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Journal articles on the topic 'Criticism and interpretationDabydeen, David'

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Published: 4 June 2021

Last updated: 17 February 2022

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1

Staudt, Kathleen Henderson, William Blissett, David Jones, Neil Corcoran, Thomas Dilworth, and Elizabeth Ward. "Recent Criticism on David Jones." Contemporary Literature 27, no. 3 (1986): 409. http://dx.doi.org/10.2307/1208354.

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2

Jeffries, Carla H., Matthew J. Hornsey, Robbie M. Sutton, Karen M. Douglas, and Paul G. Bain. "The David and Goliath Principle." Personality and Social Psychology Bulletin 38, no. 8 (April 26, 2012): 1053–65. http://dx.doi.org/10.1177/0146167212444454.

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Two studies documented the “David and Goliath” rule—the tendency for people to perceive criticism of “David” groups (groups with low power and status) as less normatively permissible than criticism of “Goliath” groups (groups with high power and status). The authors confirmed the existence of the David and Goliath rule across Western and Chinese cultures (Study 1). However, the rule was endorsed more strongly in Western than in Chinese cultures, an effect mediated by cultural differences in power distance. Study 2 identified the psychological underpinnings of this rule in an Australian sample. Lower social dominance orientation (SDO) was associated with greater endorsement of the rule, an effect mediated through the differential attribution of stereotypes. Specifically, those low in SDO were more likely to attribute traits of warmth and incompetence to David versus Goliath groups, a pattern of stereotypes that was related to the protection of David groups from criticism.

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3

Strohm, Paul. "Medieval Literature: Criticism, Ideology and History. David Aers." Speculum 63, no. 2 (April 1988): 352–54. http://dx.doi.org/10.2307/2853226.

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4

Siedell, Daniel A., and David Carrier. "Rosalind Krauss, David Carrier, and Philosophical Art Criticism." Journal of Aesthetic Education 38, no. 2 (2004): 95. http://dx.doi.org/10.2307/3527320.

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5

Finch, James. "The Interview as Criticism: David Sylvester's Artist Interviews." Biography 41, no. 2 (2018): 179–98. http://dx.doi.org/10.1353/bio.2018.0019.

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6

Piechucka, Alicja. "Art (and) Criticism: Hart Crane and David Siqueiros." Text Matters, no. 8 (October 24, 2018): 229–43. http://dx.doi.org/10.1515/texmat-2018-0014.

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The article focuses on an analysis of Hart Crane’s essay “Note on the Paintings of David Siqueiros.” One of Crane’s few art-historical texts, the critical piece in question is first of all a tribute to the American poet’s friend, the Mexican painter David Siqueiros. The author of a portrait of Crane, Siqueiros is a major artist, one of the leading figures that marked the history of Mexican painting in the first half of the twentieth century. While it is interesting to delve into the way Crane approaches painting in general and Siqueiros’ oeuvre in particular, an analysis of the essay with which the present article is concerned is also worthwhile for another reason. Like many examples of art criticism—and literary criticism, for that matter—“Note on the Paintings of David Siqueiros” reveals a lot not only about the artist it revolves around, but also about its author, an artist in his own right. In a text written in the last year of his life, Hart Crane therefore voices concerns which have preoccupied him as a poet and which, more importantly, are central to modernist art and literature.

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7

Siedell, Daniel A. "Rosalind Krauss, David Carrier, and Philosophical Art Criticism." Journal of Aesthetic Education 38, no. 2 (2004): 95–105. http://dx.doi.org/10.1353/jae.2004.0021.

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8

Downs, Jack M. "DAVID MASSON, BELLES LETTRES, AND A VICTORIAN THEORY OF THE NOVEL." Victorian Literature and Culture 43, no. 1 (February 6, 2015): 1–21. http://dx.doi.org/10.1017/s106015031400031x.

