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Journal articles on the topic 'Critique narrative'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Maagaard, Cindie, and Marianne Wolff Lundholt. "Taking spoofs seriously: Spoofs as counter-narratives in volunteer discourse." MedieKultur: Journal of media and communication research 34, no. 64 (2018): 22. http://dx.doi.org/10.7146/mediekultur.v34i64.24837.

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This article explores how the theoretical framework of “counter-narrative” can be a resource for the analysis of spoofing videos. Using spoofs deployed by activist organizations to critique Western aid appeals and “voluntourism,” we 1) investigate the intertextual mechanisms of spoof videos as counter-narrative and how spoofers borrow generic conventions and use them to create alternative narratives, and 2) discuss the consequences of their cultural depictions, for example, for the discourse of volunteering, which we examine here, particularly in light of tendencies toward self-reflecting camp

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Iannarino, Nicholas T. "“What a Loser That Guy Was”: Norm Macdonald’s Humorous Critique of the Romantic/Warrior Narrative." Journal of Communication Inquiry 42, no. 3 (2018): 241–57. http://dx.doi.org/10.1177/0196859918771891.

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Illness narratives are stories that focus on, or are inspired by, the sometimes life-altering experience of illness. Most narrative constructions of these illness experiences are built upon one of three broad narrative “skeletons.” One skeletal subform, the romantic/warrior narrative, is critiqued by comedian Norm Macdonald in a humorous anecdote that mocks the expectation that cancer patients must wage an epic and heroic battle against their pernicious cancer to have a chance to survive. Macdonald explicates that such a mentality produces heroes and villains, winners and losers, and places ad

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3

BOHMANN, ULF. "Narrative, History, Critique." Dialogue 56, no. 4 (2017): 717–29. http://dx.doi.org/10.1017/s0012217317000798.

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In Chapter 8 ofThe Language Animal, Charles Taylor claims that narratives are unsubstitutable for an appropriate understanding of social life and ‘human affairs’ in general. In order to identify open questions in his argumentation as well as unwanted consequences of his outlook, I proceed in three consecutive steps. I first problematize Taylor’s distinction between laws and stories, then go on to address his intentional blurring of stories and histories, and finally suggest that the concept of genealogy might be a promising candidate for describing Taylor’s approach, concluding that he implici

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Rather, Nadeem Ahmad. "Grandmother as a Narrator in Raja Rao’s Kanthapura – A Critique." Literary Voice 1, no. 1 (2023): 108–16. http://dx.doi.org/10.59136/lv.2023.1.1.113.

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For any literary work, the narrative technique constitutes one of the essential requisites. How the art of narration is chiseled in a literary work is what lends it artistic and emotional credibility. In Kanthapura, Raja Rao experiments with the narrative technique. The novel is presented from the viewpoint of an old grandmother who relates the tale of the brave resistance of the people of Kanthapura to expel the British from India. The ancient Indian Puranic method has been preferred to the western narrative technique, which according to Raja Rao, suits the Indian credo and climate. In Kantha

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Poirier, John C. "Narrative Theology and Pentecostal Commitments." Journal of Pentecostal Theology 16, no. 2 (2008): 69–85. http://dx.doi.org/10.1163/174552508x294206.

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AbstractA number of Pentecostal scholars have proposed that narrative theology represents an appropriate reading strategy for Pentecostals. This article introduces three lines of critique against such a proposal: (1) the understanding of truth that underlies the apostolic kerygma is incompatible with that which underlies narrative theology, (2) the notion that personal identity is narratival has been built upon the ghostless anthropology of Gilbert Ryle, a scheme that conflicts with both NT soteriology and Paul's discussion of how spiritual gifts work through the believer, and (3) early forms

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McAllister, Brian J. "The middle, the east, the west of Erin: Narrative disorientation and the production of space." Frontiers of Narrative Studies 4, no. 2 (2018): 312–26. http://dx.doi.org/10.1515/fns-2018-0025.

