon, Wheeler Winston. Film Genre 2000: New Critical Essays (The Suny Series, Cultural Studies in Cinema/Video). State University of New York Press, 2000.

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38

Price, Steven, and Chris Pallant. Storyboarding: A Critical History. Palgrave Macmillan, 2015.

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39

Price, Steven, and Chris Pallant. Storyboarding: A Critical History. Palgrave Macmillan, 2016.

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40

Coleman, Lindsay, Daisuke Miyao, and Roberto Schaefer, eds. Transnational Cinematography Studies. Lexington Books, 2016. https://doi.org/10.5040/9781978739888.

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Transnational Cinematography Studies introduces new perspectives to the discipline of film and media studies. First, this volume focuses on a crucial yet largely unexplored area in film and media studies: the substantial communication between critical studies of cinema and film production practices. This book integrates theories and practices of cinematographic technology. Secondly, Transnational Cinematography Studies expands the scope of film and media studies into the arena of transnationalism. Cinema is now discussed in terms of globalization of audio-visual cultures, with regard to such i

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41

Tomaselli, Keyan. Myth, Race and Power: South Africans Imaged on Film and TV (Critical Studies in African Anthropology). Smyrna Pr, 1988.

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42

Piekut, Benjamin, and George E. Lewis, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 2. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199892921.001.0001.

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Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuro

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43

Lewis, George E., and Benjamin Piekut, eds. The Oxford Handbook of Critical Improvisation Studies, Volume 1. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195370935.001.0001.

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Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuro

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44

Colombani, Elsa, ed. Critical Companion to Stanley Kubrick. The Rowman & Littlefield Publishing Group, 2020. https://doi.org/10.5040/9781666982619.

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A Critical Companion to Stanley Kubrick offers a thorough and detailed study of the films of the legendary director. Labeled a recluse, a provocateur, and a perfectionist, Kubrick revolutionized filmmaking, from the use of music in film, narrative pacing and structure, to depictions of war and violence. An unparalleled visionary, his work continues to influence contemporary cinema and visual culture. This book delves into the complexities of his work and examines the wide range of topics and the multiple interpretations that his films inspire. The eighteen chapters in this book use a wide rang

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45

Kackman, Michael, and Mary Celeste Kearney. Craft of Media Criticism: Critical Media Studies in Practice. Taylor & Francis Group, 2018.

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46

Craft of Media Criticism: Critical Media Studies in Practice. Taylor & Francis Group, 2018.

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47

Labrouillére, Isabelle, and Claire Parkinson, eds. Critical Companion to Christopher Nolan. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666982510.

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A Critical Companion to Christopher Nolan provides a wide-ranging exploration of Christopher Nolan's films, practices, and collaborations. From a range of critical perspectives, this volume examines Nolan's body of work, explores its industrial and economic contexts, and interrogates the director's auteur status. This volume contributes to the scholarly debates on Nolan and includes original essays that examine all his films including his short films. It is structured into three sections that deal broadly with themes of narrative and time; collaborations and relationships; and ideology, politi

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48

Damiens, Antoine. LGBTQ Film Festivals. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561575.

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While scholars have theorized major film festivals, they have ignored smaller, ephemeral, events. In taking seriously minor European and North-American LGBTQ festivals which often only exist as traces within archival collections, this book revisits festival studies' methodological and theoretical apparatuses. As the first 'critique' of festival studies from within, LGBTQ Film Festivals argues that both festivals and queer film cultures are by definition ephemeral. The book is organized around two concepts: First, 'critical festival studies' examines the political project and disciplinary assum

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49

Neale, Steve. Film, Cinema, Genre. Edited by Frank Krutnik and Richard Maltby. University of Exeter Press, 2021. http://dx.doi.org/10.47788/yrcc6901.

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This book brings together key works by pioneering film studies scholar Steve Neale. From the 1970s to the 2010s Neale’s vital and unparalleled contribution to the subject has shaped many of the critical agendas that helped to confirm film studies’ position as an innovative discipline within the humanities. Although known primarily for his work on genre, Neale has written on a far wider range of topics. In addition to selections from the influential volumes Genre (1980) and Genre and Hollywood (2000), and articles scrutinizing individual genres – the melodrama, the war film, science fiction and

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50

Murray, Terri. Studying Feminist Film Theory. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325802.001.0001.

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This book is aimed at helping media and film studies teachers introduce the basics of feminist film theory. No prior knowledge of feminist theory is required, the intended readers being university undergraduate teachers and students of film and media studies. Areas of emphasis include spectatorship, narrative, and ideology. Many illustrative case studies from popular cinema are used to offer students an opportunity to consider the connotations of visual and aural elements of film, narrative conflicts and oppositions, the implications of spectator 'positioning' and viewer identification, and an

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