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Journal articles on the topic 'Crystal Palace (London, England)'

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Published: 4 June 2021

Last updated: 30 July 2024

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1

Macdonald, R. "Crystal Palace National Sports Centre--London, UK." British Journal of Sports Medicine 24, no. 1 (1990): 10–12. http://dx.doi.org/10.1136/bjsm.24.1.10.

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Schoenefeldt, Henrik. "The Crystal Palace, environmentally considered." Architectural Research Quarterly 12, no. 3-4 (2008): 283–94. http://dx.doi.org/10.1017/s1359135508001218.

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In the nineteenth century, horticulturists such as John Claudius Loudon and Joseph Paxton, aware of the new environmental possibilities of glasshouses that had been demonstrated in the context of horticulture, contemplated the use of fully-glazed structures as a means to creating new types of environments for human beings. While Loudon suggested the use of large glass structures to immerse entire Russian villages in an artificial climate, Henry Cole and Paxton envisioned large-scale winter parks, to function as new types of public spaces. These indoor public spaces were intended to grant the u

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Wolska, Dorota. "Garden Palace rozebrany do kości. Sztuka jako anamneza." Prace Kulturoznawcze 21, no. 4 (2018): 69–78. http://dx.doi.org/10.19195/0860-6668.21.4.4.

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Garden Palace stripped to the bone. Art as anamnesisLondon’s Crystal Palace, the site of the first international exhibition in 1851 and the architectural symbol of modernity, was widely imitated not only in Europe. Sydney also had its crystal palace. The Australian Garden Palace, similarly to the ones in London, New York and Munich, burnt to the ground in 1882. In 2016 aboriginal artist Jonathan Jones tried to restore it in Australia’s collective memory. However, Jones’ project, barrangal dyara skin and bones, introduces a postcolonial perspective and recoveres the narratives that were repress

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Addis, Bill. "The Crystal Palace and its Place in Structural History." International Journal of Space Structures 21, no. 1 (2006): 3–19. http://dx.doi.org/10.1260/026635106777641199.

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Completed in 1851 to house the Exhibition of All Nations in London, the Crystal Palace was the first large public building that departed completely from traditional construction materials and methods. It was the first major building to be conceived by its design engineers, William Barlow and Charles Fox, as a rigid-jointed iron frame and one of the earliest to use horizontal and vertical cross-bracing to carry wind loads. Working closely with the contractor John Henderson, the designers also applied their knowledge of modern production engineering methods to ensure the building was constructed

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Eatock, Colin. "The Crystal Palace Concerts: Canon Formation and the English Musical Renaissance." 19th-Century Music 34, no. 1 (2010): 87–105. http://dx.doi.org/10.1525/ncm.2010.34.1.087.

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Abstract This article examines the role of London's Crystal Palace in the popularization of ““classical music”” in Victorian Britain, and in the creation of the orchestral canon in the nineteenth century. The Crystal Palace was originally built in Hyde Park for the Great Exhibition of 1851 and was reconstructed in the London suburb of Sydenham in 1854. This popular attraction assumed a musical prominence in British culture when the ambitious conductor Augustus Manns established an orchestra there in 1855, and presented a series of Saturday Concerts until 1900. Central to this discussion of the

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Bishop, Andrew. "Deep-Time Tourism: "The Encantadas" and Crystal Palace Park." Arizona Quarterly: A Journal of American Literature, Culture, and Theory 80, no. 1 (2024): 83–115. http://dx.doi.org/10.1353/arq.2024.a921518.

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Abstract: This essay explores how Herman Melville's "The Encantadas" (1854) participates in the rise of deep-time tourism, or the desire and market for encounters with long-vanished prehuman beings and places. The same year Putnam's Magazine published "The Encantadas" the Crystal Palace Park in London put on display the world's first full-sized, three-dimensional dinosaurs. After using this event to conceptualize deep-time tourism and the contradictions that define it, the essay makes a two-part argument about "The Encantadas." First, it shows how the tortoises in "The Encantadas" are Melville

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Jordan, Elizabeth T. "Inigo Jones and the Architecture of Poetry*." Renaissance Quarterly 44, no. 2 (1991): 280–319. http://dx.doi.org/10.2307/2862711.

