Academic literature on the topic 'Cultura Chimú'

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Journal articles on the topic "Cultura Chimú"

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Cossío del Pomar, Felipe. "El arte en el señorío del Chimú." Letras (Lima) 13, no. 37 (2020): 185–93. http://dx.doi.org/10.30920/letras.13.37.1.

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Analiza las culturas del norte del paìs bajo una una división en períodos, así sea apoya en una vaga relación cronológica. La Confederación Chimú vendría a ser el último eslabón de culturas de rápido crecimiento tropical y, por consiguiente, de temprana muerte. Su 'epígono cultural estable sería la antigua metrópoli de Chan Chan, capital del "Señorío del Gran Chimú", federación de pueblos del litoral norte del Perú. ChanChan separa la historia del arte propiamente Chimú, del' confuso pasado prehistórico del arte Muchik, Trujillo, Chicama, Cupisnique y otros nom bres derivados de diferentes gra
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Leonardini, Nanda. "Gerardo Chávez y el espejo de nuestra cultura." Letras (Lima) 72, no. 101-102 (2001): 31–37. http://dx.doi.org/10.30920/letras.72.101-102.2.

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En el departamento de La Libertad, Perú, existe uno de los innumerables territorios milenarios, donde se desarrollan algunas de las tantas civilizaciones de la antigüedad que enriquecen la historia peruana. Allí nacen y mueren culturas como Moche, Sipán, Chimú, reconocidas por un avanzado desarrollo tecnológico que a la fecha pervive a través de una ingeniería hidráulica dueña de una red de canales aptos para trasladar el agua de un valle a otro sorteando todo tipo de obstáculos; de una sofisticada metalurgia capaz de obtener aleaciones como el bronce arsenical para elaborar armas de guerra o
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Gómez Sánchez, Javier. "Cultura moche como base de la identidad de un nacionalismo peruano." Revista Latina de Sociología 7, no. 2 (2018): 17–30. http://dx.doi.org/10.17979/relaso.2017.7.2.3056.

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Desde la primera mitad del s. XX, el continente americano ha sido testigo del avance del indigenismo. A través de su vertiente cultural y antropológica, el indigenismo se ha ido presentando como una corriente cada vez más consolidada y más capacitada para suplantar en el Perú a los viejos símbolos del nacionalismo. Al mismo tiempo, dada la fuerza simbólica que proyecta la civilización incaica, por su poderío militar y su vasta expansión territorial, inexorablemente se ha ido imponiendo su recuerdo para sustentar el mito que legitima el vínculo entre el Estado peruano y los sentimientos identit
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Beltrán-Neira, Roberto J. "Perú Centro de Culturas." Revista Estomatológica Herediana 18, no. 1 (2014): 3. http://dx.doi.org/10.20453/reh.v18i1.1847.

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Cuando se examina el panorama cultural de América Precolombina, tres son los principales centros de civilización localizados en lo que actualmente son México, Guatemala y Perú.En Sudamérica, el desarrollo cultural estuvo concentrado en lo que hoy es el Perú, lo que lleva a preguntarnos cuáles fueron las condiciones que favorecieron el desarrollo de culturas de tan alto nivel como las de Chavín, Paracas y Huari, por ejemplo.La costa, árida en su mayor parte, con estrechos valles de aguas torrentosas, así como las alturas andinas, un territorio abrupto donde los espacios habitables interandinos
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Marshall, Michael. "Chimp culture, chimp genes." New Scientist 207, no. 2774 (2010): 12. http://dx.doi.org/10.1016/s0262-4079(10)62003-9.

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Valverde-Alva, Miguel A., Jhenry F. Agreda-Delgado, Wilder Aldama-Reyna, et al. "Morphology, composition and structure of the fibers of a Chimu culture textile." MOMENTO, no. 64 (January 5, 2022): 39–53. http://dx.doi.org/10.15446/mo.n64.97681.

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In this work we studied the microfibers of a textile (T-shirt) of the Chimú culture. This culture developed on the northern coast of Peru. To determine the raw material and structural quality of the microfibers, the results of the Chimú textile were compared with the corresponding results for the microfibers of cotton from the northern coast of Peru (native cotton). Scanning electron microscopy images revealed that the Chimú textile yarns are composed of a set of interwoven microfibers. Energy dispersive X-ray spectroscopy and pulsed laser-induced plasma spectroscopy techniques allowed the ide
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Woodruff;, D. S. "Chimp Cultural Diversity." Science 285, no. 5429 (1999): 835e—835. http://dx.doi.org/10.1126/science.285.5429.835e.

