Academic literature on the topic 'Cuban poets'

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Journal articles on the topic "Cuban poets"

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Manresa González, Carlos. "Rimas en libertad: apuntes para un estudio de la rima libre o mezclada en la poesía cubana contemporánea." Rhythmica. Revista Española de Métrica Comparada, no. 16 (February 20, 2019): 113. http://dx.doi.org/10.5944/rhythmica.23925.

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La mezcla de rima asonante y consonante, conevidentes fi nes estilísticos y de manera sistemática, es unrecurso poco frecuente en la poesía hispana contemporánea.El siguiente trabajo describe la existencia de varios casosde poetas cubanos contemporáneos que han empleado consistematicidad la mezcla de rimas asonante y consonante.Se utiliza el concepto de rima libre para referirnos a la mezclade ambas rimas. Primero, se revisa la bibliografía sobremétrica y se determina qué establecen las obras de métricahispana recientes como normativa. En segundo lugar, semencionan algunos casos de poetas cuba
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Burge, Daniel J. "A Delayed Revenge: “Yellow Journalism” and the Long Quest for Cuba, 1851–1898." Journal of the Gilded Age and Progressive Era 22, no. 3 (2023): 243–59. http://dx.doi.org/10.1017/s1537781423000038.

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AbstractHistorians have long been intrigued by the role that the press played in McKinley’s decision to intervene in Cuba in 1898. Most, however, have focused their attention on the decade of the 1890s, ignoring the long history of interventionism aimed at Cuba. This essay uses the story of William L. Crittenden to explore the many instances where interventionists tried (and failed) to drum up support for Cuban intervention. Crittenden was executed by the Spanish in 1851 after a failed filibuster raid. Over the next four decades, interventionists wrote newspaper accounts, held boisterous publi
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Davies, Catherine. "Writing the African subject: The work of two Cuban women poets." Women: A Cultural Review 4, no. 1 (1993): 32–48. http://dx.doi.org/10.1080/09574049308578144.

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Ruiz Pérez, Ángel. "Tradición clásica y mitos en la poesía cubana del siglo XIX." Fortunatae. Revista Canaria de Filología, Cultura y Humanidades Clásicas, no. 32 (2020): 683–94. http://dx.doi.org/10.25145/j.fortunat.2020.32.44.

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Study of myths and motifs of classical antiquity in the poetry of some important Cuban poets of the 19th century (José María Heredia, Juan Clemente Zenea, Enrique José Varona Julián del Casal and especially José Martí). The importance of art as a subject and as a way of connecting with the ancient world and above all, the centrality of political issues are key aspects that explain the repeated presence of Prometheus and Laocoon
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Zapata-Calle, Ana. "El discurso desincretizador y womanista de Georgina Herrera: hacia una descolonización de la espiritualidad de la mujer negra cubana." Cuestiones de género: de la igualdad y la diferencia, no. 12 (June 24, 2017): 79. http://dx.doi.org/10.18002/cg.v0i12.3869.

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<p><strong>Resumen</strong></p><p>El propósito de este artículo es usar la poesía de Georgina Herrera para deconstruir la tradición de la santería que considera la religión yoruba como una ramificación del catolicismo y no como una religión universal. Georgina Herrera refleja en sus poemarios <em>África</em> (2006) y <em>Gatos y liebres o libro de las conciliaciones</em> (2010) el nuevo discurso afro-cubano que apuesta por una heterogeneidad religiosa que emerge en Cuba a finales de los años ochenta. Además, la poeta aboga en su poesía por
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Sousa, Pacelli Dias Alves de. "Omar Pérez: descrição precisa no país da poesia." Magma, no. 15 (December 27, 2019): 335–36. http://dx.doi.org/10.11606/issn.2448-1769.mag.2019.174065.

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Omar Pérez (1964-) é poeta, tradutor e ensaísta. Foi considerado parte da “Generación de los ochenta” em Cuba e apareceu em algumas antologias que marcaram a escrita e a crítica do período – como Poesía cubana de los 80, de Alicia Llarena, e, especialmente, Retrato de grupo, organizado por Carlos Augusto Alfonso, Victor Fowler Calzada, Emilio Garcia Montiel e Antonio José Ponte. Sob a designação de “Generación de los ochenta”, um conjunto de poetas nascidos entre o fim dos anos 1940 e o começo dos anos 1960 se agrupou na azotea da poeta Reina María Rodríguez, em Havana, que Pérez frequentou em
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Cruikshank, Stephen. "CONCRETE IMPRESSIONS: A POETIC VISION OF CUBAN GRAFFITI." TranscUlturAl: A Journal of Translation and Cultural Studies 6, no. 1 (2014): 11. http://dx.doi.org/10.21992/t9t32h.

