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Journal articles on the topic 'Cuban Americans in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Shkilev, Roman Evgen'evich. "AUTOBIOGRAPHICAL FEATURES IN THE CUBAN-AMERICAN FICTION." Philological Sciences. Issues of Theory and Practice, no. 11 (November 2019): 146–49. http://dx.doi.org/10.30853/filnauki.2019.11.32.

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2

Alvarez-Borland, Isabel. "Displacements and Autobiography in Cuban-American Fiction." World Literature Today 68, no. 1 (1994): 43. http://dx.doi.org/10.2307/40149843.

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3

González, Aníbal. "La ciencia ficción latinoamericana y el arte del anacronismo: "Otra" ciencia ficción es posible." Revista de Estudios Hispánicos 58, no. 1 (2024): 145–61. http://dx.doi.org/10.1353/rvs.2024.a931923.

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Abstract: This essay seeks to establish a broader conceptual framework for studying the historical development of Latin American science fiction and its recent turn—in a genre usually focused on other times and worlds—to references to the past and present of Latin American history and culture. Valuable current studies of Latin American science fiction have been devoted primarily to the history of the genre itself and to tropes that have recurred in certain periods of the development of Latin American science fiction, such as cyborgs, androids, and zombies. Few have been devoted to the issues a

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4

Grigore, Rodica. "Urban Space and Memory Space in Guillermo Cabrera Infante’s Fiction." SAECULUM 56, no. 2 (2023): 39–48. http://dx.doi.org/10.2478/saec-2023-0016.

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Abstract Guillermo Cabrera Infante’s masterpiece Three Trapped Tigers (1965) ignores all details of traditional chronology and should be interpreted as an exquisite artistic form of Latin American “neo-baroque” which characterizes its Cuban author’s style. Havana, the capital and the center of interest within this book, thus becomes an intricate labyrinth which expresses the complexity of human life in a given political and social context, but also illustrates the textual choice of a unique writer determined to ignore all previous patterns of literary representation and expression. The metapho

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5

Jiménez, Mónica Fernández. "The problematic of identity-memory in the Cuban-American fiction of Cristina García and Achy Obejas." Complutense Journal of English Studies 29 (November 15, 2021): 93–102. http://dx.doi.org/10.5209/cjes.66188.

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Cuban-American authors Cristina García and Achy Obejas denote in their fictional works concerns regarding the fragmented memory of second-generation Cuban-American immigrants. Owing to the turbulent political origin of this exiled community, the characters of these works have identity conflicts related to the difficulty of accessing the historical memory of their ancestors’ land and community. However, as the narratives progress, the source of these conflicts proves to be the nationalist approach to identification which they end up challenging by relating themselves to history, memory, and ide

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6

Saint-Loubert, Laëtitia. "Variable Frames: Women Translating Cuban and (Afro-) Brazilian Women Writers for the French Literary Market." Mutatis Mutandis. Revista Latinoamericana de Traducción 13, no. 2 (2020): 401–20. http://dx.doi.org/10.17533/udea.mut.v13n2a10.

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This article seeks to examine how contemporary works of fiction and non-fiction by women from Cuba and Brazil are translated and marketed for Francophone readers. It will focus on Wendy Guerra’s novels, translated into French by Marianne Millon, and on contemporary Brazilian (non) fiction translated into French by Paula Anacaona, the head of Anacaona Éditions, a publishing outlet specialized in Brazilian literature for Francophone readers. The contribution will start with a brief presentation of the French publishing sector and some of the recurring patterns observed in what is often labeled

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7

Worland, Rick. "Sign-Posts Up Ahead: The Twilight Zone, The Outer Limits, and TV Political Fantasy 1959-1965." Science Fiction Studies 23, Part 1 (1996): 103–22. https://doi.org/10.1525/sfs.23.1.0103.