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Architecture in England Remained a fledgling science until Inigo Jones's Italianate classicism burst forth in London in the first decades of the seventeenth century. His 1622 Banqueting House at Whitehall with its masterful double-cube interior astounded Londoners accustomed to the rabbit warren of Elizabethan apartments making up the surrounding Whitehall Palace; its rhythmic, subtly articulated marble façade clashed with the eclectic exteriors of neighboring buildings.

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Doyle, Peter. "A vision of ‘deep time’: the ‘Geological Illustrations’ of Crystal Palace Park, London." Geological Society, London, Special Publications 300, no. 1 (2008): 197–205. http://dx.doi.org/10.1144/sp300.15.

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Richmond, Colin. "Jan van Eyck at London in 1428." Common Knowledge 27, no. 2 (2021): 171–75. http://dx.doi.org/10.1215/0961754x-8906117.

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Abstract On the basis of reports that Jan van Eyck visited England (he was well traveled in the service of Philip the Good, duke of Burgundy), this essay speculates freely on what the diplomat and painter actually did in and around London for three weeks in 1428. The essay claims, for example, that van Eyck went to the village of Foots Cray to buy watercresses to use as models when painting greenery on the Ghent Altarpiece of the Mystic Lamb (which he completed in 1432). The recently erected gateway to the palace at Greenwich is said likewise to be the model for a towered gateway depicted on t

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Rhodes, J. T. "Syon Abbey and its Religious Publications in the Sixteenth Century." Journal of Ecclesiastical History 44, no. 1 (1993): 11–25. http://dx.doi.org/10.1017/s0022046900010174.

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Syon Abbey was a royal foundation established by Henry v in 1415. It was situated at Isleworth on the Thames, just across the river from the royal palace of Richmond and the Charterhouse of Sheen, and some three hours rowing time upstream from London Bridge. It was the only Bridgettine foundation in England. It was a double house consisting of sixty nuns and twenty-five men, of whom thirteen were to be priests; the abbess ruled over the whole establishment, but the confessor general, one of the priests, had spiritual jurisdiction. From the time of its foundation until its dissolution in 1539,

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Jobst, Marko. "The problematic object of the London Underground." Architectural Research Quarterly 16, no. 2 (2012): 105–7. http://dx.doi.org/10.1017/s1359135512000425.

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This perspective looks at the London Underground station building and proposes that it has a problematic status which is yet to be fully acknowledged in architectural writing. The emergence of the London Underground in the second half of the nineteenth century challenged some of the basic premises of what would become, by the twentieth century, the standard interpretations of Modernism and, yet, it remains insufficiently researched. In outlining a trajectory that leads from Crystal Palace via the railway station and the hybrid nature of the arcade to the London Underground, the aim is to indic

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Opdahl Mathisen, Silje. "A record of ethnographic objects procured for the Crystal Palace exhibition in Sydenham." Nordisk Museologi 27, no. 3 (2020): 8–24. http://dx.doi.org/10.5617/nm.7719.

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This article investigates the events surrounding the discovery of a double set of Sámi artefacts collected in Norway in the 1850s. While the collecting had received government funding and was initiated by a Norwegian scholar, the commission for it came from London. One set of artefacts was to be exhibited at Crystal Palace in Sydenham, a commercial venue reaching a tremendously large audience. The other set became part of the Ethnographic Museum in Oslo, a much smaller scientific institution established in 1857. By turning the spotlight on the historical context and agencies of these two sets

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Hawkins, Alfred R. J. "The Peculiar Case of a Royal Peculiar: A Problem of Faculty at the Tower of London." Ecclesiastical Law Journal 24, no. 3 (2022): 345–63. http://dx.doi.org/10.1017/s0956618x22000345.

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Her Majesty's Royal Palace and Fortress the Tower of London, less formally known as the Tower of London or simply ‘the Tower’, was the seat of royal power in England for several centuries following its construction by William the Conqueror in 1078. While now a popular tourist attraction, it remains the home of the Crown Jewels, is a working barracks and maintains many ceremonial traditions of state. Two chapels are located within its walls. Foremost of these is the late eleventh-century chapel of St John the Evangelist (St John's), located within the White Tower, noted as a rare surviving exam

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Jacklosky, Rob. "Recent Dickens Studies: 2022 (Part I)." Dickens Studies Annual 55, no. 1 (2024): 106–41. http://dx.doi.org/10.5325/dickstudannu.55.1.0106.

