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Journal articles on the topic 'Cultura Chimú'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Cossío del Pomar, Felipe. "El arte en el señorío del Chimú." Letras (Lima) 13, no. 37 (2020): 185–93. http://dx.doi.org/10.30920/letras.13.37.1.

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Analiza las culturas del norte del paìs bajo una una división en períodos, así sea apoya en una vaga relación cronológica. La Confederación Chimú vendría a ser el último eslabón de culturas de rápido crecimiento tropical y, por consiguiente, de temprana muerte. Su 'epígono cultural estable sería la antigua metrópoli de Chan Chan, capital del "Señorío del Gran Chimú", federación de pueblos del litoral norte del Perú. ChanChan separa la historia del arte propiamente Chimú, del' confuso pasado prehistórico del arte Muchik, Trujillo, Chicama, Cupisnique y otros nom bres derivados de diferentes gra

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Leonardini, Nanda. "Gerardo Chávez y el espejo de nuestra cultura." Letras (Lima) 72, no. 101-102 (2001): 31–37. http://dx.doi.org/10.30920/letras.72.101-102.2.

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En el departamento de La Libertad, Perú, existe uno de los innumerables territorios milenarios, donde se desarrollan algunas de las tantas civilizaciones de la antigüedad que enriquecen la historia peruana. Allí nacen y mueren culturas como Moche, Sipán, Chimú, reconocidas por un avanzado desarrollo tecnológico que a la fecha pervive a través de una ingeniería hidráulica dueña de una red de canales aptos para trasladar el agua de un valle a otro sorteando todo tipo de obstáculos; de una sofisticada metalurgia capaz de obtener aleaciones como el bronce arsenical para elaborar armas de guerra o

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3

Gómez Sánchez, Javier. "Cultura moche como base de la identidad de un nacionalismo peruano." Revista Latina de Sociología 7, no. 2 (2018): 17–30. http://dx.doi.org/10.17979/relaso.2017.7.2.3056.

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Desde la primera mitad del s. XX, el continente americano ha sido testigo del avance del indigenismo. A través de su vertiente cultural y antropológica, el indigenismo se ha ido presentando como una corriente cada vez más consolidada y más capacitada para suplantar en el Perú a los viejos símbolos del nacionalismo. Al mismo tiempo, dada la fuerza simbólica que proyecta la civilización incaica, por su poderío militar y su vasta expansión territorial, inexorablemente se ha ido imponiendo su recuerdo para sustentar el mito que legitima el vínculo entre el Estado peruano y los sentimientos identit

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4

Beltrán-Neira, Roberto J. "Perú Centro de Culturas." Revista Estomatológica Herediana 18, no. 1 (2014): 3. http://dx.doi.org/10.20453/reh.v18i1.1847.

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Cuando se examina el panorama cultural de América Precolombina, tres son los principales centros de civilización localizados en lo que actualmente son México, Guatemala y Perú.En Sudamérica, el desarrollo cultural estuvo concentrado en lo que hoy es el Perú, lo que lleva a preguntarnos cuáles fueron las condiciones que favorecieron el desarrollo de culturas de tan alto nivel como las de Chavín, Paracas y Huari, por ejemplo.La costa, árida en su mayor parte, con estrechos valles de aguas torrentosas, así como las alturas andinas, un territorio abrupto donde los espacios habitables interandinos

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5

Marshall, Michael. "Chimp culture, chimp genes." New Scientist 207, no. 2774 (2010): 12. http://dx.doi.org/10.1016/s0262-4079(10)62003-9.

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6

Valverde-Alva, Miguel A., Jhenry F. Agreda-Delgado, Wilder Aldama-Reyna, et al. "Morphology, composition and structure of the fibers of a Chimu culture textile." MOMENTO, no. 64 (January 5, 2022): 39–53. http://dx.doi.org/10.15446/mo.n64.97681.

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In this work we studied the microfibers of a textile (T-shirt) of the Chimú culture. This culture developed on the northern coast of Peru. To determine the raw material and structural quality of the microfibers, the results of the Chimú textile were compared with the corresponding results for the microfibers of cotton from the northern coast of Peru (native cotton). Scanning electron microscopy images revealed that the Chimú textile yarns are composed of a set of interwoven microfibers. Energy dispersive X-ray spectroscopy and pulsed laser-induced plasma spectroscopy techniques allowed the ide

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7

Woodruff;, D. S. "Chimp Cultural Diversity." Science 285, no. 5429 (1999): 835e—835. http://dx.doi.org/10.1126/science.285.5429.835e.

