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Journal articles on the topic 'Crying of Lot 49'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Carter, Steven. "Pynchon's the Crying of Lot 49." Explicator 59, no. 1 (2000): 50–52. http://dx.doi.org/10.1080/00144940009597078.

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2

Eklund, Matthew. "Pynchon's The Crying of Lot 49." Explicator 59, no. 4 (2001): 216–18. http://dx.doi.org/10.1080/00144940109597147.

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3

Richwell, Adrian Emily. "Pynchon's the Crying of Lot 49." Explicator 47, no. 1 (1988): 50–52. http://dx.doi.org/10.1080/00144940.1988.9933883.

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4

Bose, Maria. "Branding Counterculture in Pynchon’s The Crying of Lot 49." Studies in American Fiction 43, no. 1 (2016): 73–96. http://dx.doi.org/10.1353/saf.2016.0000.

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5

Egebak, Jørgen. "Hold den hoppende." K&K - Kultur og Klasse 31, no. 95 (2003): 82–94. http://dx.doi.org/10.7146/kok.v31i95.21177.

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6

Baylon, Daniel. "The Crying of Lot 49 : vrai roman et faux policier ?" Caliban 23, no. 1 (1986): 111–25. http://dx.doi.org/10.3406/calib.1986.1191.

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7

Farshid, Sima, and Hanieh Mehr Motlagh. "Thomas Pynchon’s "The Crying of Lot 49": A Hyper-real Apocalypse." International Journal of Literary Humanities 11, no. 2 (2014): 17–25. http://dx.doi.org/10.18848/2327-7912/cgp/v11i02/43891.

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8

Byungjoo Park. "The Meaning of Oedipa’s Waiting in The Crying of Lot 49." Jungang Journal of English Language and Literature 51, no. 4 (2009): 189–205. http://dx.doi.org/10.18853/jjell.2009.51.4.010.

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9

Miller, Sydney. "Oedipa’s Unsentimental Journey: Preempted Pathos in The Crying of Lot 49." Studies in the Novel 49, no. 1 (2017): 69–89. http://dx.doi.org/10.1353/sdn.2017.0003.

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10

Róg, Borys. "The Crying of Lot 49 and the Parody of Detective Fiction." New Horizons in English Studies 2 (August 17, 2017): 59. http://dx.doi.org/10.17951/nh.2017.2.59.

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11

Blyn, Robin. "Beyond Anarchist Miracles: The Crying of Lot 49 and Network Aesthetics." Modernism/modernity 27, no. 3 (2020): 583–99. http://dx.doi.org/10.1353/mod.2020.0042.

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12

Watson, Jacob T. "The Suffusion of the Televisual in The Crying of Lot 49." Style 51, no. 2 (2017): 146–66. http://dx.doi.org/10.1353/sty.2017.0012.

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13

HALSTED, DAVID. "Mathematical puns, metaphors, and discovery in The Crying of Lot 49." Semiotica 73, no. 1-2 (1989): 85–100. http://dx.doi.org/10.1515/semi.1989.73.1-2.85.

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14

Prince, Tracy J. "Urban Sprawl and Existentialism in Thomas Pynchon’s The Crying of Lot 49." Essays in the Philosophy of Humanism 21, no. 1 (2013): 81–91. http://dx.doi.org/10.1558/eph.v21i1.81.

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15

Hardack, Richard. "Revealing the bidder: the forgotten lesbian in Pynchon'sThe Crying of Lot 49." Textual Practice 27, no. 4 (2013): 565–95. http://dx.doi.org/10.1080/0950236x.2013.781770.

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16

Schachterle, Lance. "Teaching Technology Through Contemporary Literature: "Thomas Pynchon's the Crying of Lot 49"." Bulletin of Science, Technology & Society 8, no. 2 (1988): 159–62. http://dx.doi.org/10.1177/027046768800800207.

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17

Gruic Grmusa, Lovorka. "Irreversible Time and Entropy in Thomas Pynchon’s The Crying of Lot 49." Athens Journal of Philology 4, no. 4 (2017): 313–30. http://dx.doi.org/10.30958/ajp/4.4.4.

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18

Weisenburger, Steven. "New Essays on Pynchon's "The Crying of Lot 49" (review)." MFS Modern Fiction Studies 38, no. 4 (1992): 951–52. http://dx.doi.org/10.1353/mfs.0.1356.

