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Relevant bibliographies by topics / Cult cinema

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Journal articles
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Academic literature on the topic 'Cult cinema'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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Journal articles on the topic "Cult cinema"

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Hills, Matt, and Jamie Sexton. "Cult cinema and technological change." New Review of Film and Television Studies 13, no. 1 (2015): 1–11. http://dx.doi.org/10.1080/17400309.2014.989007.

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Jorge, Marina Soler. "Cinefilia, cult movies e o filme Bastardos inglórios, de Quentin Tarantino." Galáxia (São Paulo) 13, no. 25 (2013): 99–100. http://dx.doi.org/10.1590/s1982-25532013000200009.

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Este artigo tem como objetivo discutir as aproximações entre a cinefilia e os cult movies com base na análise do filme Bastardos inglórios, de Quentin Tarantino (2009). O amor cinéfilo, conforme surge nos anos 1950 a partir da crítica dos Cahiers du Cinéma, legitima filmes que correm à margem do gosto elevado francês e abraça obras até então consideradas menores. Nesse processo, cria uma teoria e uma "política" que colocam um cinema B no rol das manifestações elevadas. O fenômeno dos cult movies também tenta a seu modo legitimar o "mau gosto", dessa vez por meio de práticas sociais que prefere

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Smith, Iain Robert. "Theorising cult cosmopolitanism: the transnational reception of Bollywood as cult cinema." Transnational Cinemas 8, no. 1 (2016): 20–34. http://dx.doi.org/10.1080/20403526.2017.1258160.

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Carluccio, Daniele. "Le cultisme de Philippe Soupault." RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 19, no. 1 (2025): 23–35. https://doi.org/10.51777/relief23691.

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This article aims to rethink Philippe Soupault's attitude towards cinema, literature and the Surrealist group in the light of the notion of cultism. Cultism is first defined as an aesthetic attitude characterized by irrationality, subversion and irony, and historically situated in film criticism and the taste for so-called cult films. This is followed by a review of Soupault's discourse on cinema, particularly during the Surrealist period. Finally, a cultist reinterpretation is offered of the writer's relationship to avant-garde sociality and to Lautréamont's Les Chants de Maldoror, one of the

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Tierney, Dolores. "Mapping Cult Cinema in Latin American Film Cultures." Cinema Journal 54, no. 1 (2014): 129–35. http://dx.doi.org/10.1353/cj.2014.0068.

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Smagina, S. A. "«There Is No Flame, Only Smoke Lingers»: the Image of a Rock Musician in Modern Russian Cinema." Vestnik VGIK 16, no. 2(60) (2024): 80–94. http://dx.doi.org/10.69975/2074-0832-2024-60-2-80-94.

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The article analyzes the image of a rock musician in modern Russian cinema. Having developed a cult status in the mid-80s - early 90s, this kind of character reappeared on the screens in the first decade of the 21st century. One after another, the sequels to the Perestroika hits «2-Assa-2» by S. Solovyov and «The Needle Remix» by R. Nugmanov are released, a number of other notable films featuring this image are produced, but they fail to repeat the success of their predecessors. The author analyzes the cultural codes behind the image of a rock musician in Russian cinema, traces its changes and

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Deka, Violet Barman. "The world of Assamese celluloid: ‘yesterday and today’." CINEJ Cinema Journal 9, no. 1 (2021): 393–423. http://dx.doi.org/10.5195/cinej.2021.358.

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The study explores the entire journey of the Assamese cinema, which means a journey that will narrate many stories from its past and present, furthermore also will try to analyze its future potential. This paper deals with the trends emerging in genres, technical advancement, and visual representation along with a cult that emphasized the commercial success of cinema by toeing the style of Bollywood and world cinema. It explores the new journey of Assamese cinema, which deals with small budgets, realistic approaches, and portraying stories from the native lanes. It also touches upon the phase

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Finnemore, Daniel. "Breaking the Cult of Masculinity –The Other Lamb, Midsommarand Empowerment on Screen." Vol. 5 No. 1 (2024) 5, no. 1 (2024): 1–11. http://dx.doi.org/10.33093/ijcm.2024.5.1.1.

