Academic literature on the topic 'Critique narrative'

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Journal articles on the topic "Critique narrative"

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Maagaard, Cindie, and Marianne Wolff Lundholt. "Taking spoofs seriously: Spoofs as counter-narratives in volunteer discourse." MedieKultur: Journal of media and communication research 34, no. 64 (2018): 22. http://dx.doi.org/10.7146/mediekultur.v34i64.24837.

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This article explores how the theoretical framework of “counter-narrative” can be a resource for the analysis of spoofing videos. Using spoofs deployed by activist organizations to critique Western aid appeals and “voluntourism,” we 1) investigate the intertextual mechanisms of spoof videos as counter-narrative and how spoofers borrow generic conventions and use them to create alternative narratives, and 2) discuss the consequences of their cultural depictions, for example, for the discourse of volunteering, which we examine here, particularly in light of tendencies toward self-reflecting camp
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Iannarino, Nicholas T. "“What a Loser That Guy Was”: Norm Macdonald’s Humorous Critique of the Romantic/Warrior Narrative." Journal of Communication Inquiry 42, no. 3 (2018): 241–57. http://dx.doi.org/10.1177/0196859918771891.

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Illness narratives are stories that focus on, or are inspired by, the sometimes life-altering experience of illness. Most narrative constructions of these illness experiences are built upon one of three broad narrative “skeletons.” One skeletal subform, the romantic/warrior narrative, is critiqued by comedian Norm Macdonald in a humorous anecdote that mocks the expectation that cancer patients must wage an epic and heroic battle against their pernicious cancer to have a chance to survive. Macdonald explicates that such a mentality produces heroes and villains, winners and losers, and places ad
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BOHMANN, ULF. "Narrative, History, Critique." Dialogue 56, no. 4 (2017): 717–29. http://dx.doi.org/10.1017/s0012217317000798.

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In Chapter 8 ofThe Language Animal, Charles Taylor claims that narratives are unsubstitutable for an appropriate understanding of social life and ‘human affairs’ in general. In order to identify open questions in his argumentation as well as unwanted consequences of his outlook, I proceed in three consecutive steps. I first problematize Taylor’s distinction between laws and stories, then go on to address his intentional blurring of stories and histories, and finally suggest that the concept of genealogy might be a promising candidate for describing Taylor’s approach, concluding that he implici
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Rather, Nadeem Ahmad. "Grandmother as a Narrator in Raja Rao’s Kanthapura – A Critique." Literary Voice 1, no. 1 (2023): 108–16. http://dx.doi.org/10.59136/lv.2023.1.1.113.

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For any literary work, the narrative technique constitutes one of the essential requisites. How the art of narration is chiseled in a literary work is what lends it artistic and emotional credibility. In Kanthapura, Raja Rao experiments with the narrative technique. The novel is presented from the viewpoint of an old grandmother who relates the tale of the brave resistance of the people of Kanthapura to expel the British from India. The ancient Indian Puranic method has been preferred to the western narrative technique, which according to Raja Rao, suits the Indian credo and climate. In Kantha
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Poirier, John C. "Narrative Theology and Pentecostal Commitments." Journal of Pentecostal Theology 16, no. 2 (2008): 69–85. http://dx.doi.org/10.1163/174552508x294206.

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AbstractA number of Pentecostal scholars have proposed that narrative theology represents an appropriate reading strategy for Pentecostals. This article introduces three lines of critique against such a proposal: (1) the understanding of truth that underlies the apostolic kerygma is incompatible with that which underlies narrative theology, (2) the notion that personal identity is narratival has been built upon the ghostless anthropology of Gilbert Ryle, a scheme that conflicts with both NT soteriology and Paul's discussion of how spiritual gifts work through the believer, and (3) early forms
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McAllister, Brian J. "The middle, the east, the west of Erin: Narrative disorientation and the production of space." Frontiers of Narrative Studies 4, no. 2 (2018): 312–26. http://dx.doi.org/10.1515/fns-2018-0025.

