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Journal articles on the topic 'Crowd crafting'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

MOHD FATHIR, MOHD FIRDAUZ, ANITAWATI MOHD LOKMAN, SHAMSIAH ABD KADIR, and ISMAIL SUALMAN. "Social Media Usage and Interactions: An In-Depth Interview on BERSIH 2.0 Social Media Visual Framing." Jurnal Komunikasi: Malaysian Journal of Communication 39, no. 1 (2023): 224–39. http://dx.doi.org/10.17576/jkmjc-2023-3901-13.

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The BERSIH movement in Malaysia is a coalition of civil society organizations advocating for clean and fair elections. This research examines how visual communication shapes political participation by focusing on the visual framing of the BERSIH movement. The study interviewed ten visual communication experts to uncover the meanings and ideological representations behind the visual frames used in the movement. The investigation identified three main themes: portrayal of the crowd, significant individuals, and injustice. The portrayal of the crowd theme highlighted the use of visuals to create

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2

Wicaksono, Soetam Rizky. "Book Review: Different and Novel Point of View in Consumer Behaviour: Review of Consumer.ology from Philip Graves." Jurnal Sosioteknologi 22, no. 3 (2023): 410–14. http://dx.doi.org/10.5614/sostek.itbj.2023.22.3.11.

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This article provides a comprehensive review and analysis of Philip Graves' "Consumer.ology", a seminal work that offers a fresh perspective on consumer behavior. The book challenges traditional market research theories and aligns with certain psychological and sociological theories, emphasizing the importance of environmental influences, unconscious factors, and social context in shaping consumer behavior. The article delves into the "Crowd Factor" in consumer behavior, a concept particularly relevant in today's digital age where online commerce dominates and celebrity endorsements, along wit

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Chavoshian, Sana. "From military hero to martyr: crafting singularity and the formation of Muslim collective subjectivity in an Iranian statist ritual." Asiatische Studien - Études Asiatiques 75, no. 3 (2021): 859–79. http://dx.doi.org/10.1515/asia-2021-0003.

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Abstract The staging of the funeral procession of Major General Qasem Soleimani (d. 3 January 2020) strengthened the Iranian state’s legitimation amidst the crisis related to intensified US sanctions. Images of his funeral parade across the country with its dense mourning crowd were circulated widely and commented on in both Iran’s official media and the international media. In response to these images, media commentaries engaged obsessively and exclusively with the biographical reviews that emphasised his heroic individuality and charismatic figure. This article engages critically with these

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Nahar, Kimaya. "Creativity in Advertisements: The Supremacy of Photoshop." InSight Bulletin: A Multidisciplinary Interlink International Research Journal 2, no. 2 (2025): 1–4. https://doi.org/10.5281/zenodo.15336006.

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<strong><em>Abstract</em></strong> <em>Creativity generates new notions, thoughts, or ideas by thinking outside the box. It comprises of innovation and novelty. Creativity plays a key role in advertisements. Creative Advertisements attract the attention of potential consumers, increase sales, stimulate engagement, develop emotional connection, and augments brand remembrance. Creative advertisements cast a long-lasting imprint. Exclusive advertisements stand out from the crowd. They induce emotional state that impact purchasing decisions. Creative advertisements cast a long-lasting imprint. Con

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Zafar, Abdul Basit, and Geneva Catherine Blackmer. "Digital Religion in the Public Sphere: Tehreek-e-Labbaik Pakistan (TLP) and Alternative for Germany (AfD)." Religions 16, no. 5 (2025): 627. https://doi.org/10.3390/rel16050627.

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While digital religion and digital protest can ideally serve the common good, religious nationalist and fundamentalist movements have exploited these tools to disrupt the social fabric and create dangerous political outcomes. This paper examines how religious communicators within Tehreek-e-Labbaik Pakistan (TLP) and Alternative for Germany (AfD) perceive and enact their responsibility within digital spaces, leveraging the power of “networked communities” and the collective identity of the digital “crowd” to advance their agendas of religious fundamentalism and political conservatism. Bypassing

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Klump, Barbara C., Mathieu Cantat, and Christian Rutz. "Raw-material selectivity in hook-tool-crafting New Caledonian crows." Biology Letters 15, no. 2 (2019): 20180836. http://dx.doi.org/10.1098/rsbl.2018.0836.

