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Journal articles on the topic 'Criticism, interpretation, etc.ʼʼ'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Boltz, William G. "Textual Criticism More Sinico." Early China 20 (1995): 393–405. http://dx.doi.org/10.1017/s0362502800004569.

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Textual transmission is viewed in the West typically as a destructive process that results in ever greater corruption and error in a text, and the enterprise of textual criticism in correspondingly seen as the task of restoring the damaged text to a form as close to its original as possible. In China such a negative view of the process of textual transmission does not normally obtain, and textual criticism therefore does not carry the image of being primarily a rehabilitative procedure.An important part of the reason for the different perception of the consequences of textual transmission and

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Jurgutienė, Aušra. "The Impact of Deconstruction on the Lithuanian Literary Criticism." Literatūra 63, no. 1 (2021): 71–85. http://dx.doi.org/10.15388/litera.2021.1.5.

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In the article I discuss how deconstruction (Jacques Derrida and other Yale School participants) came to Lithuanian literary criticism and how it changed habits of humanitarian thinking during the three decades after independence. The most unusual and radical deconstruction critique of essentialist metaphysical thinking, new terminology (inter-text, elimination of center, footprint, writing, difference, blinding, labyrinth narrative, guest / enemy, etc.) and new strategies for interpreting texts were very important for Lithuanian humanities liberated from Soviet ideology. Literary critics have

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3

Demin, I. V. "Ideology in the Era of “Cynical Reason” (Interpretation of Ideology in Slavoj Žižek’s Works)." Journal of Political Theory, Political Philosophy and Sociology of Politics Politeia 103, no. 4 (2021): 6–23. http://dx.doi.org/10.30570/2078-5089-2021-103-4-6-23.

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The article is devoted to the critical analysis of the concept of ideology developed by Slavoj Žižek, the modern Slovenian philosopher. The author reveals the possibilities and limitations of Žižek’s approach to understanding the phenomenon of ideology and considers the initial presumptions and methodological assumptions that this approach is based upon. The article shows that despite the indisputable originality, Žižek’s theory is not devoid of contradictions, and the interpretation of ideology as an illusion and mystification, which is justified within the framework of Marxist political phil

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Kozhevnikov, V. V. "About Material and Civil Legal Liability." Herald of Omsk University. Series: Law, no. 1 (2022): 5–12. http://dx.doi.org/10.24147/1990-5173.2022.19(1).5-12.

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Introduction. The relevance of this scientific article is justified by an ambiguous approach to understanding legal responsibility, an assessment of the so-called material responsibility of workers and employees, to the interpretation of civil liability. Purpose. The purpose of the article is to substantiate the absence of material liability in the legislative context, and criticism of scientists who unreasonably equate civil liability with appropriate protection measures. Methodology. The methodology includes the following methods: general philosophical (dialectical-materialistic); general sc

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Mahlberg, Michaela, and Dan McIntyre. "A case for corpus stylistics." English Text Construction 4, no. 2 (2011): 204–27. http://dx.doi.org/10.1075/etc.4.2.03mah.

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In this article we investigate keywords and key semantic domains in Fleming’s Casino Royale. We identify groups of keywords that describe elements of the fictional world such as characters and settings as well as thematic signals. The keyword groups fall into two broad categories that are characterized as text-centred and reader-centred, with the latter providing particular clues for interpretation. We also compare the manually identified keyword groups with key semantic domains that are based on automatic semantic analysis. The comparison shows, for instance, how words that do not seem to fit

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Alina, Pidlypska. "Criticism of Choreographic Art in Contemporary Ukraine." Bulletin of KNUKiM. Series in Arts, no. 35 (December 1, 2016): 99–107. https://doi.org/10.31866/2410-1176.35.2016.158249.

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The purpose of the research is to analyze the current situation in the field of critical interpretation of the phenomena of choreographic art in Ukraine. The research methodology consisted in a combination of systematization of the information on the formation and development of critical thinking in the field of choreography, the comparison of current publications on the subject in Ukraine and the world, and the analysis of the critical-evaluative discourse of choreographic culture in Ukraine. The scientific novelty of the article lies in the identification of the problems of contemporary crit

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Shymchyshyn, Mariya. "NEW MATERIALISM: PROJECTIONS INTO LITERARY THEORY AND CRITICISM." CONTEMPORARY LITERARY STUDIES, no. 18 (December 13, 2021): 153–59. http://dx.doi.org/10.32589/2411-3883.18.2021.247059.