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It is not only cult cinema but also the representation of the ‘cult’ on screen that can provide vital opportunities to de-centre destructive masculinity and ask questions about wider gender power struggles. Female characters that are at the centre of cult cinema, driving the narrative and breaking the rules of masculine control are not a new phenomenon. From Pam Grier’s ferocity in films such as Coffy (1973) and Foxy Brown(1974) to Kurt Russell’s brutal takedown in Tarantino’s Death Proof (2007), cult film has long been a platform for destabilising the notion of traditional gender hierarchies.

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Finnemore, Daniel. "The Caravan Of Hate: The Cautionary Tale of Ben Wheatley’s Sightseers and Alternative Spaces for Masculinity On-Screen." International Journal of Creative Multimedia 4, no. 1 (2023): 58–69. http://dx.doi.org/10.33093/ijcm.2023.4.1.4.

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Ben Wheatley's Sightseers is a brutally violent and darkly comic addition to British cult cinema, satirising British values, habits, and relationships with the humble caravan at the centre of its world. However, Wheatley's third feature warns against the harmful effects of not conforming to masculinity. Performance, recognition, and hegemonic masculinity enter this conversation. This paper critically analyses how Sightseers uses frame, sound, character, and narrative to condemn white, working-class toxic masculinity in a regional context. The true cautionary tale is in the numerous and savage

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Penkala, Ana Paula, and Isadora Ebersol. "O cinema feminino como um retrato de si: o enquadramento feminino em 'Retrato de uma jovem em chamas'." Revista PHILIA | Filosofia, Literatura & Arte 2, no. 2 (2020): 2–36. http://dx.doi.org/10.22456/2596-0911.104018.

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Retrato de uma jovem em chamas, filme de Céline Sciamma, propõe a discussão sobre o “olhar feminino”, tanto na pintura quanto no cinema. O artigo parte da perspectiva dos Estudos Feministas e busca correlações entre o filme e o cânone da literatura, da pintura e do cinema e o sistema patriarcal que lhes dá suporte. Observa como esse cânone instrumentaliza um culto à passividade feminina e sua inscrição enquanto objeto na História, estetizando “a mulher morta” como índice dessa representação. Parte da hipótese de que a imagem da mulher pode ser aprofundada pela narrativa de autoria feminina enq

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Dissertations / Theses on the topic "Cult cinema"

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Smith, Justin T. "Cult films and film cults in British cinema 1968-86." Thesis, University of Portsmouth, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429782.

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Carter, Oliver. "Making European cult-cinema. Fan production in an alternative economy." Thesis, Birmingham City University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.576080.

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This study gives attention to the fan production surrounding European cult cinema, low budget exploitation films often in the horror genre, that engage a high level of cultural commitment and investment from its fans. It addresses wider issues of debate relating to why people are fans and whether they are anything more than obsessive in their consumption of media. The academic study of fandom is relatively a new area, the formative year being 1992 when studies such as Henry Jenkins’ Textual Poachers, Lisa Lewis’ The Adoring Audience and Camille Bacon-Smith’s Enterprising Women approached fando

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Ho, Kin-wai, and 何堅慧. "Cult of the fragmented body: establishing a feminine identity in popular cinema." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952616.

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Ho, Kin-wai. "Cult of the fragmented body : establishing a feminine identity in popular cinema /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22200277.

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Martin, Daniel. "Asia extreme : the marketing and critical reception of cult Asian Cinema in the UK." Thesis, University of East Anglia, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520428.

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This thesis is concerned with the growing Western market for Japanese, Korean and Hong Kong cult film. There is an increasing appetite among audiences and academics for Japanese horror, violent Korean cinema, and postcolonial Hong Kong crime films. However, while the vast majority of academic research on the subject of contemporary Asian cinema is concerned with textual analysis and appreciation of the films, this thesis examines the marketing of these films to determine how and why they have become so visible, and discusses their critical reception in order to explore the changing cultural st

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Draniewicz, Anna B. "Cut off by the 'Iron Curtain'." Thesis, University of Bradford, 2010. http://hdl.handle.net/10454/4927.