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Animals that manufacture foraging tools face the challenge of identifying suitable raw materials among a multitude of options. New Caledonian crows exhibit strong population-specific material preferences for the manufacture of hooked stick tools, but it is unknown how they identify their favourite plants. We investigated experimentally whether crows pay attention to the stems of plants (from which the tools are made) and/or their leaves (which are usually discarded during manufacture but may enable rapid and reliable species identification at a distance). Subjects were highly selective in choi

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Steele, Matthew P., Linda E. Neaves, Barbara C. Klump, et al. "DNA barcoding identifies cryptic animal tool materials." Proceedings of the National Academy of Sciences 118, no. 29 (2021): e2020699118. http://dx.doi.org/10.1073/pnas.2020699118.

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Some animals fashion tools or constructions out of plant materials to aid foraging, reproduction, self-maintenance, or protection. Their choice of raw materials can affect the structure and properties of the resulting artifacts, with considerable fitness consequences. Documenting animals’ material preferences is challenging, however, as manufacture behavior is often difficult to observe directly, and materials may be processed so heavily that they lack identifying features. Here, we use DNA barcoding to identify, from just a few recovered tool specimens, the plant species New Caledonian crows

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XIE, JIAYU, JIAN KANG, ZHENYU OU, and PEILUN LI. "Correlation between soundscape and sense of culture in historic public space." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 270, no. 5 (2024): 6445–53. http://dx.doi.org/10.3397/in_2024_3757.

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Soundscapes, as part of cultural heritage, have attracted attention for their role in crafting atmospheres and fostering a sense of place. It is still unclear how soundscapes and the sense of culture interlink within historic public spaces. This research explores how soundscape elements influence the sense of culture in historic towns. Twenty-five typical railway-type historic town public spaces in northern China are selected as examples. We restored the field situation in the laboratory. Through correlation analysis in SPSS, we analyzed the relationships between soundscape elements (encompass

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9

Nugraheni, Yuli, and Etty Ariaty Soraya. "PEMANFAATAN SOSIAL MEDIA DALAM INDUSTRI KREATIF RUMAH TANGGA SAAT PANDEMI COVID 19." PRecious: Public Relations Journal 2, no. 1 (2022): 1–25. http://dx.doi.org/10.24246/precious.v2i1.5481.

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Currently, Social Media is the leading platform in conducting social activities and buying and selling, especially in this limitation of space due to the Covid-19 Pandemic, the Government strongly advises all Indonesian citizens to stay away from crowds and try to stay at home. This Global Crisis also has an impact on the high unemployment rate caused by many factors due to the impact of the Covid 19 Pandemic. Of course, every human being tries to survive and find solutions in order to continue to live life, especially in supporting family welfare. Women are social beings who have the ability

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10

Dashzeveg, Amaraa. "The characteristics of the design of human portraits embroidered on a shamanic Orgoi headwear." Mongolian Journal of Arts and Culture 25, no. 49 (2024): 184–96. https://doi.org/10.69561/mjac.v25i49.3841.

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The terminology and interpretation of the unique clothing and artifacts created for specific rituals among shamanistic communities significantly due to various factors, including the spiritual beliefs and lifestyle of the ethnic groups. An essential part of this shamanistic clothing culture is the headwear, particularly the “Orgoi” hat, which features an open crown. The body of this hat is traditionally adorned with symbolic imagery crafted using conventional methods and design principles, resulting in a distinct aesthetic appearance. Aims of this study elucidate the terminology, design patter

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Chen, Fengming, Hayato Nakanishi, Yoichi Sekizawa, Sae Ochi, and Mirai So. "Investigating the causal effects of COVID-19 vaccination on the adoption of protective behaviors in Japan: Insights from a fuzzy regression discontinuity design." PLOS ONE 19, no. 6 (2024): e0305043. http://dx.doi.org/10.1371/journal.pone.0305043.

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Background During the COVID-19 pandemic, concerns emerged that vaccinated individuals might engage less in infection-preventive behaviors, potentially contributing to virus transmission. This study evaluates the causal effects of COVID-19 vaccination on such behaviors within Japan, highlighting the significance of understanding behavioral dynamics in public health strategies. Methods Utilizing Japan’s age-based vaccination priority for those born before April 1, 1957, this research employs a regression discontinuity design (RDD) to assess the vaccination’s impact. Data from the fourth round of

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12

Rannap, Mareli. "Saaremaa sariküllid: kihelkondlikud eripärad ja ajaloolised kandmisviisid / The Saaremaa sariküll: their regional characteristics and the ways they were worn historically." Studia Vernacula 9 (November 6, 2018): 68–95. http://dx.doi.org/10.12697/sv.2018.9.68-95.

