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Journal articles on the topic 'Critique formaliste'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 March 2023

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1

Flack, Patrick. "Andrej Belyj lecteur de Potebnja : un jalon néo-kantien de l’approche poétique du langage en Russie." Cahiers du Centre de Linguistique et des Sciences du Langage, no. 46 (May 9, 2016): 79–92. http://dx.doi.org/10.26034/la.cdclsl.2016.485.

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Cet article place le compte-rendu du livre d’Aleksandr Potebnja La pensée et le langage [Mysl’ i jazyk] publié par Andrej Belyj en 1910 dans le contexte du développement des approches poétiques originales du langage menées par le poète symboliste et, à sa suite, les formalistes russes. Il s’agit ainsi d’apporter des éléments précis à une hypothèse générale qui postule que l’élaboration d’une nouvelle poétique et d’une «théorie de la littérature» en Russie s’est faite pour une part importante sur la base d’une critique méthodologique du paradigme psychologiste fortement inspirée par l’épistémol

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2

Belleau, Marie-Claire. "Les juristes inquiets : classicisme juridique et critique du droit au début du XXe siècle en France." Les Cahiers de droit 40, no. 3 (2005): 507–44. http://dx.doi.org/10.7202/043560ar.

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L'article remet en question le « classicisme juridique », une vision communément partagée selon laquelle le droit civil français demeure, comme depuis la codification, un système purement et profondément formaliste et positiviste, c'est-à-dire cohérent, complet et autonome de même que caractérisé par un raisonnement objectif neutre et rationnel. L'auteure démontre l'existence d'une tradition critique vigoureuse dans la communauté juridique française, laquelle chercha à démanteler l'emprise du classicisme juridique. Ce courant critique a été éclipsé par l'histoire et le contexte culturel du xxe

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3

Glanc, Tomaš. "«Ils s'opposaient à tout le monde» Le statut de la pensée chez Potebnja vu par Jakobson." Cahiers du Centre de Linguistique et des Sciences du Langage, no. 46 (May 9, 2016): 93–104. http://dx.doi.org/10.26034/la.cdclsl.2016.487.

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La forme interne du mot et le rapport entre le langage et la pensée, deux formes centrales dans la réflexion de Potebnja, préoccupent Jakobson dès le début de ses activités scientifiques. Dans sa première monographie La poésie russe contemporaine, elles sont déjà implicitement présentes (incluant la relation entre la notion de «littérarité» et la forme interne du mot), comme l’a démontré Viktor Vinogradov dans son compte-rendu de cet ouvrage, où il qualifie Jakobson de subjectiviste dilettante pour ses emprunts à Potebnja. Des mentions explicites de Potebnja et de son rôle dans la pensée philo

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Delaune, Benoît. "Un cas de « production ratée » : « The Velvet Underground and Nico », mise en scène phonographique et analyse transphonographique." Articles 31, no. 2 (2012): 23–42. http://dx.doi.org/10.7202/1013212ar.

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Cet article se propose d’étendre le modèle de la transphonographie, mis au point par Serge Lacasse en référence à la théorie de la transtextualité de Gérard Genette, en y ajoutant la notion de phonographie « restreinte » ou « autarcique », par le biais des catégories de l’intraphonogramme et de l’autophonogramme. La notion d’ « avant-texte », mise au point en études littéraires par la critique génétique, permet également d’ajouter au modèle transphonographique la catégorie de « l’avant-phonogramme », qu’il soit à visée scénarique, de brouillon ou de variante. Après les avoir définies, l’articl

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5

Flack, Patrick. "R.O. Šor et la controverse entre formalisme et marxisme." Cahiers du Centre de Linguistique et des Sciences du Langage, no. 47 (June 4, 2016): 185–202. http://dx.doi.org/10.26034/la.cdclsl.2016.455.

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Les travaux de R.O. Šor occupent une place originale – relativement indépendante et médiatrice – dans la vive controverse qui a opposé formalisme et marxisme dans la jeune Union soviétique. Membre du Cercle linguistique de Moscou puis active au sein de l’Académie d’État des sciences artistiques (GAXN), Šor s’inscrit d’une part dans la mouvance formaliste, sans pour autant n’avoir jamais été une représentante de la «méthode formelle». Dans son article «La méthode formelle en Occident» (1927), on la voit même spécifiquement attaquer certaines thèses du formalisme russe, notamment celles de R.O.