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ABSTRACT This article (part one of two) surveys Dickens scholarship and adjacent work with a special emphasis on Dickens Quarterly. The author’s approach was inspired by the alternating micro- and macro- method of Robert Douglas-Fairhurst’s Turning Point 1851, and the personal approach of Annette Federico’s But For You, Dear Stranger (My Reading) and Nick Hornby’s Prince and Dickens: A Particular Kind of Genius. The article identifies these key trends: (1) A turn towards artists and scholars’ personal and autobiographical responses to Dickens’s work/life; (2) a reckoning with race and empire,

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Warren, Vincent. "Yearning for the Spiritual Ideal: The Influence of India on Western Dance 1626–2003." Dance Research Journal 38, no. 1-2 (2006): 97–114. http://dx.doi.org/10.1017/s0149767700007403.

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Europeans have imagined India as a land of fabulous riches and exotic legends since the time of ancient Greece. In Greek mythology Dionysus, the god of passion and wine, was said to have come from India, and Alexander the Great's proudest achievement was arriving at the banks of the Indus. When, after 1498, explorers from Portugal, Holland, England, Denmark, and France began to establish trade links with the subcontinent, it seemed the legends were true; rare spices, silks, gold, and precious stones were transported to Europe and added fuel to already inflamed imaginations. The very name of th

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Chatterjee, Arup K. "Oriental Dressings, Imperial Inhalations: The Indian Hookah in British Colonial Culture." Journal of the Economic and Social History of the Orient 65, no. 1-2 (2022): 279–324. http://dx.doi.org/10.1163/15685209-12341568.

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Abstract Over the course of its Anglo-Indian career, the hookah began as an archetype of colonial hybridity in eighteenth-century Bengal, before entering nineteenth-century London and its consumer sensorium as a seductive Oriental artefact, through travelogues, hookah clubs, Indian-styled diwans and a massive cataloguing of Eastern artefacts culminating in the Crystal Palace Exhibition (1851) and the Colonial and Indian Exhibition (1886). Hookahs appeared simultaneously as smoking instruments, decorative artefacts and visual signs of surplus colonial enjoyment in memoirs, travelogues and paint

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Leventhal, F. M. "“A Tonic to the Nation”: The Festival of Britain, 1951." Albion 27, no. 3 (1995): 445–53. http://dx.doi.org/10.2307/4051737.

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No event of the post-Second World War decade in Britain is recalled as affectionately or enveloped in such an aura of nostalgia as the Festival of Britain, a five-month series of cultural events and exhibits, with its centerpiece at the South Bank in London. But the Festival dear to the recollections of those growing up during and after the war diverged sharply from the original conception of its progenitors.In 1943 the Royal Society of the Arts, partly responsible for the Great Exhibition of 1851, suggested to the government that an international exhibition along similar lines be staged in 19

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DeMarco, Patricia. "Evolving English: One Language, Many Voices. By David Crystal. (London, England: The British Library, 2010. Pp. 159. $35.00.)." Historian 74, no. 2 (2012): 429–31. http://dx.doi.org/10.1111/j.1540-6563.2012.00322_74.x.

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Jones, Paul. "Architecture, Time, and Cultural Politics." Cultural Sociology 14, no. 1 (2020): 61–79. http://dx.doi.org/10.1177/1749975520905416.

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Architecture is inextricably entangled with time. Illustrating this point, the article explores two moments of architectural production centred on London in the mid-19th century: the ‘Battle of the Styles’, a struggle over the social meaning of historicist architectural design and its suitability for state-funded public buildings; and the proto-modernist Crystal Palace, which housed the Great Exhibition of 1851. While ostensibly involving different cultural orientations to pasts-presents-futures, both cases reflect how political claims can involve the mobilisation of temporalised architectural

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Schoenefeldt, Henrik. "Adapting Glasshouses for Human Use: Environmental Experimentation in Paxton’s Designs for the 1851 Great Exhibition Building and the Crystal Palace, Sydenham." Architectural History 54 (2011): 233–73. http://dx.doi.org/10.1017/s0066622x00004068.