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The article considers the recent (re)turn to materiality in philosophy and theory, in particular, such schools as speculative realism and object-oriented philosophy. They offer rethinking of objects and criticism of anthropocentric worldview. The attention to materiality privileges matter, body, and nature. Theorists of New materialism reject the binary oppositions (nature/culture, human/nonhuman, etc.) and insist on intra-action as a new materialist orientation. The author argues that the new materialist critique of conventional critique will be useful for literary theory and criticism. Accor

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Vlasenko, Nikolay A. "Leader in law theory: in memory of Alexander Fedorovich Cherdantsev." RUDN Journal of Law 25, no. 4 (2021): 917–29. http://dx.doi.org/10.22363/2313-2337-2021-25-4-917-929.

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The article is dedicated to the memory of Professor A.F. Cherdantsev, a well-known Russian legal theorist. In the focus are creative periods of the scientist's life. Particular attention is paid to his contribution to the development of legal science with the emphasis on law interpretation, scientists achievements in the field of investigating epistemological nature, values (principles) of interpretation of legal norms, formulation of linguistic, systemic and other rules. The author's contribution to the development of methodology of law and his criticism of the integrative approach in jurispr

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Kapran, Svitlana B. "The Bible in the Works of I. Franko." Ukrainian Religious Studies, no. 39 (June 13, 2006): 67–73. http://dx.doi.org/10.32420/2006.39.1744.

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Many scholars have already considered the interpretation of the Bible in the works of I. Franko, including Vera Sulim, Larisa Bondar, Oksana Zabuzhko and others. However, these studies touch upon some aspects of Frank's vision of the Bible, or consider individual works of thinkers written on biblical subjects, such as "Moses," "The Death of Cain," "The Legend of Pilate," etc. Let us try here to show that the work of Ivan Franko demonstrates not only a deep philosophical understanding of the Bible, a new, not dogmatic reading of its ancient stories, but also an objective and scientific analysis

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Borisova, Valentina. "Terminological Thesaurus of the Gospel Text by Dostoevsky: Сorpus Analysis and Interpretation Results". Неизвестный Достоевский 10, № 2 (2023): 81–112. http://dx.doi.org/10.15393/j10.art.2023.6701.

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The article presents the integrated results of the corpus analysis and interpretation of the terminological dictionary from 700 articles published in the “Problems of Historical Poetics” journal from 1990 to 2021 Based on this data and taking into account the rich lexicographic tradition that reflects the author’s original or thematic terminology — from Antony Khrapovitsky’s “Dictionary to the works of Dostoevsky” (1921) to recent thesaurus-type dictionaries, a thesaurus of the gospel text by F. M. Dostoevsky is compiled. It is a conceptual apparatus that representatively reflects the current

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Bodrova, Anna. "Ivan Cankar’s mystery: The multiplicity of interpretation codes." Slavic Almanac, no. 1-2 (2019): 400–419. http://dx.doi.org/10.31168/2073-5731.2019.1-2.6.02.

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The article deals with numerous interpretations of works of Ivan Cankar, who occupies an honorable place in the canon of the Slovenian literature. We put under the scrutiny the intensive reception of Cankar, not only within Slovenia and Yugoslavia, but also in the Soviet Union and Russia. Many research works have been written about Cankar, while his texts still evoke completely heterogeneous interpretations and reactions of readers (from enthusiastic to extremely negative). Various research methods are used in the works about Cankar’s writings: historical and biographical method, immanent anal

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12

Lasmiyati, Lasmiyati. "DIPATI UKUR DAN JEJAK PENINGGALANNYA DI KECAMATAN CIPARAY KABUPATEN BANDUNG (1627-1633)." Patanjala : Jurnal Penelitian Sejarah dan Budaya 8, no. 3 (2017): 381. http://dx.doi.org/10.30959/patanjala.v8i3.15.

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Figures are people who have the charisma and work. The work of a person can be a text or historical relics, either as a live or as petilasan (traces of something in the past eg. buildings, etc.). Dipati Ukur served the adipati (Duke) in Tatar Ukur and served as regent wedana of Priangan (1627-1733), suffered an unfortunate fate. He must bear removal as regent wedana and nomadic, following a dispute with Mataram Kingdom. This study was conducted to answer the question who is Dipati Ukur?, has been active in what field?, and what legacy? The method used is the historical method which includes he

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Omar Perez, Daniel. "Ontology, metaphysics and criticism as Transcendental Semantics as of Kant." Revista de Filosofia Aurora 28, no. 44 (2016): 459. http://dx.doi.org/10.7213/aurora.28.044.ds04.

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The aim of this paper is to present the core of Kant´s critique of traditional metaphysics and ontology as a transcendental semantics that allows reformulating the problem about the objects and their reality. In order to achieve this purpose, we propound a paper divided in two parts: 1. A brief justification of Kant’s semantics interpretation; 2. A work program based on a semantics comprehended as a fundamental part of a method of resolution of philosophical problems. Basically, we can state that the critical position against traditional metaphysics and ontology leads to the question upon: how

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Bratko, Tatiana Dmitrievna. "Taxation of potential income from rentals: reality and illusion of equal tax burden." Налоги и налогообложение, no. 4 (April 2020): 30–41. http://dx.doi.org/10.7256/2454-065x.2020.4.33165.