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Saaremaa folk costumes are rich in different types of headgear. Women wore scarves, bonnets, woollen caps of various shapes, and, in later periods, hoof-shaped caps (kabimüts). Üll was the term used in Saaremaa for all sheepskin winter caps. These could come in different shapes; the most distinctive of these, however, was the horned women’s üll – sariküll. This black lambskin cap, with its long characteristic horns that give the cap its name, and its red or blue baize crown, has been a significant part of Saaremaa folk costumes. The earliest printed records of sarikülls worn in Saaremaa

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Rannap, Mareli. "Saaremaa sariküllid: kihelkondlikud eripärad ja ajaloolised kandmisviisid / The Saaremaa sariküll: their regional characteristics and the ways they were worn historically." Studia Vernacula 9 (November 6, 2018): 68–95. http://dx.doi.org/10.12697/sv.2018.9.68-95.

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Saaremaa folk costumes are rich in different types of headgear. Women wore scarves, bonnets, woollen caps of various shapes, and, in later periods, hoof-shaped caps (kabimüts). Üll was the term used in Saaremaa for all sheepskin winter caps. These could come in different shapes; the most distinctive of these, however, was the horned women’s üll – sariküll. This black lambskin cap, with its long characteristic horns that give the cap its name, and its red or blue baize crown, has been a significant part of Saaremaa folk costumes. The earliest printed records of sarikülls worn in Saaremaa

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14

Kurtz, Paul Michael. "Waiting at Nemi: Wellhausen, Gunkel, and the World Behind Their Work." Harvard Theological Review 109, no. 4 (2016): 567–85. http://dx.doi.org/10.1017/s0017816016000286.

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In the first edition of his now fabled Golden Bough, James George Frazer began with the tale of an unnamed priest-king waiting for his slayer and successor in the sacred grove at Nemi. “A candidate for the priesthood could only succeed to office by slaying the priest,” wrote the armchair anthropologist, “and having slain him he held office till he was himself slain by a stronger or a craftier.” Scholars of the Hebrew Bible have often cast their own history in these terms: if the established August Dillmann or Franz Delitzsch fell to a trailblazing Julius Wellhausen, Wellhausen himself succumbe

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15

Strunk, Kim Simon, and Franz Strich. "Building professional holding environments for crowd work job crafting through online communities." Information Systems Journal, June 3, 2023. http://dx.doi.org/10.1111/isj.12451.

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16

Azzopardi, Gabriella. "Open Cosmics: cosmic-ray physics for everyone." September 12, 2015. https://doi.org/10.5281/zenodo.30932.

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17

London, Ashley M. "The Unintended Costs of Advance Waivers of Future Conflicts." University of Pittsburgh Law Review 86, no. 1 (2024). https://doi.org/10.5195/lawreview.2024.1050.

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The American Bar Association (“ABA”) unenthusiastically recognized advance waivers of future conflicts for the first time in a 1993 formal opinion. These allow lawyers to take on prospective clients whose interests will be adverse to current clients at some point in the future. They also sidestep the ethics rule requirement of obtaining true informed consent from a client to waive a conflict of interest because, at the time of signing, the conflict is not yet ripe. After a full-court press by its own Business Law Section Ad Hoc Committee during the Ethics 2000 Commission’s review of the Model

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18

Hunt, Gavin R., and Russell D. Gray. "The crafting of hook tools by wild New Caledonian crows." Proceedings of the Royal Society of London. Series B: Biological Sciences 271, suppl_3 (2004). http://dx.doi.org/10.1098/rsbl.2003.0085.

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19

Alziadi, Raghda Mahdi Ameer. "Synthesis of silica nanoparticles incorporating triazolyl macrocycle." International journal of health sciences, January 1, 2023, 6488–500. http://dx.doi.org/10.53730/ijhs.v6ns8.13815.

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Incorporating of silica nanoparticles with crown ethers is of interest regarding the excellent stability of these inorganic polymers against various acidic and basic conditions. The attachments of silica nanoparticles to macrocycles are involved many reactions to attach the active site of crown ether with modified silica nanoparticles. To achieve the goal, the selection of 3,5-dihydroxybenzolic acid as a model for the synthesis of macrocycle base the reaction of esterification of acid residue followed by etherification with propargyl chloride and finally the cyclization reaction with di azide

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20

Ghoreishi, Seyed Aria. "The Collapse of the Male Gaze in the Cinema of Bahram Beyzaie: The Crow and Maybe Some Other Time." Iranian Studies, October 28, 2024, 1–21. http://dx.doi.org/10.1017/irn.2024.24.