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It might seem bold, or even presumptuous, to assert that there is a clearly identifiable unified theory of the novel present in any aspect of Victorian literary culture. As John C. Olmsted rightly observes, assessing the presence of any specific and consistent critical stance in Victorian criticism is a difficult task; thus, any attempt to evaluate Victorian criticism of the novel is problematic. Victorian periodical criticism is inconsistent, [and] most of it is deservedly forgotten. . . . The reader [of early Victorian novel criticism] finds he must take into account the prejudices of individual reviewers, the political affiliation of the periodical in which a review appears and, all too often in the 1830s, the ties that journals and reviewers had with publishing houses. (Olmsted xiii–xiv) Another problem in assessing Victorian novel criticism lies in the aggressively non-theoretical stance of many Victorian critics. Edwin Eigner and George Worth characterize Victorian criticism of the novel as “written by highly intelligent reviewers and essayists . . . [most of whom] rather prided themselves on the non-theoretical character of their intellects” (1). The absence of theory – perceived or in actuality – in Victorian criticism makes the task of identifying common theoretical concerns and systematic approaches a difficult proposition.

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9

Kilcup, Karen L. "Fresh Leaves: Practicing Environmental Criticism." PMLA/Publications of the Modern Language Association of America 124, no. 3 (May 2009): 847–55. http://dx.doi.org/10.1632/pmla.2009.124.3.847.

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Ecocide is more of a threat than nuclear war.—Lawrence BuellIt is worth noting that [environmental destruction] is not the work of ignorant people. Rather, it is largely the result of work by people with BAs, BSs, LLBs, MBAs, and PhDs.—David OrrI cannot identify what sparked my environmental awareness. The romantic in me invokes childhood with an ardently outdoor maternal grandfather, who taught me to distinguish a beech tree from a birch, to plant potatoes, and to welcome the tree frogs' spring chorus with awe and delight. More likely, the recognition arrived not from childhood pleasures or reading Henry David Thoreau but from something as quotidian and cumulative as exhaustion from years of commuting from New Hampshire to Boston for work as an adjunct, sucking exhaust fumes on Route 128.

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10

Seguin. "Form, Voice, and Utopia in David Foster Wallace." Criticism 62, no. 2 (2020): 219. http://dx.doi.org/10.13110/criticism.62.2.0219.

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Shanahan. "Digital Transcendentalism in David Mitchell’s Cloud Atlas." Criticism 58, no. 1 (2016): 115. http://dx.doi.org/10.13110/criticism.58.1.0115.

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12

Weiland, Steven. "Social Science toward Social Criticism: Some Vocations of David Riesman." Antioch Review 44, no. 4 (1986): 444. http://dx.doi.org/10.2307/4611658.

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13

Anderson, Quentin. "Some Notes on the "Reconstructive Criticism" of David S. Reynolds." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 52, no. 4 (1996): 165–70. http://dx.doi.org/10.1353/arq.1996.0022.

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14

King, Noel. "Critical occasions: David Bordwell'smaking meaningand the institution of film criticism." Continuum 6, no. 1 (January 1992): 163–85. http://dx.doi.org/10.1080/10304319209359390.

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15

Richmond, Sheldon. "An Architecture for Criticism or a Critical Discussion of David Olson’s Theory of the Origin of Criticism." Interchange 51, no. 1 (March 2020): 79–87. http://dx.doi.org/10.1007/s10780-020-09398-x.

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16

Roberts, David. "‘As Rude As You Like – Honest’: Theatre Criticism and the Law." New Theatre Quarterly 19, no. 3 (August 2003): 265–77. http://dx.doi.org/10.1017/s0266464x03000162.

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In 2001, when David Soul sued the Daily Mirror for printing a defamatory review of his West End show, The Dead Monkey, questions surfaced about the critic's rights and responsibilities under the law. There have been numerous accounts in recent years of the relationships between law and literature, and the general assumption is that critics can claim the defence of ‘fair comment’. However, very little work has been done on the history, rationale, and implications of that defence, or on the actions before Soul's in which aggrieved theatre people have attempted to bring critics to account. David Roberts evaluates individual cases from legal history in which the critic's rights have been tested, and considers what they have to tell us about the way our society conceptualizes critical activity. Bourdieu's history of taste is invoked, but modified to show how the law's concern with formalism in its own processes has endorsed a matching version of the critical process. David Roberts is Head of English at the University of Central England, Birmingham.

