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Journal articles on the topic 'Critici d'arte'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Festa, Daniela. "L' impronta coloniale dello spazio pubblico. Conversazione con Françoise." RIVISTA GEOGRAFICA ITALIANA, no. 3 (September 2022): 103–20. http://dx.doi.org/10.3280/rgioa3-2022oa14593.

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Dopo una sintetica panoramica sulla c.d. prospettiva decoloniale emergente da un ricco insieme di studi multidisciplinari sviluppatisi negli ultimi decenni tra teorie e prassi critiche, questa conversazione si interroga sul valore delle opere d'arte e dei monumenti nello spazio pubblico, sul loro potere evocativo e sul carattere politico delle rappresentazioni che incarnano. Partendo dal triangolo di monumenti che formano la Porte Dor&eacute;e a Parigi e ritracciando un'indagine spaziale collettiva condotta in questo luogo, Fran&ccedil;oise Verg&egrave;s riannoda i fili della memor

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2

Desideri, Fabrizio. "Ontologie statiche e dinamiche. Danto vs. Goodman (e oltre)." PARADIGMI, no. 2 (July 2010): 25–42. http://dx.doi.org/10.3280/para2010-002003.

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Sul problema dell'ontologia dell'opera d'arte si confrontano oggi un approccio essenzialista, che mira a definire le proprietŕ invarianti di ogni opera, e un approccio funzionalista secondo il quale le proprietŕ dell'opera, sono contingenti e dipendono da pratiche simboliche. L'ontologia statica, intensionalista e descrittivistica del primo approccio č ben esemplificata dalla posizione di A. Danto; l'ontologia dinamica, estensionalista e costruttivistica del secondo approccio, da quella di N. Goodman. Dopo una critica diretta principalmente alla posizione di Danto, l'Autore propone una definiz

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3

Farkas, Jean-Baptiste, and Ghislain Mollet-Viéville. "À propos des « énoncés d'art »." Critique 759-760, no. 8 (2010): 719. http://dx.doi.org/10.3917/criti.759.0719.

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Stefanelli, Luca. "Poesia critica: “preistoria” degli Attributi dell’arte odierna di Emilio Villa." Configurazioni. Ricerche sulla poesia contemporanea, no. 4 (June 30, 2024): 11–29. https://doi.org/10.54103/2974-8070/28147.

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Il saggio indaga la scrittura saggistica di Emilio Villa nella seconda metà degli anni Trenta, a partire da uno scritto su Lucio Fontana risalente al ’37, e dai testi pubblicati su Frontespizio e Corrente. Mettendo a fuoco in particolare il dialogo con Betocchi, si tenta così di cogliere, nel decennio che precede i veri e propri esordi di Villa, elementi di continuità e discontinuità con la poetica matura, e soprattutto con la prosa d'arte/sull'arte degli Attributi dell'arte odierna.

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5

Lepore, Ilaria. "Echi diderotiani fin de siècle. La controversia tra Coquelin, Irving, Salvini sull’arte dell’attore." Elephant and Castle, no. 33 (2024): 103–11. http://dx.doi.org/10.62336/unibg.eac.33.501.

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Tra il 1880 e il 1910, si accende in Europa un dibattito critico intorno al Paradoxe diderotiano, che, tralasciando le riflessioni filosofiche cui pure Diderot aveva sottomesso la sua teoria della recitazione e passando nelle mani degli attori (C. Coquelin e H. Irving, specialmente) interessa essenzialmente la dimensione della tecnica. Uno dei contributi più interessanti della controversia è dell’attore italiano Tommaso Salvini, che nel dicembre 1890 pubblica un articolo, Some Views on Acting, sulla rivista americana “The Century”, la cui traduzione italiana appare, pochi mesi dopo, sulla rivi

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Galtsova, Elena. "Charisme et déshérence : du Théâtre d'Art de Moscou à la galaxie Stanislavski." Critique 713, no. 10 (2006): 815. http://dx.doi.org/10.3917/criti.713.0815.

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7

Fackler, Fiona. "Exhibiting an Unapologetic Fascist: Mario Sironi." Perceptions 4, no. 2 (2018): 20. http://dx.doi.org/10.15367/pj.v4i2.106.