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6

Couture, Francine. "L’effet critique de l’art : qu’en savons-nous?" Articles, no. 16 (April 19, 2011): 89–103. http://dx.doi.org/10.7202/1002130ar.

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Au cours des années soixante, la sculpture cinétique a fait porter la réflexion sur les relations entre l’art et la technologie. Dans ce sens la réception immédiate des objets d’art de Serge Cournoyer et du groupe Fusion des Arts, par la critique d’art, est exemplaire du débat ayant animé le milieu artistique montréalais durant cette période. Elle a rendu perceptible l’inadéquation entre l’univers sémantique de ces oeuvres et les critères de définition de l’art de certains critiques d’art adhérant à l’expressionisme ou au formalisme. La reconstitution du contexte de ce débat nous apprend que l

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7

Tally Jr., Robert T. "Critique and its discontents." Frontiers of Narrative Studies 6, no. 1 (2020): 59–76. http://dx.doi.org/10.1515/fns-2020-0006.

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AbstractIn her celebrated study The Limits of Critique (2015), Rita Felski asserts that literary criticism during the past 40 years or more has been beholden to “the hermeneutics of suspicion,” a paranoid approach to interpretation that seeks to uncover concealed or repressed meanings without due appreciation for the texts as it appears. Felski believes that “critique” is necessarily implicated in this suspicious reading, and she argues instead for a postcritical approach to literature that would eschew interpretation in favor of description, affect, and enjoyment. Felski’s argument draws upon

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Starosta, Guido, and Axel Kicillof. "On Materiality and Social Form: A Political Critique of Rubin's Value-Form Theory." Historical Materialism 15, no. 3 (2007): 9–43. http://dx.doi.org/10.1163/156920607x225852.

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AbstractThis paper critically examines I.I. Rubin's Essays on Marx's Theory of Value and argues that two different approaches to value theory can be found in that book: a more 'production-centred' value-form theory uneasily co-exists with a 'circulationist' perspective. This unresolved tension, the authors claim, reflects a more general theoretical shortcoming in Rubin's work, namely, a problematic conceptualisation of the inner connection between materiality and social form that eventually leads to a formalist perspective on the value-form. Furthermore, the paper argues that all those antinom

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9

Fokt, Simon. "A Critique of Moderate Formalism." Estetika: The European Journal of Aesthetics 50, no. 1 (2013): 41. http://dx.doi.org/10.33134/eeja.102.

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10

Silina, Maria. "The Struggle Against Naturalism: Soviet Art from the 1920s to the 1950s." RACAR : Revue d'art canadienne 41, no. 2 (2016): 91–104. http://dx.doi.org/10.7202/1038074ar.

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En 1936, en Union soviétique, des critiques anonymes lancèrent une campagne répressive « contre le naturalisme et le formalisme ». Il devint alors impossible, pour plusieurs artistes, d’exposer leur travail et de participer à des concours artistiques. Les artistes « formalistes », tels le suprématiste Kasimir Malevitch et le réaliste analytique Pavel Filonov, étaient facilement identifiables, car ils étaient représentatifs du modernisme européen. La définition du naturalisme, par contre, était beaucoup moins précise. Perçu comme une reproduction presque photographique de la réalité, le natural

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11

Florian Pennanech. "Le Formalisme dans la Nouvelle Critique française." L'Esprit Créateur 48, no. 2 (2008): 101–14. http://dx.doi.org/10.1353/esp.0.0003.

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12

Shields, Kathleen. "Qui a peur de traduire Virginia Woolf?" Babel. Revue internationale de la traduction / International Journal of Translation 44, no. 1 (1998): 15–28. http://dx.doi.org/10.1075/babel.44.1.02shi.

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Abstract A quarrel broke out in 1993 in the French literary press concerning the respective merits of two French translations of The Waves (1931). The first translation was by Yourcenar (1937) and the second by Wajsbrot (1993). Two contrasting conceptions of translating are apparent in the critics' positions, and also in the theory and practice (whether explicit or implicit) of the two translators. For Yourcenar, Woolf's text is part of an English literary system which is to be introduced to the French system. As a translator and author her role is to introduce Woolf to a French public. Wajsbr

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13

Luu, Thomas, and Ulf-G. Meißner. "Misconceptions on Effective Field Theories and Spontaneous Symmetry Breaking: Response to Ellis’ Article." Foundations of Physics 50, no. 10 (2020): 1140–51. http://dx.doi.org/10.1007/s10701-020-00368-y.

