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Relevant bibliographies by topics / Criticism – France – History

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Academic literature on the topic 'Criticism – France – History'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Criticism – France – History"

1

Hargreaves, John. "From Colonisation to Avénement: Henri Brunschwig and the History of Afrique Noire." Journal of African History 31, no. 3 (1990): 347–52. http://dx.doi.org/10.1017/s0021853700031121.

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Henri Brunschwig (1904–1989) began his career as a notable historian of Germany but became an influential pioneer of African studies in France, first at the Ecole Nationale de la France d'Outre-Mer (1948–60) and thereafter at the Ecole Pratique des Hautes Etudes. His own research ranged from Brazza's role in the French occupation of equatorial Africa to the part played by Africans in establishing and sustaining French colonial rule. His lucid and original works of synthesis helped greatly to bring an evolving body of knowledge about the African past into the frame of modern world history. His

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Lambe, Patrick J. "Biblical Criticism and Censorship in Ancien Régime France: the Case of Richard Simon." Harvard Theological Review 78, no. 1-2 (1985): 149–77. http://dx.doi.org/10.1017/s0017816000027425.

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The case of Richard Simon and the suppression of his book, Histoire critique du Vieux Testament in 1678 stands at a point where the interests of both Church and State in maintaining control of the book trade intersected. As such, the case is of interest in two important areas: first, from the point of view of the social and political history of the ancien régime in France, this case exhibits the intense concern for maintenance or extension of the powers of jurisdiction of the authorities which is so characteristic of the reign of Louis XIV. In some instances this preoccupation with autorité an

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Soll, Jacob. "Empirical History and the Transformation of Political Criticism in France from Bodin to Bayle." Journal of the History of Ideas 64, no. 2 (2003): 297–316. http://dx.doi.org/10.1353/jhi.2003.0030.

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Schniedewind, Karen. "Life-Long Work or Well-Deserved Leisure in Old Age? Conceptions of Old Age Within the French and German Labour Movements in the Late Nineteenth and Early Twentieth Centuries." International Review of Social History 42, no. 3 (1997): 397–418. http://dx.doi.org/10.1017/s0020859000114361.

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SummaryThe close connection between old age and retirement and to what extent society accepts work-free retirement in old age emerged as the topical themes we know in France and Germany as late as the 1950s and 1960s. By analysing the relevant discussions in the labour circles of both countries the author examines whether this modern concept of retirement originated in the early phase of the welfare state. The concepts and points of criticism which each of the labour movements developed for old age provision show, by virtue of the different national mental attitudes, that their considerations

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Stanovaïa, Lydia A. "FRANCIEN AS A STUMBLING BLOCK IN HISTORY OF THE FRENCH LANGUAGE." Theoretical and Applied Linguistics, no. 3 (2019): 164–99. http://dx.doi.org/10.22250/2410-7190_2019_5_3_164_199.

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Criticism of the concept of the formation of the French language on the basis of the francien dialect, presented in the works of XIX-XX centuries, has led to the fact that the term and the concept of «Francien» has become a kind of stumbling block in solving many questions of the formation and evolution of the French language. Analysis of the criticism of the traditional history of the French language, of the discussions about the formation of the French language and the role of the Francien dialect in this process, of the questions of the diatopic variation of the French and Old French showed

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Campbell, Françoise, and Jacqueline Dutton. "Introduction. ‘La honte de la France’: Michel Houellebecq’s cultural transgressions." French Cultural Studies 31, no. 1 (2020): 3–9. http://dx.doi.org/10.1177/0957155819893585.

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Michel Houellebecq’s cultural transgressions are widely recognised in media and criticism as contributing to his renown as an author today. The deeper significance of cultural transgressions in Houellebecq’s work is a rich seam for exploration, which was undertaken during a symposium on 29 September 2018. This article traces the conceptualisation of our approach and develops a framework for understanding transgression in the context of Houellebecq’s work. It then introduces six of the papers presented at the symposium which examine the notion of transgression not only as the process of crossin

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Brandmayr, Federico. "Explanations and excuses in French sociology." European Journal of Social Theory 24, no. 3 (2021): 374–93. http://dx.doi.org/10.1177/1368431021989269.

