Relevant bibliographies by topics / Cuban Americans in fiction

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  2. Dissertations / Theses
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Academic literature on the topic 'Cuban Americans in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Cuban Americans in fiction"

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Shkilev, Roman Evgen'evich. "AUTOBIOGRAPHICAL FEATURES IN THE CUBAN-AMERICAN FICTION." Philological Sciences. Issues of Theory and Practice, no. 11 (November 2019): 146–49. http://dx.doi.org/10.30853/filnauki.2019.11.32.

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Alvarez-Borland, Isabel. "Displacements and Autobiography in Cuban-American Fiction." World Literature Today 68, no. 1 (1994): 43. http://dx.doi.org/10.2307/40149843.

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González, Aníbal. "La ciencia ficción latinoamericana y el arte del anacronismo: "Otra" ciencia ficción es posible." Revista de Estudios Hispánicos 58, no. 1 (2024): 145–61. http://dx.doi.org/10.1353/rvs.2024.a931923.

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Abstract: This essay seeks to establish a broader conceptual framework for studying the historical development of Latin American science fiction and its recent turn—in a genre usually focused on other times and worlds—to references to the past and present of Latin American history and culture. Valuable current studies of Latin American science fiction have been devoted primarily to the history of the genre itself and to tropes that have recurred in certain periods of the development of Latin American science fiction, such as cyborgs, androids, and zombies. Few have been devoted to the issues a
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Grigore, Rodica. "Urban Space and Memory Space in Guillermo Cabrera Infante’s Fiction." SAECULUM 56, no. 2 (2023): 39–48. http://dx.doi.org/10.2478/saec-2023-0016.

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Abstract Guillermo Cabrera Infante’s masterpiece Three Trapped Tigers (1965) ignores all details of traditional chronology and should be interpreted as an exquisite artistic form of Latin American “neo-baroque” which characterizes its Cuban author’s style. Havana, the capital and the center of interest within this book, thus becomes an intricate labyrinth which expresses the complexity of human life in a given political and social context, but also illustrates the textual choice of a unique writer determined to ignore all previous patterns of literary representation and expression. The metapho
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Jiménez, Mónica Fernández. "The problematic of identity-memory in the Cuban-American fiction of Cristina García and Achy Obejas." Complutense Journal of English Studies 29 (November 15, 2021): 93–102. http://dx.doi.org/10.5209/cjes.66188.

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Cuban-American authors Cristina García and Achy Obejas denote in their fictional works concerns regarding the fragmented memory of second-generation Cuban-American immigrants. Owing to the turbulent political origin of this exiled community, the characters of these works have identity conflicts related to the difficulty of accessing the historical memory of their ancestors’ land and community. However, as the narratives progress, the source of these conflicts proves to be the nationalist approach to identification which they end up challenging by relating themselves to history, memory, and ide
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Saint-Loubert, Laëtitia. "Variable Frames: Women Translating Cuban and (Afro-) Brazilian Women Writers for the French Literary Market." Mutatis Mutandis. Revista Latinoamericana de Traducción 13, no. 2 (2020): 401–20. http://dx.doi.org/10.17533/udea.mut.v13n2a10.

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This article seeks to examine how contemporary works of fiction and non-fiction by women from Cuba and Brazil are translated and marketed for Francophone readers. It will focus on Wendy Guer­ra’s novels, translated into French by Marianne Millon, and on contemporary Brazilian (non) fic­tion translated into French by Paula Anacaona, the head of Anacaona Éditions, a publishing outlet specialized in Brazilian literature for Francophone readers. The contribution will start with a brief presentation of the French publishing sector and some of the recurring patterns observed in what is often labeled
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Worland, Rick. "Sign-Posts Up Ahead: The Twilight Zone, The Outer Limits, and TV Political Fantasy 1959-1965." Science Fiction Studies 23, Part 1 (1996): 103–22. https://doi.org/10.1525/sfs.23.1.0103.