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Abstract In an earlier paper Luu and Meißner (arXiv:1910.13770 [physics.hist-ph]) we discussed emergence from the context of effective field theories, particularly as related to the fields of particle and nuclear physics. We argued on the side of reductionism and weak emergence. George Ellis has critiqued our exposition in Ellis (arXiv:2004.13591 [physics.hist-ph]), and here we provide our response to his critiques. Many of his critiques are based on incorrect assumptions related to the formalism of effective field theories and we attempt to correct these issues here. We also comment on other

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Lash, Scott. "Introduction: Ulrich Beck: Risk as Indeterminate Modernity." Theory, Culture & Society 35, no. 7-8 (2018): 117–29. http://dx.doi.org/10.1177/0263276418814919.

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This serves as an introduction to this section on Beck and as a standalone essay. In it we see that the writers in this section understand Beck's risk as modernity itself. And in this context risk's reflexive modernity is understood as ‘indeterminate modernity’. The essay thematizes a radically subjectivist reading of Beck's risk. It sees reflexivity as opposed to the objectivism and positivism of Kant's (first) critique of pure reason, and instead in terms of the subjectivity of Kant's third aesthetic critique. Thus, Beck's subjectivist risk and indeterminate modernity focuses not on Kantian

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15

Hale, Dorothy. "Introduktion til Social Formalism (1998)." K&K - Kultur og Klasse 35, no. 104 (2007): 16–33. http://dx.doi.org/10.7146/kok.v35i104.22280.

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Introduction to Social Formalism (1998)In this introductory chapter to her book Social Formalism: The Novel in Theory from Henry James to the Present (1998), Dorothy Hale is engaging a double polemic against the dominating tradition within cultural studies and argues that not only does this tradition, which claims to have more interest in the ‘world’ than in the ‘work’, base its studies in classical literary works; it has also lost sight of the relevant theoretical approaches. To Hale, a reactualization of ‘novel theory’ is therefore emergent, and it is the aim of her study to show that the cr

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Hale, Dorothy. "Introduktion til Social Formalism (1998)." K&K - Kultur og Klasse 35, no. 104 (2007): 16–33. http://dx.doi.org/10.7146/kok.v35i104.22281.

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Introduction to Social Formalism (1998)In this introductory chapter to her book Social Formalism: The Novel in Theory from Henry James to the Present (1998), Dorothy Hale is engaging a double polemic against the dominating tradition within cultural studies and argues that not only does this tradition, which claims to have more interest in the ‘world’ than in the ‘work’, base its studies in classical literary works; it has also lost sight of the relevant theoretical approaches. To Hale, a reactualization of ‘novel theory’ is therefore emergent, and it is the aim of her study to show that the cr

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17

Goodhead, Dokubo Melford. "The Prophetic Statement in Sophocles’ Oedipus the King and Chinua Achebe’s Things Fall Apart: A Textual Comparison." Contemporary Journal of African Studies 3, no. 2 (2016): 95–111. http://dx.doi.org/10.4314/contjas.v3i2.4.

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Oedipus the King and Things Fall Apart show fundamental similarities. This essay explores these similarities in an attempt to give more of a formalist interpretation and a somewhat fresh insight into Achebe’s path-breaking novel, anchored on his use of the prophetic statement. In drawing a comparison between the two texts, the paper is not seeking to engage in a “colonialist” or “neo-colonialist” critique. Rather, it employs the formalist approach to read Achebe’s timeless masterpiece beyond its use as an anthropological text in certain quarters of the Western academy in order to situate the n

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18

Krieken, Robert Van. "Legal Informalism, Power and Liberal Governance." Social & Legal Studies 10, no. 1 (2001): 5–22. http://dx.doi.org/10.1177/a016320.

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Although critiques of legal formalism have been rethought over recent years to produce a 'new informalism' in legal theory which draws on Michel Foucault's approach to power, this essay examines the ways in which there are still a variety of problems in the understanding of power, social control and freedom utilized by studies of 'informal' or 'popular' justice. It briefly outlines the ideas and practices encompassed by the concept of informal justice, and identifies the critique of legal informalism as an extension of state power and control as well as the counter-critiques that underlie the

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19

Walters, Daniel. "Symmetry's Mandate: Constraining the Politicization of American Administrative Law." Michigan Law Review, no. 119.3 (2020): 455. http://dx.doi.org/10.36644/mlr.119.3.symmetry.