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Poland - like other Eastern and Central European countries - was for many years politically, socially and culturally cut off from the Western Europe. Did this have an impact on the representation of Polish cinema in English-language film criticism? Judging by the number of books about Polish cinema as a whole or about Polish directors and their films it would seem that the answer must be negative. However, a closer look at other books about world cinema and especially French cinematography proves that in spite of limited contacts Polish films were widely discussed in English-language liter

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Bono, Sofia <1997&gt. "Culto ancestrale e ritualità nella Cina antica: dai culti primitivi neolitici al ritualismo dei Zhou Occidentali (1045-771 a.C.)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19978.

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Il presente elaborato si propone di esaminare le fasi di sviluppo del culto ancestrale e della ritualità nella Cina antica, caratterizzate da una progressiva perdita di autenticità e spontaneità in favore di un sempre più sterile e vuoto ritualismo. La prima parte verterà sull’evoluzione sociale, politica e religiosa delle popolazioni neolitiche delle Pianure Centrali. Dall’analisi dei complessi cimiteriali, della struttura delle sepolture e dei corredi funebri, si evidenzierà l’evoluzione della venerazione ancestrale dal culto collettivo praticato dall’intera comunità al culto come privilegi

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Desideri, Francesco. "Sperimentazione, assurdo e attrattiva. La serialità animata statunitense contemporanea." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amslaurea.unibo.it/24503/.

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Il presente lavoro propone un'analisi della serialità animata nel contesto delle nuove piattaforme On Demand, mettendo in luce l'evoluzione di questo genere al mutare delle pratiche di fruizione. Inoltre, attraverso esempi puntuali tratti dai titoli più significativi degli ultimi anni, si tenterà di affrontare i caratteri salienti dell'animazione, nel tentativo di ricondurre le moderne spinte stilistiche a precise tendenze produttive, tecniche, artistiche e, soprattutto, socio-culturali. Quest'ultimo aspetto, in particolare, sarà trattato attraverso l'analisi comparata di due casi di studio, l

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Hoek, Lotte Elisabeth. "Cut-pieces : obscenity and the cinema in Bangladesh." Thesis, University of Edinburgh, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.520499.

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Modolo, Elia. "Videogiochi, cinema e narrazione Le cut scene come paratesti." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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I videogiochi sempre più spesso raccontano delle storie, usando gli strumenti che gli sono propri ma anche il linguaggio di media differenti. La loro natura è ibrida, sono testi audiovisivi che racchiudono in sé materiali interattivi e non interattivi di tutti i tipi, dalle immagini ai suoni, per passare a testi scritti e simulazioni motorie. Questa complessità li rende unici nel proprio genere, ma allo stesso tempo simili agli altri media. E il paragone più frequente è quello con il cinema, con cui condivide la natura multimediale. I videogiochi e il cinema sono sempre più legati tra loro nei

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Books on the topic "Cult cinema"

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Mathijs, Ernest, and Jamie Sexton. Cult Cinema. Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396447.

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Mathijs, Ernest, and Jamie Sexton, eds. The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819.

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Senatore, Ignazio. Psycho-cult: Psicodizionario del cinema di genere. Centro scientifico, 2006.

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Weisser, Thomas. Japanese cinema: The essential handbook : featuring Japanese cult cinema since 1955. 5th ed. Vital Books, 2003.

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Ünal, İsmail. Eastern cult film: International Hongkong cinema cult film : Hongkong Eastern Film Buch. MfV, 2006.

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Junior, Ademir Barbosa. Orixás: Cinema, literatura e bate-papos. Anubis, 2015.

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Simon, Wells, ed. Your face here: British cult movies since the sixties. Fourth Estate, 2001.

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Roberto, Chiesi, and Gasparato Antonella, eds. Noio vulevam savuar--: Da Petrolini a Troisi, da Verdone a De Sica, le scene cult del nostro cinema umoristico. Gremese, 2007.

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Gianluigi, Negri, and Tanzi Roberto S, eds. Culti non colti: Guida al cinema sommerso. Falsopiano, 1999.

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Verstraten, Peter. Dutch Post-war Fiction Film through a Lens of Psychoanalysis. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725330.

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Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers’ oeuvre, which spans ‘art’ cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but this idea is put into perspective by using psychoanalytic theories on desire and fantasy. In the vein of cinephilia, this

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Book chapters on the topic "Cult cinema"

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Tabarraee, Babak. "Iranian cult cinema." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-13.

