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Relevant bibliographies by topics / Criticism and interpretationdante alighieri

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Academic literature on the topic 'Criticism and interpretationdante alighieri'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Criticism and interpretationdante alighieri"

1

Beckett, Joshua. "A Poet’s Prophetic Vocation: The Historical, Dramatic, and Literary Trajectories of Dante Alighieri’s Ecclesial Criticism." Christianity & Literature 66, no. 4 (2017): 573–90. http://dx.doi.org/10.1177/0148333117697454.

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In his political writings, correspondence, and epic poetry, Dante Alighieri often assumed a prophetic posture. His self-understood vocation found primary expression in his direct, forceful criticism of the medieval Catholic Church, although the post hoc predictions and scriptural mimesis in which Dante engaged throughout his Commedia also funded his incisive ecclesial critique. This article discerns three trajectories of a Dantean prophetic vocation, which converge at key moments during the Commedia (particularly at Inferno XIX) to forge Dante, in all his rich complexity, into a prophet for hi

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Chiaranunt, Peerawat. "Recent Dantean Perspectives: A Review Article." Modern Language Review 119, no. 3 (2024): 367–79. http://dx.doi.org/10.1353/mlr.2024.a930814.

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Abstract: This article focuses on two monographs and an edited volume of essays on Dante Alighieri, all published in Legenda’s Italian Perspectives series during the years 2021–22. The monographs share a common openness to theory (e.g. cognitive neuroscience, video-game criticism, philosophies of language, and lyric theory), while the volume of essays testifies to a growing international interest in Dante’s cultural afterlives, both in and outside Italy. With this eclectic volume in mind, the article ends by commenting on the ascendancy of Reception Studies as one of the most productive areas

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Talvet, Jüri. "What Is Ethical Literary Criticism? Some Reflections on the Lady Called Filosofia in Dante Alighieri and the Following." Interlitteraria 19, no. 1 (2014): 7. http://dx.doi.org/10.12697/il.2014.19.1.1.

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Vyshynskyi, Sviatoslav. "Universal Notions in Culture and Methodology of Traditionalism." Pitannâ lìteraturoznavstva, no. 105 (October 28, 2022): 137–46. http://dx.doi.org/10.31861/pytlit2022.105.137.

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The article examines the methodology of integral traditionalism as a tool for the analysis of myth, art, literature and the identification of universal metaphysical foundations of culture. René Guénon’s teaching is considered as one of methods of literary criticism that goes beyond philology itself. The methodological approaches of traditionalism, whiche were ahead of the structuralist turn in the humanities, allow to enrich the field of literary studies as well. The article points out its advantages and disadvantages, and compares the traditionalists’ approach with the more measured method of

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Zhu, Ziwei. "The Journey from hell to hell in Vladimir Nabokov's novel «King, Queen, Knave»." Litera, no. 7 (July 2024): 158–66. http://dx.doi.org/10.25136/2409-8698.2024.7.71278.

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The article analyzes the features of the journey of the main character of V. V. Nabokov's novel «King, Queen, Knave». The trivial situation of the hero moving from the province to the capital in search of success turns into a metaphysical journey in the book, the mythological and literary roots of which go back to the «Divine Comedy» by Dante Alighieri. In a collapsed, metaphorical form, this plot manifests itself at the very beginning of «King, Queen, Knave», when the hero moves on a train from a third-class carriage to a second-class carriage. At the same time, Nabokov ironically compares th

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Persiani, Giuseppe. "Divertirsi con la lingua: Il Doge di Aldo Palazzeschi." Globe: A Journal of Language, Culture and Communication 17 (December 18, 2023): 171–80. http://dx.doi.org/10.54337/ojs.globe.v17i.8209.

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In 1967 Aldo Palazzeschi (1885-1974), at the venerable age of 82, published this novel (however not the last)in which critics wanted to see a return to the lazzi or experimentalism of the young futurist. The plot is soonstated: "without characters and without direct dialogue, it is the novel of a teeming and charlatan mass" (Tellini)who waits for a few days for the appearance of a Doge, who will never appear. Obviously, therefore, the settingin Venice is teeming with tourists, famous and less famous, accompanied by a flood of suitcases, pretentiousin their ignorance when they talk about Dante

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Brunello, Yuri. "O Dante Alighieri de Machado de Assis: o inferno XXV entre crítica textual e tradução." Revista Brasileira de Literatura Comparada 26 (2024). https://doi.org/10.1590/2596-304x202426e20240977.