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The historical and political implications of the science-fiction/fantasy anthology television series The Twilight Zone (1959-64) and The Outer Limits (1963-65) in the Kennedy era are considered. Science fiction is usually a politically reverberant genre, frequently given to social allegory. These two fondly remembered programs often presented speculative and unsettling political visions of American society. The article considers the issues, events, and ideology represented in these programs in the early 1960s as the nation gradually slid from global Cold War into a hot war in Vietnam. A marked

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8

Popescu, Veronica Tatiana. "Dictatorship, Machismo, and the Cuban Exile Drama in a Tragicomic Mode: Cristina García’s King of Cuba." Studia Universitatis Babeș-Bolyai Philologia 66, no. 2 (2021): 127–42. http://dx.doi.org/10.24193/subbphilo.2021.2.09.

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"Dictatorship, Machismo, and the Cuban Exile Drama in a Tragicomic Mode: Cristina García’s King of Cuba. Three years before the death of Fidel Castro, Cuban American author Cristina García published a fictional account of the Cuban dictator’s death in a darkly funny and sentimental story of intertwined destinies, ironies of fate, machismo, failure and suffering. With El Comandante and a fellow octogenarian émigré as protagonists, García launches into a fictional exploration of Cuban masculinity, machismo, the dictator’s fate, vanity, and failure. Written in what I will argue is a tragicomic mo

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9

Grigore, Rodica. "Guillermo Cabrera Infante and the Meanings of Literature." Theory in Action 15, no. 1 (2022): 79–88. http://dx.doi.org/10.3798/tia.1937-0237.2205.

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Unanimously considered one of the greatest Latin American writers of the entire 20th century, the Cuban Guillermo Cabrera Infante is also the author who, despite his tendency to ignore the pattern of traditional fiction, also succeeds in establishing a new type of connection to the great tradition of world literature, following the steps of Miguel de Cervantes and, up to a certain point, symbolically going back to the celebrated model of Don Quixote. Cabrera Infante’s masterpiece, Three Trapped Tigers (Tres tristes tigres, 1965) thus questions the place and meanings of literature itself in the

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10

Uxo, Carlos. "Helen OakleyFrom Revolution to Migration: A Study of Contemporary Cuban and Cuban-American Crime Fiction. Oxford: Peter Lang, 2012. xiv + 186 pp. (Paper US$53.95)." New West Indian Guide 88, no. 1-2 (2014): 199–201. http://dx.doi.org/10.1163/22134360-08801050.

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11

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 73, no. 3-4 (1999): 111–73. http://dx.doi.org/10.1163/13822373-90002582.

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-Michael D. Olien, Edmund T. Gordon, Disparate Diasporas: Identity and politics in an African-Nicaraguan community.Austin: University of Texas Press, 1998. xiv + 330 pp.-Donald Cosentino, Margarite Fernández Olmos ,Sacred possessions: Vodou, Santería, Obeah, and the Caribbean. New Brunswick NJ: Rutgers University Press, 1997. viii + 312 pp., Lizabeth Paravisini-Gebert (eds)-John P. Homiak, Lorna McDaniel, The big drum ritual of Carriacou: Praisesongs in rememory of flight. Gainesville: University Press of Florida, 1998. xiv + 198 pp.-Julian Gerstin, Gerdès Fleurant, Dancing spirits: Rhythms an

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12

Montes-Alcalá, Cecilia. "Code-switching in US Latino literature: The role of biculturalism." Language and Literature: International Journal of Stylistics 24, no. 3 (2015): 264–81. http://dx.doi.org/10.1177/0963947015585224.

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While mixing languages in natural speech production has often been inaccurately ascribed to illiteracy or lack of linguistic competence, doing so in writing is a long-standing practice in bilingual literature. This practice may fulfill stylistic or aesthetic purposes, be a source of credibility and/or communicate biculturalism, humor, criticism, and ethnicity, among other functions. Here, I analyze a selection of contemporary Spanish–English bilingual literature (poetry, drama, and fiction) written by Mexican American, Nuyorican, and Cuban American authors focusing on the types, and significan

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13

Heffernan, Niall. "Game theory and why logic may not be very “Logical.”." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2011 (January 1, 2011): 88–92. http://dx.doi.org/10.33178/boolean.2011.20.