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When the horticulturist Joseph Paxton first published his proposal to house the 1851 Great Exhibition of the Works of Industry of All Nations inside a glasshouse of enormous scale at Hyde Park, London, the scheme was praised as a more practical alternative to an earlier idea that had been put forward by the Royal Commission for the Great Exhibition’s own Building Committee. However, the feasibility of Paxton’s idea soon became the subject of concern. The use of glasshouses for the cultivation of plants was well established, but could this type of building now be adapted to the task of accommod

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Merrill, Lisa. "Exhibiting Race ‘under the World's Huge Glass Case’: William and Ellen Craft and William Wells Brown at the Great Exhibition in Crystal Palace, London, 1851." Slavery & Abolition 33, no. 2 (2012): 321–36. http://dx.doi.org/10.1080/0144039x.2012.669907.

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Turner, R. W., O. I. Siidra, S. V. Krivovichev, C. J. Stanley, and J. Spratt. "Rumseyite, [Pb2OF]Cl, the first naturally occurring fluoroxychloride mineral with the parent crystal structure for layered lead oxychlorides." Mineralogical Magazine 76, no. 5 (2012): 1247–55. http://dx.doi.org/10.1180/minmag.2012.076.5.11.

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AbstractRumseyite, ideally [Pb2OF]Cl, is a new mineral species which is associated with calcite, cerussite, diaboleite, hydrocerussite and undifferentiated Mn oxides in a small cavity in 'hydrocerussite' from a manganese pod at Merehead quarry, Somerset, England. Rumseyite is tetragonal, I4/mmm, a = 4.065(1), c = 12.631(7) Å, V = 208.7(1) Å3, Z = 2. The mineral is translucent pale orange-brown with a white streak and vitreous lustre. It is brittle with perfect {100} cleavage; Dcalc = 7.71 g cm–3 (for the ideal formula, [Pb2OF]Cl). The mean refractive index in air at 589 nm is 2.15. The six str

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Speck, Olga, and Thomas Speck. "Biomimetics in Botanical Gardens—Educational Trails and Guided Tours." Biomimetics 8, no. 3 (2023): 303. http://dx.doi.org/10.3390/biomimetics8030303.

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The first botanical gardens in Europe were established for the study of medicinal, poisonous, and herbal plants by students of medicine or pharmacy at universities. As the natural sciences became increasingly important in the 19th Century, botanical gardens additionally took on the role of public educational institutions. Since then, learning from living nature with the aim of developing technical applications, namely biomimetics, has played a special role in botanical gardens. Sir Joseph Paxton designed rainwater drainage channels in the roof of the Crystal Palace for the London World’s Fair

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Tēraudkalns, Valdis. "Cerību laiks: LELB kontakti ar Anglijas baznīcu arhibīskapa Gustava Tūra darbības laikā (1946–1968)." Ceļš 71 (December 15, 2020): 103–35. http://dx.doi.org/10.22364/cl.71.07.

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The purpose of this article is to analyse relationships of the Evangelical Lutheran Church of Latvia (ELCL) with the Church of England during Gustavs Tūrs’ time as archbishop. Special attention is given to his visit to U.K. in 1955 as a member of the delegation of Soviet clergy. These contacts are placed in various contexts – theological, socio-political, personal relationships. “Voices” from various sources are placed face to face and confronted with each other. The author has explored materials previously unused in scientific circulation in Latvia – the archive files stored at the Lambeth Pa

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Morley, Ian. "James Buzard, Joseph W. Childers, and Eileen Gillooly, eds. Victorian Prism: Refractions of the Crystal Palace. Charlottesville and London: University of Virginia Press, 2007. Pp. 327. $45.00 (cloth)." Journal of British Studies 47, no. 3 (2008): 703–4. http://dx.doi.org/10.1086/590298.

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Spear, Jeffrey L. "BOOK REVIEW: Peter H. Hoffenberg.AN EMPIRE ON DISPLAY: ENGLISH, INDIAN AND AUSTRALIAN EXHIBITIONS FROM THE CRYSTAL PALACE TO THE GREAT WAR. Berkeley and London: University of California Press, 2001." Victorian Studies 45, no. 2 (2003): 343–44. http://dx.doi.org/10.2979/vic.2003.45.2.343.

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Howlett, E. A., W. J. Kennedy, H. P. Powell, and H. S. Torrens. "New light on the history of Megalosaurus, the great lizard of Stonesfield." Archives of Natural History 44, no. 1 (2017): 82–102. http://dx.doi.org/10.3366/anh.2017.0416.