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Ortloff, Charles R. "Surveying and Hydraulic Engineering of the Pre-Columbian Chimú State: ad 900–1450." Cambridge Archaeological Journal 5, no. 1 (1995): 55–74. http://dx.doi.org/10.1017/s0959774300001189.

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The Chimú state of northern coastal Peru (ad 900–1480) developed massive irrigation-based agricultural systems supplied by intricate networks of canals drawing water from river sources in coastal valleys under their political control. Further intervalley canal systems, some up to 50 miles in length, were constructed to shunt water between river valleys to augment intravalley supplies. A high degree of civil engineering skill was necessary to construct and maintain such complex systems; knowledge of surveying and of open channel flow hydraulics was paramount. Some of the technology used by the
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Wauters, Valentine. "Imperial Needs, Imperial Methods: Chimú Ceramic Manufacturing Process Through CT Scan Analysis of Stirrup-Spout Bottles." Latin American Antiquity 27, no. 2 (2016): 238–56. http://dx.doi.org/10.7183/1045-6635.27.2.238.

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The stirrup-spout bottle is one of the most representative forms in the Chimú (A.D. 900-1470) ceramic repertoire. I discuss the ceramic assemblage of this coastal culture and describes more precisely the various manufacturing processes of the stirrup-spout bottle. Although molds used to produce these complex vessels are known today, only little information has been published on the various stages involved in their manufacture. My purpose is to contribute to this research using medical imaging computed tomography (CT) scans of intact stirrup-spout vessels. Based on my findings, I propose that c
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Miller, G. "ANIMAL BEHAVIOR: Tool Study Supports Chimp Culture." Science 309, no. 5739 (2005): 1311a. http://dx.doi.org/10.1126/science.309.5739.1311a.

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Dissertations / Theses on the topic "Cultura Chimú"

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Vilca, Vera Carlos Francisco. "Centro Cultural y Museo de las culturas Moche y Chimú en Trujillo." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/657365.

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El proyecto se enfoca en analizar los aspectos culturales y sociológicos de la ciudad de Trujillo, y fusionarlos con la arquitectura de Centro Cultural y Museo para elaborar un proyecto arquitectónico que respete las características principales del contexto y se relacione entre ellas. En la investigación, se encontraron tradiciones culturales de la época incaica en Trujillo que aún siguen practicándose. Sin embargo, la práctica de estas va quedando en el olvido o reducido al punto de solo practicarlo en especificas familias que conservan estas tradiciones. Por lo que realizar un proyecto que
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Méndez, Chumpitazi Luis Alonso. "Centro de Interpretación en Chan Chan." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2018. http://hdl.handle.net/10757/624701.

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La cultura Chimú es muy diferente al resto de culturas pre-incas. Mientras la mayoría de ellas adoraban al sol, los chimúes ponían especial énfasis en las estrellas y la luna. En base a ellas edificaron su cosmología, su orden social y su arquitectura, sin embargo no existen referencias a ello ni en la zona arqueológica, ni en el museo local. Un proyecto que permita mantener viva la cultura local y aumentar el entendimiento de la cultura Chimú sin competir con el museo ya existente se entiende necesario. Teniendo en cuenta todas estas variables un Centro de Interpretación es la mejor respuesta
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Cerdán, Lobato Kleyson Oswaldo. "Vida en la frontera: Asentamientos rurales en el norte del cerro San Ildefonso, valle bajo de Jequetepeque, durante el Periodo Intermedio Tardío." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2021. https://hdl.handle.net/20.500.12672/17215.

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El presente estudio abarca la problemática de los asentamientos rurales chimú durante el Intermedio Tardío en el valle bajo del Jequetepeque, a través del análisis de su arquitectura y funcionalidad. El área de estudio pertenece a la cuenca del río Chamán, zona en la que se han reconocido algunos asentamientos de gran importancia como San Ildefonso, San José de Moro, etc. Prospecciones realizadas en el marco de este trabajo lograron identificar nuevos sitios y caracterizar mejor otros, como el caso del sitio de estudio, Las Tinajas, sitio periférico a San Ildefonso, en el que se logró re
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Castañeda, Murga José Juan. "La ocupación indígena de la traza urbana de la ciudad de Trujillo, 1534 - 1619." Master's thesis, Pontificia Universidad Católica del Perú, 2019. http://hdl.handle.net/20.500.12404/15629.

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Esta tesis trata como los indígenas llegaron a ocupar el espacio de la traza urbana de la ciudad de Trujillo desde su fundación hasta 1619, año en que ocurrió el terremoto de San Valentín. Se explica las causas por las que Diego de Almagro escogió el valle de Chimo para la fundación de una nueva ciudad, para ello se investiga en los antecedentes geopolíticos del reino Chimor, de la conquista y ocupación inka, la abundancia de huacas -indicador de tesoros- en el paisaje y la necesidad de contar con indígenas aliados en caso de una guerra. Siguiendo un patrón que venía desde la reconquista
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Lima, Silvia Cunha. "Tecnologia cerâmica chimu: estudo arqueométrico da coleção do MAE/USP." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-05112010-101643/.