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Andrews, David. "Cult-art cinema." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-5.

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Hantke, Steffen. "Cult horror cinema." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-7.

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Nikdel, E. W. "Cult Fandom and Experiential Cinema." In Cult Media. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63679-5_7.

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Abbott, Stacey. "Cult film – Cult television." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-45.

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Citizen, Robyn. "East Asian cult cinema." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-15.

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Austin-Smith, Brenda. "Cult cinema and gender." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-19.

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Middlemost, Renee. "Cult cinema and nostalgia." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-20.

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Watson, Thomas Joseph. "Transgression in cult cinema." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-22.

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Mendenhall, Julia. "Cult cinema and camp." In The Routledge Companion to Cult Cinema. Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-24.

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Conference papers on the topic "Cult cinema"

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Tipa, Violeta. "The forest as a space of filmic challenges." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.18.

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Th e image of the forest or of the woods is deeply implanted in the spiritual life, becoming for centuries a maternal symbol of our people. In most folk tales, the main characters, on their way to becoming, wander through a thick and dark forest, or the forest itself is the destination point, where the dramatic denouement, an unpredictable meeting or a love idyll will take place. A possible classifi cation of the forest motif in cinematographic art is proposed from the perspective of various artistic functions.Th e works of the researcher-folklorist Vladimir Propp on the structure of folk tale

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"IMAGES OF ANTAGONISTS IN THE RELIGIOUS AND MYTHOLOGICAL REPRESENTATIONS OF THE YAKUTS." In Культура, наука, образование: проблемы и перспективы. Нижневартовский государственный университет, 2021. http://dx.doi.org/10.36906/ksp-2021/36.

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Yakuts in religious beliefs and heroic epics (olonkho) retain the idea of the highest deities of the cult of ayyy, who act in the image and role of positive heroes together with the heroes of the middle world. The main antagonists are evil spirits (abaaahs) and restless souls (uor). They are also an integral part of Yakut traditionalism. The article presents the traditional classification of antagonistic images in religion and the heroic epic as the main components in the representation of the Yakuts (based on the materials of researchers of the XVIII–XX centuries). In modern society, culture

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Chen, Ziyang. "Analysis on the Effect of Meta-cinema Factors on Audience—Taking ONE CUT OF THE DEAD as an Example." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.408.

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Dangi, Shusil, and Cristian A. Linte. "Integrating atlas and graph cut methods for right ventricle blood-pool segmentation from cardiac cine MRI." In SPIE Medical Imaging, edited by Robert J. Webster and Baowei Fei. SPIE, 2017. http://dx.doi.org/10.1117/12.2256013.

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Cruz Fuerte, Almudena. "El valor discursivo del vestuario y su plasticidad concomitante en la filmografía de Ulrike Ottiger: Ticket of No Return." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8987.

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La presente propuesta de comunicación gira entorno al indumento como generador de polisemias en la obra de Ulrike Ottinger. A través del vestuario de su obra Ticket of No Return (1979)queremos defender la siguiente hipótesis: la relevancia del vestido como elemento analítico y constructor en las plasticidades contemporáneas. La extensa filmografía de esta cineasta feminista y experimental así lo ejemplifica y da fiel muestra de cómo la vestimenta aporta un lenguaje capaz de simbolizar la metonimia del discurso audiovisual. En Ticket of No Return Ottinger transita, como lo volverá a hacer en ot

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Lima, Cláudia, Susana Barreto, and Rodrigo Carvalho. "Interpreting Francis Bacon's Work through Contemporary Digital Media: Pedagogical Practices in University Contexts." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001420.

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This paper describes two pedagogical practices based on Francis Bacon’s graphic Works. One in a curricular context, held at Escola Superior Artística do Porto, and the other in an extracurricular context held at Universidade Lusófona do Porto (both in Portugal), which aimed to stimulate students towards a critical analysis and interpretation of Francis Bacon's work and its recreation using contemporary digital media. This initiative was integrated in the Graphic Works of Francis Bacon exhibition at the World of Wine Museum in Vila Nova de Gaia and was the result of a collaboration between this

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