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Abstract This article explores the correlation between two of Bahram Beyzaie's films and Laura Mulvey's theories on the male gaze. The films in question are The Crow (Kalāgh, 1977) and Maybe Some Other Time (Shāyad Vaqti Digar, 1987). This article delves into the films’ narrative structures, revealing a subtle yet significant shift in the dynamics of power and gaze. Initially, both films appear to conform to conventional representations of male dominance, establishing a seemingly patriarchal landscape. However, as the narratives unfold, a gradual transformation occurs, subverting conventions o

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Wee, Brandon. "Shanghai 2012." Kinema: A Journal for Film and Audiovisual Media, November 15, 2012. http://dx.doi.org/10.15353/kinema.vi.1255.

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HIGHLIGHTS FROM THE SHANGHAI INTERNATIONAL FILM FESTIVAL 2012 The Shanghai International Film Festival may be the most prominent film festival in Mainland China, but its potential is untapped. If bureaucratic and censorship barriers were eased, Shanghai would be positioned to reshape its A-list status beyond paper. At the very least the festival could correct its blind spots, such as crafting a richer program in lieu of sweeping mainstream content, and ideally launching a serious focus on Mainland and Sinosphere cinema. Still, Shanghai is a good stop on the calendar to sample state sanctioned

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Ahmad, Hafiz Farooq, Areeba Azhar, Abdulelah Algosaibi, and Jamil Hussain. "Understanding Fluctuations in Public Opinion toward COVID-19 Vaccines: Insights from Social Media Analysis." Sage Open 14, no. 4 (2024). http://dx.doi.org/10.1177/21582440241296964.

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As of early 2019, the COVID-19 outbreak has ensued in millions of deaths, making it one of the worst pandemics in history. In addition to wearing masks, increasing sanitation, and avoiding crowds, widespread vaccination is crucial for preventing virus transmission. Despite significant progress in vaccine research and policy implementations, widespread immunization remains challenging. Analysis of exchanges on social media regarding COVID-19 vaccines has revealed significant uncertainty and mistrust in vaccines. As a result, ongoing evaluation of trust and confidence in COVID-19 vaccines is cri

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23

Wolak, Jakub. "Sickness and Death of the Body Politic in Early Modern Poland." Central European Cultures 5, no. 1 (2025). https://doi.org/10.47075/cec.2025-1.06.

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The political and moral crisis experienced by the noble estate of the Crown of Poland in the sixteenth and seventeenth century found its sincerest expression in the laments of the Republic. Beginning from the 1522 Epitaphium Reipublicae by Andrzej Krzycki, this literary tradition drew on classical, particularly Ciceronian imagery of a sick and dying body politic. Over the next decades, this imagery became intertwined with political discourse, as evidenced by parliamentary speeches from 1562–64. In the same period, Jan Dymitr Solikowski penned Facies Rei Publicae, an immensely popular narrative

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24

Romanova, A. "Improving health and scientific literacy in disadvantaged adults: a scoping review of interventions." European Journal of Public Health 33, Supplement_2 (2023). http://dx.doi.org/10.1093/eurpub/ckad160.1429.

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Abstract Background People with low socioeconomic status face high health risks and poor health literacy. Tailored health education could help reduce these disparities. This scoping review sought to provide an up-to-date overview of approaches to craft and conduct interventions to improve health and scientific literacy in disadvantaged adults. Methods 7 databases were searched from 2012 to 2022. Data about research design, settings, target groups, topics, skills, theoretical foundations, materials, methodologies, outcomes, and evaluation tools were extracted from the selected articles. Quality

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Chen, Duanjie. "China’s State-Owned Enterprises: How Much Do We Know? From CNOOC to Its Siblings." School of Public Policy Publications 6 (June 6, 2013). http://dx.doi.org/10.55016/ojs/sppp.v6i1.42431.

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China’s state-owned enterprises (SOEs) are sometimes compared to Canadian Crown corporations, such as VIA Rail or the CBC. But that comparison is not only profoundly inaccurate, it can also be a dangerous assumption to make when crafting Canadian economic policy. China’s SOEs have been actively buying up interests in major Canadian resource firms. But that phenomenon has much more serious implications for Canada than if these were, say, state-owned European firms, such as Norway’s Statoil. China’s SOEs do not operate by the normal rules of commerce. They are, in fact, a very powerful tool of t

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Ryder, Paul, and Jonathan Foye. "Whose Speech Is It Anyway? Ownership, Authorship, and the Redfern Address." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1228.