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17

Belova, Aleksandra D. "David Lewis-Williams’s Cognitive Archeology: New Approach to Shamanism." Study of Religion, no. 2 (2019): 92–97. http://dx.doi.org/10.22250/2072-8662.2019.2.92-97.

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The article outlines the main ideas of the archaeologist David Lewis-Williams and his contribution to the study of shamanism and the analysis of rock paintings. Author examines the depicted scenes, the process of the painting, as well as artifacts and ethnographic evidences of the alleged rituals. The reconstruction of rituals is accompanied by the Lewis-Williams’s conception of the spectrum of consciousness and its various states. Universal mental images arising during ASCs played a large role in the genesis of shamanism, and their fixation in rock art allows one to reconstruct the inner state of the creators of images and the role of trance experiences. The author finds confirmation of his concept in the history of religions. The article also contains critical remarks on the Lewis-Williams’ theory, mainly related to the definition of symbolic activity and the insufficient attention of the author to social organization. The author of the article partially agrees with the criticism, and also brings auxiliary theories that remove some of the criticism. The article outlines the prospects for using the Lewis-Williams’ method in analyzing not only rock paintings, but also folklore sources.

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18

Burman, Jenny. "After Postcoloniality: Criticism and Renewal of the PoliticalScott, David. 1999. Refashioning Futures: Criticism after Postcoloniality. Princeton: Princeton University Press." TOPIA: Canadian Journal of Cultural Studies 4 (September 2000): 113–16. http://dx.doi.org/10.3138/topia.4.113.

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19

Polsky, Igor V. "Mahatma’s “True Civilisation”: Mohandas Karamchand Gandhi as a Radical Critic of Civilisation." Observatory of Culture, no. 5 (October 28, 2014): 94–101. http://dx.doi.org/10.25281/2072-3156-2014-0-5-94-101.

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Examines the criticism of civilisation by M.K. Gandhi, reveals the main ideas of this philosopher and their links to the ideas of Henry David Thoreau and Leo Tolstoy. The author argues that there is a sort of structural similarity in Gandhi’s ideas of civilisation and representations of Cynics and Taoists, as well as in the radical civilisation criticism of the second half of the 20th century. Putting Gandhi’s criticism study within the crosscultural context the author shows that this is not about succession, but only about the universality of basic features that are reproduced in different cultural contexts.

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20

Penier, Izabella. "Modernity, (Post)modernism and New Horizons of Postcolonial Studies. The Role and Direction of Caribbean Writing and Criticism in the Twenty-first Century." International Studies. Interdisciplinary Political and Cultural Journal 14, no. 1 (November 1, 2012): 23–38. http://dx.doi.org/10.2478/v10223-012-0052-2.

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My article will take issue with some of the scholarship on current and prospective configurations of the Caribbean and, in more general terms, postcolonial literary criticism. It will give an account of the turn-of-the century debates about literary value and critical practice and analyze how contemporary fiction by Caribbean female writers responds to the socioeconomic reality that came into being with the rise of globalization and neo-liberalism. I will use David Scott’s thought provoking study-Refashioning Futures: Criticism after Postcoloniality (1999)-to outline the history of the Caribbean literary discourse and to try to rethink the strategic goals of postcolonial criticism.

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21

HERMAN, PETER C. "CRITICAL FORUM: C. S. LEWIS, DAVID URBAN, AND THE NEW MILTON CRITICISM. C. S. Lewis and the New Milton Criticism." Milton Quarterly 45, no. 4 (December 2011): 258–66. http://dx.doi.org/10.1111/j.1094-348x.2011.00308.x.

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22

Baker, William. "David Lodge Interviewed by Chris Walsh." PMLA/Publications of the Modern Language Association of America 130, no. 3 (May 2015): 830–40. http://dx.doi.org/10.1632/pmla.2015.130.3.830.