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For those familiar with the sight of Cuban streets, particularly that of Havana, the photos represented in this series of short poems will not be of surprise seeming as different forms of graffiti seen in words, phrases from famous revolutionaries, or quotations from Cuban patriarchs are a common sight and form of political and ideological expression in Cuban culture. Graffiti in this sense sparks not a feeling of societal rebellion in Cuba, but rather takes a very different place in urban Cuban culture promoting often revolutionary ideologies of the past through historical figures and words p
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Matos Rizo, Ezequiel. "Los “E así se pregone” de Nicolás Guillén." Anales de Literatura Hispanoamericana 51 (March 30, 2023): 247–53. http://dx.doi.org/10.5209/alhi.87860.

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Este trabajo realiza un análisis literario de los tres únicos pregones que escribió y publicó el poeta cubano, Nicolás Guillén, en su vasta producción literaria. De los resultados obtenidos de este estudio destacan los usos y manejos de los recursos literarios que realiza el poeta. Así como, su dominio intelectual de los distintos períodos históricos-culturales de la nación cubana, le sirvieron de base para escribir su pregón polisémico del poemario Sóngoro cosongo y los otros dos pregones del texto prosístico, El Diario que a diario
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Fernández, Rocío. "Bazaar, merchandise and decadence: Antonio José Ponte and Julián del Casal." Anclajes 25, no. 1 (2021): 71–86. http://dx.doi.org/10.19137/anclajes-2021-2516.

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The fascination of Latin American modernism for 19th century French fashion merchandise has been widely addressed in literary theory. Texts filled with diverse cultural materials, textures and objects configured a poetics of the bazaar that became part of a series of strategies through which Latin American literature defined and linked itself to hegemonic aesthetics of the 19th century. The poems and chronicles of Cuban writer Julián del Casal (1863-1893) are no exception; this proliferation of merchandise reveals how the gaze and the images become configured as empty fictions, filled by a cos
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Anderson, Vaughn. "La cosmología de lo neobarroco: La función de la astronomía dentro de la poesía de Severo Sarduy y Haroldo de Campos." El Hilo de la Fabula, no. 18 (November 21, 2018): 147–55. http://dx.doi.org/10.14409/hf.v0i18.7342.

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Al utilizar la ciencia astronómica como una base teórica o armazón conceptual para su poética neobarroca durante los años 70 y 80, el poeta cubano Severo Sarduy y el brasileño Haroldo de Campos participan en una tradición poética que proviene del poeta francés Stéphane Mallarmé, quien usó el concepto de la constelación para caracterizar la tipografía dispersa de su famoso poema experimental, Un Coup de dés (1914). Sin embargo, Sarduy y de Campos aprovechan esta idea de la constelación sólo como punto de partida. Ambos poetas van más allá de la constelación para convertir en poesía varias otras
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Dissertations / Theses on the topic "Cuban poets"

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Ferro, González Vladimir. "Poética del exilio en poetas de la diáspora cubana en México y Chile." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/142661.

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O'Brien, Charleen. "Ports, Prosperity, and Pests: Assessing the Threat of Aquatic Invasive Species Introduced by Maritime Shipping Activity in Cuba." NSUWorks, 2016. http://nsuworks.nova.edu/occ_stuetd/428.

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Aquatic invasive species (AIS) are biological pollutants that cause detrimental ecological, economic, and sociological effects on non-native communities. With increasing globalization through maritime trade, coastal ports are vulnerable to AIS introductions transported by commercial vessels. As Cuba’s Port Mariel becomes a competitive transshipment hub within the Caribbean, it is essential to identify the potential threat that AIS may pose with a likely increase in shipping activity. It is equally important to understand the status of established AIS in Cuba and control measures presently bein
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Manresa, Gonzalez Carlos. "La obediencia rebelde: Roberto Manzano, Rafael Almanza y Jesús David Curbelo, tres poetas contemporáneos ante el canon cubano." Thesis, 2015. http://hdl.handle.net/1866/20453.