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Benito Mussolini's Fascist dictatorship over Italy in the period between world wars remains a troubling element of the nation's history. It has heavily affected the contemporary politics and public displays of in addition to scholarship about the thriving artistic scene of that time, yet, the weight of Italy's Fascist legacy has either comprised the primary focus of or been entirely absent from studies on art in the 1920s-1930s until a recent academic interest in reinvestigating the political and cultural atmosphere of the period. This paper underlines the importance of such renewed critical i

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8

Cohen, Michael. "A Defence of D'Arcy and Arden's Non-Stop Connolly Show." Theatre Research International 15, no. 1 (1990): 78–88. http://dx.doi.org/10.1017/s0307883300009548.

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Margaretta D'Arcy and John Arden's six part cycle, The Non-Stop Connolly Show (1975), is probably the most ambitious attempt in English to dramatize working-class and socialist history. However, productions have been remarkably few even in the ‘alternative’ theatre, so that the work has seldom been seen, even by its critics. Arguably, it is as important as anything in the Arden canon and is certainly the major achievement of the D'Arcy/Arden one. But to say so is to challenge a widely-held view that the D'Arcy/Arden collaborations of the 1970s are significant only in so far as they illustrate

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9

Bertelé, Matteo. "Un ambasciatore del "Realismo" italiano: Gabriele Mucchi nella Repubblica democratica tedesca negli anni Cinquanta." MONDO CONTEMPORANEO, no. 2 (May 2021): 87–101. http://dx.doi.org/10.3280/mon2020-002005.

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L'articolo esamina il ruolo di Gabriele Mucchi (1899-2002) nel contesto delle relazioni culturali tra Italia e Repubblica democratica tedesca nel corso degli anni Cinquanta, quindi prima di un reciproco riconoscimento giuridico e della firma di accordi bilaterali. Pittore realista e militante comunista, Mucchi fu una figura chiave nel dibattito artistico della DDR, all'interno del quale il "Realismo" italiano costituì un contributo determinante al processo di autodeterminazione di un'arte tedesca e socialista. L'artista fu oggetto di una crescente attenzione da parte delle istituzioni cultural

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10

Sanna, Angela. "Enrico Baj et le surréalisme : de l'exposition Éros à la querelle de l'Anti-procès." Studiolo 3, no. 1 (2005): 247–68. http://dx.doi.org/10.3406/studi.2005.1146.

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Enrico Baj e il surrealismo, dalla mostra ÈROS alla polemica dell 'Anti-procès. L'articolo mette in evidenza alcuni aspetti tanto importanti quanto inesplorati dei rapporti tra Enrico Baj (1924-2003) e il surrealismo nel secondo dopoguerra. Vengono analizzate, per la prima volta, le motivazioni culturali ed estetiche che hanno favorito ravvicinamento dell'artista ad André Breton e alla sua cerchia, portandolo ad interpretare in modo originale e autonomo alarne tematiche fondamentali del surrealismo, e a partecipare alle Esposizioni Internazionali del Surrealismo, in modo particolare a quella d

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11

Ernesto, Castro Córdoba. "Barcelona: teología, orsinis y arte contemporáneo." Philosophical Readings VIII, no. 3 (2017): 137–41. https://doi.org/10.5281/zenodo.293065.

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This paper is about Barcelona as a city marked by politics, art and philosophy. The debates between Jews and Christians on the superiority of one religion over the other, the construction of the Eixample, the anarchist attacks of the late twentieth and early nineteenth century and the construction of the Museu d'Art Contemporani de Barcelona (MACBA) ) are some of the milestones of Barcelona's history we analyze in this article from a critical point of view, since they determine not only the past of this city but also its present (Barcelona is recognized by UNESCO as a City of Literature) and i

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12

Young, James E. "Regarding the Pain of Women: Questions of Gender and the Arts of Holocaust Memory." PMLA/Publications of the Modern Language Association of America 124, no. 5 (2009): 1778–86. http://dx.doi.org/10.1632/pmla.2009.124.5.1778.

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My Title, a variation on Susan Sontag's regarding the pain of others, is meant as an homage to sontag and as an extension of her searing critique of war photography and its reflexive objectification of suffering, its conversion of victims into objets d'art. But why, in particular, the pain of women Holocaust victims here? Because we have finally begun to amass a large and profound critical literature on gender and the Holocaust, which, alongside Sontag's work on photography, might help us look at how and why the public gaze of photographers, curators, historians, and museumgoers continues to t

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13

Bell, Charlotte. "Introduction to new sections: Selecting equipment, by my hands, objets d'art: Images in medical technology." Journal of Clinical Monitoring 12, no. 1 (1996): 69. http://dx.doi.org/10.1007/bf02025313.