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Different forms of income taxation often become the subject of criticism among taxpayers in the Russian Federation and abroad. From this perspective, the tax for potential income from rental set by Taxation Code of the Russian Federation, paid within the framework of patents system of taxation, is not an exception: in 2019, a Russian taxpayer Sergey Aleksandrovich Glukhov disputed its constitutionality with reference to incompliance to the principles of equality and economic feasibility of taxation. This article provides a comparative-legal analysis of provisions of the Constitutional Court of

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15

De Vos, Benjamin. "The Role of the Homilistic Disputes with Appion (Hom. 4-6)." Vigiliae Christianae 73, no. 1 (2019): 54–88. http://dx.doi.org/10.1163/15700720-12341369.

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Abstract The Pseudo-Clementines is the traditional title of a unique Christian novel (3rd- 4th century) transmitted in several versions. This article focuses on the Greek version, called the Homilies, and more specifically on a much discussed part of these, namely the discussions with the pagan Appion. The passage in which the main character Clement enters into discussion with Appion shows us how those characters claim truth and argue about true culture, philosophy, education, sexuality etc.. This passage is all too often considered as “separate” and “alien” in Pseudo-Clementine source critici

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Kozlov, Alexey E. "“Enslavement” and “liberation” art in nicolay aksharumov'es aesthetic criticism." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 45 (2022): 124–35. http://dx.doi.org/10.17223/22220836/45/12.

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The article analyzes the key papers and referents of the critic and writer Nicolay Akhsharumov, who appeared in the Russian press as one of the first theoreticians of “enslaved art”. The research concludes tracing the evolution of his views from the “program” article “On the enslavement of art” (1857) to art criticism and abstracts written specifically for the periodical edition of the “Vestnik of Arts” (1884-1885). At the same time, the descriptive-interpretation method, chosen by the critic, is closely connected with Sh. Sainte-Beuve and I. Taine (on whom, in particular, his contemporary, P.

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Budi, Setio. "The Dark Side of Alquran Hermeneutics: Criticism of the Hermeneutics of the Alquran Mohammed Arkoun." Journal of Islamic Civilization 4, no. 1 (2022): 81–90. http://dx.doi.org/10.33086/jic.v4i1.2627.

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The birth of modern thought in Islam, especially in the study of the Qur'an, was a critique of interpretation in the classical and middle ages, the interpretation at that time, according to him, was only coloured by the use of repeated history, political interests, etc., so that it was unable to produce the meaning of the text according to the needs of the times. Departing from this background, contemporary interpreters provide alternatives to reading the Qur'an that is scientific with the hermeneutic method, one of which is Mohammed Arkoun. This paper will describe Arkoun's thoughts on the he

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Barañano, Leire, Naroa Garbisu, Itziar Alkorta, Andrés Araujo, and Carlos Garbisu. "Contextualization of the Bioeconomy Concept through Its Links with Related Concepts and the Challenges Facing Humanity." Sustainability 13, no. 14 (2021): 7746. http://dx.doi.org/10.3390/su13147746.

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The concept of bioeconomy is a topic of debate, confusion, skepticism, and criticism. Paradoxically, this is not necessarily a negative thing as it is encouraging a fruitful exchange of information, ideas, knowledge, and values, with concomitant beneficial effects on the definition and evolution of the bioeconomy paradigm. At the core of the debate, three points of view coexist: (i) those who support a broad interpretation of the term bioeconomy, through the incorporation of all economic activities based on the production and conversion of renewable biological resources (and organic wastes) in

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19

Zarytska, Olena. "FEMINIST ART GRIZELDY POLLOK AS A CHALLENGE TO THE ART OF THE PAST." Sophia. Human and Religious Studies Bulletin 17, no. 1 (2021): 40–44. http://dx.doi.org/10.17721/sophia.2021.17.8.

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The theoretical work of one of the founders and leading figures of modern feminist art Griselda Pollock is considered. Representing researchers whose ideas were shaped by the radical cultural and social revolution of the 1960s and 1970s, she belongs to the second generation of feminist art criticism. The author points to the eclectic methodological position of G. Pollock, which combines a number of areas associated with its "radicalism" in relation to the classical areas of art history and social thought. In particular, it is Marxism, poststructuralism of R. Bart and M. Foucault, Freudian psyc

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Budnyk, Olena. "(Un) Critical Pedagogy: Current Priorities and Prospects of Development." Journal of Vasyl Stefanyk Precarpathian National University 10, no. 1 (2023): 7–23. http://dx.doi.org/10.15330/jpnu.10.1.7-23.