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The terrorist attacks that struck France in 2015 had reverberations throughout the country’s intellectual fields. Among the most significant was a widespread polemic that turned around whether sociological explanations of the attacks amounted to excuses and justifications for terrorists. When prominent politicians and pundits made allegations of this nature, sociologists reacted in three main ways: most denied the allegations, others reappropriated the derogatory label of excuse, while others still accepted criticism and called for a reformation of sociology. These epistemological stances can

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Fernie, Eric. "Three Romanesque Great Churches in Germany, France and England, and the Discipline of Architectural History." Architectural History 54 (2011): 1–22. http://dx.doi.org/10.1017/s0066622x00003981.

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(This is the text of the SAFIGB Annual Lecture, delivered at the Courtauld Institute of Art, London, on 29 November 2010)This is a lecture about architecture and politics in the eleventh century. First, however, I would like to say a few words about another aspect of architectural history, namely style, because it does not feature in the body of the lecture and because of the criticism it currently faces and has faced for some time. I shall append my comments to two recollections. The first of these relates to a presentation in the 1990s at which the speaker identified the different kinds of e

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Wustefeld, Sophie, and Timothy Scott Johnson. "Maud Mannoni and Piera Aulagnier on Mental Illness and Disability: Parents at the Boundary between Society and Childhood (France, 1960–80)." Psychoanalysis and History 21, no. 2 (2019): 193–209. http://dx.doi.org/10.3366/pah.2019.0295.

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This article reads Maud Mannoni's The Retarded Child and the Mother (1973) and L'éducation impossible (1973) in the context of French ‘institutional analysis’ in order to nuance criticism of Mannoni's work, particularly the criticism that Mannoni blamed mothers for the conditions of their children. Institutional analysis emerged in France after World War II. Institutional analysts drew from psychotherapy, sociology, and education in order to question power dynamics and the consequences of bureaucracy in their areas of research. Although often overlooked, this movement influenced Mannoni just a

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Jennings, Jeremy. "The Déclaration des droits de l'homme et du citoyen and its critics in France: reaction and idéologie." Historical Journal 35, no. 4 (1992): 839–59. http://dx.doi.org/10.1017/s0018246x00026182.

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AbstractThe focus of this article is upon the extensive debate in France that surrounded the concept, content and application of the rights of man in the years between 1789 and the restoration of the Bourbon monarchy. Beginning with a detailed analysis of the discussion that surrounded the formulation of the Déclaration des droits de l'homme et du citoyen attention turns to two broad strands of criticism directed at the discourse of rights: that articulated by the defenders of counter-revolution (most notably Montlosier, Rivarol and de Bonald) and that associated with the idéologues (Daunou, R

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Dissertations / Theses on the topic "Criticism – France – History"

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Papanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /." London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Nardout, Elisabeth. "Le champ littéraire québécois et la France, 1940-50 /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72078.

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The decade 1940-1950 represents a decisive stage in the evolution of the relations between the Quebec literary scene and France. Whereas before the war, literary discourse keeps on upholding, in a dogmatic way, the superiority of French culture and literature, the next period is characterized, on the contrary, by a reassessment of this postulate.<br>The historical circumstances justify the setting up of exceptional institutional conditions. Some French writers and critics, in exile in North America, partake, to varying degrees, in the French Canadian literary scene. The backing of these intell

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Monette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.

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Three original stories are the basis for our study of rewriting during the French Ancien Regime: the story of Thibaud de la Jacquiere, that of the "sorcier Gaufridy" and that of the Marquise de Ganges, which Sade will rewrite as a novel. Having all originated from a "canard", they appear in the 1679 edition of the Histoires tragiques of Francois de Rosset, and two of them can also be found in Francois Gayot de Pitaval's Causes celebres. Each of these stories was rewritten by different authors at least three times. Using Gerard Genette's theory of the narrative, we will analyse the proce

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Vendrix, Philippe Pierre 1964. "Quelques aspects de l'historiographie musicale en France a l'epoque baroque (French text)." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276706.

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L'historiographie musicale trouve dans la France de l'epoque baroque un champ ideal de developpement. Ce phenomene est lie a la conjonction de differents facteurs: le modele fourni par l'histoire generale, l'heritage humaniste, les mouvements polemiques, les tentatives de refonte de l'histoire de l'Eglise. Les musicographes, de Salomon de Caus (1615) a Jacques Bonnet-Bourdelot (1715), etablissent les fondements d'une critique historique et l'appliquent dans des ouvrages qui annoncent l'expansion de la musicologie a l'age des Lumieres.

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Fahmy, Miriam. "Le discours sur la fin de la littérature en France de 1987 à 1994 /." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79937.