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14

Adams, Julia Bahia, and Carlos Augusto Jardim Chiarelli. "A guide on extracting and tidying tweets with R." Cadernos de Linguística 2, no. 4 (2021): e410. http://dx.doi.org/10.25189/2675-4916.2021.v2.n4.id410.

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Social media platforms represent a deep resource for academic research and a wide range of untapped possibilities for linguists (D'ARCY; YOUNG, 2012). This rapidly developing field presents various ethical issues and unique challenges regarding methods to retrieve and analyze data. This tutorial provides a straightforward guide to harvesting and tidying Twitter data, focused mainly on the Tweets' text, by using the R programming language (R CORE TEAM, 2020) via Twitter's APIs. The R code was developed in Adams (2020), based on the rtweet package (KEARNEY, 2018), and successfully resulted in a

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15

Jeannerod, Aude. "“Jeter à la face de son siècle le plus excessif outrage" La critique d'art de Joris-Karl Huysmans, une démarche décadente." Nordlit 15, no. 2 (2012): 1. http://dx.doi.org/10.7557/13.2041.

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Although Joris-Karl Huysmans is mostly known for his famous novel À Rebours (1884), his first steps as a writer were made in art criticism, with an article published in La Revue mensuelle about the landscape painters at the Exposition Universelle that took place in Paris in 1867. From then on, his work as an art critic often echoed his novels, expressing the same views on aesthetics and civilisation. This article discusses to what extent Huysmans's art criticism during the eighteen-eighties comes under the Decadence and an aesthetic of transgression, as well as À Rebours does. Indeed, the art

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16

Staikowsky, F., B. Guidet, E. Maury, F. Danhiez, L. Cazenove, and A. Perret. "Etude prospective des taux seriques d'acth, cortisol, insuline et glucagon dans l'acidocetose alcoolique (ACA)." Réanimation Urgences 7, no. 2 (1998): 118. http://dx.doi.org/10.1016/s1164-6756(98)80149-7.

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17

Gurrera Lluch, Joan. "Metodologia per a la priorització d'actuacions a la xarxa viària de l'àrea MAB-6 ALT PIRINEU." Documents d'Anàlisi Geogràfica 12 (January 15, 1988): 133–50. https://doi.org/10.5565/rev/dag.1304.

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La metodologia d'avaluació i priorització d'actuacions de millora de la xarxa viària que s'exposa és una aplicació de les tècniques d'anàlisi multi criteri. Aquestes tècniques, com el seu nom expressa, permeten considerar diversos criteris, traductors dels objectius que es pretén assolir amb aquelles actuacions. Ateses les implicacions socio-econòmiques i ambientals d'aquestes actuacions, els aspectes que caldrà considerar són molts i heterogenis. Amb l'exposició d'un cas concret d'aplicació -la priorització d'actuacions a la xarxa de l'àmbit MAB-6 ALT PIRINEU-, hom pretén que el lector copsi

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18

Wolf, M., C. Hervé, M. Cami, and C. Gueveler. "Limites d'Application de la loi huriet : L'exemple du consentement éclairé lors des essais thérapeutiques d'aide médicale urgente." Réanimation Urgences 3, no. 4 (1994): 425–28. http://dx.doi.org/10.1016/s1164-6756(05)80379-2.

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19

Abdelrehim, Neveen. "Coup D’état and Industry Dynamics: the Case of Anglo Iranian Oil Company 1901-1979." Eurasian Journal of Business and Management 12, no. 3-4 (2025): 172–85. https://doi.org/10.15604/ejbm.2024.12.0304.004.

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This paper explores the critical role of the oil industry in shaping British imperial ambitions in the Middle East during the 20th century, focusing on Iran and the Anglo-Iranian Oil Company (AIOC). Following the Great War, oil became essential to the global economy, and Britain, with limited domestic reserves, sought control over foreign oil sources, particularly in the Middle East. The 1901 D'Arcy concession granted Britain significant control over Iran’s oil, which became central to its geopolitical strategy. By 1951, Iranian Prime Minister Mohammad Mossadegh's nationalization of AIOC marke

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20

Balzola, Andrea. "Piero Gilardi: l’arte come esplorazione e partecipazione creative." Connessioni remote. Artivismo_Teatro_Tecnologia, no. 5 (June 6, 2023). http://dx.doi.org/10.54103/connessioni/20894.