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The article highlights the relevance of the problems of critical pedagogy, associated with the name of the Brazilian scientist Paulo Freire (60s of the XX century), who promotes problem-oriented learning, anthropological interpretation of culture, and concepts of humanity. The main content of the concept of critical pedagogy is highlighted due to the necessity to overcome stereotypes regarding the organization of pedagogical education and teaching in an educational institution based on oppression, humiliation, and (non) recognition of differences, in particular linguistic and cultural. It has

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Secundant, Sergii. "Eugene Dupreel and Chaim Perelman: the normative and critical principles of the “rhetorical turn” in contemporary philosophy. Part II." Sententiae 42, no. 1 (2023): 37–68. http://dx.doi.org/10.31649/sent42.01.037.

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The purpose of the article is, firstly, to explicate and give a critical assessment of the methodological, epistemological, and philosophical foundations that led to the “rhetorical turn” in modern philosophy, and, secondly, to answer the question of how justified the grounds for such a “rhetorical turn” are. The answer proposed is based on a reconstruction of Eugene Dupréel’s critical arguments that were directed against the “classical philosophy” and their reception in Chaim Perelman’s works during his “turning point” period (1947 – 1949). The article proves that these two scholars’ critique

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Golovacheva, Irina V. "Wilson 1. Wilson 2: Observation on a Poe Scholars’ Obsession." Literature of the Americas, no. 17 (2024): 51–66. https://doi.org/10.22455/2541-7894-2024-17-51-66.

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The paper offers a new interpretation of one of the most famous ambiguous doppelganger pieces in world literature, E.A. Poe’s “William Wilson” (1839) the inconsistencies of which are notorious. Those are generally attributed to Poe’s “unreliable narrator.” Poe’s tale is set aside in the article with another, equally well-known doppelganger text, to “The Jolly Corner” (1901) by Henry James. The comparative study aims at highlighting the difference in the two writers’ approaches to building up ambiguity and, consequently, the difference in the reader’s reception of these texts. The numerous expl

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Wang, Xinan. "Historical costumes in films of the Wuxia genre: origins and interpretation." Философия и культура, no. 6 (June 2024): 219–26. http://dx.doi.org/10.7256/2454-0757.2024.6.70826.

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The object of the study is a screen costume in cinema as an element of the visual and artistic-figurative system of a Chinese film in the genre of "wuxia". The subject of the study is the problem of the formation of historical costume in the films of Wuxia, the historical and cultural origins of the costume and the peculiarities of interpretation in various films of Wuxia. Such issues as the degree of study of the topic under consideration and a number of paintings from the late 1970s to the 1980s are analyzed. The analysis of the works reveals the specifics of the costume in Wuxia films, its

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Alamsyah. "Rattan as a Craft Material of Community on the North Coast of Java (Rattan Craft Study in Teluk Wetan Jepara)." E3S Web of Conferences 125 (2019): 09018. http://dx.doi.org/10.1051/e3sconf/201912509018.

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Rattan was the main raw material used in rattan craft in Teluk Wetan Jepara. This research uses historical methods namely heuristic, criticism, and interpretation. The results of this study show that the rattan could be made into various craft products such as parcel baskets, bags, chairs, tables, and etc. Rattan craft in Teluk Wetan involved local workers, craftsmen, and entrepreneurs. The products had been marketed on Java, out of Java island, Europe and America. The craft development was around 1972 and still developed rapidly to this day. Rattan craft was soft skills owned by Teluk Wetan c

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Sa, Hwangyu, and Hyejung Chun. "A Study on the Analysis of Banksy’s Artworks through the Peirce’s Semiotic Methodology: Focused on the Graffiti Works." Korean Society of Culture and Convergence 45, no. 9 (2023): 461–73. http://dx.doi.org/10.33645/cnc.2023.09.45.09.461.

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Focusing on the triadic structural model of Peirce’s semiotics, this paper analyzes the characteristics of visual signs in Banksy's graffiti works and how the signs are signified and accepted by viewers to reveal that Peirce’s semiotics is one of the suitable methodologies for analyzing contemporary art. Banksy's four works were selected as research subjects, and an analysis model that applied the triadic structure of Peirce’s semiotics - Representamen, Object, and Interpretant - was applied as a research method. As a result of analyzing Banksy's works, <Flower Thrower>, <Napam>, &

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Sabrina, Sabrina, and Zulqaiyyim Zulqaiyyim. "Meneropong Morfologi Kota Pekanbaru pada Era Kolonial Belanda (1919-1942)." Analisis Sejarah: Mencari Jalan Sejarah 13, no. 1 (2023): 89. http://dx.doi.org/10.25077/jas.v13i2.116.