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19

Watson. "The Suffusion of the Televisual in The Crying of Lot 49." Style 51, no. 2 (2017): 146. http://dx.doi.org/10.5325/style.51.2.0146.

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20

Andersen, Tore Rye. "Distorted Transmissions. Towards a Material Reading of Thomas Pynchon'sThe Crying of Lot 49." Orbis Litterarum 68, no. 2 (2013): 110–42. http://dx.doi.org/10.1111/oli.12007.

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21

Koh,Ji-Moon. "From Paranoia to Suspension of Judgment: Based on The Crying of Lot 49." English & American Cultural Studies 12, no. 3 (2012): 1–32. http://dx.doi.org/10.15839/eacs.12.3.201212.1.

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22

Matthews, Kristin L. "Reading America Reading in Thomas Pynchon’s The Crying of Lot 49." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 68, no. 2 (2012): 89–122. http://dx.doi.org/10.1353/arq.2012.0006.

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23

Beitzel, Constance. "Mrs. Oedipa Maas: Motherhood, Originality, and Meaning in The Crying of Lot 49." Journal of the Midwest Modern Language Association 51, no. 1 (2018): 197–220. http://dx.doi.org/10.1353/mml.2018.0003.

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24

Collado-Rodríguez, Francisco. "Rise of the living dead in Thomas Pynchon’s “Vineland”." Journal of English Studies 14 (December 16, 2016): 95. http://dx.doi.org/10.18172/jes.2858.

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Oedipa Maas’s anti-categorical revelation that middles should not be excluded in Pynchon’s The Crying of Lot 49 is understood by its author in more debatable terms two decades later, once it is clear that the 1960s struggles for revolution have come to a stop. In 1990 the literary space of Vineland is revealed as a failed refuge where Pynchon ironizes on the notion of balance by portraying a living dead icon represented by the Thanatoids. As predicted in The Crying of Lot 49, all sorts of simulacra have taken over 1980s California to propitiate a coming back to conservative ideology. In Vineland, the new icon is cunningly associated to magical realism, a hybrid mode that points to the writer’s concern with anti-categorical middles but also with the ultimate impossibility to fulfill Oedipa’s alleged revelation. Thus, the iconic living dead become a bleak intratextual response to the purportedly optimistic social views of Pynchon’s second novel.

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25

Ryu, Da-Young. "Is it a real Conspiracy or just a Paranoia? : The Crying of Lot 49." Journal of the Korea Academia-Industrial cooperation Society 17, no. 7 (2016): 451–58. http://dx.doi.org/10.5762/kais.2016.17.7.451.

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26

Tae-Jeong Song. "The Interaction with Language and the Real: Thomas Pynchon’s The Crying of Lot 49." English21 24, no. 3 (2011): 51–73. http://dx.doi.org/10.35771/engdoi.2011.24.3.003.

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27

Pérez García, Ana Belén. "COMMUNICATION AND MASS MEDIA IN DELILLO'S WHITE NOISE AND PYNCHO'S THE CRYING OF LOT 49." ODISEA. Revista de estudios ingleses, no. 19 (September 30, 2019): 73. http://dx.doi.org/10.25115/odisea.v0i19.2158.

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White Noise y The Crying of Lot 49 se clasifican como “Novelas de imagen y ficción,” obras que tratan de hacer visible la influencia que los medios de comunicación tuvieron en la era moderna. Éstos están presentes en ambas novelas, ya que los medios afectan el desarrollo de los argumentos, la evolución de los personajes y las formas de comunicación. Este ensayo se centra en esto desde tres puntos de vista: el grado en el que la audiencia se involucra con los medios de comunicación, el grado en el que los medios se convierten en la única fuente de información y las consecuencias que esto puede tener, y la importancia de conceptos como “ruido,” lenguaje o drogas en relación con ambas novelas.

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28

Dill, Scott. "Pynchon’s Repetition of Kierkegaard’s Post Horn: Theology, Communication Theory, and The Crying of Lot 49." Literature and Theology 32, no. 1 (2017): 39–52. http://dx.doi.org/10.1093/litthe/frx004.

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29

Kohn, Robert E. "The Corrupt Edition of The Courier's Tragedy in Thomas Pynchon's The Crying of Lot 49." Notes and Queries 55, no. 1 (2008): 82–86. http://dx.doi.org/10.1093/notesj/gjm269.