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8

Ortloff, Charles R. "Surveying and Hydraulic Engineering of the Pre-Columbian Chimú State: ad 900–1450." Cambridge Archaeological Journal 5, no. 1 (1995): 55–74. http://dx.doi.org/10.1017/s0959774300001189.

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The Chimú state of northern coastal Peru (ad 900–1480) developed massive irrigation-based agricultural systems supplied by intricate networks of canals drawing water from river sources in coastal valleys under their political control. Further intervalley canal systems, some up to 50 miles in length, were constructed to shunt water between river valleys to augment intravalley supplies. A high degree of civil engineering skill was necessary to construct and maintain such complex systems; knowledge of surveying and of open channel flow hydraulics was paramount. Some of the technology used by the

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9

Wauters, Valentine. "Imperial Needs, Imperial Methods: Chimú Ceramic Manufacturing Process Through CT Scan Analysis of Stirrup-Spout Bottles." Latin American Antiquity 27, no. 2 (2016): 238–56. http://dx.doi.org/10.7183/1045-6635.27.2.238.

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The stirrup-spout bottle is one of the most representative forms in the Chimú (A.D. 900-1470) ceramic repertoire. I discuss the ceramic assemblage of this coastal culture and describes more precisely the various manufacturing processes of the stirrup-spout bottle. Although molds used to produce these complex vessels are known today, only little information has been published on the various stages involved in their manufacture. My purpose is to contribute to this research using medical imaging computed tomography (CT) scans of intact stirrup-spout vessels. Based on my findings, I propose that c

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10

Miller, G. "ANIMAL BEHAVIOR: Tool Study Supports Chimp Culture." Science 309, no. 5739 (2005): 1311a. http://dx.doi.org/10.1126/science.309.5739.1311a.

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11

Brahmantara, Brahmantara. "Pelestarian Warisan Budaya Kota (Urban Heritage) Melalui Pendekatan Heritage Urban Landscape (HUL) dan Cultural Heritage Integrated Management Plans (CHIMP)." Jurnal Konservasi Cagar Budaya 14, no. 1 (2020): 60–70. http://dx.doi.org/10.33374/jurnalkonservasicagarbudaya.v14i1.230.

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Pelestarian warisan budaya kota (urban heritage) saat ini mengalami tantangan yang cukup besar. Laju pembangunan menjadi ancaman dalam menggeser nilai nilai budaya itu sendiri. Bagaimana mendesain sinergitas antara warisan yang bersifat fisik dan nofisik melalui pendekatan Heritage Urban Landscape (HUL) dan Cultural Heritage Integrated Management Plans (CHIMP)? Apakah kedua metode tersebut sesuai untuk diterapkan? Lantas, bagaimana kedua metode tersebut bekerja? Dalam pengelolaan dan pelestarian warisan budaya perkotaan (urban heritage), ada dua pendekatan yang dilakukan. Pertama adalah pendek

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12

Calvetti, Dixon. "El chimó como elemento (matérico) y simbólico en las Prácticas de creación artística en Venezuela." Index, revista de arte contemporáneo, no. 04 (December 21, 2017): 77–85. http://dx.doi.org/10.26807/cav.v0i04.78.

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El presente artículo plantea una reflexión desde las prácticas de creación artísticas en la utilización y apropiación del chimó como elemento simbólico y matérico. En este caso, esta materia ha servido como vehículo creativo para proyectar procesos plásticos en el contexto del arte contemporáneo venezolano en distintos medios. En este sentido utilizo esta sustancia como soporte para construir un lenguaje plástico personal y experimental. Esta investigación se sustenta en un estudio histórico del chimó como materia originaria de nuestra cultura ancestral manifestada actualmente en algunos imagi

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13

Dang, A. "PREFACE: PROGRESS AND PROSPECTS OF RESEARCH AND PRACTICE OF DIGITAL CULTURAL HERITAGE." ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences VIII-M-1-2021 (September 10, 2021): 223–27. http://dx.doi.org/10.5194/isprs-annals-viii-m-1-2021-223-2021.

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Abstract. Co-hosted by Tsinghua University, ICOMOS China, Tsinghua Heritage Institute for Digitization, and Beijing University of Civil Engineering and Architecture, the CIPA2021 symposium (28th biennial symposium of the international scientific committee for documentation of cultural heritage) was held online successfully at Tsinghua University during August 28th to September 1st, 2021. This is the first time CIPA held a biennial symposium in mainland of China and in online format since its establishment in 1968. The theme of the symposium is “Great Learning &amp; Digital Emotion”. During

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Dang, A. "PREFACE: PROGRESS AND PROSPECTS OF RESEARCH AND PRACTICE OF DIGITAL CULTURAL HERITAGE." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (September 10, 2021): 965–69. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-965-2021.