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This study discusses the morphology changes of Pekanbaru City during the two decades of the Dutch colonial era (1919-1942). This study had used historical research methods with a city morphology perspective. The stages had been heuristics, source criticism, interpretation, and historiography. During that time, Pekanbaru had been developed by the Dutch Colonial Government as an administrative center and trading center. In order to develop that function, the Dutch Colonial Government had built a rubber plantation as a trading commodity at the Pekanbaru Port, which was on the banks of the Siak Ri

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Mitrović, Miroslav. "The criticism of the universal expression of soft power from the point of view of a small state." Vojno delo 74, no. 5 (2022): 15–28. http://dx.doi.org/10.5937/vojdelo2205015m.

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Globalization and the development of information technology strongly influence international politics and relations, increasingly transforming them according to the determinants of hard and soft power. This imposed and simplified binary context of the capability of states to influence others is the subject of discussions with a pronounced tendency to establish as clear a dichotomy as possible and a sharp division into hard and soft power. Attempts at quantitative and qualitative measurements of complex social indicators of soft power, however, are met with reasoned critical reviews. The validi

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Tarasov, Sergey. "Mircea Eliade’s cosmic Christianity: approaches to an interpretation." St. Tikhons' University Review 111 (February 29, 2024): 75–92. http://dx.doi.org/10.15382/sturi2024111.75-92.

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The article deals with the construct of cosmic Christianity in Mircea Eliade's project of the history of religion. Links are established with other concepts of the author, such as creative hermeneutics, homo religiosus, the horror of history, etc. Parallels are also drawn with German Idealism, Protestantism, traditionalism, Jungian psychoanalysis, and conservative-revolutionary thought. The criticism of A. Lenel-Lavastin and D. Dubuisson is drawn upon, arguing that the construct of cosmic Christianity can work within a national-conservative synthesis, so that the nation becomes the guarantor o

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Strilchyk, B. A. "THE ONEIRIC TOPOS “SATELLITES” IN A. ZHURAKIVSKII’S NOVEL “SATELITY” AS A LOCUS OF ALLUSIVE-POSTMODERN SIMULATION (ALLUSIONS, QUOTES AND REMINISCENCES IN AMERICAN POPULAR CULTURE)." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 413–20. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-413-420.

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This article regards the work “The Satellites” by Andrii Zhurakivskii as an object for literary and psychoanalytical analysis. In the text of this work we have formed the oneiric structure (according to chronotopic division into dream levels and sub-levels, as proposed by plot collisions) and have explicated fragments of ideological and mass-cultural discourse (that episodes being the part of the early 90th popular culture matrix and the ideological scheme of the criticism of capitalism, the methodology offered by Slavoi Zizek have been used), and, furthermore, have been analyzed the parallel

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Smirnova, Natalia N. "A History of “Cohesion”: from M. O. Gershenzon’s “The Poet’s Vision” to V. Weidlé’s “Les Abeilles d’Aristée”." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 82, no. 3 (2023): 5–13. http://dx.doi.org/10.31857/s160578800026309-5.

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The paper is devoted to perception in the theory of literature of the famous statement of Leo Tolstoy about “cohesion” that ensure wholeness of narrative in a novel. Tolstoy’s idea of “cohesion” has repeatedly inspired various interpretations in literary criticism (for instance, M.O. Gershenzon, V.B. Shklovsky, B.M. Eikhenbaum, T. Rainov, and others). There are two contrary positions on the interpretation of the idea of “cohesion”: M.O. Gershenzon’s intuition theory of and in the formal method of V.B. Shklovsky. In the theory of M.O. Gershenzon the “cohesion” become the foundation of the princ

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Mizin, D. A. "Left- and Right-Wing Criticism of Orientalism and the Role of Representations of Cultures in Their Self-Interpretation and Development." Concept: philosophy, religion, culture 7, no. 1 (2023): 27–37. http://dx.doi.org/10.24833/2541-8831-2023-1-25-27-37.

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Over the past decades orientalism as an approach adopted in Western studies of nonWestern cultures has been subject to major philosophical analysis. The critical impulse that was transmitted by Edward Said to the scientific community in 1978 was powerful enough to create a universal framework. This conceptual framework makes possible both a revisionist point of view toward the West and a Western offensive discourse toward the so-called internal colonization. When we decompose Orientalism into components, for example through hermeneutic analysis, this phenomenon turns out to be one of the justi

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Armit, Ian. "Hillforts at War: From Maiden Castle to Taniwaha Pā." Proceedings of the Prehistoric Society 73 (2007): 25–37. http://dx.doi.org/10.1017/s0079497x00000049.