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Early reports of large bones from slate mines in the Middle Jurassic rocks at Stonesfield, Oxfordshire are reviewed, along with previously unpublished accounts of the workings. The material that formed the basis for publication of the genus Megalosaurus Buckland and Conybeare, 1824 is documented. The lectotype, a partial right lower jaw, was acquired by Sir Christopher Pegge, Dr Lees Reader in Anatomy at Christ Church, Oxford in 1797. The paralectotype sacrum was acquired by an Oxford undergraduate, Philip Barker Webb, sometime prior to 1814, as revealed by a letter to William Buckland from Ge

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Kuran, Aptullah. "Gülru Necipoğlu. Architecture, Ceremonial, and Power: The Topkapı Palace in the Fifteenth and Sixteenth Centuries. Cambridge (Massachusetts) and London (England): The Architectural History Foundation, Inc. New York and the MIT Press, 1991, X+336 pp." New Perspectives on Turkey 11 (1994): 183–87. http://dx.doi.org/10.1017/s0896634600001035.

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Klahr, Douglas M. "Stereoscopic Architectural Photography and Merleau-Ponty’s Phenomenology." ZARCH, no. 9 (December 4, 2017): 84–105. http://dx.doi.org/10.26754/ojs_zarch/zarch.201792269.

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Stereoscopic photography utilizes dual camera lenses that are placed at approximately the interocular distance of human beings in order to replicate the slight difference between what each eye sees and therefore the effect of parallax. The pair of images that results is then viewed through a stereoscope. By adjusting the device, the user eventually sees the two photographs merge into a single one that has receding planes of depth, often producing a vivid illusion of intense depth. Stereoscopy was used by photographers throughout the second half of the Nineteenth Century to document every build

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Worden, Nigel. "Peter H. Hoffenberg, An Empire on Display: English, Indian and Australian Exhibitions from the Crystal Palace to the Great War. Berkeley, Los Angeles and London (University of California Press) 2001. 418 pp., illus. ISBN 0-520-21891-4." Itinerario 27, no. 1 (2003): 121–23. http://dx.doi.org/10.1017/s0165115300020350.

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FORGAN, SOPHIE. "HERMIONE HOBHOUSE, The Crystal Palace and the Great Exhibition: Art, Science and Productive Industry. A History of the Royal Commission for the Exhibition of 1851. London and New York: Athlone, 2002. Pp. xx+451. ISBN 0-485-11575-1. £40.00 (hardback)." British Journal for the History of Science 37, no. 4 (2004): 479–80. http://dx.doi.org/10.1017/s0007087404336174.

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Zafar, Sana, Danish Javaid, Hanna Abdul Majeed, Khurram Anwar, Mudassar Iqbal Arain, and Muhammad Ali Ghoto. "CARIOUS AND REMINERALISED ENAMEL;." Professional Medical Journal 24, no. 07 (2017): 1036–43. http://dx.doi.org/10.29309/tpmj/2017.24.07.1093.

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Objectives: The main purpose of this study was to determine from wherethe demineralisation of crystals occur in enamel during carious process and where the newcrystals will form during remineralization. Material and Methods: Synchrotron x-ray diffractiontechnique was used to determine the crystal orientation and texture of enamel for a Period: of02 years during 2010 and 2011. It was done on extracted teeth. 10 sides of a single tooth wereanalysed and a total of 100 teeth were examined. Sample analysis was done using compositeimaging and powder diffraction using Fit 2D software. Settings: The s

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Caborn, J. Maurice. "The Fragmented Forest: Island Biogeography Theory and the Preservation of Biotic Diversity, by Larry D. Harris, with a foreword by Kenton R. Miller. University of Chicago Press, 126 Buckingham Palace Road, London SW1W 9SD, England, UK: xviii + 211 pp., 72 figs, 21.5 × 14 × 1.25 cm, hard cover, £28.75 (paperback, $13.75), 1984." Environmental Conservation 13, no. 1 (1986): 90. http://dx.doi.org/10.1017/s037689290003616x.

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Loomie, S.J., Albert J. "London's Spanish Chapel Before and After The Civil War." Recusant History 18, no. 4 (1987): 402–17. http://dx.doi.org/10.1017/s0268419500020687.