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AbstractThis essay extends political and aesthetic implications in relationships between space and narrative by investigating narrative strategies that displace or disrupt access to narrative setting, spatiotemporal movement, or the space of narration. I fuse Henri Lefebvre’s work on the social production of space to Gabriel Zoran’s systems of narrative space in order to propose a spatial critique that describes and categorizes ways that narrative is central to the politics of spatial practice. I then apply that spatial critique to Flann O’Brien’s prototypically disorienting novel At Swim-Two-

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Derivery, François. "Figuration narrative et figuration critique." Ligeia N° 125-128, no. 2 (2013): 5. http://dx.doi.org/10.3917/lige.125.0005.

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8

Dion, Robert. "La narrativité critique." Études littéraires 30, no. 3 (2005): 77–90. http://dx.doi.org/10.7202/501215ar.

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Cet article veut envisager la narrativité critique du double point de vue de la composante narrative de la critique littéraire et de la dimension critique du récit. Au moyen d'exemples tirés du corpus québécois récent, il s'agit d'établir le rapport entre argumentation et narration dans ces deux types de textes. Devrait ainsi apparaître la tendance actuelle de la critique et du récit à s'hybrider, à se déverser l'un dans l'autre, la critique délaissant une certaine orthodoxie structuraliste pour s'approprier un savoir de fiction, le récit faisant largement accueil au discours de la critique po

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9

Stierstorfer, Klaus. "Are Models Narratives? Perspectives on a Narrative Critique of Models." ELH 89, no. 3 (2022): 833–63. http://dx.doi.org/10.1353/elh.2022.0029.

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10

Whitehead, Jason E. "Dangerous Stories: Narrative Theory and Critique in a Post-Truth World." Narrative Works 11 (January 30, 2024): 113–24. http://dx.doi.org/10.7202/1108957ar.

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<p>Political and legal scholars use narrative theory to study everything from the framing of policy arguments to the telling of tort tales to the construction of political consciousness. Such scholarship often relies on post-positivist theories that problematize the empirical validity of narratives. But the stories told by many recent movements in American politics—such as Christian nationalism, “the Big Lie,” and Covid-19 conspiracy theories—so distort empirical reality that they endanger liberal norms and values, not to mention human lives. Scholars who ordinarily eschew objective narr

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Mackenzie, Catriona, and Jacqui Poltera. "Narrative Integration, Fragmented Selves, and Autonomy." Hypatia 25, no. 1 (2010): 31–54. http://dx.doi.org/10.1111/j.1527-2001.2009.01083.x.

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In this paper we defend the notion of narrative identity against Galen Strawson's recent critique. With reference to Elyn Saks's memoir of her schizophrenia, we question the coherence of Strawson's conception of the Episodic self and show why the capacity for narrative integration is important for a flourishing life. We also argue that Saks's case and reflections on the therapeutic role of “illness narratives” put pressure on narrative theories that specify unduly restrictive constraints on self-constituting narratives, and clarify the need to distinguish identity from autonomy.

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Ost, François. "Towards a Critique of Narrative Reason." Law and Humanities 7, no. 1 (2013): 55–67. http://dx.doi.org/10.5235/17521483.7.1.55.

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Loute, Alain. "Identité narrative collective et critique sociale." Études Ricoeuriennes / Ricoeur Studies 3, no. 1 (2012): 53–66. http://dx.doi.org/10.5195/errs.2012.119.

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For many authors, the transformations of capitalism have had the effect of causing suffering (stress, stigmatization, disaffiliation, etc..) whose social dimension is not recognized. For Emmanuel Renault, theoretical critique can analyze these new sufferings and become a "spokesman" giving voice to suffering beings. In this article, the author proposes to problematize this form of critical intervention, building on Paul Ricœur's reflections on the issue of the dispossession of the actors’ power to recount their actions themselves. If Renault’s intervention makes sense in relation to the ideolo

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MOHRAT, Diana M. Amin. "A POST STRUCTURALIST APPROACH TO THE BOOK OF DAVE BY WILL SELF." International Journal of Research -GRANTHAALAYAH 7, no. 7 (2019): 48–57. http://dx.doi.org/10.29121/granthaalayah.v7.i7.2019.715.