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Following Wheeler's excavations at Maiden Castle, the multivallate hillforts of Wessex came to be seen as responses to a specific form of warfare based around the massed use of slings. As part of the wider post-processual ‘rethink’ of the British Iron Age during the late 1980s and 1990s, this traditional ‘military’ interpretation of hillforts was increasingly subject to criticism. Apparent weaknesses in hillfort design were identified and many of the most distinctive features of these sites (depth of enclosure, complexity of entrance arrangements, etc) were reinterpreted as symbols of social i

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Vasic, Aleksandar. "Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research." Muzikologija, no. 6 (2006): 317–42. http://dx.doi.org/10.2298/muz0606317v.

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The beginning of 2006 marked two decades since the death of Stana Djuric-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date musicology research into Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century, alongside the many works dedicated to this branch of national musical history, recently published. In this way the reader is given a detailed background of these studies ? mainly the authors' names, books, studies, articles, as well as the problems o

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Sechin, Daniil. "Problems of the Uncertainty of Law through the Prism of the Metamodern." Pravovedenie 66, no. 4 (2022): 448–67. http://dx.doi.org/10.21638/spbu25.2022.406.

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The aim of the study is to form the fundamental problems of interpretation of legal texts on the basis of modern philosophical approaches, as well as the search for possible ways to overcome them. The focus of the article is the legal interpretation in international law, due to a number of special characteristics, like the extreme diversity of cultural and legal traditions, the relative primitiveness of international relations, etc. The author does not seek to draw prescriptive conclusions, but to describe descriptively the workings of the language of law, its understanding and use. The proble

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Belov, Vladimir N., Aleksandra Yu Berdnikova, and Yulia G. Karagod. "Immanuel Kant and Herman Cohen’s philosophy of religion." Vestnik of Saint Petersburg University. Philosophy and Conflict Studies 37, no. 1 (2021): 30–40. http://dx.doi.org/10.21638/spbu17.2021.103.

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The article analyzes the main characteristic features of the philosophy of religion of the founder of the Marburg school of neo-Kantianism Hermann Cohen. Special attention is paid to Cohen’s criticism and reinterpretation of Kant’s “practical philosophy” from the point of view of the philosophy of religion: Cohen supplements and expands Kant’s provisions on moral law and moral duty, interpreting them as divine commandments. The authors emphasize the fundamental importance for Cohen of the “internal similarity” between Kant’s ethical teaching and the main provisions of Judaism. The sources of K

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Кожухов, Сергий. "A Polemic Against the Anthropomorphism in the Alexandrian Christian Tradition and Its Origins (Antiquity, the Aristobulus, Philo and Clement of Alexandria)." Theological Herald, no. 2(37) (June 15, 2020): 123–53. http://dx.doi.org/10.31802/2500-1450-2020-37-2-123-153.

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Цель данного исследования - рассмотреть, как в александрийской экзегетической традиции происходила полемика с антропоморфизмом. Анализируются метод и экзегеза главным образом трёх авторов: Аристовула, Филона Александрийского и Климента Александрийского. В связи с этим приводятся данные об истоках антропоморфизма и его критике, причинах, методах экзегезы и истории споров вокруг понимания и толкования священных текстов в разных традициях: в античной философии, александрийском иудео-эллинизме и христианстве. Главная идея, объединяющая представителей этих разных традиций, состоит в том, что сказан

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Xu, Bao-yu. "Tang Poetry Hermeneutics in Korean Poetic Discourse." Society for Chinese Humanities in Korea 84 (August 31, 2023): 155–70. http://dx.doi.org/10.35955/jch.2023.08.84.155.

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Koreans have adopted a variety of methods in the interpretation of Tang poetry, among which the five aspects of interpretaion of poetry by Chinese classics(以經解詩), Neo-Confucianism(以理解詩), other Tang poetry(以唐解唐), dialect slang and customs(以方言风俗解詩), and personal experience are the most distinctive. The interpretation of poetry by Chinese classics shows the role of Confucian classics such as the Book of Poetry in regulating and restraining poetry, highlighting the complex and insoluble relationship between scripture and literature. Some neo-Confucianism had a hostile attitude towards literature,

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Bogdanova, O. V., and T. N. Baranova. "Figurative and Motive Unity of Joseph Brodsky’s Cycle “Mexican Divertissement”." Nauchnyi dialog 12, no. 1 (2023): 186–212. http://dx.doi.org/10.24224/2227-1295-2023-12-1-186-212.

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An interpretation of the semantic unity of the poetic cycle of Joseph Brodsky “Mexican Divertissement” (1975), consisting of 7 (15) lyrical texts, is proposed. If earlier researchers considered one or another poem of the cycle in isolation, then the problem of the integrity of the entire lyrical work is actualized in the work, the question of the relationship of individual cyclic texts is raised. It is shown how the same characters (emperor Maximilian, Huaretz, lyrical hero), images (ducks, parrot, lizard, cancer, etc.), motives (loneliness, death, delirium), details (geometry of figures, etc.