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Recent years have seen the rise of pointed and influential critiques of deference doctrines in administrative law. What many of these critiques have in common is a view that judges, not agencies, should resolve interpretive disputes over the meaning of statutes—disputes the critics take to be purely legal and almost always resolvable using lawyerly tools of statutory construction. In this Article, I take these critiques, and the relatively formalist assumptions behind them, seriously and show that the critics have not acknowledged or advocated the full reform vision implied by their theoretica

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20

Ali Safa’at, Muchamad, and Milda Istiqomah. "CRITICAL LEGAL STUDIES (CLS): AN ALTERNATIVE FOR CRITICAL LEGAL THINKING IN INDONESIA." PETITA: JURNAL KAJIAN ILMU HUKUM DAN SYARIAH 7, no. 1 (2022): 11–20. http://dx.doi.org/10.22373/petita.v7i1.122.

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This article discusses Critical Legal Studies (CLS) as the critical study of the law that opposes the doctrine of legal formalism. As a form of critical study, CLS not only accommodates Marxist legal ideas, but also liberalist-radical and postmodernist ones. This article has the objective to identify briefly the ideas contained within CLS from various legal experts, its advantages and disadvantages, as well as its context with the legal development in Indonesia. The utilized research method was the normative method for the investigation and analysis of the existence of legal doctrines. This ar

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21

Nathalie, Bertrand, and Nathalie Beauvois. "Entre substance et figurativité. Le discours critique de la poésie." Études littéraires 30, no. 3 (2005): 33–45. http://dx.doi.org/10.7202/501212ar.

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Fondé sur trois ouvrages récents consacrés à la poésie contemporaine, l'article fait apparaître une problématique propre à ce discours critique : la présence et le statut d'une dimension figurative en son sein. Au delà d'une simple stratégie persuasive de séduction dont le post-formalisme renouvelle la possibilité, cette pratique du figuratif renvoie à la question de la substance en relation avec la forme. On explicite alors le lien paradoxal qui unit le discours critique à son objet, la poésie contemporaine incorporant dans son exercice une interrogation métalinguistique, et le métalangage cr

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22

Matravers, Derek. "UNSOUND SENTIMENT: A CRITIQUE OF KIVY'S ‘EMOTIVE FORMALISM’." Philosophical Papers 22, no. 2 (1993): 135–47. http://dx.doi.org/10.1080/05568649309506399.

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23

Sanchez, Richard. "A critique of the stochastic transition matrix formalism." Annals of Nuclear Energy 35, no. 3 (2008): 458–71. http://dx.doi.org/10.1016/j.anucene.2007.07.018.

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24

Dennis, Ken. "A logical critique of mathematical formalism in economics." Journal of Economic Methodology 2, no. 2 (1995): 181–200. http://dx.doi.org/10.1080/13501789500000014.

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Dennis, Ken. "A logical critique of mathematical formalism in economics." Journal of Economic Methodology 3, no. 1 (1996): 151–69. http://dx.doi.org/10.1080/13501789600000012.

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26

Yulius, Hendri. "Rethinking and Queering Relationships in the Age of Same-sex Marriage: Multiplicities, Intensities, and New Potentialities." Jurnal Perempuan 23, no. 1 (2018): 1. http://dx.doi.org/10.34309/jp.v23i1.214.

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<p>This essay presents a theoretical discussion, analysis, and formulation to reconfigure new meanings, potentialities, and multiplicities of homosexual relationship/s. After a brief discussion on the rapid popularisation of marriage equality as the primary goal of queer movements, an overview of queer critique of marriage is provided. Attention given to the notion of homonormativity and the sharp criticism from queer negativity/queer anti-social. For these critiques, subjects are encouraged to occupy the abject position, which I argue, only further depoliticise queer politics. After a c

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Lima, Erick C. de. "CRÍTICA DA MORAL DEONTOLÓGICA NO JOVEM HEGEL." Síntese: Revista de Filosofia 35, no. 113 (2010): 361. http://dx.doi.org/10.20911/21769389v35n113p361-380/2008.