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At the end of Stanley Kubrick's masterpiece Dr Strangelove: Or How I Learned to Stop Worrying and Love the Bomb, Major 'King' Kong rides the nuclear bomb to oblivion. The chosen few deep underground in the American War Room have ascertained that the Soviet's “Doomsday Machine” will automatically retaliate and enshroud the earth in a cloud of radioactive material for 100 years. The pristine logic of the Cold War that culminated in Kong riding the bomb in the film, and brought the world to the edge of oblivion with the Cuban Missile Crisis of 1962, is based on game theory. Strangelove is the fir

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14

Chancy, M. J. A. "Race, American Literature, and Transnational Modernisms; Nationalism and the Formation of Caribbean Literature; Cuban Currency: The Dollar and "Special Period" Fiction." American Literature 81, no. 3 (2009): 633–35. http://dx.doi.org/10.1215/00029831-2009-036.

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15

Fernández, Rocío. "Bazaar, merchandise and decadence: Antonio José Ponte and Julián del Casal." Anclajes 25, no. 1 (2021): 71–86. http://dx.doi.org/10.19137/anclajes-2021-2516.

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The fascination of Latin American modernism for 19th century French fashion merchandise has been widely addressed in literary theory. Texts filled with diverse cultural materials, textures and objects configured a poetics of the bazaar that became part of a series of strategies through which Latin American literature defined and linked itself to hegemonic aesthetics of the 19th century. The poems and chronicles of Cuban writer Julián del Casal (1863-1893) are no exception; this proliferation of merchandise reveals how the gaze and the images become configured as empty fictions, filled by a cos

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16

HERRERA, RAÚL ROSALES. "Helen Oakley, From Revolution to Migration: A Study of Contemporary Cuban and Cuban-American Crime Fiction (Oxford, Bern, Berlin, Brussels, Frankfurt am Main, New York and Vienna: Peter Lang, 2012, £32.00/€35.00/$53.95). Pp. xiv+186. isbn978 3 03911 021 6." Journal of American Studies 47, no. 3 (2013): 868–69. http://dx.doi.org/10.1017/s0021875813000935.

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17

Narrow, W. E., D. S. Rae, E. K. Mościcki, B. Z. Locke, and D. A. Regier. "Depression among Cuban Americans." Social Psychiatry and Psychiatric Epidemiology 25, no. 5 (1990): 260–68. http://dx.doi.org/10.1007/bf00788647.

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18

Angulo-Cano, Yanira. "Cuban-Americans and the Autobiography." Latin Americanist 53, no. 1 (2009): 159–73. http://dx.doi.org/10.1111/j.1557-203x.2009.01009.x.

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19

Angulo-Cano, Yanira. "Cuban-Americans and the Autobiography." Latin Americanist 53, no. 1 (2009): 159–73. http://dx.doi.org/10.1353/tla.2009.a706393.

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20

Juan-Navarro, Santiago. "Nación, mito e historia: La guerra hispano-cubano-norteamericana en el cine." Revista de Humanidades, no. 37 (July 17, 2019): 179. http://dx.doi.org/10.5944/rdh.37.2019.21485.

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Resumen: El presente ensayo estudia desde una perspectiva comparada las representaciones de la Guerra hispano-cubano-norteamericana en el cine de ficción y no ficción y su trascendencia en la construcción de imaginarios nacionales basados en relaciones de dominación y resistencia. Si el cine norteamericano ha representado la contienda como la confirmación de su Destino Manifiesto y su proyección internacional, en el caso español ha dado lugar a visiones que oscilan entre las nostalgias imperiales del cine franquista y el revisionismo histórico de finales del siglo XX. El cine cubano, por su pa

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21

Mohl, Raymond A., James S. Olson, and Judith E. Olson. "Cuban Americans: From Trauma to Triumph." Journal of Southern History 62, no. 4 (1996): 849. http://dx.doi.org/10.2307/2211196.