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The Eminent British Novelist and Literary critic David Lodge was interviewed in 1984 by Chris Walsh, then a lecturer in English at St Mary's Teachers Training College, now St Mary's University, Twickenham, London. Lodge spoke about his background—his Catholic education and its influence on him, his early reading of Graham Greene and Evelyn Waugh—and about literary criticism and fiction. The interview was published in the literary magazine Strawberry Fare, produced by the English department at St Mary's, which is situated on Strawberry Hill. During its short run, from 1981 to 1989, Strawberry Fare published fascinating interviews with leading literary figures, including, in addition to Lodge, Tom Stoppard, Seamus Heaney, Beryl Bainbridge, and others. Today copies of the journal are extremely scarce. The only complete runs appear to be in the British Library (call number ZK.9.a.41) and in the archives of St Mary's.

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23

Blakey, Michael L. "On the biodeterministic imagination." Archaeological Dialogues 27, no. 1 (May 15, 2020): 1–16. http://dx.doi.org/10.1017/s1380203820000021.

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AbstractBiological determinism continues to rest on belief rather than evidence. The racial genetics of David Reich and his immediate predecessors exemplify science applied as racist ideology which obscures evidence for social criticism and moral accountability for inequity.

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24

Wibowo, Safrudin Edi. "Kritik Sejarah dan Literasi terhadap Hukum Waris Islam dalam Pandangan David S. Powers." ISLAMICA: Jurnal Studi Keislaman 4, no. 2 (January 22, 2014): 306. http://dx.doi.org/10.15642/islamica.2010.4.2.306-318.

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Conventionally speaking, the current Muslim law of inheritance is habitually considered as a sufficient and final form of legal formula that reflects the true spirit of Islamic Law ordained by God. The majority of Muslims currently are of belief that the ulama of the first generation have passed down to us the most complete and sophisticated set of law based on their acute interpretation of the Qur’an and the Sunnah. This belief however has now been subjected to a severe criticism by the contemporary critiques especially from the like of David S. Powers. His Studies in Qur’an and Hadith: The Formulation of the Islamic Law of Inheritance that employs the historical and literary criticism approach discovered that there are other sides of Muslim inheritance law. This work challenges the established belief among the traditional Muslims and offers a new legal paradigm whereby a legal ruling must bee seen as reflecting a social and historical dimension. This paper in every respect is a critical review of Powers’ book.

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25

Pedicord, Harry William. "On-Stage with David Garrick: Garrick's Acting Companies in Performance." Theatre Survey 28, no. 2 (November 1987): 51–74. http://dx.doi.org/10.1017/s0040557400000491.

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As a victim of “Garrick fever” for all of my adult life I admit to having accepted most modern-day criticism which avers that Garrick's supremacy in his age was due to his superior acting, strict management, rigourous attention to rehearsals, and consequent superiority over his Covent Garden and Haymarket rivals. All this is surely valid, but I remain curious about the “quality” of his casting and ensembles. Could it be that our critics today prefer romanticism to the practical truths of everyday operation of a repertory company in eighteenth-century London? Let us explore the situation once again.

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26

GOODWYN, ANDREW, and KATE FINDLAY. "I.A. Richards and the Paradox of Practical Criticism: A response to David W. West." Changing English 10, no. 1 (March 2003): 101–6. http://dx.doi.org/10.1080/1358684032000055163.

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27

Syaifuddin S, M., Djatmika, Diah Kristina, and Tri Wiratno. "SPEECH ACT OF CRITICIZING, PERSUADING THE AUDIENTS BELIEVES ON “WAR MACHINE” FILM: A PRAGMATIC MUTIMODAL PERSPECTIVE." JEELL (Journal of English Education, Linguistics and Literature) 5, no. 1 (February 12, 2018): 90. http://dx.doi.org/10.32682/jeell.v5i1.952.

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This aims to reveal the ways of criticizing American government and wheedling the audients believe trough each speech act in movie. Pragmatic multimodal perspective is used to uncover both speech act and the cinematic aspect in order to know how the movie producer criticize and persuade audients to believe. This research is presented Qualitatively and the data taken from David Michôd (2016) work “War Machines”. It was found that the movie has three ways in criticizing the government and persuading the audien to believe. They are; 1. To contradict between speech and multimodality of cinematic to create an offensive criticism structure. 2. Use of mutually supportive between speech acts of and multimodality to create a common criticism structure (mutual affirmation of speech acts and multimodality). 3. The use of personification of institutions to direct criticism of policy holders.