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A freqüência com que a crítica hegeliana ao suposto formalismo da ética kantiana tem retornado em diversas ramificações da discussão éticopolítica contemporânea, em especial a partir da década de 1970, cria um ensejo oportuno para um reexame da primeira tentativa de Hegel de “superar” a filosofia prática de Kant: o programa arquitetado em Frankfurt, baseado no conceito de amor e que, graças a este embasamento, realça o sentido “comunitário” da Aufhebung do ponto de vista moral na “eticidade”. Pretende-se aqui, primeiramente, resgatar aspectos gerais da relação entre as investigações do jovem H

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28

Ludeña, Eduardo V. "The Kohn-Sham formalism: A critique and an extension." Journal of Molecular Structure: THEOCHEM 166 (June 1988): 39–50. http://dx.doi.org/10.1016/0166-1280(88)80413-5.

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Narboux, Jean-Philippe, and Katerina Paplomata. "Modernisme et autonomie musicale : sur le formalisme critique de Lydia Goehr." Nouvelle revue d’esthétique 18, no. 2 (2016): 115. http://dx.doi.org/10.3917/nre.018.0115.

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30

Saint-Gelais, Richard. "Derniers épisodes." Dossier 38, no. 1 (2013): 43–57. http://dx.doi.org/10.7202/1013447ar.

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On sait le retentissement que le premier roman publié d’Hubert Aquin, Prochain épisode, a eu auprès de la critique de l’époque. Une fois passé le choc initial, ce qu’on semble y avoir surtout vu, c’est, hormis les diverses traces de la vie d’Aquin dans son roman, le déconcertant cocktail d’un propos politiquement très marqué et d’un travail formel ostensible, proche à certains égards du Nouveau Roman. Aussi le défi a-t-il longtemps consisté à trouver un point d’équilibre entre ces deux dimensions dont l’arrimage ne s’imposait pas d’emblée ; c’était là l’occasion, pour les critiques, de montrer

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31

Houston, Kenneth. "Formalised Church-State Dialogue in Ireland: A Critique of Concept." Volume 3 Issue 1 (2011) 3, no. 1 (2011): 47–69. http://dx.doi.org/10.33178/ijpp.3.1.4.

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In February 2007, then Taoiseach Bertie Ahern established a provision for formalised dialogue between the political institutions of the state (chiefly the Department of an Taoiseach) and religious bodies. This provision for dialogue was consciously modelled on Article 17.3 of the Functioning of the Lisbon Treaty. It was couched in terms of mutual respect and a need for a mature acceptance and recognition of contemporary socio-cultural pluralism. This official discourse reflected the ideals of deliberative democracy, the politics of recognition and identity, and the predominant norm of consensu

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32

Brunet, Pierre. "Irrationalisme et anti-formalisme : sur quelques critiques du syllogisme normatif." Droits 39, no. 1 (2004): 197. http://dx.doi.org/10.3917/droit.039.0197.

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Jeffay, Tory. "‘Flat-out’ formalism: Strong Island as trans-of-color critique." New Review of Film and Television Studies 19, no. 2 (2021): 217–38. http://dx.doi.org/10.1080/17400309.2021.1915655.

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Solimine, Michael E., and John T. Noonan. "Formalism, Pragmatism, and the Conservative Critique of the Eleventh Amendment." Michigan Law Review 101, no. 6 (2003): 1463. http://dx.doi.org/10.2307/3595319.

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35

Allen, John S. "Franz Boas's Physical Anthropology: The Critique of Racial Formalism Revisited." Current Anthropology 30, no. 1 (1989): 79–84. http://dx.doi.org/10.1086/203716.

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36

Pratt, Andy. "Formality as exception." Urban Studies 56, no. 3 (2018): 612–15. http://dx.doi.org/10.1177/0042098018810600.

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In this commentary piece, we are reminded that naming (in-formality) is an inherently political act. Informality is discussed through a number of dimensions: conceptually in relation to the term ‘formal’; considering its (ordinary) presence in the city; discussing the recognition and devaluation of the informal economy; and pointing to the contribution it makes to the global economy. Analytically, it is argued that informality requires a balancing concept of the formal; politically, informality is ‘the Other’, bound into a teleological relationship with the formal, but unable to ever achieve i

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37

BERTHELOT, Jean Michel. "Pluralité et cumulativité." Sociologie et sociétés 25, no. 2 (2002): 23–36. http://dx.doi.org/10.7202/001062ar.