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Abstract. Co-hosted by Tsinghua University, ICOMOS China, Tsinghua Heritage Institute for Digitization, and Beijing University of Civil Engineering and Architecture, the CIPA2021 symposium (28th biennial symposium of the international scientific committee for documentation of cultural heritage) was held online successfully at Tsinghua University during August 28th to September 1st, 2021. This is the first time CIPA held a biennial symposium in mainland of China and in online format since its establishment in 1968. The theme of the symposium is “Great Learning &amp; Digital Emotion”. During

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15

Marcos, Rafael Sebastián, and Monique Amade. "De la culture underground à la culture de la résistance." Chimères 38, no. 1 (2000): 169–77. http://dx.doi.org/10.3406/chime.2000.2315.

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16

de Oliveira Santos, Abrahão. "Culture africaine au Brésil." Chimères 86, no. 2 (2015): 73. http://dx.doi.org/10.3917/chime.086.0073.

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17

McEwan, Gordon F. "Some Formal Correspondences between the Imperial Architecture of the Wari and Chimu Cultures of Ancient Peru." Latin American Antiquity 1, no. 2 (1990): 97–116. http://dx.doi.org/10.2307/971982.

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The degree and nature of the influence of the Middle Horizon Wari empire (ca. A.D. 540-900) on the culture history of Peru's north coast has been a topic of much heated debate over the past two decades. The arguments have tended to polarize around the issue of whether or not there was a Wari invasion of the north coast. Those arguing against the invasion hypothesis have claimed that there was no direct Wari influence on north coast cultural history. Those arguing in favor of the invasion hypothesis have attributed nearly all changes evident in the archaeological record to the results of a Wari

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18

Dell’Omodarme, Marco. "Stuart Hall, culture et communauté." Chimères 87, no. 3 (2015): 51. http://dx.doi.org/10.3917/chime.087.0051.

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19

Dragicevic Sesic, Milena. "La culture néo-folklorique de guerre." Chimères 16, no. 1 (1992): 17–21. http://dx.doi.org/10.3406/chime.1992.1822.

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20

Montagu, Jeremy, and Lothar von Falkenhausen. "Suspended Music: Chime-Bells in the Culture of Bronze Age China." Galpin Society Journal 51 (July 1998): 210. http://dx.doi.org/10.2307/842776.

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21

Waterhouse, David, and Lothar von Falkenhausen. "Suspended Music: Chime-Bells in the Culture of Bronze Age China." Notes 51, no. 4 (1995): 1305. http://dx.doi.org/10.2307/899112.

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22

Sjoerd Vogel, Jelle, Jojanneke Bruins, Levi Halbersma, et al. "T234. MEASURING PERSONAL RECOVERY IN PEOPLE WITH A PSYCHOTIC DISORDER BASED ON CHIME: A COMPARISON OF RELIABILITY AND VALIDITY PROPERTIES ON THREE VALIDATED MEASURES." Schizophrenia Bulletin 46, Supplement_1 (2020): S322. http://dx.doi.org/10.1093/schbul/sbaa029.794.

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Abstract Background Living well in spite of residual symptoms of mental illness is measured with the construct of personal recovery. The CHIME framework might be suitable to evaluate personal recovery measures and guide instrument choice. Methods Three validated measures were evaluated in Dutch patients with a psychotic disorder (N=52). We compared the Recovery Assessment Scale [RAS], the Mental Health Recovery Measure [MHRM] and the Netherlands Empowerment List [NEL]. The measures were assessed on six criteria: content validity (based on CHIME), convergent validity with a social support measu

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23

Sándor, Serge. "Un théâtre ouvert aux abandonnés de la culture." Chimères 80, no. 2 (2013): 131. http://dx.doi.org/10.3917/chime.080.0131.

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24

Newson, Lesley, and Stephen Lea. "The limits imposed by culture: Are symmetry preferences evidence of a recent reproductive strategy or a common primate inheritance?" Behavioral and Brain Sciences 23, no. 4 (2000): 618–19. http://dx.doi.org/10.1017/s0140525x0058337x.