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Alvida, Alvidatuz, and Khusna Farida Shilviana. "KRITIK MATAN DAN URGENSINYA DALAM PEMBELAJARAN HADIS:." Al-Bukhari : Jurnal Ilmu Hadis 3, no. 1 (June 24, 2020): 1–28. http://dx.doi.org/10.32505/al-bukhari.v3i1.1485.

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Disputes among hadiths are a long lasting issue both for Muslims and outsiders who try to mislead the traditionas and create catastrophe in the community.Therefore,it is essential to understad the degree of a hadith more comprehensively, especially in hadiths learning processes. This research is a respond toward the critique of prophetic traditions and its urgency in learning. In this research , I will explore the matan of a hadith on the Prophet David fasting respectively. This research is a library research based on the textuals matan criticism found in the Islamic historical heritages. The results of this study are notes on how the application of matan criticism that occurred in the pre and post-codification periods as well as the validity method of matan critiques which free from shaz and “Illat. Also some notes on the urgency of learning the method of matan criticism.

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29

Levy, Jacob T. "Citizenship and National Identity. By David Miller. Cambridge, MA: Polity, 2000. 216p. $29.95." American Political Science Review 96, no. 1 (March 2002): 191–92. http://dx.doi.org/10.1017/s0003055402404315.

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From the title one might expect a sequel of sorts to the author's highly regarded On Nationality (1995). The volume is both less and more than that, although mostly more. David Miller has long been critical of the Anglo-American liberal approach to political theory and has advanced his criticism along a number of fronts. To oversimplify, Miller is not a liberal, he is a civic republican; he is not a universalist liberal, he is a nationalist; he is not a liberal democratic, he is a deliberative democrat; he is not an economic liberal, he is a social democrat.

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30

Morris, Keith, and Matt Williams. "Forum Essay ? Response." Pacific Conservation Biology 4, no. 4 (1998): 279. http://dx.doi.org/10.1071/pc980279.

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We refer to the Forum Essay, Aspects of ecologically sustainable forestry in temperate eucalypt forests ? beyond an expanded reserve system, by David Lindenmayer and yourself (Pacific Conservation Biology 4: 4?10), particularly the comments about the Kingston project (p. 7). As we have been involved in the development and implementation of the Kingston project, we would like to respond to your criticism of this work.

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31

Bordwell, David. "Picture Planes." October 169 (August 2019): 75–86. http://dx.doi.org/10.1162/octo_a_00360.

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David Bordwell argues that Annette Michelson's impact on film criticism was comparable to Andrew Sarris's. In unearthing the strategies or “schema” regularly used by critics to interpret avant-garde films, he shows that Michelson pioneered an innovative understanding of modernist art as being about human perception and cognition. This new interpretive paradigm proved hugely influential, in part due to Michelson's institutional roles as teacher, translator, and editor.

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32

BULLEY, DAN. "Negotiating ethics: Campbell, ontopology and hospitality." Review of International Studies 32, no. 4 (October 2006): 645–63. http://dx.doi.org/10.1017/s0260210506007200.

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David Campbell has been at the forefront of showing how deconstruction, and the philosophy of Jacques Derrida, can help us to think international relations differently. Like Derrida himself, Campbell has eschewed the goal of an ethical theory in favour of an ‘ethos of political criticism’ concerned to question and go beyond our assumptions and limits. In order to continue such an ethos of criticism, to push our understanding of ethics in international relations further still, it is surely important to question the assumptions and limits Campbell himself imposes. It is with this in mind that I wish to take a particular political intervention by Derrida in 1993 and read it against Campbell’s Derridean analysis of the Bosnian conflict which began in 1992.

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Wiggins, David. "The Right and the Good and W. D. Ross's Criticism of Consequentialism." Utilitas 10, no. 3 (November 1998): 261–80. http://dx.doi.org/10.1017/s0953820800006208.

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David Ross made the first sustained attack on Moore's agathistic utilitarianism or ethical neutralism – the first attack, that is, on a consequentialism purified of ethical naturalism. Ross started out with an important idea about the difference (in the sphere of action) between the right and the good, and a good appreciation of the dialectical situation about consequentialism. His attack, based on the personal character of duty, is greatly hampered by his imperfect account of the duty of beneficence and the supposed general prima facie duty to promote the good. In due course, duties of other kinds come to appear as exceptions to this duty – a damaging concession to consequentialism.