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30

Al-Khatib, Ms Dina, and Dr Yousef Awad. "Unfolding The Female Journey in Pynchon’s The Crying of Lot 49 and Alameddine’s An Unnecessary Woman." International Journal of Comparative Literature and Translation Studies 7, no. 2 (2019): 6. http://dx.doi.org/10.7575/aiac.ijclts.v.7n.2p.6.

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This study explores the representations of the female journey and its interconnectedness with female development in Thomas Pynchon’s The Crying of Lot 49 (1966) and Rabih Alameddine’s An Unnecessary Woman (2014). By re-visioning psychotherapist and author Maureen Murdock’s journey paradigm and condensing it into three essential stages (The Separation, The Descent and The Rebirth), this study maintains the applicability of the heroine’s journey to the two male-authored novels. Each heroine’s journey begins when she becomes conscious of the fact that she has been living on the margins of her own life. Consequently, she becomes determined to challenge the conceptualization of traditionally-defined femininity, break free from the oppressive gender roles that were prescribed to them by patriarchy and ultimately define themselves as whole. The significance of this study stems from the fact that it provides an interpretation of how the two heroines’ internal struggles are translated into the outside world in the framework of the postmodern novel, and that it juxtaposes the journeys of two women of different ages, times, social and cultural backgrounds, in order to foreground the universal, multi-dimensional, and transcultural nature of the journey motif.

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31

Collado-Rodríguez, Francisco. "Meaning Deferral, Jungian Symbolism, and the Quest for V. in Thomas Pynchon'sThe Crying of Lot 49." Critique: Studies in Contemporary Fiction 56, no. 3 (2015): 255–69. http://dx.doi.org/10.1080/00111619.2014.888047.

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32

Chotiudompant, Suradech. "From Dupin to Oedipa: Thomas Pynchon’s Parodic Take on Detective Fiction." MANUSYA 8, no. 1 (2005): 68–85. http://dx.doi.org/10.1163/26659077-00801005.

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This essay aims to investigate how Thomas Pynchon’s The Crying of Lot 49, when juxtaposed with Edgar Allan Poe’s Dupin short stories, can be read as a parodic reworking on the genre of detective fiction. By placing the works of the two authors in relation to theoretical lines of detective fiction, the essay intends to highlight how the world-views of the two authors are dis-tinctively formed, especially in terms of a hermeneutical search for ultimate meaning.

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33

Palmeri, Frank. "Neither Literally nor as Metaphor: Pynchon's the Crying of Lot 49 and the Structure of Scientific Revolutions." ELH 54, no. 4 (1987): 979. http://dx.doi.org/10.2307/2873106.

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34

Kurraz, Abdullah H. "Analogizing Jean Baudrillard’s America and Thomas Pynchon’s The Crying of Lot 49*: Entropy Imagery of the Puzzled." International Journal of Humanities, Arts and Social Sciences 6, no. 6 (2020): 234–43. http://dx.doi.org/10.20469/ijhss.6.20002-6.

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35

Najarian, Jonathan. "“Pressing the Wrong Button”: Pynchon’s Postmodernism and the Threat of Nuclear War inThe Crying of Lot 49." Critique: Studies in Contemporary Fiction 59, no. 1 (2017): 41–56. http://dx.doi.org/10.1080/00111619.2017.1357530.

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36

McKenna, Christopher J. ""A Kiss of Cosmic Pool Balls": Technological Paradigms and Narrative Expectations Collide in "The Crying of Lot 49"." Cultural Critique, no. 44 (2000): 29. http://dx.doi.org/10.2307/1354601.

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37

Pellegrin, Jean-Yves. "« A thrust at truth and a lie » : The Crying of Lot 49 ou le langage en quête de vérité." Sillages critiques, no. 6 (December 1, 2004): 71–87. http://dx.doi.org/10.4000/sillagescritiques.1468.

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38

Nicholson-Roberts, Joel. "On the road with the blood of this kingdom: theology, economy, and blood in The Crying of Lot 49." Textual Practice 33, no. 3 (2019): 399–414. http://dx.doi.org/10.1080/0950236x.2019.1580505.

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39

Di Vilio, Antonio. ""Inherent Vice": Thomas Pynchon beyond the Postmodern Fiction and Anti-Detective Novel." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 47, no. 2 (2020): 283–94. http://dx.doi.org/10.36770/bp.483.