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Existe um amplo debate sobre as influências culturais remotas nos Andes e o surgimento da cerâmica nesses contextos. Nosso estudo não pretende retroceder aos períodos Formativo ou Cerâmico Inicial, mas apenas situar a coleção de cerâmica chimu do MAE/USP em relação ao debate atual sobre as relações de continuidade ou descontinuidade na costa norte peruana, através do estudo da tecnologia de produção cerâmica. O sistema tecnológico que caracteriza essa produção geralmente aparece na bibliografia com ênfase nas características de moldagem de seus artefatos e a vasta produção cerâmica desse perí
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Tigre, Laís Alcântara. "Manufatura de tapeçarias andinas: culturas pré-colombianas - Mochicas e Chimús." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/100/100133/tde-26112018-112605/.

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A tapeçaria é uma das formas mais antigas de tecelagem. Esse tipo de tecido possibilita a criação de imagens complexas e suas técnicas e origem são um grande mistério na história geral. A produção têxtil no Peru vem de por volta de 8000 anos a. C. e ao longo da história da região, diferentes culturas desenvolveram a tecnologia têxtil até a chegar à tecnologia manual que temos hoje. As culturas Moche e Chimú viveram na costa norte peruana e desenvolveram técnicas de tecelagem, dentre elas a tapeçaria, que são realizadas até hoje no país, com desenhos antigos e desenhos novos. Os objetivos deste
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Castillo, Narrea Luís Enrique Jesús Alberto. "Conservación y Restauración de algunos objetos Arqueológicos: Arte, Técnica y Metalurgia. Procedentes de tres sociedades contemporáneas: Sicán, Chimú y Chiribaya." Tesis, Universidad de Chile, 2008. http://repositorio.uchile.cl/handle/2250/101427.

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Joseph, Edith Michelle Maryse <1977&gt. "Application of FTIR microscopy to cultural heritage materials." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/1404/.

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Research in art conservation has been developed from the early 1950s, giving a significant contribution to the conservation-restoration of cultural heritage artefacts. In fact, only through a profound knowledge about the nature and conditions of constituent materials, suitable decisions on the conservation and restoration measures can thus be adopted and preservation practices enhanced. The study of ancient artworks is particularly challenging as they can be considered as heterogeneous and multilayered systems where numerous interactions between the different components as well as degradation
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Kendix, Elsebeth Langholz <1972&gt. "Trasmission and Reflection (ATR)Far-Infrared Spectroscopy Applied in the Analysis of Cultural Heritage Materials." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/2266/.

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FIR spectroscopy is an alternative way of collecting spectra of many inorganic pigments and corrosion products found on art objects, which is not normally observed in the MIR region. Most FIR spectra are traditionally collected in transmission mode but as a real novelty it is now also possible to record FIR spectra in ATR (Attenuated Total Reflectance) mode. In FIR transmission we employ polyethylene (PE) for preparation of pellets by embedding the sample in PE. Unfortunately, the preparation requires heating of the PE in order to produces at transparent pellet. This will affect compound
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Bonacini, Irene <1984&gt. "Development of new analytical procedures aimet at the characterization of artistic samples." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/7083/.

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In this thesis, new advances in the development of spectroscopic based methods for the characterization of heritage materials have been achieved. As concern FTIR spectroscopy new approaches aimed at exploiting near and far IR region for the characterization of inorganic or organic materials have been tested. Paint cross-section have been analysed by FTIR spectroscopy in the NIR range and an “ad hoc” chemometric approach has been developed for the elaboration of hyperspectral maps. Moreover, a new method for the characterization of calcite based on the use of grinding curves has been set up b
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Books on the topic "Cultura Chimú"

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Falkenhausen, Lothar Von. Suspended music: Chime bells in the culture of Bronze AgeChina. University of California Press, 1993.

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Suspended music: Chime-bells in the culture of Bronze Age China. University of California Press, 1993.

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Paysage socioculturel et architecture dans la culture Chimú: L'implantation humaine à l'intermédiaire recent (1000-1470 apr. J.-C.) dans la vallée de Chicama (côte nord du Pérou). Archaeopress, 2015.

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Krakowie, Muzeum Archeologiczne w., Polska Akademia Umiejętności, and Union académique internationale, eds. Peruvian pottery from the collection of the Archaeological Museum in Cracow. Académie Polonaise des Sciences et des Lettres, 1998.