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IN THE mid-seventeenth century the chapel of the Spanish embassy caused considerable concern to the authorities at Whitehall since they were frustrated in preventing scores of Londoners from attending it for masses and other Catholic devotions. This was a distinct issue from the traditional right of a Catholic diplomat in England to provide mass for his household or other compatriots,’ and from the custom of Sephardic Jews to gather in the embassy for Sabbath worship when they desired. While the practice of Londoners to attend mass secretly at the residences of various Catholic diplomats had d

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Miltz, Ada, Fiona Lampe, Sheena McCormack, et al. "Prevalence and correlates of depressive symptoms among gay, bisexual and other men who have sex with men in the PROUD randomised clinical trial of HIV pre-exposure prophylaxis." BMJ Open 9, no. 12 (2019): e031085. http://dx.doi.org/10.1136/bmjopen-2019-031085.

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ObjectivesThe aim of this analysis is to: (i) assess the prevalence of clinically significant depressive symptoms at baseline and follow-up for participants in the PROUD trial of HIV pre-exposure prophylaxis (PrEP), examining changes in prevalence over time and (ii) investigate the association of socioeconomic and psychosocial factors with depression.MethodsPROUD was an open label randomised trial evaluating the benefit of PrEP for 544 HIV-negative gay, bisexual and other men who have sex with men (GBMSM) in England. Enrolment was between 2012 and 2014, with at least 2 years follow-up. Prevale

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Mitchell-Thomé, Raoul C. "Geography, Resources and Environment, Edited by R.W. Kates & I. Burton. Volume I: Selected Writings of Gilbert F. White. University of Chicago Press, 126 Buckingham Palace Road, London SW1W 95D, England, UK: xiv + 471 pp., figures, tables, 23 × 15 × 3 cm, US $74.75 cloth or 28.75 paper, 1986. Volume II: Themes from the Work of Gilbert F. White. University of Chicago Press, idem: xvi+376 pp., figures, tables, 23 × 15 × 2.5 cm, US $51.75 cloth or US $21.75 paper, 1986." Environmental Conservation 15, no. 1 (1988): 89. http://dx.doi.org/10.1017/s0376892900028782.

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Shaughnessy, Robert. "From Script to Stage in Early Modern England. Edited By Peter Holland and Stephen Orgel. Basingstoke: Palgrave, 2004. Pp. xiii + 251. £60 Hb; £17.99 Pb Tudor Drama before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy. Edited by Lloyd Kermode, Jason Scott-Warren and Martine Van Elk. Basingstoke: Palgrave, 2004. Pp. 271. £40 Hb Pronouncing Shakespeare: The Globe Experiment. By David Crystal. Cambridge: Cambridge University Press, 2005. Pp. 188. £12.99 Hb Talking to the Audience: Shakespeare, Performance, Self. By Bridget Escolme. London: Routledge, 2005. Pp. xii + 192 + 11 illus. £60 Hb; £19.99 Pb." Theatre Research International 31, no. 1 (2006): 106–8. http://dx.doi.org/10.1017/s0307883305261916.

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Peers, Douglas M. "Reading Empire, Chasing Tikka Masala: The Contested State of Imperial HistoryAfter the Imperial Turn: Thinking with and through the Nation, edited by Antoinette Burton. New York, Routledge, 2003. vi + 360 pp. $69.95 US (cloth), $23.95 US (paper).Captives: Britain, Empire and the World, 1600-1850, by Linda Colley. London, Cape, 2002. xvii + 424 pp. $27.50 US (cloth), $16.00 US paper.Imperial Fault Lines: Christianity and Colonial Power in India, 1818-1940, by Jeffrey Cox. Stanford, California, Stanford University Press, 2002. xiv + 349 pp. $60.00 US (cloth).Empire: The Rise and Demise of the British World Order and the Lessons for Global Power, by Niall Ferguson. New York, Basic Books, 2003. xxix + 383 pp. $17.95 US (paper).An Empire on Display: English, Indian and Australian Exhibitions from the Crystal Palace to the Great War, by Peter H. Hoffenberg. Berkeley, California, University of California Press, 2001. xxvii + 404 pp. $50.00 US (cloth).Empire and the Sun: Victorian Solar Eclipse Expedition, by Alex Soojung-Kim Pang. Stanford, California, Stanford University Press, 2002. xii + 194 pp. $55.00 US (cloth), $21.95 US (paper).The Strangled Traveler: Colonial Imaginings and the Thugs of India, by Martine Van Woerkens. Translated by Catherine Tihanyi. Chicago, Illinois, University of Chicago Press, 2002. xvi + 343 pp. $55.00 US (cloth), $24.00 (paper)." Canadian Journal of History 39, no. 1 (2004): 87–104. http://dx.doi.org/10.3138/cjh.39.1.87.