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The ideological representations housed in one of the post-apocalyptic narratives are considered. A poststructuralist lens is used by drawing key points from Foucault (1972) and Grossberg (1992) to explicate how post-apocalyptic narrative articulates and legitimates discursive formations of thought. This article identifies social critique and the circulation of emotion, drawing from these theorists in drawing stable points of entry in theorizing post-apocalyptic traces in their culturally situated context. Social critique can often help explain which of the various sociopolitical conditions thi

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Almen, B. "NARRATIVE ARCHETYPES: A CRITIQUE, THEORY, AND METHOD OF NARRATIVE ANALYSIS." Journal of Music Theory 47, no. 1 (2003): 1–39. http://dx.doi.org/10.1215/00222909-47-1-1.

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Alexandrova, Anna. "When Analytic Narratives Explain." Journal of the Philosophy of History 3, no. 1 (2009): 1–24. http://dx.doi.org/10.1163/187226309x408776.

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AbstractRational choice modeling originating in economics is sweeping across many areas of social science. This paper examines a popular methodological proposal for integrating formal models from game theory with more traditional narrative explanations of historical phenomena, known as “analytic narratives”. Under what conditions are we justified in thinking that an analytic narrative provides a good explanation? In this paper I criticize the existing criteria and provide a set of my own. Along the way, I address the critique of analytic narratives by Jon Elster.

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Gubrium, Jaber F. "Voice, Context, and Narrative in Aging Research." Canadian Journal on Aging / La Revue canadienne du vieillissement 14, S1 (1995): 68–81. http://dx.doi.org/10.1017/s0714980800005432.

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RÉSUMÉLa façon dont l'expérience est utilisée dans le cadre du quotidien constitue l'une des principales questions en matière de recherche sociale. Les méthodologies conventionnelles fournissent des réponses techniques. Toutefois, les questions contextuelles et les aspects méthodologiques sur le plan de la structure sociale et de la narration ne constituent pas des préoccupations analytiques et critiques, elles sont plutôt considérées comme des problèmes de procédé. Cet article étudie cette question au plan de la recherche sur le vieillissement. Deux facettes de la tension analytique sont exam

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Nolan, Katherine. "Sarah Scott’s Narrative “No Place”: Gazing and Utopia in Millenium Hall." Eighteenth-Century Fiction 33, no. 4 (2021): 513–29. http://dx.doi.org/10.3138/ecf.33.4.513.

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Sarah Scott’s Millenium Hall (1762) is framed by a male narrator for an imagined male reader, and it lacks a substantial critique of slavery, empire, or class; the status of this novel as an example of utopia is therefore an ongoing question. I argue that the utopic vision in the novel happens at the level of fictionality. Millenium Hall is about reforming the sentimental gaze of the male narrator and, by extension, the reader of the novel. Scott critiques sentimentality, particularly the sentimental gaze upon the spectacle of the suffering woman as voyeuristic and inherently sexual. In its st

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Bevir, Mark. "National Histories: Prospects for Critique and Narrative." Journal of the Philosophy of History 1, no. 3 (2007): 293–317. http://dx.doi.org/10.1163/187226307x229371.

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AbstractThe classic national history narrates the formation and progress of a nation-state as a reflection of principles such as a national character, liberty, progress, and statehood. Today there appears to be a growing nostalgia for them, and with it for the role that history once played in the life of the nation. This paper argues that such nostalgia is justified insofar as it expresses skepticism about the philosophical assumptions of much social science history. In doing so, it defends the use of concepts such as narrative and tradition. Yet this paper argues that such nostalgia is not ju

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Säntti, Joonas. "Queering a Trans Life Story: The Unnatural Potential of Weak Narrativity in succubus in my pocket." Narrative 32, no. 2 (2024): 138–53. http://dx.doi.org/10.1353/nar.2024.a926172.

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ABSTRACT: Discussing similarities between antimimetic and queer/trans narratives, as well as interlacing subjects of interest in the respective fields of unnatural and queer/trans narratology, this article suggests the importance of experimental texts for theorizing trans narratives. It presents its arguments by focusing on one case study, a mixed genre manuscript written in 2004 and published in 2015, succubus in my pocket by the late trans poet kari edwards (1954–2006). My approach mines queer narratology (Susan Lanser), trans poetics (Trace Peterson), unnatural narratology (Brian Richardson

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Herrera, Javier. "Magical Realism and Social Critique in Latin American Literature: A Comparative Analysis of García Márquez and Isabel Allende." Studies in Social Science & Humanities 3, no. 2 (2024): 1–6. http://dx.doi.org/10.56397/sssh.2024.02.01.