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34

Narveson, Jan. "McDonald and McDougal, Pride and Gain, and Justice: Comment on a Criticism of Gauthier." Dialogue 27, no. 3 (1988): 503–6. http://dx.doi.org/10.1017/s0012217300020023.

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David Gauthier's impressive new book, Morals by Agreement, attempts to resuscitate something like Lockean natural rights on an essentially Hobbesian basis—a project eminently worth doing, if it can be done. Hubin and Lambeth offer some interesting criticisms of his project, and as they also raise some fundamental questions about the character and derivation of rights, it is important to see whether those criticisms hold up. I wish to comment on the one I think to be most crucial.

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35

Deboys, D. G., D. Barthelemy, D. W. Gooding, J. Lust, and E. Tov. "The Story of David and Goliath. Textual and Literary Criticism. Papers of a Joint Research Venture." Vetus Testamentum 38, no. 3 (July 1988): 383. http://dx.doi.org/10.2307/1518095.

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Salvesen, Alison G. "The Story of David and Goliath: Textual and Literary Criticism, Papers of a Joint Research Venture." Journal of Jewish Studies 39, no. 2 (October 1, 1988): 294–95. http://dx.doi.org/10.18647/1432/jjs-1988.

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37

Harrison, Dick. "Sinclair Ross’s As For Me and My House: Five Decades of Criticism ed. by David Stouck." Western American Literature 27, no. 4 (1993): 365–66. http://dx.doi.org/10.1353/wal.1993.0141.

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38

Morabito, Carmela. "David Ferrier’s Experimental Localization of Cerebral Functions and the Anti-Vivisection Debate." Nuncius 32, no. 1 (2017): 146–65. http://dx.doi.org/10.1163/18253911-03201006.

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While representing one of the most important developments in the knowledge of the brain, both for its theoretical advances and its medical consequences, the work of David Ferrier met with strong criticism from conservative circles in Victorian society. At the end of 19th century certain British neurologists and neurosurgeons – including Ferrier – faced vehement public attacks by those aristocrats who, under the banner of antivivisectionism and “natural theology”, expressed their fears of the reorganization of medicine into a scientific discipline. The debate that developed in Victorian society after these events led not only to the diffusion of Ferrier’s ideas and public recognition of the advanced neurosurgical practices that stemmed from his work, but also contributed to the affirmation of the medical community in the scientific world of the time.

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39

Xiangsheng, Feng. "A Conversation between Chinese Artists and Mexican Painter David Alfaro Siqueiros." ARTMargins 9, no. 1 (February 2020): 92–99. http://dx.doi.org/10.1162/artm_a_00257.

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In October 1956, the Mexican muralist David Siqueiros traveled Beijing and engaged in two dialogues with artists from the Chinese Artists’ Association. His visit came at an inflection point in China’s foreign and cultural policy. As Sino-Soviet relations deteriorated, China used cultural diplomacy to cultivate relationships with unaligned countries in Asia, Africa, and Latin America. China’s cultural policy mirrored this shift by relaxing its adherence to Soviet-style Socialist Realism and promoting new stylistic practices, including a revival of ink painting techniques. This policy shift re-animated a debate among Chinese artists over the best mode of representation for socialist art, with one side arguing that Soviet-style Socialist Realism was the only acceptable style, and the other advocating for the reform of Chinese ink painting techniques. Within this context, Siqueiros’s criticism of Soviet artists and his advice to follow Chinese stylistic traditions set off a rich discussion on new approaches to Socialist Realism within China.

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40

Williams, Raymond L. "New Approaches to the novel: From Terra Nostra to twitter literature." Co-herencia 12, no. 22 (June 2015): 13–23. http://dx.doi.org/10.17230/co-herencia.12.22.1.