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AbstractThis essay extends political and aesthetic implications in relationships between space and narrative by investigating narrative strategies that displace or disrupt access to narrative setting, spatiotemporal movement, or the space of narration. I fuse Henri Lefebvre’s work on the social production of space to Gabriel Zoran’s systems of narrative space in order to propose a spatial critique that describes and categorizes ways that narrative is central to the politics of spatial practice. I then apply that spatial critique to Flann O’Brien’s prototypically disorienting novel At Swim-Two-
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Derivery, François. "Figuration narrative et figuration critique." Ligeia N° 125-128, no. 2 (2013): 5. http://dx.doi.org/10.3917/lige.125.0005.

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Dion, Robert. "La narrativité critique." Études littéraires 30, no. 3 (2005): 77–90. http://dx.doi.org/10.7202/501215ar.

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Cet article veut envisager la narrativité critique du double point de vue de la composante narrative de la critique littéraire et de la dimension critique du récit. Au moyen d'exemples tirés du corpus québécois récent, il s'agit d'établir le rapport entre argumentation et narration dans ces deux types de textes. Devrait ainsi apparaître la tendance actuelle de la critique et du récit à s'hybrider, à se déverser l'un dans l'autre, la critique délaissant une certaine orthodoxie structuraliste pour s'approprier un savoir de fiction, le récit faisant largement accueil au discours de la critique po
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Stierstorfer, Klaus. "Are Models Narratives? Perspectives on a Narrative Critique of Models." ELH 89, no. 3 (2022): 833–63. http://dx.doi.org/10.1353/elh.2022.0029.

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Whitehead, Jason E. "Dangerous Stories: Narrative Theory and Critique in a Post-Truth World." Narrative Works 11 (January 30, 2024): 113–24. http://dx.doi.org/10.7202/1108957ar.

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<p>Political and legal scholars use narrative theory to study everything from the framing of policy arguments to the telling of tort tales to the construction of political consciousness. Such scholarship often relies on post-positivist theories that problematize the empirical validity of narratives. But the stories told by many recent movements in American politics—such as Christian nationalism, “the Big Lie,” and Covid-19 conspiracy theories—so distort empirical reality that they endanger liberal norms and values, not to mention human lives. Scholars who ordinarily eschew objective narr
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Dissertations / Theses on the topic "Critique narrative"

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Wilby, Jennifer Margaret. "Hierarchy theory and epidemiology : a narrative critique." Thesis, University of Hull, 2007. http://hydra.hull.ac.uk/resources/hull:13819.

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Integrating approaches from systems thinking with the methods and tools from the discipline of epidemiology, at the level of the management of international health policy and emerging (and reemerging) infectious disease (EID), the subject of this thesis, is a novel approach. The aim of integrating these approaches in this thesis was to provide additional insights into the management of EID, alongside the aims of enriching the practice of both systems and epidemiology. This thesis proposed that applying a systemic approach using systems thinking (and specifically the systems approach that addre
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Landry, François. "Les prisonniers d'Éros, fiction narrative et retour critique." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/NQ46687.pdf.

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Landry, François. "Les prisonniers d'Éros fiction narrative et retour critique." Thèse, Université de Sherbrooke, 1998. http://savoirs.usherbrooke.ca/handle/11143/2698.

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Cette thèse de doctorat se divise en deux parties. La première partie, dite de création, est une fiction narrative qui s'intitule Le Nombril des aveugles. La deuxième partie comprend un essai analytique et un essai critique, le premier étudiant l'imaginaire de la fiction et le dernier revenant sur des notions importantes de cette fiction, comme l'érotisme et le fantastique, ainsi que sur divers problèmes rencontrés lors de la rédaction. Le Nombril des aveugles est un roman qui représente le deuxième volume d'une trilogie nommée Les Prisonniers d'Éros, une trilogie qui exploite un lieu clos rep
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Landry, Francois. "Les prisonniers d'Éros : fiction narrative et retour critique." Sherbrooke : Université de Sherbrooke, 1999.

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Hultgren, Stephen. "Narrative elements in the double tradition : a study of their place within the framework of the gospel narrative /." Berlin : W. de Gruyter, 2002. http://catalogue.bnf.fr/ark:/12148/cb39300197m.