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RESUMO Em 1874, Machado de Assis publica a sua tradução do canto XXV do Inferno de Dante. A nossa hipótese é de que a escolha desse canto depende de uma ambivalência estrutural: por um lado, Inferno XXV apresenta uma forte compatibilidade com o discurso romântico; por outro lado, permite a Machado um afastamento gradual desse discurso, graças a um gosto “metamórfico” conciliável com a estética parnasiana. O presente estudo tentará demonstrar, através de um caminho crítico-filológico, que a edição italiana da Comédia utilizada por Machado para a referida tradução é de proveniência francesa, pub

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-, Tapas Kumar Bera. "Unveiling the Nuances and Enduring Relevance of Machiavelli’s Theory: The Process of Acquisition to Power and Maintenance Statecraft in a Multipolar World." International Journal For Multidisciplinary Research 6, no. 2 (2024). http://dx.doi.org/10.36948/ijfmr.2024.v06i02.18547.

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Niccolo Machiavelli, a pivotal figure of the Renaissance era, epitomized rationality and realism in his political philosophy, bridging the gap between medieval and modern political thought. His seminal works, including “The Prince” and “Discourses on Livy”, marked a revolutionary shift in political discourse, earning him the title of “First Modern Political Thinker”. Machiavelli's life was characterized by a quest for pragmatic knowledge and a deep engagement with the political landscape of his time. Influenced by a myriad of philosophers and writers, ranging from Thucydides to Dante Alighieri

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Dissertations / Theses on the topic "Criticism and interpretationdante alighieri"

1

Brito, Emanuel França de. "O nobre poeta por si mesmo: Dante e o Convívio." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-11112015-125137/.

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Esta pesquisa propõe um mergulho no Convívio texto que Dante Alighieri redigiu nos primeiros anos do século XIV de modo a destacar a sua importância dentro da obra dantesca e das letras italianas. Para isso, em um primeiro momento, são apresentados e discutidos alguns dos problemas que envolvem a obra, como, principalmente, a língua de sua composição, as odes à filosofia como salvadora do homem, e o combate ao senso comum a respeito da nobreza do indivíduo. Optou-se por privilegiar a perspectiva do autor, que estrutura o texto a partir de um autocomentário a três de suas canções doutrinárias

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Auersperg, Ruth E. "Dante : exilic discourse as self-constitution." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56814.

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This thesis is grounded in philosophy and in literature. It is concerned with the recognized human need for self-affirmation and with the consequences of its denial caused by exile. For the victim this means the loss of social interaction and public moral agency within his natural community through which self-affirmation can be actualized.<br>In certain types of exilic literature constructive reactions were found to counteract this loss of freedom of choice of action and place, which entails potential annihilation of the exile's personal integrity.<br>In the exilic text of Dante as my chosen c

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Bogoiavlenskaia, Anna. "Suggestioni dantesche nel sistema poetico, teologico e politico di Vladimir Soloviov." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33875.

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The main scope of this study consists in analyzing how the poetic and ideologic universe of Dante is implanted and transformed in the Russian culture of the late XIXth---early XXth century. Particular emphasis is made on the role of Dante's heritage in the philosophy and poetry of the first Russian philosopher and symbolist poet---Vladimir Soloviov, as well as on the further impact of dantesche images on some major representatives of the Russian Symbolist movement.<br>This analysis will be done through a demonstration of major point of interference between Soloviov and Dante: these can be exam

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Gustaw, Chantal. "Reading Paul and Dante in the fourteenth century." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11871.

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Given the importance of Paul for Dante's characterization of the pilgrim, and his invocation of the Pauline Epistles throughout the Commedia, this thesis began by asking how important Paul was to Dante's fourteenth-century readers. It examines the use of the Pauline Epistles by the Trecento commentators of Dante's Commedia in order to contribute to our understanding of how both were read in late medieval Italy. Part One examines reading practices in the Middle Ages, and introduces commentary writing as a genre. The fourteenth century commentators are then described, with a focus on personal ci

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Borda, Ann Elizabeth. "Nikolai Gogol's commedia del demonio." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26784.

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Though it is not certain to what extent Gogol was familiar with Dante, it appears he may have regarded Dead Souls I (1842) as the first part of a tripartite scheme in light of La Divina Commedia. Interestingly, the foundations for such a scheme can be found in Gogol's first major publication, Evenings on a Farm near Dikanka (1831-1832) and, in the prose fiction and plays of 1835-1836, a definite pattern is revealed. The pattern that evolved in the works of this period involves the emergence of a demonic element which shatters any illusion of a Paradise which may have been established previousl

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Camozzi, Pistoja Ambrogio. "Dante and the medieval Alexander." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648418.

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Crisafi, Nicolò. "Dante's masterplot and the alternative narrative models in the Commedia." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:a0b2b6df-734d-4c38-97c8-58ddef7cf19a.

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This thesis investigates the narrative models in Dante's Commedia with the aim of opening up the poem to alternatives to the dominant narrative embedded in the text, which it terms Dante's masterplot. This is the teleological trajectory which allows the poet to subjugate earlier works or earlier parts of the poem to the revisionist gaze of its endpoint. The thesis analyses the masterplot's workings in the text and its role in the interpretation of the poem, and documents its overwhelming success in influencing readings of the Commedia. It then explores three competing narrative models that res

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Sterzi, Eduardo 1973. "Incipit : a Vita Nova e a irrupção da lirica moderna." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270285.