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This comparative analysis explores the themes, narrative techniques, and cultural contexts of Gabriel García Márquez and Isabel Allende, two luminaries of Latin American literature. Both authors employ magical realism to delve into social and political issues, albeit in distinct ways. García Márquez’s intricate narratives critique power structures and societal decay, while Allende’s intimate stories focus on personal relationships and resilience. Despite their differences, both writers share a commitment to using literature as a tool for social critique and cultural exploration.

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Fazal Rahim, Naseem Farhana, Irfan Ullah, et al. "Exploring the Art of Critique: A Narrative Review Approach to Dissecting Health care Literature." Journal of Health and Rehabilitation Research 4, no. 2 (2024): 783–89. http://dx.doi.org/10.61919/jhrr.v4i2.916.

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Background: A research critique or review of an article is the critical analysis of the strengths and weaknesses of a research paper through evidence-based practice, emphasizing the distinction between critique and criticism which helping post graduate students to defended their thesis. The literature review explores the advantages and disadvantages of methodological and statistical balancing in articles. Objective: This narrative review article aims to dissolve the challenges faced by healthcare professionals while critiquing a quantitative research paper, thesis, or dissertation for the purp

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Elsadda, Hoda. "Travelling Critique." Feminist Dissent, no. 3 (November 27, 2018): 88–113. http://dx.doi.org/10.31273/fd.n3.2018.293.

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The use and abuse of rights-based approaches to furthering gender justice has been the subject of much debate and contestation in feminist scholarship. This paper engages with the feminist anti-imperialist critique of rights discourses, particularly when used as a theoretical lens to understand or evaluate women’s rights movements, or gender related campaigns for justice in non-democratic settings. The paper argues that anti-imperialist critique is caught up in a binary of universalism versus cultural relativism, a form of a meta-narrative that disregards the personal narratives of struggle an

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Steer, P. "Narrative and Critique in the South Pacific." NOVEL A Forum on Fiction 48, no. 1 (2015): 162–65. http://dx.doi.org/10.1215/00295132-2860565.

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Aldous, Gregory. "The Islamic City Critique: Revising the Narrative." Journal of the Economic and Social History of the Orient 56, no. 3 (2013): 471–93. http://dx.doi.org/10.1163/15685209-12341315.

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Abstract In recent years scholars have challenged the concept of an Islamic city by constructing a historical narrative in which it derives from the orientalist tradition. They claim that French orientalists in the early twentieth century created an ideal type of the Islamic city as contrasted with its Western counterpart in order to support the assumptions of orientalist discourse. The first part of the article challenges this assumption by showing that the French orientalists did not in fact posit an Islamic city type. The second part offers an alternative explanation for the genesis of the

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Bredbeck, Gregory W. "The new queer narrative: Intervention and critique." Textual Practice 9, no. 3 (1995): 477–502. http://dx.doi.org/10.1080/09502369508582232.

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Nefedov, B. "The critique of the Westphalian peace narrative." International Trends / Mezhdunarodnye protsessy 20, no. 3 (2022): 6–27. http://dx.doi.org/10.17994/it.2022.20.3.70.3.

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The article studies perceptions of the Peace of Westphalia that were formed in the fields of international relations history and the general theory of international law as a result of conflicting doctrines, with some claiming the Westphalian treaties of 1648 are of universal significance for these scientific fields, and others, conversely, denying that these treaties had any sort of influence on the formation of a modern system of international relations and the formation of international law as a legal system. The article concludes that the treaties of the Peace of Westphalia does not actuall

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Shaikh, Abdul Samad. "العهد المكي عند الواقدي (دراسة وصفية لمصادره وأخباره عن العهد المكي من خلال الطبقات الكبرى لابن سعد) The Meccan era according to Al-Waqidi (A Descriptive Study of His Sources and Narratives about the Meccan Era through the Book “Al-Tabqat al-Kubra” by Ibn Saad)". Al-Wifaq 5, № 1 (2022): 27–40. http://dx.doi.org/10.55603/alwifaq.v5i1.a3.