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Lambrou, Marina. "Story patterns in oral narratives : a variationist critique of Labov and Waletzky's model of narrative schemas." Thesis, Middlesex University, 2005. http://eprints.mdx.ac.uk/13511/.

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Labov and Waletzky's (1967) influential six-schema model of personal narratives has often been considered to make claims regarding a 'universal' narrative structure (Hurst, 1990; Hymes, 1996). This study tests how far variations in personal narratives at a schematic level (that is, which schemas are present and how they combine to structure the narrated experience) correlate with aspects of an individual's culture. Oral narratives produced by members of the Greek Cypriot community in London are analysed, to provide data from an alternative group of informants to Labov and Waletzky's, while sti
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Prenzler, Timothy James, and n/a. "Ideology and Narrative Realism : a Critique of Post-Althusserian Anti-Realism." Griffith University. School of Humanities, 1991. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20051116.101351.

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This thesis defends the potential of the ‘realist’ form of narrative for contesting, as well as reproducing, ideology. The common form of ‘realism’ consists of a loose ensemble of conventions. The key components are omniscient, evaluative narration; an empiricist objectivism; the construction of individuals as agents of action and bearers of natural attributes; cause and effect sequencing; conflict leading to resolution; mystery leading to disclosure; and the effacement of these techniques in the interests of illusion. In one critique of realism – ‘post-Althusserian anti-realism’ - these pract
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Prenzler, Timothy James. "Ideology and Narrative Realism: a Critique of Post-Althusserian Anti-Realism." Thesis, Griffith University, 1991. http://hdl.handle.net/10072/368111.

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This thesis defends the potential of the ‘realist’ form of narrative for contesting, as well as reproducing, ideology. The common form of ‘realism’ consists of a loose ensemble of conventions. The key components are omniscient, evaluative narration; an empiricist objectivism; the construction of individuals as agents of action and bearers of natural attributes; cause and effect sequencing; conflict leading to resolution; mystery leading to disclosure; and the effacement of these techniques in the interests of illusion. In one critique of realism – ‘post-Althusserian anti-realism’ - these pract
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Ferraris, Denis. "Eléments pour une critique de l'écriture étude de l'oeuvre narrative d'Antonio Pizzuto /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376050415.

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Orlando, Vincent d'. "L'écriture en accusation : engagement et modernité dans l'oeuvre narrative et critique d'Elio Vittorini." Paris 3, 1994. http://www.theses.fr/1995PA030038.

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L'oeuvre narrative d'elio vittorini (1908-1966) est consideree aujourd'hui comme la part congrue d'une activite intellectuelle essentiellement tournee vers le debat et la polemique. Si l'on excepte "conversation en sicile" les oeuvres de vittorini sont tombees dans l'oubli. L'ecrivain sicilien lui-meme. Par la difficulte a achever ses recits donne l'impression d'etre le pr culte a achever ses recits donne l'impression d'etre le premier cont empteur de sa production narrative. La tebdabce du lecteur est donc d'aller puiser la verite de vittorini dans les marges de ses recits en analysant l'impo
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Books on the topic "Critique narrative"

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Faye, Jean Pierre. La raison narrative: Langages totalitaires : critique de l'économie narrative, II. Éditions Balland, 1990.

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Lothe, Jakob. Conrad's narrative method. New York, 1989.

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Renato Curcio, Marita Prette, Nicola Valentino. La socionalyse narrative - Théorie critique et pratique du changement social. Editions L'Harmattan, 2014.

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Dean, Kingsbury Jack, ed. Gospel interpretation: Narrative-critical & social-scientific approaches. Trinity Press International, 1997.

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Iwe, John Chijioke. Jesus in the synagogue of Capernaum: The pericope and its programmatic character for the Gospel of Mark and exegetico-theological study of Mk 1: 21-28. Pontificia università gregoriana, 1999.

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Civil, Pierre. La prose narrative du siècle d'or espagnol. Dunod, 1997.

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Ramond, Sophie. Leçon de non-violence pour David: Une analyse narrative et littéraire de 1 Samuel 24-26. Cerf, 2007.