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In light of an ongoing debate over the authorship of the Redfern address (was it then Prime Minister Paul Keating or his speechwriter, Don Watson, who was responsible for this historic piece?), the authors of this article consider notions of ownership, authorship, and acknowledgement as they relate to the crafting, delivery, and reception of historical political speeches. There is focus, too, on the often-remarkable partnership that evolves between speechwriters and those who deliver the work. We argue that by drawing on the expertise of an artist or—in the case of the article at hand—speechwr

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27

Sheu, Chingshun J. "Forced Excursion: Walking as Disability in Joshua Ferris’s The Unnamed." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1403.

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Introduction: Conceptualizing DisabilityThe two most prominent models for understanding disability are the medical model and the social model (“Disability”). The medical model locates disability in the person and emphasises the possibility of a cure, reinforcing the idea that disability is the fault of the disabled person, their body, their genes, and/or their upbringing. The social model, formulated as a response to the medical model, presents disability as a failure of the surrounding environment to accommodate differently abled bodies and minds. Closely linked to identity politics, the soci

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Piatti-Farnell, Lorna, and Lloyd Carpenter. "Intersections of History, Media, and Culture." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1323.

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For many, the very idea of ‘history’ calls into question narratives of the past, distant and disconnected from our contemporary moment, and out of tune with the media-centred world of our post-2000 popular culture. This approach to history, however, is based on profound misconceptions, and does not take into account the fact that the present is history: we experience our historical moment via multiple and multi-faceted media practices, from using social media to watching movies, from watching television to consuming food. The past is, in turn, never far removed from our contemporary and everyd

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A.Wilson, Jason. "Performance, anxiety." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1952.

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In a recent gaming anthology, Henry Jenkins cannot help contrasting his son's cramped, urban, media-saturated existence with his own idyllic, semi-rural childhood. After describing his own Huck Finn meanderings over "the spaces of my boyhood" including the imaginary kingdoms of Jungleoca and Freedonia, Jenkins relates his version of his son's experiences: My son, Henry, now 16 has never had a backyard He has grown up in various apartment complexes, surrounded by asphalt parking lots with, perhaps, a small grass buffer from the street… Once or twice, when I became exasperated by my son's consta

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30

Aung Thin, Michelle Diane. "Hybridity, National Identity, and the Smartphone in the Contemporary Union of Myanmar." M/C Journal 23, no. 5 (2020). http://dx.doi.org/10.5204/mcj.1679.

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In 2014, telecommunications companies Ooredoo and Telenor introduced a 3G phone network to Myanmar, one of the last, great un-phoned territories of the world (“Mobile Mania”). Formerly accessible only to military and cultural elites, the smartphone was now available to virtually all. In 2020, just six years later, smartphones are commonplace, used by every class and walk of life. The introduction and mainstreaming of the smartphone in Myanmar coincided with the transition from military dictatorship to quasi democracy; from heavy censorship to relative liberalisation of culture and the media. T

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31

Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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32

Kaspi, Niva. "Bill Lawton by Any Other Name: Language Games and Terror in Falling Man." M/C Journal 15, no. 1 (2012). http://dx.doi.org/10.5204/mcj.457.

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“Language is inseparable from the world that provokes it”-- Don DeLillo, “In the Ruins of the Future”The attacks of 9/11 generated a public discourse of suspicion, with Osama bin Laden occupying the role of the quintessential “most wanted” for nearly a decade, before being captured and killed in May 2011. In the novel, Falling Man (DeLillo), set shortly after the attacks of September 11, Justin, the protagonist’s son, and his friends, the two Siblings, spend much of their time at the window of the Siblings’ New York apartment, “searching the skies for Bill Lawton” (74). Mishearing bin Laden’s

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Collins-Gearing, Brooke. "The Threads That Weave Me." M/C Journal 26, no. 6 (2023). http://dx.doi.org/10.5204/mcj.3016.

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Fig. 1: A Start. I could write or I could weave.I could write or I could weave…Write, weave. Weave.Then a colleague and friend says to me: why do you weave?I weave to put myself back together again.I weave the pieces of me that are shattered and broken.I weave because the rhythm, flow, feel, pattern and solidity comforts me.I weave because my body tells me to.I weave to breathe more slowly, more deeply.I weave because the threads that create the strands of my life need a language.… This article reflects on my relationship with weaving and what it offers to the remaining threads of my life. Wea

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