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The historical and political implications of the science-fiction/fantasy anthology television series The Twilight Zone (1959-64) and The Outer Limits (1963-65) in the Kennedy era are considered. Science fiction is usually a politically reverberant genre, frequently given to social allegory. These two fondly remembered programs often presented speculative and unsettling political visions of American society. The article considers the issues, events, and ideology represented in these programs in the early 1960s as the nation gradually slid from global Cold War into a hot war in Vietnam. A marked
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Popescu, Veronica Tatiana. "Dictatorship, Machismo, and the Cuban Exile Drama in a Tragicomic Mode: Cristina García’s King of Cuba." Studia Universitatis Babeș-Bolyai Philologia 66, no. 2 (2021): 127–42. http://dx.doi.org/10.24193/subbphilo.2021.2.09.

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"Dictatorship, Machismo, and the Cuban Exile Drama in a Tragicomic Mode: Cristina García’s King of Cuba. Three years before the death of Fidel Castro, Cuban American author Cristina García published a fictional account of the Cuban dictator’s death in a darkly funny and sentimental story of intertwined destinies, ironies of fate, machismo, failure and suffering. With El Comandante and a fellow octogenarian émigré as protagonists, García launches into a fictional exploration of Cuban masculinity, machismo, the dictator’s fate, vanity, and failure. Written in what I will argue is a tragicomic mo
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Grigore, Rodica. "Guillermo Cabrera Infante and the Meanings of Literature." Theory in Action 15, no. 1 (2022): 79–88. http://dx.doi.org/10.3798/tia.1937-0237.2205.

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Unanimously considered one of the greatest Latin American writers of the entire 20th century, the Cuban Guillermo Cabrera Infante is also the author who, despite his tendency to ignore the pattern of traditional fiction, also succeeds in establishing a new type of connection to the great tradition of world literature, following the steps of Miguel de Cervantes and, up to a certain point, symbolically going back to the celebrated model of Don Quixote. Cabrera Infante’s masterpiece, Three Trapped Tigers (Tres tristes tigres, 1965) thus questions the place and meanings of literature itself in the
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Uxo, Carlos. "Helen OakleyFrom Revolution to Migration: A Study of Contemporary Cuban and Cuban-American Crime Fiction. Oxford: Peter Lang, 2012. xiv + 186 pp. (Paper US$53.95)." New West Indian Guide 88, no. 1-2 (2014): 199–201. http://dx.doi.org/10.1163/22134360-08801050.

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Dissertations / Theses on the topic "Cuban Americans in fiction"

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Rincon, Diego. "CUBAN JAM SESSIONS IN MINIATURE: A NOVEL IN TRACKS." Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2774.

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This is the collection of a novel, Cuban Jam Sessions in Miniature: A Novel in Tracks, and an embedded short story, "Shred Me Like the Cheese You Use to Make Buñuelos." The novel tells the story of Palomino Mondragón, a Colombian mercenary who has arrived in New York after losing his leg to a mortar in Korea. Reclusive, obsessive and passionate, Palomino has reinvented himself as a mambo musician and has fallen in love with Etiwanda, a dancer at the nightclub in which he plays--but he cannot bring himself to declare his love to her. His life changes when he is deported from the United States a
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Ramos, Luis Osvaldo. "Tiny Cuba." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1482.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Humanities<br>English
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Wilkinson, Stephen. "Detective fiction in Cuban society and culture." Thesis, Queen Mary, University of London, 2000. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1671.

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The object of this thesis is to reach towards an understanding of Cuban society through a study of its detective fiction and more particularly contemporary Cuban society through the novels of the author and critic, Leonardo Padura Fuentes. The method has been to trace the development of Cuban detective writing and to read Padura Fuentes in the light of the work of twentieth century Western European literary critics and philosophers including Raymond Williams, Antonio Gramsci, Terry Eagleton, Roland Barthes, Jean Paul Sartre, Michel Foucault, Jean François Lyotard and Jean Baudrillard in order
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Rincon, Diego A. "Cuban jam sessions in miniature a novel in tracks /." Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002627.

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Lohmeier, Christine. "Migrant communication : Cuban-Americans and the media in Miami, FL." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2698/.