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Piero Gilardi, mancato il 5 marzo del 2023, è stato uno dei protagonisti dell'avanguardia artistica internazionale tra gli anni '60 e oggi. Artista torinese noto in tutto il mondo e presente con le sue opere nelle maggiori collezioni d'arte contemporanea internazionali, ha svolto anche un'intensa attività di promozione e organizzazione di iniziative culturali sulla relazione tra ricerca artistica, ricerca scientifica e nuove tecnologie interattive. La sua sperimentazione artistica di nuove forme, tecniche e materiali, si è sempre intrecciata con un impegno attivo in ambito etico-politico per f

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21

Donati, Alessandra. "Quando l'artista disconosce la propria opera d'arte: ricadute e implicazioni giuridiche." ECONOMIA E DIRITTO DEL TERZIARIO, no. 1 (August 2017). http://dx.doi.org/10.3280/edt1-2017oa5145.

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Installazioni da riattivare, opere realizzate con materiali che si degradano rapidamente, opere in continuo divenire: molte delle nuove forme di espressione dell'arte contemporanea hanno reso pi&ugrave; complesso il rapporto tra l'artista e l'opera d'arte, chiamando l'artista ad un ricorrente intervento del suo momento creativo.Quali sono le ragioni di interesse dell'artista alla tutela dell'integrit&agrave; dell'opera se l'opera &egrave; soggetta a continue modifiche? Quali nuovi presupposti giuridici per la dichiarazione di disconoscimento da parte dell'artista dell'opera d'arte

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22

Gorrab, Abir, Ferihane Kboubi, and Henda Ghézala. "Social Information Retrieval and Recommendation: state- of-the-art and future research." Revue Africaine de la Recherche en Informatique et Mathématiques Appliquées Volume 27 - 2017 - Special... (April 19, 2019). http://dx.doi.org/10.46298/arima.3101.

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The explosion of web 2.0 and social networks has created an enormous and rewarding source of information that has motivated researchers in different fields to exploit it. Our work revolves around the issue of access and identification of social information and their use in building a user profile enriched with a social dimension, and operating in a process of personalization and recommendation. We study several approaches of Social IR (Information Retrieval), distinguished by the type of incorporated social information. We also study various social recommendation approaches classified by the t

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23

ELKAABI, Ahmed, Imane ABOULIATIM, Mina ELMAALLAM, and Karima TOUNSI. "Le dispositif de la veille stratégique comme outil d'aide au processus décisionnel : Une revue de littérature." International Journal of Accounting, Finance, Auditing, Management and Economics, April 20, 2024. https://doi.org/10.5281/zenodo.11001406.

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<strong>Résumé : </strong> L’accès à l’information pertinente est crucial pour la survie des organisations dans un contexte de plus en plus incertain. La veille stratégique joue un rôle essentiel dans la surveillance de l'environnement externe et interne des organisations, visant à repérer les informations appropriées pour les décideurs, afin d’optimiser leurs prises de décisions. Cette démarche permet à une organisation d'examiner son environnement pour identifier les risques et le

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24

Saba, Cosetta. "Cominciamenti della video arte in Italia (1968-1971)." Sciami | ricerche 6, no. 1 (2019). http://dx.doi.org/10.47109/0102260101.

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In Italy, the progressive digital accessibility of sub-standard films, videotapes and related paper materials (work notes, project layouts, letters, etc.), as well as the study of the archives in which they were preserved, make it possible today to reconstruct the emergence (between the Sixties and the early Seventies), of the artistic practice of analog video. At the same time, this permits to highlight how this emergence interests both the contexts of artist’s and independent cinema and the areas of Arte Povera, Conceptual Art and Pop Art. On this basis and reflecting critically, it is possi

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Adrian, Kohn. "Judd on Phenomena, Rutgers Art Review, vol. 23, 2007, pp. 79–99." June 9, 2017. https://doi.org/10.5281/zenodo.804544.

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Donald Judd’s 1964 essay 'Specific Objects' probably remains his most well-known. In it, he described new artworks characterized by, among other features, 'a quality as a whole' instead of conventional 'part-by-part structure,' the 'use of three dimensions' and 'real space' as opposed to depiction, 'new materials [that] aren’t obviously art,' and the unadorned appearance and 'obdurate identity' of materials as they are. Judd held that the 'shape, image, color and surface' of these objects were more 'specific,' that is to say, 'more intense, clear and powerful,' than in previous art. While thes

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26

OUBAITA, Fatima, and Hafid BARKA. "Application du machine Learning pour la détection et la prévision des crises financières dans le système financier Marocain." African Scientific Journal Vol 03, N°27 (2024). https://doi.org/10.5281/zenodo.14567202.