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22

Bishin, Benjamin G., and Casey A. Klofstad. "The Political Incorporation of Cuban Americans." Political Research Quarterly 65, no. 3 (2011): 586–99. http://dx.doi.org/10.1177/1065912911414589.

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23

Pino, Julio Cesar, James S. Olson, Judith E. Olson, and Gustavo Perez Firmat. "Cuban Americans: From Trauma to Triumph." Hispanic American Historical Review 77, no. 1 (1997): 167. http://dx.doi.org/10.2307/2517131.

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24

Huffman, Fatma G., Joan A. Vaccaro, Gustavo G. Zarini, Daiane Biller, and Zisca Dixon. "Inadequacy of Micronutrients, Fat, and Fiber Consumption in the Diets of Haitian-, African- and Cuban-Americans with and without Type 2 Diabetes." International Journal for Vitamin and Nutrition Research 82, no. 4 (2012): 275–87. http://dx.doi.org/10.1024/0300-9831/a000120.

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Micronutrient insufficiency, low dietary fiber, and high saturated fat intake have been associated with chronic diseases. Micronutrient insufficiencies may exacerbate poor health outcomes for persons with type 2 diabetes and minority status. We examined dietary intakes using the Recommended Dietary Allowances (RDAs) of micronutrients, and Adequate Intakes (AIs) of fiber, and Dietary Guidelines for Americans (DGA) for saturated fat in Haitian-, African-, and Cuban- Americans (n = 868), approximately half of each group with type 2 diabetes. Insufficient intakes of vitamins D and E and calcium we

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25

Khan, Laura Kettel, and Reynaldo Martorell. "Diet diversity in Mexican Americans, Cuban Americans and Puerto Ricans." Ecology of Food and Nutrition 36, no. 5 (1997): 401–15. http://dx.doi.org/10.1080/03670244.1997.9991527.

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26

Smith, Verity, and Mirta Yanez. "Cubana: Contemporary Fiction by Cuban Women." Modern Language Review 94, no. 2 (1999): 580. http://dx.doi.org/10.2307/3737206.

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27

Riess, Barbara D., Mirta Yáñez, Trad Dick Cluster, and Cindy Schuster. "Cubana: Contemporary Fiction by Cuban Women." Chasqui 27, no. 2 (1998): 137. http://dx.doi.org/10.2307/29741449.

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28

Burroughs Peña, Melissa S., Dhaval Patel, Delfin Rodríguez Leyva, Bobby V. Khan, and Laurence Sperling. "Lifestyle Risk Factors and Cardiovascular Disease in Cubans and Cuban Americans." Cardiology Research and Practice 2012 (2012): 1–6. http://dx.doi.org/10.1155/2012/470705.

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Cardiovascular disease is the leading cause of mortality in Cuba. Lifestyle risk factors for coronary heart disease (CHD) in Cubans have not been compared to risk factors in Cuban Americans. Articles spanning the last 20 years were reviewed. The data on Cuban Americans are largely based on the Hispanic Health and Nutrition Examination Survey (HHANES), 1982–1984, while more recent data on epidemiological trends in Cuba are available. The prevalence of obesity and type 2 diabetes mellitus remains greater in Cuban Americans than in Cubans. However, dietary preferences, low physical activity, and

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29

Cuevas, Heather E., and Sharon A. Brown. "Self-Management Decision Making of Cuban Americans With Type 2 Diabetes." Journal of Transcultural Nursing 29, no. 3 (2017): 222–28. http://dx.doi.org/10.1177/1043659617696977.

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Purpose: Although researchers have studied how individuals manage type 2 diabetes, none have examined how Cuban Americans do so. This article explores how Cuban Americans make self-management choices and examines whether an empowerment framework is viable for informing interventions. Design: A qualitative descriptive study was conducted ( n = 20) with Cuban Americans with type 2 diabetes. Individual interviews were analyzed with content analysis. Results: Motivation and temporal factors, such as knowledge of symptoms and the ability to plan ahead, positively affect self-management. Cultural fa

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30

Moilanen, Kristin L., and Marcela Raffaelli. "Support and conflict in ethnically diverse young adults’ relationships with parents and friends." International Journal of Behavioral Development 34, no. 1 (2009): 46–52. http://dx.doi.org/10.1177/0165025409348553.