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Muhammad bin Umar Al-Waqidi is known for his famous book “Al-Maghazi” which is comprised of a collection of narratives related to the period of Madina. Al-Waqidi is considered to be one of the best early Muslim historians due to his unique style of presentation and critique of narrative considering the internal and external circumstantial pieces of evidence to determine the historic fact. His book (Al-Maghazi) has been massively highlighted and appreciated in this regard. Al-Waqidi’s contribution to Makka’s period has not much been highlighted and discussed despite having a huge number of narr

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Cronin, Ann, Richard Ward, Steve Pugh, Andrew King, and Elizabeth Price. "Categories and their consequences: Understanding and supporting the caring relationships of older lesbian, gay and bisexual people." International Social Work 54, no. 3 (2011): 421–35. http://dx.doi.org/10.1177/0020872810396261.

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This article advocates incorporating biographical narratives into social work practice involving older lesbian, gay and bisexual service users. Offering a critique of ‘sexuality-blind’ conditions in current policy and practice, the discussion draws on qualitative data to illustrate the potential benefits of narrative approaches for both practitioners and service users.

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Armiero, Marco, and David N. Pellow. "Multispecies Alliances Against the Wasteocene: Counter-Narratives and Commoning Practices." Topoi (Rio de Janeiro) 24, no. 54 (2023): 685–702. http://dx.doi.org/10.1590/2237-101x02405403.

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ABSTRACT In this article, we will not engage with the scientific Anthropocene, rather, we are interested in challenging what Jason Moore has called the popular Anthropocene, that is, a narrative about the present socio-ecological crisis and its causes. The Wasteocene is part of a wider critique of the Anthropocene narrative that stresses the need to look at inequalities and power relationships to understand the socioecological crisis. Those alternative concepts are competing with the Anthropocene on a narrative ground; they are part of an imaginative mobilization to challenge the mainstream pr

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Eriksson, Erik. "To tell the right story." Journal of Comparative Social Work 8, no. 2 (2013): 251–81. http://dx.doi.org/10.31265/jcsw.v8i2.103.

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From the starting point of narrative ethnography, this article explores a specific kind of service user involvement in psychiatry: staff training activities in which patients and former patients are invited to “tell their stories”. A core feature of these stories is that they are based on the narrators’ self-perceived experience, and they all have a highly personal character. I call these stories service user narratives, and these are the topic of study in this article. The narratives’ disposition, content and functions are explored, as is the role played by the personal aspects of the stories

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Lamontagne, André. "Métatextualité postmoderne : de la fiction à la critique." Études littéraires 30, no. 3 (2005): 61–76. http://dx.doi.org/10.7202/501214ar.

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Au-delà de la vérité reçue d'une transformation radicale des pratiques métatextuelles - qui culmine dans la perception généralisée d'une hybridation irréversible du commentaire et de la fiction -, quelle est l'ampleur réelle des mutations formelles de la critique contemporaine ? Le présent article évalue les transferts entre la prose narrative et le métatexte postmodernes en analysant les modalités et stratégies énonciatives de textes critiques et, inversement, les enjeux critiques que s'approprie le récit métafictionnel (dont l'œuvre de Borges se veut le prototype). Tout en articulant une com

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Wagner, Frank. "Du structuralisme au post-structuralisme." Études littéraires 36, no. 2 (2006): 105–26. http://dx.doi.org/10.7202/012906ar.

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Résumé Cette entreprise de vérification méta-théoricienne vise à montrer que la critique du structuralisme peut tendre principalement à une amélioration de son efficacité opératoire, ce qui ne relève donc aucunement d’une volonté de répudiation. Il s’agit au contraire d’une critique interne dont la visée constructive et non destructrice est de légitimer l’application du préfixe post- au substantif structuralisme. L’enquête, prenant notamment appui sur des textes de Céline, Genet, Beckett, Nabokov, Borges et Bioy Casares, passe donc en revue diverses difficultés rencontrées dans le cadre des an

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Peake, Anne. "Child abuse: The hidden narrative." Educational and Child Psychology 20, no. 1 (2003): 34–42. http://dx.doi.org/10.53841/bpsecp.2003.20.1.34.

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AbstractThis paper outlines three major forms of child abuse, their active and passive components and levels of professional response. The changing demands on educational psychologists provide a context for discussion of a critique of consultative approaches within which, it is argued, child protection should form a high priority.