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Vas’kiv, Mykola. "“WITH FIRE AND SWORD” BY HENRYK SIENKIEWICZ IN UKRAINIAN CRITICISM OF LATE XIX – EARLY XX CENTURY." Polish Studies of Kyiv, no. 39 (2023): 103–42. http://dx.doi.org/10.17721/psk.2023.39.103-142.

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The article analyzes the reception of Henryk Sienkiewicz’s novel “With Fire and Sword” in Ukrainian scientific and literary-critical publications end XIX – beg. XX century, as well as in the responses to these publications by Ukrainian, Polish and Russian researchers, publicists and journalists, who determined for more than a century the attitude of Ukrainians to the Polish writer and his work. The leading role in shaping the all-Ukrainian perception of the work was played by Volodymyr Antonovych’s article in “Kiyevskaya starina” (1886), which stated that “With Fire and Sword” is a novel negat

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Vorozhbitova, Aleksandra A., Serhiy I. Potapenko, Natalya Yu Khachaturova, and Yuliya N. Khoruzhaya. "Linguistic rhetoric of Soviet discourse: official vs personal register (J. Stalin – A. Dovzhenko)." Revista Amazonia Investiga 9, no. 29 (2020): 224–33. http://dx.doi.org/10.34069/ai/2020.29.05.25.

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Within the conception of the Sochi Linguistic & Rhetorical School the paper discusses the diglossia of the Soviet discourse employed in the former USSR, distinguishes official and personal registers as well as shows their difference drawing on Joseph Stalin’s speech of 31 January 1944 to the Politburo of the Central Committee of the All-Union Communist Party of Bolsheviks concerning Alexander Dovzhenko’s screenplay “Ukraine in Flames” and in the writer’s diaries. The comparison reveals a few specific linguistic rhetorical features of cognitive communicative type ontologically characteristi

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Kuanyshbekova, A. A., M. B. Zhaksylykova, and B. K. Nurpeis. "Scientific and theoretical foundations of the study of the modern domestic theatrical process." Keruen 74, no. 1 (2022): 346–54. http://dx.doi.org/10.53871/2078-8134.2022.1-27.

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The article is devoted to the identification of interdisciplinary foundations of historical views and theoretical judgments in the development of theater studies, which are now widely recognized internationally. Theater studies that have combined theater practice, its history, theory and criticism are undoubtedly relevant. The modern world theatrical process poses new scientific problems to art researchers. Theatrical production as a “reduced model of the world” requires modern research methods. The search for a universal language for the analysis of the director’s philosophical interpretation

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Mahasin, M. Zaki, Yety Rochwulaningsih, and Singgih Tri Sulistiyono. "Ecological Mapping for the Development of Salt Production Centres in Indonesia during the Dutch Colonial Era." E3S Web of Conferences 317 (2021): 04024. http://dx.doi.org/10.1051/e3sconf/202131704024.

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This paper examines why the Dutch colonial government did ecological mapping for the development of salt centres in Indonesia and how it was carried out? It is analysed by historical method which includes heuristics, criticism, interpretation and historiography. Ecological mapping was carried out by the Dutch colonial government for the development of salt production centre sourced from sea water. It is the important factor to develop salt production centres concerning the situations of the coastal area in which sloping parallel to sea level, humid, dry air temperatures, low rainfall, non-poro

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Krupach, Mykola. "«Z lupoyu literaturnoho detektyva» (Do problemy identyfikatsiyi utayemnychenykh tekstiv)." Studia Polsko-Ukraińskie 8 (April 16, 2021): 212–25. http://dx.doi.org/10.31338/2451-2958spu.8.15.

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The article “Contemporary Ukrainian Poetry” by Oleh Olzhych has been given the status of an authoritative source in domestic literary criticism in recent decades, in particular, in the study of the genesis of emigrant poetry of 1920-1930 and in general on the interpretation of the state of national literature in eastern and western countries, which in the interwar period were respectively under the rule of Russia and Poland. Only the “textual coincidences, general concept and intonation” of the article and Olzhych’s related texts were taken as the basis of identification. Such a technique cont

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Abyad, Habil, Muassomah, Arina Haque, M. Ahalla Tsauro, and Helmi Syaifuddin. "Exploring Spirituality of Sa‘dūn al-Majnūn’s Poetry: A Perspective of Ibn ‘Arabī’s Hermeneutics." Al-Ma‘rifah 19, no. 2 (2022): 141–52. http://dx.doi.org/10.21009/almakrifah.19.02.02.