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Résumé Cet article vise à explorer la question suivante : comment, dans une démonstration sociologique, opérer une articulation fondée de données hétérogènes ? Après avoir avancé qu'il ne s'agit pas d'un problème scolastique mais d'une difficulté inhérente à la construction du discours sociologique, l'auteur se propose de montrer comment un certain usage du formalisme permet d'apporter une réponse intéressante à la question initiale. Cet usage ne: consiste pas à la vaine substitution d'un calcul logique au langage naturel, mais à l'explicitation, grâce au formalisme, des opérations cognitives

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Sifaki, Evgenia. "MASCULINITY, HEROISM, AND THE EMPIRE: ROBERT BROWNING'S “CLIVE” AND OTHER VICTORIAN RE-CONSTRUCTIONS OF THE STORY OF ROBERT CLIVE." Victorian Literature and Culture 37, no. 1 (2009): 141–56. http://dx.doi.org/10.1017/s1060150309090093.

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The core of this paperis a reading of Robert Browning's “Clive” (1880); it attempts to account for the formalist demands of this generically complex and relentlessly ironic poetic text, while at the same time it construes the accomplishment of Browning's poetic language and form as intricate cultural critique. However, in order to better understand Browning's poem an additional discussion of its intertexts is required, the most important being Thomas Babington Macaulay's essay “On Clive” (1840).

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Harris, J. W. "UNGER'S CRITIQUE OF FORMALISM IN LEGAL REASONING: HERO, HERCULES, AND HUMDRUM." Modern Law Review 52, no. 1 (1989): 42–63. http://dx.doi.org/10.1111/j.1468-2230.1989.tb02595.x.

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40

Landy, Francis. "Literary Criticism and Biblical Hermeneutics: A Critique of Formalist Approaches. Lynn M. Poland." Journal of Religion 66, no. 4 (1986): 466–68. http://dx.doi.org/10.1086/487467.

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41

Horvath, Charles M. "Excellence V. Effectiveness: Macintyre’s Critique of Business." Business Ethics Quarterly 5, no. 3 (1995): 499–532. http://dx.doi.org/10.2307/3857396.

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Abstract:Alasdair Maclntyre (1984) asserts that the ethical systems of the Enlightenment (formalism and utilitarianism) have failed to provide a meaningful definition of “good.” Lacking such a definition, business managers have no internal standards by which they can morally evaluate their roles or acts. Maclntyre goes on to claim that managers have substituted external measures of “winning” or “effectiveness” for any internal concept of good. He supports a return to the Aristotelian notion of virtue or “excellence.” Such a system of virtue ethics depends on an interrelationship of the communi

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42

Lepage, François. "Le savoir comme construction." Dialogue 24, no. 1 (1985): 101–14. http://dx.doi.org/10.1017/s0012217300046011.

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Le dernier ouvrage d'Yvon Gauthier, son quatrième, n'est certes pas d'une lecture des plus faciles. Le bon lecteur devrait à la fois être familier du formalisme de la mécanique quantique et des labyrinthes lacaniens, connaître la théorie des modéles êt etre revenu de Heidegger.Tout cela rend la tâche d'un critique de Gauthier ardue et périlleuse; aussi je prierai le lecteur (le mien) de m'excuser à l'avance si, dans le foisonnement philosophique de l'ouvrage, j'ai dû restreindre mon attention à certains aspects particuliers.

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Cruz, Daniella Ysabel B. dela. "Forgotten Memories: Stephanie Ye’s Seascrapers." Asian Journal of Humanity, Art and Literature 2, no. 2 (2015): 93–98. http://dx.doi.org/10.18034/ajhal.v2i2.299.

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The paper aims to perform a close reading of Singaporean short story author Stephanie Ye. Using formalism as the core discipline, the researcher aims to develop and explain the concepts of time and memory presented by the author. In addition, a critique of the writing style and syntax in relation to the themes of the story will be tackled as well.

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Arbour, Rose-Marie. "Les sculptures pop (1966-1969) de Claire Hogenkamp : art critique ou mannequins de pacotille?" Articles, no. 16 (April 19, 2011): 55–73. http://dx.doi.org/10.7202/1002128ar.