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Nair, Dr Tushar. "The White Tiger : A Critique." SMART MOVES JOURNAL IJELLH 6, no. 8 (2018): 12. http://dx.doi.org/10.24113/ijellh.v6i8.4679.

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This work is a comprehensive study which brings out the narrative techniques used by Arvind Adiga who has a fascination for his past as a boy belonging to Chennai and feels a bond with the life of middle class people. His view of looking at history in an alternative way reflects in this work. He looks at violence as a channel for freedom and this view is realized in the form of the protagonist, Balram Halwai murdering his master Mr. Ashok. The novel is also a way of looking at India in its flux of economic changes as against China, the country of communism. Apart from sharing the view of the a

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Sandberg, Tommy. "The critique of the common theory of narrative fiction in narratology: Pursuing difference." Frontiers of Narrative Studies 5, no. 1 (2019): 17–34. http://dx.doi.org/10.1515/fns-2019-0003.

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AbstractThis article aims to characterize a commonly misunderstood and neglected critique of narratology and insists that the critique could advance the narratological discussions if taken more seriously. I describe the notions of three individual critics and one group of critics and their suggested alternatives to what they hold to be the dominating description of narrative fiction in narratology. In turn, I take up Sylvie Patron’s linguistic approach, Lars-Åke Skalin’s aesthetic approach, and Richard Walsh’s pragmatic approach, as well as unnatural narratology (which is less radical), and su

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YASSIN MOHD ABA SHAR’AR, Mohammed, and Chamaiporn BUDDHARAT. "THE KNACK OF NARRATION: A POST-COLONIAL CRITIQUE IN NGUGI WA THIONG’O’S WEEP NOT, CHILD." Ezikov Svyat volume 19 issue 2, ezs.swu.v19i2 (May 1, 2021): 74–84. http://dx.doi.org/10.37708/ezs.swu.bg.v19i2.9.

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The downfall of the European colonialism in the African and Asian colonies was not the end of the colonial hegemony, but the beginning of indirect imperial policies. In a unique narrative style, Ngugi has creatively fictionalized his anti-colonial stand through creating characters with Kenyan names to voice his resistance to colonization. The methodology of this study is descriptive analysis. The paper analyzes critically Ngugi’s novel Weep Not, Child and shows how he implemented different narrative techniques (e.g. free indirect narration, freewheeling narrative technique, and author surrogat

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Labinski, Maggie Ann. "Care and Critique." Epoché: A Journal for the History of Philosophy 23, no. 1 (2018): 59–84. http://dx.doi.org/10.5840/epoche2018720120.

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This paper explores the moments of overlap between Augustine’s pedagogical approach in De magistro and feminist theories of care. I argue that Augustine not only offers a useful model for those who wish to reclaim the centrality of students within education. He also encourages us to critique the narrative that women are more ‘naturally’ suited for caring relationships. I conclude by outlining the benefits of such critique. What do we gain when we allow a diversity of gendered experiences to inform the practice of care in the classroom?

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Marsh. "Dual Narrative Dynamics and the Critique of Privilege." Style 55, no. 1 (2021): 42. http://dx.doi.org/10.5325/style.55.1.0042.

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Gottlieb, Michael C., and Jon Lasser. "Competing Values: A Respectful Critique of Narrative Research." Ethics & Behavior 11, no. 2 (2001): 191–94. http://dx.doi.org/10.1207/s15327019eb1102_6.

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SCHNER, GEORGE P. "THE ECLIPSE OF BIBLICAL NARRATIVE: ANALYSIS AND CRITIQUE." Modern Theology 8, no. 2 (1992): 149–72. http://dx.doi.org/10.1111/j.1468-0025.1992.tb00273.x.

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Gass, Robert H. "The Narrative Perspective in Academic Debate: A Critique." Argumentation and Advocacy 25, no. 2 (1988): 78–92. http://dx.doi.org/10.1080/00028533.1988.11951386.

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Mills, Albert J., and Jean Helms Mills. "CMS: A satirical critique of three narrative histories." Organization 20, no. 1 (2012): 117–29. http://dx.doi.org/10.1177/1350508412460997.

