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Journal articles on the topic 'Cult of Domesticity'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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1

Charles F. Irons. "The Cult of Domesticity, Southern Style." Reviews in American History 38, no. 2 (2010): 253–58. http://dx.doi.org/10.1353/rah.0.0194.

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2

O'Neill, Kevin Lewis. "Home Security: Drug Rehabilitation Centres, the Devil and Domesticity in Guatemala City." Journal of Latin American Studies 52, no. 4 (2020): 785–804. http://dx.doi.org/10.1017/s0022216x20000656.

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AbstractPentecostal drug rehabilitation centres in Guatemala City are informal responses to drug use, with these all-male institutions attempting to save drug users from what some Christians call ‘the devil’. Of ethnographic interest is that the mothers, sisters and wives not only pay for the capture and captivity of their loved ones but also volunteer their labour to support these centres. This article, in response, assesses not only the Christian impulse to domesticate sinners but also the extent to which a cult of domesticity organises Guatemala's war on drugs.

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3

Bergès, Sandrine. "THE DESCENT OF WOMEN TO THE POWER OF DOMESTICITY." Ethics, Politics & Society 4 (August 6, 2021): 75–86. http://dx.doi.org/10.21814/eps.4.1.190.

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Is the virtue of domesticity a way for women to access civic power or is it a slippery slope to dependence and female subservience? Here I look at a number of philosophical responses to domesticity and trace a historical path from Aristotle to the 19th century Cult of Domesticity. Central to the Cult was the idea that women’s power was better used in the home, keeping everybody safe, alive, and virtuous. While this attitude seems to us very conservative, I want to argue that it has its roots in the republican thought of eighteenth-century France. I will show how the status of women before the

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4

Salsini, Laura A. "Mutiny in the House: Domestic Rebellion in Fausta Cialente’s Natalia." Quaderni d'italianistica 40, no. 2 (2020): 113–30. http://dx.doi.org/10.33137/q.i..v40i2.34880.

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The cult of domesticity positions women into a state of subservience while reinforcing gendered roles. The ideology was propagated in post-Unification Italy by Catholic doctrine as well as Fascist propaganda and practices that consigned women to the roles of wives and mothers. The physical site of the cult of domesticity was the home where traditional values were honored and upheld. In Fausta Cialente’s novel Natalia—originally published in 1930 and censored by the Fascist regime, then reissued in 1982—the home becomes a site of rebellion and resistance, which challenges ideology that limits f

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5

GRANT, DAVID. "“Our Nation's Hope Is She”: The Cult of Jessie Fremont in the Republican Campaign Poetry of 1856." Journal of American Studies 42, no. 2 (2008): 187–213. http://dx.doi.org/10.1017/s0021875808004659.

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Representations of Jessie Fremont, the wife of the Republican presidential candidate in 1856, had a prominent role in the campaign poetry of that year. The Jessie poems bind the period's cult of domesticity to the party's figurative anti-slavery system. According to these poems, Northerners intent on conciliating the Slave Power were spreading their own sterility, whereas men willing to make a home for Jessie in the White House were reproducing, through their own redemption, a future free West. The code of domesticity thus helped these poems to define collective political action as growing out

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6

ADAMS, JANE. "Resistance to “modernity”: southern Illinois farm women and the cult of domesticity." American Ethnologist 20, no. 1 (1993): 89–113. http://dx.doi.org/10.1525/ae.1993.20.1.02a00050.

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7

Buchan, Bruce. "Pirate Oaths, Mutinous Murmurings and British Counter-civilities at Sea in the Eighteenth Century." Cultural History 9, no. 1 (2020): 1–25. http://dx.doi.org/10.3366/cult.2020.0206.

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If life aboard ship in the Royal Navy in the eighteenth century was characterised by sonic affirmations of the extensive and sometimes punitive powers granted to captains by the Articles of War, what status did that typically verbal of virtues, civility, possess? Historians have begun the task of using sound, noise and the other senses to reevaluate the meaning of civility in the eighteenth century through studies of conversation, urban life, domesticity and colonization. Comparatively less studied has been the sonic profile of civility at sea. This context, I argue, highlights a dialogical co

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8

Fitts, Robert. "The rhetoric of reform: The five points missions and the cult of domesticity." Historical Archaeology 35, no. 3 (2001): 115–32. http://dx.doi.org/10.1007/bf03374397.