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Jesus in the synagogue of Capernaum: The pericope and its programmatic character for the gospel of Mark : an exegetico-theological study of Mk 1:21-28. Editrice Pontifica Università gregoriana, 1999.

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Women, seduction, and betrayal in biblical narrative. Cambridge University Press, 1997.

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Foulke, Robert. The sea voyage narrative. Twayne, 1997.

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Book chapters on the topic "Critique narrative"

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Masquelier, Charles. "Narrative Identity and Emancipation." In Critique and Resistance in a Neoliberal Age. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-40194-6_21.

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Kumar Das, Kalyan. "The Mahabharata War and Ambedkar's Critique of Violence and Nationalism." In Contemporaneity of the Mahabharata Narrative. Routledge India, 2024. http://dx.doi.org/10.4324/9781003516408-17.

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Ferrara, Alessandro. "Curbing the Absolute Power of Disembedded Financial Markets: The Grammar of Counter-Hegemonic Resistance and the Polanyian Narrative." In Feminism, Capitalism, and Critique. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52386-6_10.

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Laurenceson, James. "Australia’s Narrative on Beijing’s Economic Coercion: Context and Critique." In Different Histories, Shared Futures. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-9191-2_5.

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Höglund, Johan. "The Displaced." In The American Climate Emergency Narrative. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60645-8_6.

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AbstractThis chapter discusses the question of climate migration and reads a series of texts that follow climate refugees as they cross, or are prevented from crossing, heavily guarded US national or state borders. The chapter shows how some American Climate Emergency Narratives employ allegory to cast the racialized climate refugee as a border-scaling monster, but it also reveals how even texts that seek to critique the racist ideology that informs extractive capitalist border-thinking focus on the future plights of the white majority.
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Eladhari, Mirjam Palosaari. "Re-Tellings: The Fourth Layer of Narrative as an Instrument for Critique." In Interactive Storytelling. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-04028-4_5.

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Coogan-Gehr, Kelly. "Origin Stories: A Critique of the Stock Narrative of Feminist Field Formation." In The Geopolitics of the Cold War and Narratives of Inclusion. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230370555_1.

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Schilling, Derek. "On and Off the Map: Literary Narrative as Critique of Cartographic Reason." In Literary Cartographies. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137449375_14.

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Albright, Erin, and Kate D’Adamo. "The Media and Human Trafficking: A Discussion and Critique of the Dominant Narrative." In Human Trafficking Is a Public Health Issue. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47824-1_21.

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Freedman, Ariela. "Empathy, Irony, and Humanitarian Witness in The Photographer." In Making Humanitarian Crises. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-00824-5_6.

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AbstractIn recent years, graphic journalism has become an increasingly prominent medium for exploring the affective dimensions of representing humanitarian images. How are emotions—pain, terror, pathos—represented through graphic narrative, and in which ways are emotions differently engaged by an audience when drawn? In this chapter I examine Le Photographe (Dupuis), a hybrid non-fiction account of a 1986 Médicins sans Frontières mission to Afghanistan. Le Photographe responds to Susan Sontag’s critique of the floating and contextless quality of war photography with dialogue and captions that tether the images to meaning, through remediation in drawing and narrative, and through emphasis on the emotional journey of the photographer in the war zone, from uncertainty and anxiety to empathy and disillusionment.
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Conference papers on the topic "Critique narrative"

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MILET, Audrey. "Le bas-bleu est une sorcière : stratégie critique et narrative d’Adèle Esquiros." In Critiquer au féminin au XIXe siècle. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11337.

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Jeannerod, Aude. "Les chefs-d’œuvre inconnus de Duranty, entre fiction narrative et critique d’art." In Les chefs-d'œuvre inconnus au XIXe siècle. Fabula, 2021. http://dx.doi.org/10.58282/colloques.6918.

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Marinescu, Alina petra, and Cosima Rughinis. "EVERY DAY THE SAME DREAM? SOCIAL CRITIQUE THROUGH SERIOUS GAMEPLAY." In eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-100.