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We examined support and conflict with parents and close friends in a sample of ethnically diverse young adults (European-, Asian-, Cuban-, Latin-, and Mexican Americans). College students ( N = 495) completed six subscales from the Network of Relationships Inventory (NRI; Furman & Buhrmester, 1985). Friends were rated higher than parents on global support by Asian- and European Americans, but not by the three Latino groups. Regardless of ethnic group, friends and parents provided different types of support, and conflict with parents was more frequent than conflict with friends. No differen

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31

DeSipio, Louis, and James Richard Henson. "Cuban Americans, Latinos, and the Print Media." Harvard International Journal of Press/Politics 2, no. 3 (1997): 52–70. http://dx.doi.org/10.1177/1081180x97002003005.

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32

Greenbaum, Susan D. ": Cuban Americans: Masters of Survival . Jose Llanes." American Anthropologist 87, no. 2 (1985): 461. http://dx.doi.org/10.1525/aa.1985.87.2.02a00670.

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33

Altarriba, Jeanette, and Lisa M. Bauer. "Counseling the Hispanic Client: Cuban Americans, Mexican Americans, and Puerto Ricans." Journal of Counseling & Development 76, no. 4 (1998): 389–96. http://dx.doi.org/10.1002/j.1556-6676.1998.tb02697.x.

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34

Jones-Correa, Michel, and Maria Cristina Garcia. "Havana USA: Cuban Exiles and Cuban Americans in South Florida, 1959-1994." International Migration Review 31, no. 3 (1997): 742. http://dx.doi.org/10.2307/2547302.

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35

Johnson, Sherry, and Maria Cristina Garcia. "Havana USA: Cuban Exiles and Cuban Americans in South Florida, 1959-1994." Journal of Southern History 63, no. 2 (1997): 449. http://dx.doi.org/10.2307/2211347.

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36

Williams, John Hoyt. "Havana USA: Cuban Exiles and Cuban Americans in South Florida, 1959–1994." History: Reviews of New Books 25, no. 1 (1996): 16. http://dx.doi.org/10.1080/03612759.1996.9952584.

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37

Maxwell, Kenneth, and María Cristina García. "Havana USA: Cuban Exiles and Cuban Americans in South Florida, 1959-1994." Foreign Affairs 75, no. 4 (1996): 151. http://dx.doi.org/10.2307/20047698.

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38

Garcia, Richard A., and Maria Cristina Garcia. "Havana USA: Cuban Exiles and Cuban Americans in South Florida, 1959-1994." American Historical Review 103, no. 3 (1998): 1002. http://dx.doi.org/10.2307/2650747.

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39

Mormino, Gary R., and Maria Cristina Garcia. "Havana USA: Cuban Exiles and Cuban Americans in South Florida, 1959-1994." Journal of American History 84, no. 2 (1997): 733. http://dx.doi.org/10.2307/2952713.

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40

Gómez-de-Tejada, Jesús. "Parodia, intertextualidad y sátira en la narrativa policial de Lorenzo Lunar Cardedo." Studia Romanica Posnaniensia 47, no. 1 (2020): 5–17. http://dx.doi.org/10.14746/strop.2020.471.001.

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Detective fiction as parodic reformulation of genre’s defining patterns has a long history in the Latin American tradition: Borges, Bioy Casares, Soriano, Levrero, Ibargüengoitia, etc. Besides, the evolution of Latin American detective genre has always been characterized by a progressive focalization in the social aspects over the detective story line which has served as a mask to depict in a critical way the flaws of the region’s societies and governments. In nowadays Cuba it could be highlighted the crime narrative of parodic slant by Lorenzo Lunar Cardedo. Among the major features of Lunar

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41

Benson, Devyn Spence. "Cuba Calls: African American Tourism, Race, and the Cuban Revolution, 1959–1961." Hispanic American Historical Review 93, no. 2 (2013): 239–71. http://dx.doi.org/10.1215/00182168-2077144.