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9

Kaspirek, Maria. "The Home and the Asylum. Antebellum Representations of True Womanhood in Nathaniel Hawthorne’s The House of Seven Gables." Kultura Popularna 4, no. 54 (2018): 6–15. http://dx.doi.org/10.5604/01.3001.0011.6714.

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This paper presents an analysis of Nathaniel Hawthorne’s novels The Scarlet Letter and The House of Seven Gables regarding his depiction of the nineteenth-century ideals of femininity: the cult of true womanhood and domesticity. Drawing primarily on original material, it will be shown that emerging nineteenth-century psychiatry – asylum medicine – has strongly corroborated American ideals of femininity and their presumably restorative influence in cases of mental derangement. Hawthorne’s portrayals of women and madmen negotiate antebellum concepts of femininity and psychiatry, juxtapose the as

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10

Gentile, Katie. "What About the Baby? The New Cult of Domesticity and Media Images of Pregnancy." Studies in Gender and Sexuality 12, no. 1 (2011): 38–58. http://dx.doi.org/10.1080/15240657.2011.536056.

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11

Dunaway, Wilma. "Rethinking Cherokee Acculturation: Agrarian Capitalism and Women's Resistance to the Cult of Domesticity, 1800-1838." American Indian Culture and Research Journal 21, no. 1 (1997): 155–92. http://dx.doi.org/10.17953/aicr.21.1.75p10q417878l571.

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12

Sawaya, Francesca. "Domesticity, Cultivation, and Vocation in Jane Addams and Sarah Orne Jewett." Nineteenth-Century Literature 48, no. 4 (1994): 507–28. http://dx.doi.org/10.2307/2933622.

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Critics have typically treated Sarah Orne Jewett's The Country of the Pointed Firs (1896) either as a portrayal of a dying New England town or, more recently, as a depiction of a powerful but marginalized female community. Both kinds of readings remove the novel from its historical context, thereby overlooking the ways in which Jewett addressed national political issues and debates. By contrast, this essay argues that Jewett's work involves itself in a turn-of-the-century progressive discourse about class conflict and woman's labor. Comparing Jewett's work to Jane Addams's Twenty Years at Hull

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13

Sidi-Said, Fadhila. "Domesticity as Gender Othering in Joseph Conrad’s The Secret Agent." Asian Journal of Humanity, Art and Literature 1, no. 1 (2014): 41–47. http://dx.doi.org/10.18034/ajhal.v1i1.281.

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This paper proposes to explore gender relations in Joseph Conrad’s The Secret Agent. Operating from the knowledge that gender is culturally determined feminists criticize male-dominated patriarchal societies, which they argue marginalize or discount women by limiting their opportunity for self-definition and self-actualization. The question that needs to be addressed, then, is: Is gender relation in The Secret Agent constructed around stereotypical representations? Or can this work be read otherwise? Our assumption is that Conrad’s criticism of such patriarchal system is done through irony. Th

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14

Gentile, Katie. "Reply to Commentaries: “What About the Baby? The New Cult of Domesticity and Media Images of Pregnancy”." Studies in Gender and Sexuality 12, no. 1 (2011): 72–77. http://dx.doi.org/10.1080/15240657.2011.536069.

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15

Kennaway, James. "The Piano Plague: The Nineteenth-Century Medical Critique of Female Musical Education." Gesnerus 68, no. 1 (2011): 26–40. http://dx.doi.org/10.1163/22977953-06801002.