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<strong>Résumé </strong> Cet article analyse l'application de la machine Learning pour la détection et la prévision des crises financières au Maroc. L'objectif principal est de développer des modèles prédictifs capables d’anticiper les crises en exploitant les variables macroéconomiques critiques, afin de renforcer les systèmes d'alerte précoce et améliorer la résilience économique. La méthodologie repose sur l'utilisation d'algorithmes avancés, notamment la régression l

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27

DIOURANE, Hind, and TALBI Lalla Fatima-Zohra ALAMI. "Gestion des Crises dans les Pays en Développement : Une Analyse Comparative des Meilleures Pratiques Internationales." International Journal of Accounting, Finance, Auditing, Management and Economics, December 6, 2024. https://doi.org/10.5281/zenodo.14286198.

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<strong>Résumé :</strong> Cet article analyse les pratiques internationales de gestion des crises et propose des recommandations pour leur adaptation dans les pays en développement, où les contraintes économiques, technologiques et infrastructurelles compliquent souvent la gestion efficace des crises. S’appuyant sur une littérature académique, des normes internationales (ISO 22301), des rapports d’organisations internationales et des études de cas comparatives, cette étude examine les réponses apporté

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28

Armitage, John. "The Uncertainty Principle." M/C Journal 3, no. 3 (2000). http://dx.doi.org/10.5204/mcj.1846.

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Paul Virilio. The Information Bomb. London: Verso, 2000. 145 pp., ISBN: 1-85984-745-5 (hardback). Born in Paris in 1932, the French political and 'technocultural' theorist Paul Virilio is the leading exponent of the idea that 'dromology' (the logic of speed) stands at the centre of the political formation and technocultural transformation of the contemporary world. Virilio is an architect of the 'Brutalist' school and political 'critic of the art of technology' as well as a Husserlian phenomenologist and post-Einsteinian analyst of technoculture. In recent years Virilio has developed his own p

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29

Hart, Dean. "Advance Directives and Research Advance Directives." Voices in Bioethics 7 (August 3, 2021). http://dx.doi.org/10.52214/vib.v7i.8594.

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Photo by Matteo Vistocco on Unsplash ABSTRACT This paper explores a way to ensure a person’s autonomy and legacy are preserved during the experience of dementia due to Alzheimer’s disease. Due to the profound effect the disease has on memory, the “person of the lifetime” (the person’s past experiences and their future aspirations prior to disease progression) becomes seemingly disconnected from the “person of the moment,” or the person experiencing memory loss. Thus, directives are important to recognize and maintain continuity of person. Yet, a person’s “legacy,” based on the pers

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Avram, Horea. "The Convergence Effect: Real and Virtual Encounters in Augmented Reality Art." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.735.

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Augmented Reality—The Liminal Zone Within the larger context of the post-desktop technological philosophy and practice, an increasing number of efforts are directed towards finding solutions for integrating as close as possible virtual information into specific real environments; a short list of such endeavors include Wi-Fi connectivity, GPS-driven navigation, mobile phones, GIS (Geographic Information System), and various technological systems associated with what is loosely called locative, ubiquitous and pervasive computing. Augmented Reality (AR) is directly related to these technologies,

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Thanh Binh, Nguyen Thi, Nguyen Thi Hai Yen, Dang Kim Thu, Nguyen Thanh Hai, and Bui Thanh Tung. "The Potential of Medicinal Plants and Bioactive Compounds in the Fight Against COVID-19." VNU Journal of Science: Medical and Pharmaceutical Sciences 37, no. 3 (2021). http://dx.doi.org/10.25073/2588-1132/vnumps.4372.

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Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2), a novel coronavirus , is causing a serious worldwide COVID-19 pandemic. The emergence of strains with rapid spread and unpredictable changes is the cause of the increase in morbidity and mortality rates. A number of drugs as well as vaccines are currently being used to relieve symptoms, prevent and treat the disease caused by this virus. However, the number of approved drugs is still very limited due to their effectiveness and side effects. In such a situation, medicinal plants and bioactive compounds are considered a highly valuabl

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