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John, Simon. "A Crusader Duel at the Crystal Palace: The statues of Godfrey of Bouillon and Richard the Lionheart at the Great Exhibition." Journal of Victorian Culture, April 27, 2021. http://dx.doi.org/10.1093/jvcult/vcab011.

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Abstract This article examines the display of two sculptures of medieval figures at the Great Exhibition in 1851. Those sculptures – Carlo Marochetti’s Richard Coeur de Lion and Eugène Simonis’ Godefroid de Bouillon – both honoured figures remembered as crusaders, and are better known in their permanent bronze versions that stand today in London and Brussels respectively. However, it is often overlooked that both works appeared at the exhibition, with Marochetti displaying his work on behalf of England, and Simonis exhibiting his on behalf of Belgium. Their appearance in 1851 stimulated a mult

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Pet’ko, Lyudmila. "Hampton Court Palace and 'Anne of the Thousand Days'." Intellectual Archive 12, no. 2 (2023). http://dx.doi.org/10.32370/ia_2023_06_12.

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This year marks the 500th anniversary of the coronation of Anne Boleyn as Queen of England , on 1 June 1533. In Tudor history, 7th September 1533, Queen Anne Boleyn, second wife of King Henry VIII, gave birth to Queen Elizabeth I. And this year marks the 500th anniversary of Elizabeth I’s birth. In 2022, on the March 4 marked 500 years to the day of Anne’s first recorded appearance at the English court in 1522. On September 1, 1532, Henry VIII had taken an unprecedented step: He had elevated a woman into England’s hereditary nobility. It was both a gift of love and compensation for enduring ye

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LITINA, MARIA. "European Approaches of the Bulgarian Church: the Case of the Lambeth Conference in London, 1930." Journal of Ecclesiastical History, November 2, 2022, 1–11. http://dx.doi.org/10.1017/s0022046922001956.

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This article examines the role of the networks and protagonists involved in securing the Bulgarian Church's participation in the seventh Lambeth Conference in London (1930) in their attempt to end the schism between the Bulgarian Church and the Ecumenical Patriarchate of Constantinople dating from 1872, and to secure a new place for the Bulgarians in the wider ecclesial and political landscape. New evidence, contained in unpublished documents in the Lambeth Palace Archives in London, enables a better understanding of the various connections at work behind the scene, including how the Church of

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Boardman, Philip. "From Extraordinary Success to No Considerable Results: Victorian Music Entrepreneurialism and the Crystal Palace Brass Band Competition 1860–1863." Nineteenth-Century Music Review, December 15, 2021, 1–24. http://dx.doi.org/10.1017/s1479409821000446.

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The July 1860 Crystal Palace Brass Band contest brought brass bands out of their heartlands to London in unprecedented numbers, The Times (12 July 1860, 9), lauding its success as ‘quite extraordinary’. This landmark event was repeated in three successive years, but in 1863 it was abruptly terminated, and no cogent explanation has been established for its failure. The entrepreneur organizing the contests, Enderby Jackson, later wrote in his autobiography that other business dealings prevented him from further involvement in the series. Jackson had made full use of his talents and contacts to b

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Pet’ko, Lyudmila. "The Hampton Court Maze and "Three Men in a Boat (to Say Nothing of the Dog)" by Jerome K. Jerome." Intellectual Archive 13, no. 2 (2024). http://dx.doi.org/10.32370/ia_2024_02_7.

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The author presents the Hampton Court Maze in the way of Tudor’s history studying. The maze remains a hugely popular part of the Hampton Court Palace, which is the oldest surviving hedge maze in the UK and the first to have been planted in the country. It dates back to the end of the 17th century, when it was thought to have been commissioned by William III in his final years as monarch. Hampton Court’s maze became a hit when the gardens were opened to the public in 1838, demonstrating the popularity of multicausal mazes. The Hampton Court Maze designed and planted by garden designers George L

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Morley, Sarah. "The Garden Palace: Building an Early Sydney Icon." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1223.