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The role of music in nineteenth-century female education has been seen primarily in the context of the middle class cult of domesticity, and the relationship of music to medicine in the period has generally been viewed in terms of music therapy. Nevertheless, for much of the century t here was serious medical discussion a bout the dangers of excessive music in girls’ education. Many of the leading psychiatrists and gynaecologists of the nineteenth century argued that music could over-stimulate the nervous system, playing havoc with vulnerable female nerves and reproductive organs, and warned o

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16

Zeidanin, Hussein H. "The New Versus True Woman in Charlotte Perkins Gilman’s The Yellow Wallpaper and Ellen Glasgow’s Dare’s Gift." Theory and Practice in Language Studies 11, no. 11 (2021): 1416–20. http://dx.doi.org/10.17507/tpls.1111.08.

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Given their opposition to Victorian conceptions of womanhood and domesticity, the literary works of Gilman and Glasgow have been a rallying point for women's emancipation and empowerment. Though the article touches upon several works by Gilman and Glasgow, it focuses particularly on the feminist viewpoints underpinning the transformation of female characters in Gilman’s The Yellow Wallpaper and Glasgow’s Dare’s Gift from true to new women. The purpose of both tales, the article contends, is to question and deconstruct the dominant Victorian patriarchal cult of true womanhood, which has confine

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17

Dill, Bonnie Thornton. "Our Mothers' Grief:." Journal of Family History 13, no. 4 (1988): 415–31. http://dx.doi.org/10.1177/036319908801300404.

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This article examines the nature and social organization of reproductive labor in the family among African-American, Chinese, and Mexican-American women in the United States during the nineteenth century. A brief description of reproductive labor of white families in colonial America is used as a point of contrast for examining reproductive labor among groups of racial ethnic women. The article pays special attention to the ways in which racial ethnic women's work in maintaining the family becomes a source of resistance to the cultural assaults of the dominant society. The concept of reproduct

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18

Zorgdrager, Heleen E. "Homemade Mission, Universal Civilization: Friedrich Schleiermacher’s Theology of Mission." Mission Studies 30, no. 2 (2013): 221–47. http://dx.doi.org/10.1163/15733831-12341286.

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Abstract Though it is generally acknowledged that Friedrich Schleiermacher (1768–1836) was the first to put mission studies in the curriculum of theology, the contents of his theology of mission are not very well known. This article offers a careful reconstruction of his mission theology based on a gender-critical and postcolonial reading of the main sources, in particular Christian Ethics. Schleiermacher made a case for a family-based type of mission, closely linking mission activity to religious education. He favored an organic and grassroots approach to mission. By highlighting his upbringi

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19

Miquel Baldellou, Marta. "Mary Reilly as Jekyll or Hyde : Neo-Victorian (re)creations of Feminity and Feminism." Journal of English Studies 8 (May 29, 2010): 119. http://dx.doi.org/10.18172/jes.154.

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In his article “What is Neo-Victorian Studies?” (2008), Mark Lewellyn argues that the term neo-Victorian fiction refers to works that are consciously set in the Victorian period, but introduce representations of marginalised voices, new histories of sexuality, post-colonial viewpoints and other generally ‘different’ versions of the Victorian era. Valerie Martin’s gothic-romance Mary Reilly drew on Stevenson’s novella to introduce a woman’s perspective on the puzzle of Jekyll and Hyde. Almost twenty-years after the publication of Martin’s novel, the newly established field of research in Neo-Vi

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20

Maciel, Andre F., and Melanie Wallendorf. "Space as a Resource in the Politics of Consumer Identity." Journal of Consumer Research 48, no. 2 (2021): 309–32. http://dx.doi.org/10.1093/jcr/ucab002.

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Abstract Consumers can pursue a wide range of market-mediated identities in contemporary culture. However, some consumer identities are more valued than others, creating a form of cultural inequality. The present research considers consumers’ deliberate efforts to assert greater cultural value for their identities, a phenomenon termed a “politicized consumer identity project.” Specifically, this research focuses on consumers’ intentional use of space, a resource that is ubiquitous in social life but has, nonetheless, received limited theoretical attention regarding this type of identity projec

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21

Davies, C. L., D. L. Waugh, and E. C. Lefroy. "Variation in seed yield and its components in the Australian native grass Microlaena stipoides as a guide to its potential as a perennial grain crop." Australian Journal of Agricultural Research 56, no. 3 (2005): 309. http://dx.doi.org/10.1071/ar04204.