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This thesis examines an exile community’s relation to media. In particular, it focuses on the case of the Cuban-American community and English- as well as Spanish-language media based in Miami, FL. Following the revolution under Fidel Castro in 1959, Miami developed into the capital of the Cuban exile. Over the past decades, the Cuban-American community formed a nucleus which attracted further migration from South America and the Caribbean. The incoming migrants contributed to turning Miami into a flourishing economic urban space. Furthermore, the Cuban-American community was a vital player in
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Current, Cheris Brewer. "Expanding the "exile model" : race, gender, resettlement, and Cuban-American identity, 1959-1979." Online access for everyone, 2007. http://www.dissertations.wsu.edu/Dissertations/Spring2007/c_current_043007.pdf.

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Ferro, Richard. "Perceptions of discrimination : Cubans in the Pacific Northwest /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/6574.

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Guevara, Gema Rosa. "Founding discourses of Cuban nationalism : la patria, blanqueamiento and la raza de color /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9963651.

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Garcia, Licet. "Cuba i+real: Singularidades de lo Fantástico y la Ciencia Ficción en la Cuba Contemporánea." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3885.

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Ever since the triumph of the Revolution in 1959, Cuba has witnessed an unprecedented productive boom in the genres of science fiction and the fantastic. A large number of the literary and cinematic works that have surfaced during the last half-century attempt to replace and ultimately reify motifs and scenarios appropriated from the various science fiction and fantastic narratives in world literature and have generated alternative or imagined settings that challenge extant sociopolitical realities and certainties of the island. My dissertation, “Cuba i+Real: singularidades de lo fantástico y
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Peate, Ailsa Miriam. "Subversive sex, gender, and genre in Cuban and Mexican detective fiction." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3009104/.

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This thesis engages with the concepts of sex, gender, and genre in relation to detective fiction produced in Cuba and Mexico. In order to do so, it focuses on a total of 4 novels from two Cuban authors and 5 novels from Mexican writers as case studies to question and consider the extent to which cultural production from each country should be considered original in its own right. After considering both countries' socio-political backgrounds and their attitudes towards gender roles, this research suggests that Cuban detective fiction from a post-Soviet era demonstrates preoccupations with neoli
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Books on the topic "Cuban Americans in fiction"

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García, Cristina. The Agüero sisters. Knopf, 1997.

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García, Cristina. Las hermanas Agüero. Thorndike Press, 2002.

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García, Cristina. The Aguero sisters. Ballantine Publishing Group, 1998.

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McKinney, Mel. Where there's smoke. Thomas Dunne Books, 1999.

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Suárez, Virgil. Latin jazz. Louisiana State University Press, 2002.

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Suárez, Virgil, and Virgil Suárez. Latin jazz. W. Morrow, 1989.

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García, Cristina. Dreaming in Cuban. Knopf, 1992.

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Hijuelos, Oscar. La emperatriz de mis sueños. Plaza & Janés Editores, 2001.

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García, Cristina. Dreaming in Cuban: A novel. Ballantine Books, 1992.

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Suárez, Virgil. Havana Thursdays: A novel. Arte Público Press, 1995.

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Book chapters on the topic "Cuban Americans in fiction"

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Maguire, Emily A. "Islands in the Slipstream: Diasporic Allegories in Cuban Science Fiction since the Special Period." In Latin American Science Fiction. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137312778_2.

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Anderson, Alexandra. "Cuban Documentary: Synergy and Its Discontents." In Visual Synergies in Fiction and Documentary Film from Latin America. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230622159_4.

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Robbins, Dylon. "On the Margins of Reality: Fiction, Documentary, and Marginal Subjectivity in Three Early Cuban Revolutionary Films." In Visual Synergies in Fiction and Documentary Film from Latin America. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230622159_3.

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Huang, Betsy. "Introduction: “Generic” Asian Americans?" In Contesting Genres in Contemporary Asian American Fiction. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230117327_1.

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Hallissy, Margaret. "What Americans Know and How They Know It: Song." In Reading Irish-American Fiction. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983275_3.