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Abstract This essay explores the role that conversations about race and racism played in forming a partnership between an African American public relations firm and the Cuban National Tourist Institute (INIT) in 1960, just one year after Fidel Castro’s victory over Fulgencio Batista. The article highlights how Cuban revolutionary leaders, Afro-Cubans, and African Americans exploited temporary transnational relationships to fight local battles. Claiming that the Cuban Revolution had eliminated racial discrimination, INIT invited world champion boxer Joe Louis and 50 other African Americans to t

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42

BÁEZ, ANA. "Cuban Realism, or the Novel as a Democratic Fiction: Abilio Estévez’s Los palacios distantes." Bulletin of Hispanic Studies 97, no. 10 (2020): 1095–112. http://dx.doi.org/10.3828/bhs.2020.18.

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In the last decades, attention to post-Soviet Cuban fiction has often intimated that this body of literature is the aesthetic counterpart to socialism’s exhaustion and that its narrative is likely to follow a telos of disenchantment. This article argues that counter to such a paradigm and in the wake of the Special Period, Cuban fiction registers the formation of new subjectivities as it opens a space for a new politics through a non-mimetic form of realism that points to writing’s democratic capacity. Taking as an example Abilio Estévez’s 2002 novel Los palacios distantes, this article points

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43

Ferrer, Ada, and Lorna Valerie Williams. "The Representation of Slavery in Cuban Fiction." Hispanic American Historical Review 75, no. 4 (1995): 673. http://dx.doi.org/10.2307/2518061.

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44

Rodriguez-Luis, Julio, and Lorna Valerie Williams. "The Representation of Slavery in Cuban Fiction." Hispanic Review 64, no. 2 (1996): 295. http://dx.doi.org/10.2307/474669.

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45

DAVIES, CATHERINE. "Recent Cuban Fiction Films: Identification, Interpretation, Disorder." Bulletin of Latin American Research 15, no. 2 (1996): 177–92. http://dx.doi.org/10.1111/j.1470-9856.1996.tb00029.x.

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46

Jimenez, Luis A., and Lorna Valerie Williams. "The Representation of Slavery in Cuban Fiction." Hispania 78, no. 4 (1995): 811. http://dx.doi.org/10.2307/345148.

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47

Ferrer, Ada. "The Representation of Slavery in Cuban Fiction." Hispanic American Historical Review 75, no. 4 (1995): 673–74. http://dx.doi.org/10.1215/00182168-75.4.673.

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48

Torres, Vasti. "The diversity among us: Puerto Ricans, Cuban Americans, Caribbean Americans, and Central and South Americans." New Directions for Student Services 2004, no. 105 (2004): 5–16. http://dx.doi.org/10.1002/ss.112.

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49

Pino, Julio César. "Cuban Americans: From Trauma to TriumphLife on the Hyphen: The Cuban-American Way." Hispanic American Historical Review 77, no. 1 (1997): 167–69. http://dx.doi.org/10.1215/00182168-77.1.167.

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50

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 1-2 (2007): 101–62. http://dx.doi.org/10.1163/22134360-90002479.

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Frederick H. Smith; Caribbean Rum: A Social and Economic History (Franklin W. Knight)Stephan Palmié; Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition (Julie Skurski)Miguel A. De la Torre; The Quest for the Cuban Christ: A Historical Search (Fernando Picó)L. Antonio Curet, Shannon Lee Dawdy & Gabino La Rosa Corzo (eds.); Dialogues in Cuban Archaeology (David M. Pendergast)Jill Lane; Blackface Cuba, 1840-1895 (Arthur Knight)Hal Klepak; Cuba’s Military 1990-2005: Revolutionary Soldiers during Counter-Revolutionary Times (Antoni Kapcia)Lydia Chávez (ed.); Capitalism,

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