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Au départ l’auteure souligne que les travaux de la sculpteure qu’elle étudie font partie du courant figuratif ayant contesté, au cours des années soixante, le formalisme en arts visuels. En commentant des oeuvres présentées à l’exposition « People in the Park » l’auteure montre que Claire Hogenkamp a pratiqué une satire marquée, mais indulgente (non culpabilisante) de la féminité et de la masculinité construites essentiellement sur des rapports de séduction hypercodés suggérés par l’imagerie publicitaire et la photographie commerciale. Elle précise que le contenu de ces oeuvres, par leur effet

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Roth-Isigkeit, David. "The blinkered discipline?: Martti Koskenniemi and interdisciplinary approaches to international law." International Theory 9, no. 3 (2017): 410–35. http://dx.doi.org/10.1017/s1752971917000070.

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This article is concerned with the debate about interdisciplinary methods in international law, in particular the turn to International Relations. It finds the historical critique of Martti Koskenniemi grounded in a more methodological issue: the turn toward a redefinition of norm properties impedes on the critical discursive quality of law. Shaping this historical critique into a research question that allows for meaningful engagement, the article discusses Koskenniemi’s charges drawing on recent constructivist scholarship. Giving an account of what it means to be ‘obliged’ to obey the law, t

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Ray, Gene. "Dialectical Realism and Radical Commitments:Brecht and Adorno on Representing Capitalism." Historical Materialism 18, no. 3 (2010): 3–24. http://dx.doi.org/10.1163/156920610x533306.

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AbstractBertolt Brecht and Theodor W. Adorno stand for opposing modes and stances within an artistic modernism oriented toward radical social transformation. In his 1962 essay ‘Commitment’, Adorno advanced a biting critique of Brecht’s work and artistic position. Adorno’s arguments have often been dismissed but, surprisingly, are seldom closely engaged with. This paper assesses these two approaches that have been so central to twentieth-century debates in aesthetics: Brecht’s dialectical realism and Adorno’s sublime or dissonant modernism. It provides what still has been missing: a close readi

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Sedgwick, Sally. "The Conditioned Formalism of General Logic in the “Critique of Pure Reason”." International Philosophical Quarterly 36, no. 2 (1996): 141–53. http://dx.doi.org/10.5840/ipq19963623.

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Christie, Drew. "John Roemer’s Economic Philosophy and the Perils of Formalism." Canadian Journal of Philosophy Supplementary Volume 15 (1989): 267–79. http://dx.doi.org/10.1080/00455091.1989.10716800.

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John Roemer’s recent work uses the mathematics of Social Choice Theory to examine the structure of socialist ideals. One striking conclusion is that the social ownership of the means of production entails the strict equalization of ‘utility.’1 The conclusion is surprising. While of course opposing many existing inequalities, socialists (as opposed to their critics) have not traditionally understood socialism to require strict equalization. Marx, for example, is scathing in his criticism of levelling, which he sees as a form of ‘crude’ communism.2This paper is both exposition and critique. By w

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MacDonald, Calum. "The Anti-Formalist ‘Rayok’ – Learners Start Here!" Tempo, no. 173 (June 1990): 23–30. http://dx.doi.org/10.1017/s0040298200019094.

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Much of what follows concerns itself with issues which are inevitably (and properly) extra-musical. But the musical significance of the recently-exhumed and now partially recorded ork by Dmitri Shostakovich which seems to be called (or thought of as) Antiformalisticheski Rayok is worth stressing at the outset. This little cantata ‘for reader, four basses, mixed chorus and piano accompaniment’ could hardly be claimed as one of the Soviet master's major utterances: it is, rather, a particularly bitter and subversive satirical squib – much of its fascination stems from the explicitness and politi

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Venzke, Ingo. "Public Interests in the International Court of Justice—A Comparison Between Nuclear Arms Race (2016) and South West Africa (1966)." AJIL Unbound 111 (2017): 68–74. http://dx.doi.org/10.1017/aju.2017.23.

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In the present essay I compare the 2016 judgment of the International Court of Justice (ICJ) in Nuclear Arms Race (Marshall Islands v. United Kingdom) with the Court's 1966 judgment in South West Africa (Ethiopia v. South Africa; Liberia v. South Africa). A series of similarities between the two judgments are obvious: They are two of the three cases in the history of the Court in which the judges were equally split and the President had to cast his tie-breaking vote. The critique of the judgments has been exceptionally strong, in 2016 as in 1966. The core of the critique, then as now, has prac

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