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This article analyzes the development of noir genre in Inherent Vice written by Thomas Pynchon in 2009. In fact, this novel seems to be a time of reflection about all shifts and changes of detective fiction, starting from the Californian hard-boiled school and the postmodern anti-detective fiction to the contemporary noir. In Inherent Vice Pynchon shows his awareness and considerations about the genre tradition – to which some of his novels such as The Crying of Lot 49 belong– playing out a thought-provoking parodic representation of the detective story and its doom. This paper aims to decrypt the meaning of the references that Inherent Vice contains about noir genre and to detect what is the position of the author in writing this novel.

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40

Stajic, Tijana. "Maiden in the Tower: Bordando el Manto Terrestre, Rapunzel, and Oedipa in The Crying of Lot 49." American Studies in Scandinavia 41, no. 2 (2009): 99–110. http://dx.doi.org/10.22439/asca.v41i2.4580.

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41

Stojilkov, Andrea. "Behind a Name: The Preservation of Allusions in the Serbian Translations of Pynochon’s "Crying of Lot 49" and De Lillo’s "White Noise"." Belgrade English Language and Literature Studies 7 (2015): 135–51. http://dx.doi.org/10.18485/bells.2015.7.7.

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42

C. Namwali Serpell. "Mutual Exclusion, Oscillation, and Ethical Projection in The Crying of Lot 49 and The Turn of the Screw." Narrative 16, no. 3 (2008): 223–55. http://dx.doi.org/10.1353/nar.0.0006.

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43

박인찬. "‘Grass-seed’ and ‘the Letter’: The Conspiracy of Hope in Herman Melville’s ‘Bartleby, the Scrivener’ and Thomas Pynchon’s The Crying of Lot 49." New Korean Journal of English Lnaguage & Literature 58, no. 3 (2016): 45–67. http://dx.doi.org/10.25151/nkje.2016.58.3.003.

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44

ODACIOĞLU, Mehmet Cem. "AN ANALYSIS OF CITY OF GLASS BY PAUL AUSTER CRYING OF LOT 49 BY THOMAS PYNCHON IN TERMS OF POSTMODERNIST ELEMENTS AND TECHNIQUES." Journal of International Social Research 10, no. 48 (2017): 93–98. http://dx.doi.org/10.17719/jisr.2017.1480.

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45

김대중. "From Entropy to Maxwell's Demon: Study on America as Closed World and Possibility of Existential Escape in Thomas Pynchon's The Crying of Lot 49." Journal of English Cultural Studies 10, no. 1 (2017): 33–65. http://dx.doi.org/10.15732/jecs.10.1.201704.33.

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46

Seed, David. "J. Kerry Grant, A Companion to “The Crying of Lot 49” (Athens, Ga.: University of Georgia Press, 1994, $25.00 cloth, $12.95 paper). Pp. 154. ISBN 0 8203 1636 9." Journal of American Studies 30, no. 1 (1996): 182–83. http://dx.doi.org/10.1017/s0021875800024798.

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47

Krafft, John M. "Beyond and Beneath the Mantle: On Thomas Pynchon's "The Crying of Lot 49", and: The Contemporary American Comic Epic: The Novels of Barth, Pynchon, Gaddis, and Kesey (review)." MFS Modern Fiction Studies 35, no. 4 (1989): 774–76. http://dx.doi.org/10.1353/mfs.0.1411.

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48

Seed, David. "Judie Newman, John Updike (London: Macmillan, 1988, £20 cloth, £6.95 paper). Pp. 164. ISBN 0 333 40690 7. - Georgiana M. M. Colville, Beyond and Beneath the Mantle: on Thomas Pynchon's “The Crying of Lot 49” (Amsterdam: Rodopi B.V., 1988). Pp. 119. ISBN 90 5183 057 2." Journal of American Studies 24, no. 2 (1990): 288–89. http://dx.doi.org/10.1017/s0021875800030061.

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49

Morgan, Edward M. "The Crying of Rule 49." University of Toronto Law Journal 54, no. 1 (2004): 45–74. http://dx.doi.org/10.1353/tlj.2004.0004.

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50

Mowat, John. "Frank Lentricchia (ed.), New Essays on White Noise (Cambridge: Cambridge University Press, 1991, £22.95, hardback; £8.95, paper). Pp. 115. ISBN 0 521 39291 8; 0 521 39893 2. - Patrick O'Donnell (ed.), New Essays on the Crying of Lot 49 (Cambridge: Cambridge University Press, 1991, £22.95). Pp. 174. ISBN 0 521 38163 0." Journal of American Studies 27, no. 1 (1993): 107–8. http://dx.doi.org/10.1017/s0021875800032795.

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