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Women's preference for symmetrical men need not have evolved as part of a good gene sexual selection (GGSS) reproductive strategy employed during recent human evolutionary history. It may be a remnant of the reproductive strategy of a perhaps promiscuous species which existed prior to the divergence of the human line from that of the bonobo and chimp.

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25

Pachajoa, Harry, Maria F. Hernandez-Amaris, Gloria Liliana Porras-Hurtado, and Carlos A. Rodriguez. "Siamese Twins With Craniofacial Duplication and Bilateral Cleft Lip/Palate in a Ceramic Representation of the Chimú Culture (Peru): A Comparative Analysis With a Current Case." Twin Research and Human Genetics 17, no. 3 (2014): 211–14. http://dx.doi.org/10.1017/thg.2014.20.

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Craniofacial duplication or diprosopus is a very rare malformation that is present in approximately 0.4% of conjoined twins. Here is presented a case of craniofacial duplication in association with bilateral cleft lip/palate in both heads found in a ceramic representation from the early Chimú culture from Peru. A comparative analysis is made with a current case of a 28-week-old fetus with similar characteristics. After reviewing the medical literature on conjoined twins, very few reports of facial cleft in both twins were found, with no reports at all of bilateral cleft lip/palate. This cerami

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26

Falkenhausen, Lothar. "Niuzhong Chime-Bells of Eastern Zhou China." Arts asiatiques 44, no. 1 (1989): 68–83. http://dx.doi.org/10.3406/arasi.1989.1260.

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27

Moore, Jerry D. "Cultural Responses to Environmental Catastrophes: Post-El Niño Subsistence on the Prehistoric North Coast of Peru." Latin American Antiquity 2, no. 1 (1991): 27–47. http://dx.doi.org/10.2307/971894.

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Recent debate about the development of complex societies on the north coast of Peru has turned on the relative importance of marine vs. terrestrial resources and the extent to which different resource zones are upset by El Niño/Southern Oscillation (ENSO) events. While ENSO events are cited frequently as having important consequences for Prehispanic Andean societies, in fact there are few archaeological data about the nature of cultural responses to a specific ENSO event. Archaeological data from two Chimu settlements in the Casma Valley, Peru—Quebrada Sta. Cristina and Manchan—document the oc

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DeWoskin, Kenneth J. "Suspended Music: Chime-Bells in the Culture of Bronze Age China (review)." China Review International 2, no. 2 (1995): 455–58. http://dx.doi.org/10.1353/cri.1995.0113.

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Zheng, Su. "Suspended Music: Chime-Bells in the Culture of Bronze Age China . Lothar von Falkenhausen." American Anthropologist 98, no. 3 (1996): 702. http://dx.doi.org/10.1525/aa.1996.98.3.02a00810.

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Undheim, Sissel. "The Sacred Power of Lego-Chi." YOUNG 25, no. 1 (2016): 66–86. http://dx.doi.org/10.1177/1103308816668921.

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With a focus on the significance attributed to ‘Chi’ in Lego, Legends of Chima, the aim of this article is to examine how religion is produced, reproduced and transmitted in the products and narratives that have been developed around one of the toy company Lego’s recent commercial successes. The article will explore the intersection between New Age spirituality, transmedia toy supersystems and global, hybridized popular culture as a noteworthy site for religious change, a site where Lego accordingly becomes a potential contributor in these transformations.

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31

Chong, Su Li, and Roselind Wan. "Technological infrastructure and human culture: Appropriating innovative teaching methods to 21st century classrooms." SHS Web of Conferences 53 (2018): 05001. http://dx.doi.org/10.1051/shsconf/20185305001.

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Often, it is assumed that the introduction of technological infrastructures into the 21st century classroom will provide the catalyst to appropriating innovative methods befitting modern educational frameworks. One of these appropriations is the introduction of technology like wireless connectivity, interactive smartboards and mobile devices in the shift from applying teacher-centredness to student-centredness in the classroom. However, this shift is often discussed in terms of technological infrastructure, to the exclusion of examining the cultural change that occurs as a result. This paper d

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32

Galindo, María, Paul B. Préciado, Zorka Domić, and Charlotte Hess. "Encuentro en el Caos : Arte, Politica y Contracultura / Rencontre dans le chaos : art, politique et contre-culture." Chimères N° 99, no. 2 (2021): 167–99. http://dx.doi.org/10.3917/chime.099.0167.

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33

Gamalova, Natalia. "Osip Mandelstam in the French Anthologies of Russian Poetry (1925–1970)." Literatūra 62, no. 2 (2020): 92–111. http://dx.doi.org/10.15388/litera.2020.2.5.