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This research investigated the potential to domesticate an Australian native grass (Microlaena stipoides) to produce a perennial grain crop. Perennial grain crops offer a new solution to the long-standing problems of salinity and soil erosion associated with conventional cropping systems based on annual plants. Seed yield and its components (culm number, spikelet number per culm, seed set, seed weight) were measured in 46 accessions of Microlaena stipoides (microlaena, meadow or weeping rice grass) from Western Australia and New South Wales to quantify potentially useful variation in the speci

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22

Wagner, Tamara Silvia. "THE SENSATIONAL VICTORIAN NURSERY: MRS HENRY WOOD'S PARENTING ADVICE." Victorian Literature and Culture 45, no. 4 (2017): 801–19. http://dx.doi.org/10.1017/s1060150317000225.

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Parenting advice has becomea booming industry as well as probably one of the most contested discourses. Its proliferation and continued diversification are often considered a particularly contemporary problem, yet the virulent marketing of “expert” advice on childrearing has its roots as much in the nineteenth-century publishing industry as in the overlapping Victorian cults of domesticity, maternity, and childhood. The nineteenth century saw an explosion of advice literature on the physical, moral, and intellectual education of infants and young children. Childrearing, or parenting, rapidly c

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23

Sofroniew, Alexandra. "Culti domestici in Italia meridionale ed Etruria By Aura Piccioni. Regensburg: Schnell & Steiner 2020. Pp. 276. €45. ISBN 978-3-7954-3552-3 (cloth)." American Journal of Archaeology 126, no. 1 (2022): E021—E022. http://dx.doi.org/10.1086/718349.

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24

Rachwal, Maria N. ""A Jewish Maestra and a Lady too": Reflections on Femininity in the Career of Ethel Stark." Canadian Jewish Studies / Études juives canadiennes 28 (December 31, 2019). http://dx.doi.org/10.25071/1916-0925.40146.

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Ethel Stark (1910–2012) was one of the most important conductors and concert violinists in Canada in the Twentieth century. This article highlights how an Austro-Canadian Jewish woman who lived outside the constraints of conventional domesticity, both navigated through and defied the ideals of the “Cult of True Womanhood” and spearheads a movement of feminism in music. I argue that Stark’s exposure to Jewish cultural traditions of social justice and womanhood in her childhood formed a critical dimension of her feminist activism later in her life, and in particular in the founding of The Montre

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25

Verstraete, Emma. "Soothing the Self: Medicine Advertisement and the Cult of Domesticity in Nineteenth-Century Springfield, Illinois." International Journal of Historical Archaeology, January 10, 2022. http://dx.doi.org/10.1007/s10761-021-00644-1.

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26

Farley, Rebecca. "The Word Made Flesh." M/C Journal 2, no. 3 (1999). http://dx.doi.org/10.5204/mcj.1754.

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1997 was a bad year for celebrities. Deng Xiao Ping and Mother Teresa died of old age, Gianni Versace was shot, Princess Diana killed in a car accident, John Denver's plane crashed, Michael Hutchence hung himself and Sonny Bono died in a skiing accident. In each case, the essence of the news story is the extinguishment of life and the consequent extinction of the body. So-called journalism ethics usually prevent photographs of dead bodies (especially when mutilated). However, recently we saw, on the front page of The Courier-Mail, an unnamed Albanian lying in a pool of blood with a clear bulle

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27

Antonio, Amy Brooke. "Writing Women: The Virtual Cookbook and Pinterest." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.644.

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This article aims to throw new light on the representation of women who cook as necessarily perpetuating a domestic ideology in which women are confined to the home. Traditionally, cookbooks written by women have disseminated both cooking information and rules and practices for running an effective household, which have contributed to the ideologies that underpin female domestic practice. However, the evolution of social media platforms, such as Pinterest, which enable the user to actively select and visually display culinary masterpieces on a digital pinboard, have provided a forum for women’

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