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This article addresses new approaches to the novel in the twenty-first century. It begins with an affirmation that even the most avant-garde of contemporary critics in the late twentieth and early twenty-first century share a commonality: a background in what was identified as “close reading” in the Anglo-American academic world and analyse de texte in French. After numerous declarations in recent decades about the death of the novel, the death of the author and the death of literary criticism, it is evident that the novel as a genre has survived, authors remain a subject of study, and new approaches are possible. The study of trauma in fiction (as introduced by Cathy Caruth and David Aberbach), as well as eco-criticism, are promising new points of departure. The required close reading implied by Twitter also opens up new possibilities.

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Ruiz, Teofilo F. "Goodby Columbus and all that: history and textual criticism." New West Indian Guide / Nieuwe West-Indische Gids 67, no. 3-4 (January 1, 1993): 281–84. http://dx.doi.org/10.1163/13822373-90002668.

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[First paragraph]Columbus. FELIPE FERNANDEZ-ARMESTO. Oxford: Oxford University Press, 1991. xxvii + 218 pp. (Cloth US$ 16.95, Paper US$ 6.99)The Worlds of Christopher Columbus. WILLIAM D. PHILLIPS, JR. & CARLA RAHN PHILLIPS. Cambridge: Cambridge University Press, 1992. xii + 322 pp. (Cloth US$ 27.95)In Search of Columbus: The Sources for the First Voyage. DAVID HENIGE. Tucson: University of Arizona Press, 1991. xiii + 359 pp. (Cloth US$ 29.95)Columbus and the Golden World of the Island Arawaks: The Story of the First Americans and Their Caribbean Environment. D.J.R. WALKER. Kingston, Jamaica: Ian Randle, 1992. 320 pp. (Cloth US$ 12.95)By the time this review appears in print, the Quincentenary celebrations and/or deprecations of the event will be slowly fading into most welcomed oblivion. There will be, of course, the unavoidable local commemorations of specific events: the discovery of such and such island, the anniversary of some European misdeed, the struggle for the valley of Mexico; but the collective remembrance of the Encounter/Discovery will have been allowed to run its course. In truth, after a veritable flood of publications, seminars, operas, protests, and ghastly movies, one is not too sorry to see the whole affair put safely away for another century. If there is any consolation to this continuous process of recovered memories and history, it is that a good number of sensible and scholarly works have been published - including some of those reviewed here - which demolish the idealization and glorification of the Atlantic enterprise and set the history of the Encounter/Discovery within a proper historical context.

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WEST, JIM. "THE DISTINCTIVES OF “TWO KINGDOM” THEOLOGY." UNIO CUM CHRISTO 4, no. 1 (April 23, 2018): 133–52. http://dx.doi.org/10.35285/ucc4.1.2018.art8.

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In recent years the Reformed world has tackled a number of doctrinal issues, the most recent being the Two Kingdom theology, the epicenter being Westminster Theological Seminary in California. This theology is intensely practical, since it impacts the daily work of the Christians as pilgrims through God’s world. The practicalities are depicted by the title of David VanDrunen’s intriguing book and defense, Living in God’s Two Kingdoms. This article examines Two Kingdom theology, reviews the main issues, and proposes a constructive criticism.

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Miva, Peter. "REVIEW: The challenge and encounters of journalism." Pacific Journalism Review : Te Koakoa 2, no. 1 (November 1, 1995): 151–52. http://dx.doi.org/10.24135/pjr.v2i1.556.

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Review of Pacific Journalism Review 1(1), edited by David Robie and Tande Temane. Port Moresby: South Pacific Centre for Communication and Development. The challenges and encounters of journalism in the South Pacific have been seasonal, under scrutiny and threats, confrontations, legislation, criticism and praise— all inflicted on the profession. Little is documented to give readers different views about the media's role, and some of the basic characteristics about one of the most tiring and enjoyable tasks, being a journalist.

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Kirschenbaum, Matthew. ".Txtual Forensics." Textual Cultures 9, no. 1 (December 4, 2015): 55–64. http://dx.doi.org/10.14434/tc.v9i1.20115.

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This appreciative essay explores David Greetham’s notions of “textual forensics” in light of new forms of textual analytics practiced upon born-digital materials. It argues that computers and computational environments ask us to rethink basic evidentiary categories, i.e. “internal” vs. “external,” as well as such concepts as normality, agency, and intentionality in relation to textual criticism. In the process—through a forensic examination of one specific piece of digital media—we also learn something about David’s own personal computing habits.