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Orientador: Marcio Orlando Seligmann-Silva<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-07T08:00:44Z (GMT). No. of bitstreams: 1 Sterzi_Eduardo_D.pdf: 2837671 bytes, checksum: 39cae6f53388a9a2a74341ffa23d7fbf (MD5) Previous issue date: 2006<br>Resumo: Neste estudo, propomos uma compreensão renovada da obra de Dante Alighieri a partir da hipótese de que seu primeiro livro, a Vita Nova, oferece uma representação da irrupção da lírica moderna. Inicialmente, buscamos determinar o sentido desta irrupção (e, pois

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MAZZONI, LUCA. "Gli studi danteschi di Giovanni Iacopo Dionisi." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/523.

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La tesi prende in esame la figura di Giovanni Iacopo Dionisi (1734-1808), canonico della cattedrale di Verona e bibliotecario della Capitolare, noto come uno "degli uomini più benemeriti di questi studi danteschi, [...] nello scorcio del secolo passato, l’instauratore d’una critica nuova su le opere del poeta” (G. Carducci). Vengono per la prima volta analizzate a fondo, alla luce della critica dantesca successiva, gli otto "Aneddoti" e la "Preparazione istorica e critica alla nuova edizione di Dante Allighieri", opere ricche di spunti esegetici e notazioni testuali relativi alle opere dantesc

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MAZZONI, LUCA. "Gli studi danteschi di Giovanni Iacopo Dionisi." Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/523.

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La tesi prende in esame la figura di Giovanni Iacopo Dionisi (1734-1808), canonico della cattedrale di Verona e bibliotecario della Capitolare, noto come uno "degli uomini più benemeriti di questi studi danteschi, [...] nello scorcio del secolo passato, l’instauratore d’una critica nuova su le opere del poeta” (G. Carducci). Vengono per la prima volta analizzate a fondo, alla luce della critica dantesca successiva, gli otto "Aneddoti" e la "Preparazione istorica e critica alla nuova edizione di Dante Allighieri", opere ricche di spunti esegetici e notazioni testuali relativi alle opere dantesc

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Books on the topic "Criticism and interpretationdante alighieri"

1

Rachel, Jacoff, ed. Dante: The poetics of conversion. Harvard University Press, 1986.

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Harold, Bloom, ed. Dante Alighieri. Chelsea House Publishers, 2003.

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Quinones, Ricardo J. Dante Alighieri. Twayne Publishers, 1998.

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Mark, Musa, ed. Vita nuova. Oxford University Press, 2008.

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Alighieri, Dante. Vita nova. A. Mondadori, 1999.

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Alighieri, Dante. Das neue Leben: Vita nova. Manesse Verlag, 1987.

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Alighieri, Dante. Vita nuova. EDIS edizioni culturali, 1995.

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Alighieri, Dante. Vita nova. A. Mondadori, 1999.

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Alighieri, Dante. Vita nuova. Mazzotta, 1985.

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Alighieri, Dante. Nor keankʻ. "Nairi", 1996.

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Book chapters on the topic "Criticism and interpretationdante alighieri"

1

Barański, Zygmunt G. "Dante Alighieri: experimentation and (self-)exegesis." In The Cambridge History of Literary Criticism. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521300070.022.

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Minnis, A. J., A. B. Scott, and David Wallace. "Assessing the New Author: Commentary on Dante." In Medieval Literary Theory and Criticism C. 1100-C. 1375. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198112747.003.0011.

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Abstract The success of Dante’s Comedy was immediate and all-pervasive: only the Bible was read or recited from with greater frequency in fourteenth-century ltaly. The poem’s popularity brought with it, at all levels of society, a great eagerness for explanation, for clarification, and for more detail on specific episodes: a demand, in short, for commentary. In this final section we shall see how the critical resources developed over several centuries of commentary on biblical and classical authors were put to work on the great text of the ‘new author’, Dante Alighieri. Before concentrating up

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Minnis, A. J., A. B. Scott, and David Wallace. "The Transformation of Critical Tradition: Dante, Petrarch, and Boccaccio." In Medieval Literary Theory and Criticism C. 1100-C. 1375. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198112747.003.0010.

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Abstract An attempt to describe in detail the debt of Dante Alighieri (1265-1321), Francis Petrarch (1304-74), and Giovanni Boccaccio (1313-75), to medieval literary theory, and the extent to which they transformed traditional doctrines, would require a book in itself. The present chapter, which is of necessity highly selective, offers extracts from Dante’s Convivio (written between 1307 and 1319), Petrarch’s Letters on Familiar Matters (written mainly bewteen 1325 and 1366) and Boccaccio’s Genealogy of the Gentile Gods (between 1350 and 1374). Since the attribution to Dante of the commentary-

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