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The "essai crepusculaire" was one of the most popular literary genres during the 1980's and 1990's in France. Among those, the essays warning of the impending end of French literature offer a view of the world which idealises the past while condemning a shameful present in order to justify the return of lost values.<br>Our project consists of an analysis of the argumentative rhetoric contained in the four essays of our corpus, which together form the Discourse on the death of French literature. We studied how the authors set up an argumentative construct likely to convince the reader th

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Patterson, Jonathan Hugh Collingwood. "Representations of avarice in early modern France (c.1540-1615) : continuity and change." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610850.

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Charlier, Marie-Madeleine. "La lettre de rémission : un problème d'intertextualité." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63304.

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Michaud, Philippe. "La chanson polyphonique française de la renaissance ca 1470-ca 1550 : les avatars du populaire." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82934.

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We show, by internal analysis of the texts and references to other contemporary texts, that from 1470 to 1550 the French polyphonic chanson reveals more than ever before a strong tendency to pertain to the "popular" and its related categories, the "carnavalesque" and the "grotesque". From a corpus of close to a thousand popular chansons selected according to the courtly and "good life" "registers", we can assert that, in spite of the essentially learned dimension of polyphonic music, it is the textual component that seems to be popular. This is what indicates the study of their carnava

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Longwell, Ann E. "France, man and language in French Resistance poetry." Thesis, University of St Andrews, 1989. http://hdl.handle.net/10023/13376.

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The Second World War witnessed what was recognised at the time as a poetic revival in France. The phenomenon of Resistance poetry in particular commanded literary attention throughout the war. Immediately afterwards, however, this large corpus of poetry was widely dismissed as an unfortunate aberration. Viewed as ephemeral poetry of circumstance with only a documentary value, as tendentious poésie engagée, as propaganda or as conservative patriotic verse, it was thought unworthy of consideration as poetry. Marked by the reputation it gained just after the war, Resistance poetry has been give

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McMahon, Orlene Denice. "Listening to the French new wave : the film music and composers of postwar French art cinema." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610716.

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Books on the topic "Criticism – France – History"

1

French film theory and criticism: A history/anthology, 1907-1939. Princeton University Press, 1993.

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Abel, Richard. French film theory and criticism: A history/anthology 1907-1939. Princeton U.P., 1988.

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French film theory and criticism: A history/anthology, 1907-1939. Princeton University Press, 1988.

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1950-, Grimaud Dominique, ed. L'underground musical en France. Mot et le reste, 2008.

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5

Dion, Robert. Le structuralisme littéraire en France. Editions Balzac, 1993.

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Autour des Jeunes-France. Éditions Nota bene, 2009.

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Corvin, Michel. Le théâtre nouveau en France. 6th ed. Presses universitaires de France, 1987.

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Corvin, Michel. Le théâtre nouveau en France. 7th ed. Presses universitaires de France, 1995.

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Fraisse, Emmanuel. Les anthologies en France. Presses universitaires de France, 1997.

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Guy, Larroux, ed. Critique et théorie littéraires en France: 1800-2000. Belin, 2005.

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Book chapters on the topic "Criticism – France – History"

1

Laquièze, Alain. "État de Droit and National Sovereignty in France." In The Rule of Law History, Theory and Criticism. Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-5745-8_6.

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Popkin, Jeremy D. "The July Monarchy and Its Critics." In A History of Modern France. Routledge, 2020. http://dx.doi.org/10.4324/9781315150727-11.

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Showalter, English. "Prose fiction: France." In The Cambridge History of Literary Criticism. Cambridge University Press, 1997. http://dx.doi.org/10.1017/chol9780521300094.008.

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Cave, Terence. "Ancients and Moderns: France." In The Cambridge History of Literary Criticism. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.045.

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Davidson, Hugh M. "The rhetorical ideal in France." In The Cambridge History of Literary Criticism. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.054.

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Pasco, Allan H. "France: the continuing debate over Classicism." In The Cambridge History of Literary Criticism. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139018456.009.

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Lloyd, Rosemary. "Realism, Naturalism and Symbolism in France." In The Cambridge History of Literary Criticism. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139018456.019.

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Dill, Charles. "Music Criticism in France before the Revolution." In The Cambridge History of Music Criticism. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.005.

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Norton, Glyn P. "Theories of prose fiction in sixteenth-century France." In The Cambridge History of Literary Criticism. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.032.

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Murray, Christopher Brent. "Music Criticism in France since the Second World War." In The Cambridge History of Music Criticism. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.034.

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