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Recent years have witnessed an increase in the visibility of the so-called 'art games' both in the gaming community and in academic reflection. This label applies, as a rule, to relatively short indie games that appear to have a message about the human condition, life, psyche, society and, often, also about the game genre, in a self-referential loop. Depending on game topics and rhetorical approach, commentators have advanced a variety of tags to describe them, including 'experimental games', 'news games', 'grave games', 'existential games', or 'not games'. Scholarly literature has discussed t
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Reiner, Gabrielle. "Cinéma expérimental et storytelling : du found footage comme pratique contre-narrative et outil critique des images en mouvement." In Pratiques contre-narratives à l’ère du storytelling. Littérature, audiovisuel, performances. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6084.

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Shah, Vidya. "Reforming for Racial Justice: A Narrative Synthesis and Critique of District Reform Literature in Ontario (1996–2021)." In 2022 AERA Annual Meeting. AERA, 2022. http://dx.doi.org/10.3102/1886764.

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Monleón Domínguez, Ana. "Traversées migratoires: Des étoiles (2013) de Dyana Gaye." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3179.

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Dyane Gaye (1975) apporte à l’espace du cinéma franco-sénégalais une nouvelle perspective. Tout en prenant appui sur la référence dakaroise, elle accorde un regard plus ample sur les situations de migration où l’élément aquatique et la traversée (au sens physique et symbolique) sont très présents.Des étoiles est son premier long métrage qui a reçu des mentions et des opinions très favorables de la part de la critique. Dans le film, nous pouvons suivre le parcours de trois personnages, de trois destins qui déplacent le spectateur de Dakar à Turin et finalement à New York. Les paysages et les es
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Lee, Stephanie Kyuyoung. "Hard Labor, Soft Space: The Making of Radical Ruralism." In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.101.

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“Hard Labor, Soft Space” is a research-based design investigation on the current surge of collective farms and radical food systems in and around the Hudson Valley.What does it mean to create an infrastructure of care, and systems of resilience within a capitalist landscape of production, extraction, and exploitation?Against the backdrop of land distribution laws such as the Homestead Act (1862) and Alien Land Laws (1913 to present) that have driven the current racial disparity in agricultural land ownership, this project reframes rurality as a site of radical reclamation. This research forms
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Tabbarah, Faysal. "Other Environmentalisms: Resisting Colonial Legacies in Architecture Education." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.106.

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The paper describes a teaching pedagogy deployed simultaneously in a seminar and design studio, titled Other Environmentalisms. The pedagogy critically examines and reimagines the production of contemporary architecture in the Middle East and North Africa (MENA) by interrogating the relationship between architecture, the environment, and colonial legacies. This has been developed within two ongoing challenges in the MENA: 1. The erasure of nuanced cultural specificities in the architectural imaginary; and 2. Climate crisis. Specifically, the paper problematizes how teaching about the environme
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Engélibert, Jean-Paul. "Des photographies critiques ? Arrêts sur image chez Guillaume Herbaut, Sebastião Salgado et Allan Sekula." In Pratiques contre-narratives à l’ère du storytelling. Littérature, audiovisuel, performances. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6079.

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Mariani, Ilaria, and Mariana Ciancia. "BUILDING INTERACTIVE NARRATIVES: CHARACTERS, STORIES AND IN-BETWEENS. EXPERIMENTATIONS AND CRITIQUE." In 11th International Conference on Education and New Learning Technologies. IATED, 2019. http://dx.doi.org/10.21125/edulearn.2019.1643.

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Reports on the topic "Critique narrative"

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Bozek, Michael, and Tani Hubbard. Greater Yellowstone Network amphibian monitoring protocol science review: A summary of reviewers’ responses. National Park Service, 2022. http://dx.doi.org/10.36967/nrr-2293614.

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Science reviews are an essential cornerstone of all excellent science programs and are a requirement of monitoring programs within the Inventory and Monitoring Division of the National Park Service (NPS). Science reviews provide necessary professional critique of objectives, study design, data collection, analysis, scientific interpretation, and how effectively information is transferred to target audiences. Additionally, reviews can help identify opportunities to cooperate more effectively with interested and vested partners to expand the impacts of collective findings across larger landscape
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