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Jackson, Elizabeth. "Voyeurism or Social Criticism? Women and Sexuality in David Dabydeen'sThe Intended,The Counting HouseandOur Lady of Demerara." Women: A Cultural Review 26, no. 4 (October 2, 2015): 427–42. http://dx.doi.org/10.1080/09574042.2015.1106256.

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Henderson, Brian. ": Celluloid Power: Social Film Criticism from The Birth of a Nation to Judgment at Nuremberg . David Platt." Film Quarterly 47, no. 1 (October 1993): 69. http://dx.doi.org/10.1525/fq.1993.47.1.04a00320.

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MOI, T. "Review. Cross-References. Modern French Theory and the Practice of Criticism. Kelley, David and Llasera, Isabelle (eds)." French Studies 41, no. 3 (July 1, 1987): 371. http://dx.doi.org/10.1093/fs/41.3.371.

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Scanlan, Margaret. "Mistaken Identities: First-Person Narration in Kazuo Ishiguro." Keeping Ourselves Alive 3, no. 2-3 (January 1, 1993): 139–54. http://dx.doi.org/10.1075/jnlh.3.2-3.03mis.

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Abstract Contemporary theorists tend to agree on the death of the subject and therefore, it seems, on the death of the first-person realistic novel. Novels like David Copperfield and Jane Eyre seem like extended metaphors for humanism itself-the outmoded view that human beings are the center of their world, that they can know themselves, that their psychology and moral character develop con-sistently, and that they are largely responsible for the courses their lives take. In two recent first-person novels, An Artist of the Floating World (1986) and The Remains of the Day (1989), Kazuo Ishiguro explores such assumptions, providing us with narrators whose selves do seem to be socially constructed and consequently decentered and unstable. Although Ishiguro fully understands and displays the appeal of posthumanist models of the subject, he ends by suggesting that a self no longer author of itself is a self in search of authority. (Cultural criticism, literary criticism)

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Sudewa, I. Ketut. "LATAR SEBAGAI KEKUATAN ANTAGONIS DALAM NOVEL TELEPON KARYA SORI SIREGAR." Adabiyyāt: Jurnal Bahasa dan Sastra 13, no. 1 (June 1, 2014): 22. http://dx.doi.org/10.14421/ajbs.2014.13102.

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Setting in a story consists of places, time, and socio-cultural circumstances. It functions to strengthen and to make sense the element of characterization in shaping a story line. Yet, setting can function as an antagonist force to be dealt with by the protagonist character. This interesting phenomenon can be seen in the novel Telepon by Sori Siregar. This research aims at discussing the setting in the novel both as antagonist force and as social criticism. Setting, in other words, is discussed as form, which functions as technique involving story, and as content, which function as social criticism. This research uses the theory structuralism and sociology of literature theory as the framework of analysis. The result shows that the setting of place with its entire problems make the main character, David, acts and behaves against the setting of place. It is a way for the author of the novel criticizes the society, especially people of Jakarta.

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Müller, Jörn. "Aristoteles und der naturalistische Fehlschluß." Bochumer Philosophisches Jahrbuch für Antike und Mittelalter 11 (December 31, 2006): 25–58. http://dx.doi.org/10.1075/bpjam.11.04mul.

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Is Aristotle’s ethics founded on a naturalistic fallacy? This article examines in detail the criticism which was levelled at Aristotle by George Edward Moore in his Principia Ethica in 1903. In order to check the correctness of this assumption, Aristotle’s notion of goodness is reconstructed by an analysis of his theoretical as well as his ethical writings. The picture which emerges shows that Aristotle does not understand goodness as a univocal term but as an analogical concept the focal meaning of which is closely related to the perfection of the different natural things or species. Since Moore’s criticism presupposes a univocal definition of goodness, Aristotle’s treatment of this notion does not fall prey to it. Although his understanding of goodness is connected with his teleology of nature, Aristotle is not guilty of deriving ›ought‹ from ›is‹; therefore, his ethics is also immune to the second argument against the naturalistic fallacy which is usually traced back to David Hume.

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