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IntroductionSydney’s Garden Palace was a magnificent building with a grandeur that dominated the skyline, stretching from the site of the current State Library of New South Wales to the building that now houses the Sydney Conservatorium of Music. The Palace captivated society from its opening in 1879. This article outlines the building of one of Sydney’s early structural icons and how, despite being destroyed by fire after three short years in 1882, it had an enormous impact on the burgeoning colonial community of New South Wales, thus building a physical structure, pride and a suite of memori

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Noyce, Diana Christine. "Coffee Palaces in Australia: A Pub with No Beer." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.464.

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The term “coffee palace” was primarily used in Australia to describe the temperance hotels that were built in the last decades of the 19th century, although there are references to the term also being used to a lesser extent in the United Kingdom (Denby 174). Built in response to the worldwide temperance movement, which reached its pinnacle in the 1880s in Australia, coffee palaces were hotels that did not serve alcohol. This was a unique time in Australia’s architectural development as the economic boom fuelled by the gold rush in the 1850s, and the demand for ostentatious display that gather

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Highmore, Ben. "Listlessness in the Archive." M/C Journal 15, no. 5 (2012). http://dx.doi.org/10.5204/mcj.546.

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1. Make a list of things to do2. Copy list of things left undone from previous list3. Add items to list of new things needing to be done4. Add some of the things already done from previous list and immediately cross off so as to put off the feeling of an interminable list of never accomplishable tasks5. Finish writing list and sit back feeling an overwhelming sense of listlessnessIt started so well. Get up: make list: get on. But lists can breed listlessness. It can’t always be helped. The word “list” referring to a sequence of items comes from the Italian and French words for “strip”—as in a

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Adams, Jillian Elaine. "Australian Women Writers Abroad." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1151.

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At a time when a trip abroad was out of the reach of most women, even if they could not make the journey, Australian women could imagine “abroad” just by reading popular women’s magazines such as Woman (later Woman’s Day and Home then Woman’s Day) and The Australian Women’s Weekly, and journals, such as The Progressive Woman and The Housewife. Increasingly in the post-war period, these magazines and journals contained advertisements for holidaying abroad, recipes for international foods and articles on overseas fashions. It was not unusual for local manufacturers, to use the lure of travel and

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Mac Con Iomaire, Máirtín. "Coffee Culture in Dublin: A Brief History." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.456.

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IntroductionIn the year 2000, a group of likeminded individuals got together and convened the first annual World Barista Championship in Monte Carlo. With twelve competitors from around the globe, each competitor was judged by seven judges: one head judge who oversaw the process, two technical judges who assessed technical skills, and four sensory judges who evaluated the taste and appearance of the espresso drinks. Competitors had fifteen minutes to serve four espresso coffees, four cappuccino coffees, and four “signature” drinks that they had devised using one shot of espresso and other ingr

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Webb, Damien, and Rachel Franks. "Metropolitan Collections: Reaching Out to Regional Australia." M/C Journal 22, no. 3 (2019). http://dx.doi.org/10.5204/mcj.1529.

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Special Care NoticeThis article discusses trauma and violence inflicted upon the Indigenous peoples of Tasmania through the processes of colonisation. Content within this article may be distressing to some readers. IntroductionThis article looks briefly at the collection, consultation, and digital sharing of stories essential to the histories of the First Nations peoples of Australia. Focusing on materials held in Sydney, New South Wales two case studies—the object known as the Proclamation Board and the George Augustus Robinson Papers—explore how materials can be shared with Aboriginal people

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Mules, Warwick. "A Remarkable Disappearing Act." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1920.

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Creators and Creation Creation is a troubling word today, because it suggests an impossible act, indeed a miracle: the formation of something out of nothing. Today we no longer believe in miracles, yet we see all around us myriad acts which we routinely define as creative. Here, I am not referring to the artistic performances and works of gifted individuals, which have their own genealogy of creativity in the lineages of Western art. Rather, I am referring to the small, personal events that we see within the mediated spaces of the everyday (on the television screen, in magazines and newspapers

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