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Hallissy, Margaret. "What Americans Know and How They Know It: Story." In Reading Irish-American Fiction. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983275_4.

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Thomas, Steven W. "Cinematic slavery." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2025. https://doi.org/10.1075/chlel.37.13tho.

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Abstract This chapter is a transnational genealogy of how dramatic, fictional movies and television shows from 1903 to 2020 have represented transatlantic slavery. It highlights lesser-known movies by comparing hegemonic Hollywood productions to marginalized and counter-hegemonic film industries. This history of representation is organized into seven heuristic categories: (1) plantation dramas before World War II alongside adaptations of Uncle Tom’s Cabin, (2) African-American interventions in the 1920s and 30s, (3) Hollywood’s attempt at integration in response to the Civil Rights movement, (
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Castellanos, Jeanett, and Alberta M. Gloria. "Cuban Americans: From Golden Exiles to Dusty Feet—Freedom, Hope, Endurance, and the American Dream." In International and Cultural Psychology. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95738-8_5.

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"Rewriting History in Female Fiction." In Photographic Ekphrasis in Cuban-American Fiction. Brill | Rodopi, 2018. http://dx.doi.org/10.1163/9789004366381_005.

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"Introduction." In Photographic Ekphrasis in Cuban-American Fiction. Brill | Rodopi, 2018. http://dx.doi.org/10.1163/9789004366381_002.

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Conference papers on the topic "Cuban Americans in fiction"

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Madinabeitia, Monika. "Frank Bergon’s Fiction: From Black to White." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8455.

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Frank Bergon’s Fiction: From Black To White Basco. That is the how Basque Americans in the US West are referred to nowadays. Basque Americans enjoy not only the acceptance, but rather the fascination of the Ame-rican community. However, it was not always so. For decades Basque Americans were derisively called Black Bascos. Basque children were frequently picked on at schools or playgrounds. Adults were often ruthlessly rejected by the mainstream and were given jobs that no one else wanted, such as sheep herding. The aim of this presentation is to analyse how the term Basco has shifted from bei
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PESHKOV, D. I. "THE MAIN ASPECTS OF THE LATIN AMERICAN WORLDVIEW IN THE NOVELS OF ALEJO CARPENTIER “THE KINGDOM OF THE EARTH”, “LOST TRACKS” AND “THE AGE OF ENLIGHTENMENT”." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_328.

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This article will focus on how the novels of Alejo Carpentier “The Kingdom of the Earth”, “Lost Tracks”, “The Age of Enlightenment” revealed the main aspects of the Latin American worldview. Despite the fact that the original aspects of Latin American literature appeared already in the XVII century, the first attempts to comprehend the key features of the Latin American world appeared already in the twentieth century. The first structured cultural concept of Latin America was created by the Cuban writer Alejo Carpentier. To understand the Latin American worldview, he introduced the concept of
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Zaberezhnaia, Olga A., and Grigory O. Misochko. "Perception of Foreigners in Contemporary Japan." In ВОСТОК-ФОКУС: актуальные вопросы изучения истории, международ ных отношений и культур стран Востока: материалы VII Международной научно-практической конференции. IPC NSU, 2024. https://doi.org/10.25205/978-5-4437-1701-2-24.

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The article explores the perception of foreigners in modern Japan based on the analysis of statistical data and academic literature. Since the late 20th century, the number of foreigners in the country has been increasing, and their composition has become more diverse. Although most migrants come from Asian countries, public focus is largely on Europeans and Americans, who have traditionally been viewed more positively. The presence of foreigners has become a part of everyday life; however, the process of their full integration into Japanese society is not yet complete. Special attention is gi
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Keo, Peter. "Fiction, Not Facts: An Exploration of How Asian Americans Are "Wedged" Between Whites and Racial Minorities in Education Research: A Qualitative Meta-Analysis." In 2019 AERA Annual Meeting. AERA, 2019. http://dx.doi.org/10.3102/1438559.

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Reports on the topic "Cuban Americans in fiction"

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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by
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