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L’objectif de cette thèse de doctorat est de démontrer la valeur des œuvres poétiques des trois auteurs cubains contemporains Roberto Manzano Díaz (1949), Rafael Almanza Alonso (1957) et Jesús David Curbelo (1965). L’œuvre de ces trois poètes a été peu étudiée et diffusée par la critique professionnelle et académique à l’échelle nationale et internationale. Bien que nous ayons abordé des textes poétiques provenant de divers recueils de poèmes publiés par ces poètes entre les années 90 et les deux premières décennies du XXIe siècle, le choix du corpus se concentre sur les livres Synergos (2005)
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Books on the topic "Cuban poets"

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López, Josefina C. La Casa del Poeta: Génesis y proyección. Universidad Católica Andrés Bello, Escuela de Letras, 2000.

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López, Josefina C. La Casa del Poeta: Génesis y proyección. Universidad Católica Andrés Bello, Facultad de Humanidades y Educación, 2000.

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Barba, Jaime. El paraíso de Ariel: Antipoemas. [s.n.], 1987.

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Diego, Eliseo. Cuatro de oros. Editorial Letras Cubanas, 1992.

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Aparicio, Margarita Canseco. Dos poetas mambises. Editorial el Mar y la Montaña, 2002.

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Santana, Joaquín G. Nicolás Guillén, juglar americano: Un poeta por la revolución. Editora Política, 1989.

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Augier, Angel I. Nicolás Guillén: Estudio biográfico-crítico. Unión de Escritores y Artistas de Cuba, 2005.

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Pérez, Tomás González. Delirios y visiones de José Jacinto Milanés. Unión de Escritores y Artistas de Cuba, 1988.

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Jomet, Silvia Padrón. Joaquín Díaz-Marrero: Un guajiro que pensó en décima. Editorial Capiro, 2003.

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Esténger, Rafael. Heredia: La incomprensión de sí mismo. Editorial de Ciencias Sociales, 2003.

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Book chapters on the topic "Cuban poets"

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Mullen, Edward J. "A Specimen of Inedited Cuban Poems." In The Life and Poems of a Cuban Slave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481382_7.

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Mullen, Edward J. "Life of the Negro Poet." In The Life and Poems of a Cuban Slave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481382_5.

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Mullen, Edward J. "Poems, Written in Slavery, by Juan----." In The Life and Poems of a Cuban Slave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481382_6.

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Mullen, Edward J. "Manzano’s Poems in the Original Spanish." In The Life and Poems of a Cuban Slave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481382_9.

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Mullen, Edward J. "Introduction." In The Life and Poems of a Cuban Slave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481382_1.

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Mullen, Edward J. "Preface." In The Life and Poems of a Cuban Slave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481382_2.

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Mullen, Edward J. "The Slave-Trade Merchant; A Poem." In The Life and Poems of a Cuban Slave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481382_3.

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Mullen, Edward J. "The Sugar Estate; A Poem." In The Life and Poems of a Cuban Slave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481382_4.

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Mullen, Edward J. "Appendix." In The Life and Poems of a Cuban Slave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481382_8.

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Viera, Francisco Suárez. "Port of Havana: The Gateway of Cuba, 1850–1920." In Atlantic Ports and the First Globalisation, c. 1850–1930. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137327987_7.

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Conference papers on the topic "Cuban poets"

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Gutiérrez-Bolívar, Oscar, Oscar Gutiérrez-Bolívar, Pedro Fernandez Carrasco, and Pedro Fernandez Carrasco. "SUSTAINABILITY IN THE FUTURE DEVELOPMENT OF THE MARITIME TRANSPORT IN CUBA." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b942a75a4f1.35107491.

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The change in the present conditions and the end of the United States embargo to Cuba is expected that is going to produce a big deal transformation in the whole production system. Cuba as an Island is bound to use the sea as the main way of transportation. That means that a huge increase in the use of the coastal waters as well as in the lands that will be occupied by the new ports facilities. This paper will deal with a modelization of the future development of the maritime transport and the effect that it will cause to the population and the environment. Different scenarios are going to be
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Gutiérrez-Bolívar, Oscar, Oscar Gutiérrez-Bolívar, Pedro Fernandez Carrasco, and Pedro Fernandez Carrasco. "SUSTAINABILITY IN THE FUTURE DEVELOPMENT OF THE MARITIME TRANSPORT IN CUBA." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b431580f414.

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The change in the present conditions and the end of the United States embargo to Cuba is expected that is going to produce a big deal transformation in the whole production system. Cuba as an Island is bound to use the sea as the main way of transportation. That means that a huge increase in the use of the coastal waters as well as in the lands that will be occupied by the new ports facilities. This paper will deal with a modelization of the future development of the maritime transport and the effect that it will cause to the population and the environment. Different scenarios are going to be
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Reports on the topic "Cuban poets"

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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by
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