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Reflections on the 20th anniversary of Organization provide an opportunity for considerations of the role of the past and history in critical studies of management. Yet, why should we care? Arguably, the pages of Organization are replete with analyses that take into account the past and history. Indeed they are. However, as has been contended elsewhere, such accounts have been remarkably under-theorized for a field noted for its thoroughgoing critique of anything that moves. Nonetheless, it is not our intention to go over that ground so much as provide an appropriate example of the problem at

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Saari, Carolyn. "The concept of projective identification: A narrative critique." Smith College Studies in Social Work 66, no. 1 (1995): 3–15. http://dx.doi.org/10.1080/00377319509517443.

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Howe, Steven, and Clotilde Pégorier. "Law, Narrative and Critique in Contemporary Verbatim Theatre." Pólemos 14, no. 2 (2020): 385–405. http://dx.doi.org/10.1515/pol-2020-2023.

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AbstractThe present article undertakes an interdisciplinary inquiry into contemporary British verbatim theatre as a site of interplay between law, art and politics. Focusing on the example of Matt Woodhead and Richard Norton-Taylor’s 2016 play Chilcot, documenting the public inquiry into the UK’s role in the 2003 Iraq war, the authors explore the work as a space of legal and political critique, and ask how the specific theatrical and narrative affordances of the verbatim form shape its critical substance.

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Wrenn, Mary V. "Immanent Critique, Enabling Myths, and the Neoliberal Narrative." Review of Radical Political Economics 48, no. 3 (2016): 452–66. http://dx.doi.org/10.1177/0486613415605074.

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Guntarik, Olivia. "Resistance narratives." Narrative Inquiry 19, no. 2 (2009): 306–27. http://dx.doi.org/10.1075/ni.19.2.06gun.

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Narrative analysis has emerged as a central analytical force in furthering a critique of colonial discourse. This article examines the relationship between narrative and discourse, by offering a comparative analysis of indigenous narrative, in the context of Australian and Malaysian history and contemporary museum practices of representation. I argue that indigenous knowledge is underpinned by narratives that enable a radical reconceptualization of existing epistemological and philosophical practices to viewing the world. This knowledge reflects various narratives of resistance about indigenei

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Vieira, Estela. "THE ART OF STEALING: EÇA DE QUEIRÓS AND KLEPTOMANIA." Revista de Estudos Literários 6 (December 27, 2017): 239–60. http://dx.doi.org/10.14195/2183-847x_6_11.

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This essay analyzes an important early short story by José Maria de Eça de Queirós (1845-1900), “Eccentricities of a Blonde-Haired Girl”, first published in 1874. The female protagonist’s kleptomania plays a major role in the story, and is far more significant than has been previously noted by criticism. While her impulse to steal serves to challenge and undermine the social, economic, and patriarchal order it also functions as a meta-narrative technique. Through a focus on the materiality of the story, on the objects stolen, and on the symbolic and metonymic references, this essay connects a

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Hertz, Gal. "Liberal Nomos, National Narrative: Karl Kraus’s Critique of Law." arcadia 54, no. 2 (2019): 167–95. http://dx.doi.org/10.1515/arcadia-2019-0020.

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Abstract The critique of law and judicial practice is a central theme in Karl Kraus’s oeuvre. However, it is mostly understood by scholars as – to use Robert Cover’s terms – addressing law as nomos (what law says) rather than as narrative (its normative grounding). This article claims that the narratival critique of law, which Kraus develops via Shakespeare, Goethe, and other literary sources, should not be seen as a merely aesthetic complement to his legal arguments, but rather as essential to his approach to jurisprudence and social justice. This view challenges a non-critical application of

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Mills, Kathy A., and Beryl Exley. "Research and Policy: Narrative and Multimodality in English Language Arts Curricula: A Tale of Two Nations." Language Arts 92, no. 2 (2014): 136–43. http://dx.doi.org/10.58680/la201426140.

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In this policy column within this special edition on “The Arts in Language Arts,” we critique the current place of multimodality and narratives in research and curriculum policy. This is a vital issue of significance for literacy educators, researchers, and policy makers because the narrative texts that circulate in our everyday lives are multimodal, tied to the ever-broadening range of narrative forms in digital sites of display. Here, we critically evaluate the place of multimodality and narratives in the language arts or English curriculum policies of two nations, the USA and Australia. In

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