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Banco de Crédito del Perú., ed. Culturas precolombinas. 2nd ed. Banco de Crédito del Perú, 1991.

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Banco de Crédito del Perú., ed. Culturas precolombinas. Banco de Crédito del Perú, 1988.

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Falkenhausen, Lothar von. Suspended Music: Chime-Bells in the Culture of Bronze Age China. University of California Press, 1994.

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Falkenhausen, Lothar von. Suspended Music: Chime-Bells in the Culture of Bronze Age China. University of California Press, 1994.

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Cultural Landscapes In The Ancient Andes: Archaeologies Of Place. University Press of Florida, 2005.

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Book chapters on the topic "Cultura Chimú"

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Swann, Karen. "Introduction." In Lives of the Dead Poets. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823284184.003.0001.

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This chapter lays out the book’s terrain and argument. It proposes that the figures of Keats, Shelley, and Coleridge, as they emerge in contemporary reminiscences, are allegorical in Walter Benjamin’s sense of the term: they speak to the survival of the poet as an attenuated figure in a modern commercial culture. Biographical fascination arises when these biographical figurations of the poet, which circulate with the poetic remains, chime with the figural strategies of the poetry itself. Often described as sentimental, biographical fascination in fact registers pathos, the emotion attendant upon the sacrifice of singular life to the regimes of the aesthetic and of the commodity.
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Clément, Camille. "L’eau : une ressource cruciale pour la culture Chimú dans la vallée de Chicama (côte nord du Pérou)." In Matières premières et gestion des ressources. Éditions de la Sorbonne, 2014. http://dx.doi.org/10.4000/books.psorbonne.5033.

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Ortloff, Charles R. "Hydraulic Engineering and Water Management Strategies ofAncient Societies." In Water Engineering in the Ancient World. Oxford University Press, 2009. http://dx.doi.org/10.1093/oso/9780199239092.003.0007.

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Societies of widely different social, economic, political, religious, and technical innovation characteristics in opposing world hemispheres developed urban and rural population centres with water and agricultural systems to maintain stable economies and expanding populations. Despite vast historical, cultural, and world view differences between these societies, one common thread united them: the necessity for mastery of engineering skills to provide water for cities and agricultural systems. Although it may be thought that the technical basis to support water engineering practice is accompanied with pre-scientific concepts, many recent discoveries reveal the contrary: sophistication in the concept, design, and execution of water supply and distribution systems indicating knowledge of hydraulic principles beyond the scant hydraulics literature that survived the centuries. In the absence of ancient treatises on hydraulics practices, archaeological analysis of hydraulics works coupled with modern analysis methods provides a way to understand their technological accomplishments through ‘reverse engineering’ methodologies involving computer modelling techniques. Thus computer methodologies play a role to uncover the design intent, functionality, and operation of ancient water systems to provide insight into ancient engineering practices and their theoretical/empirical basis. In South American archaeology, the large variation in ecological conditions and landscape barriers provided the stage for the rise of civilizations and largely determined their agricultural practices. As an example, the Chimú civilization (800–1480 CE) occupied Peruvian coastal regions extending 500 km from the southern Chillon Valley to the northern Lambeyeque Valley. The desert coastal zone extends only a few kilometres inland from the Pacific Ocean before being bounded by the Cordillera Negra mountain chain. Agriculture was possible in coastal alluvial valleys through networks of canal systems originating from intermittent seasonal rivers. The temperature near the equator is near constant throughout the year while coastal rainfall averages about 2mm/year; occasional massive El Niño events which can deposit up to 150cm of rainfall in a few days occasionally break this pattern and cause extensive flooding and Weld erosion. Clearly, hydraulic practices related to the control of limited (and sometime excessive) water resources were vital for survival. Defensive measures to protect fill aqueduct structures against excessive El Niño rainfall and flooding events are expected to appear in the technology base as flood control was vital to sustainability.
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Conference papers on the topic "Cultura Chimú"

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Sanchez, Isidro Moreno, Borja Barinaga, Gonzalo Martin, Andres Gutierrez, Victoria E. Contreras R., and Andres A. Navarro-Newball. "Archaeological simulation to explore the Chimú culture from Peru." In 2019 International Conference on Virtual Reality and Visualization (ICVRV). IEEE, 2019. http://dx.doi.org/10.1109/icvrv47840.2019.00063.

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YAN, YANLAI, LINGDA KONG, and HUAHAN LIANG. "PHYSICS IN ANCIENT CHINESE CHIME-BELLS." In Proceedings of the International Conference on Physics Education in Cultural Contexts. WORLD SCIENTIFIC, 2004. http://dx.doi.org/10.1142/9789812702890_0006.

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