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Spirituality poetry generally contains elements of beauty and aesthetics, so it tends to display linguistics and literature. Sa‘dūn’s poetry has its uniqueness with spiritual content in it. Spirituality in Sa‘dūn’s poetry describes the close relationship between man and God, which is reflected in the form of criticism of society. Therefore, this study aims to determine the form of spirituality in Sa‘dūn’s poetry. This research method uses content analysis by using Ibn ‘Arabī’s hermeneutics approach in its interpretation. The results of this study indicate two things, namely: (1) essence of dea

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Vezhnevets, Iryna. "Intermediality and problems of interpretation of the vocal cycle "The Short Straw" of Francis Poulenc." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 101–6. http://dx.doi.org/10.32461/2226-2180.39.2021.238698.

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The purpose of the article is due to the need to study the peculiarities of the interpretation of the artistic texts of the vocal cycle of F. Poulenc on the poem by M. Karem "Straw" in the intermedial space. The methodology is based on an integrated approach using comparative, structural, interdisciplinary methods and narrative analysis to understand the psychological processes that arise when interpreting a vocal cycle, involves the inclusion of the problem of analysis in the space of art history and cultural discourse in an interdisciplinary context. Scientific novelty the scientific novelty

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MATVIEIEVA, T. "THE MYTHOMODEL OF THE UNIVERSE IN THE INTERPRETATION OF P. KULISH (STORY «FIRE SNAKE»)." Philological Studies, no. 33 (April 19, 2021): 49–55. http://dx.doi.org/10.33989/2524-2490.2020.33.228232.

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The paper is devoted to insufficiently investigated subject of modern Ukrainian literary criticism – the novelette by P. Kulisha «Fire snake». The purpose of the paper is to outline the features of the world, modeler by the author, using the three-tier structural division of reality scheme tested in the literature.The main attention was focused on the study of the peculiarities of the functioning of the mechanism of simultaneous interaction and reciprocation of the levels of the world model. The following techniques have been identified – gradation, oxymoron, antinomy, mirroring, etc., by them

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Tsvetkova, Marina V. "Is Film Adaptation Also a Translation? With Reference to Two Screen Versions of Shakespeare’s Hamlet." Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no. 2 (2022): 57–68. http://dx.doi.org/10.15826/izv2.2022.24.2.024.

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This article examines film adaptation of a literary work, which is regarded as an “intersemiotic translation” (R. O. Jakobson’s term). Research in the field of film adaptations has experienced a real boom abroad for at least the last two decades. In recent years, one can notice an increase in interest in this topic in Russia as well. This is evidenced by even a cursory acquaintance with newly written articles, monographs, and dissertations, whose authors approach the problem of film adaptation from the standpoint of a wide range of research fields: film studies, linguistics, philosophy, sociol

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Svirsky, Yakov I. "Conceptual Features of a Complex Vision of the World." Voprosy Filosofii, no. 10 (2021): 49–52. http://dx.doi.org/10.21146/0042-8744-2021-10-49-52.

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Today, almost all spheres of human existence are interpreted – directly or indirectly – as permanently becoming, interpreted from a processing point of view realities that do not imply either final fixation or predetermined ultimate goals or states. The world appears not so much in the form of difficult composite dynamic formation in mechanistic sense, but in the form of mobile, continuously becoming environment, which presupposes special technical researches and ways of staying in it. Such techniques and methods lead to the formation of a non-trivial vision of the universe. And such a visio

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Rumyantseva, Tatiana G. "Kant and His Heritage in Belarusian Philosophy of the Soviet and Post-Soviet Periods." Kantian journal 40, no. 3 (2021): 127–49. http://dx.doi.org/10.5922/0207-6918-2021-3-5.

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The interpretation of Kant’s philosophy by thinkers in pre-Soviet Belarus has been the subject of not a few publications. They described the reception of his seminal ideas, the analysis, polemic and occasionally sharp criticism of these ideas. It is helpful now to look at Kantian studies beginning from the 1920s to the present time. I will show that immediately after the October 1917 revolution and until the 1930s interest in Kant’s teaching was waning. When they turned to his ideas during that period Belarusian authors described and analysed them primarily in textbooks or when examining, or r

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Kasatkin, Sergey. "The Problems of Specification of Legal Principles in the Doctrine of the “Earlier” R. Dworkin." Legal Concept, no. 3 (November 2020): 52–59. http://dx.doi.org/10.15688/lc.jvolsu.2020.3.7.

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Introduction: the subject of the paper is the analysis of the concept of legal principles of the authoritative American jurist Ronald Dworkin, formulated by him in the essay “The Model of Rules” and formed the core of his initial challenge to the doctrine of legal positivism. The paper based on the general scientific and specific scientific methods pursues a dual goal – first, to systematize R. Dvorkin’s understanding of the specifics of legal principles and their consequences for the criticism of positivism, and second, to assess the potential of the author’s considered ideas outside of Ameri

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