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The fates and fortunes of any national literature in a foreign culture is a multifaceted subject. And this is where the perception of Russian culture in France belongs. In France, the general public became aware of the life and works of Osip Mandelstam in the early seventies, when Nadezhda Mandelstam’s memoirs were published. Before 1970, only some translations of Mandelstam’s poems, the first one made by Chuzeville back in 1925, found their way to periodicals and anthologies. Information about the poet was spread to a great degree thanks to anthologies, as befits this genre of reading matter.

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34

GOOSSAERT, VINCENT. "STEPHEN JONES: Plucking the Winds: Lives of Village Musicians in Old and New China. (CHIME Studies in East Asian Music, 2.) ix, 426 pp., CD. Leiden: CHIME Foundation, 2004. €39." Bulletin of the School of Oriental and African Studies 69, no. 2 (2006): 341–43. http://dx.doi.org/10.1017/s0041977x06360144.

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35

Milius, Susan. "Life: Chimp culture in wood and stone: Groups don't all use same strategy for cracking nuts." Science News 181, no. 12 (2012): 18. http://dx.doi.org/10.1002/scin.5591811219.

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Dipasquale, Theresa M. "Hearing the "harmonious chime" in Donne's "To his Mistress going to bed"." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 21, no. 3 (2008): 19–28. http://dx.doi.org/10.3200/anqq.21.3.19-28.

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Murray, Gillian. "Community Business in Scotland: An Alternative Vision of ‘Enterprise Culture’, 1979–97." Twentieth Century British History 30, no. 4 (2018): 585–606. http://dx.doi.org/10.1093/tcbh/hwy007.

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Abstract The force and coherency with which Margaret Thatcher and her inner circle outlined their vision for ‘enterprise culture’, like so many aspects of Thatcherism, have masked the complexity of its origins and the histories of alternative responses. This article provides a history of an alternative vision for enterprise culture by examining the community business movement in Scotland, the largest experiment of its kind in the UK in the 1980s and a forerunner of social enterprise. Working across Scotland, but with a hub of activity in the Strathclyde region, practitioners worked with local

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Shimada, Izumi, and Ursel Wagner. "Technology and organization of black pottery production on the north coast of Peru." Boletín de Arqueología PUCP, no. 27 (September 24, 2019): 133–56. http://dx.doi.org/10.18800/boletindearqueologiapucp.201902.008.

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Not all «black» pottery was produced in the same manner just as their social and symbolic uses and reasons for production varied a good deal. Nor are many examples truly black. The Middle Sicán culture (AD 900-1100) on the north coast of Peru distinguished itself with the perfection and large-scale production of black pottery made of fine paste. Based on our «holistic» study of a Middle Sicán workshop (including experimental firing and detailed chemical analyses of both archaeological and experimental samples), we present a detailed characterization of the blackware production technology and o

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Meiring, James E., Alberto Giubilini, Julian Savulescu, Virginia E. Pitzer, and Andrew J. Pollard. "Generating the Evidence for Typhoid Vaccine Introduction: Considerations for Global Disease Burden Estimates and Vaccine Testing Through Human Challenge." Clinical Infectious Diseases 69, Supplement_5 (2019): S402—S407. http://dx.doi.org/10.1093/cid/ciz630.

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Abstract Typhoid fever has had a major impact on human populations, with the causative pathogen Salmonella enterica serovar Typhi implicated in many outbreaks through history. The current burden of disease is estimated at 11–18 million infections annually, with the majority of infections located in Africa and South Asia. Data that have been used to estimate burden are limited to a small number of blood-culture surveillance studies, largely from densely populated urban centers. Extrapolating these data to estimate disease burden within and across countries highlights the lack of precision in gl

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Conde Calderon, Jorge. "“Aunque rústicos, no les faltaba el conocimiento de la razón”: Justicia y sociedad campesina en el sitio de Chinú. Nuevo Reino de Granada, 1798-1813." HiSTOReLo. Revista de Historia Regional y Local 9, no. 18 (2017): 49–82. http://dx.doi.org/10.15446/historelo.v9n18.57981.

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A finales de junio de 1798, el sitio de Chinú, en la Provincia de Cartagena del Nuevo Reino de Granada, fue escenario de unos tumultos populares originados por la apertura de un camino. Los vecinos, en su mayoría labradores o campesinos, se rebelaron contra las autoridades españolas. Con el transcurso de los días, estos hechos adquirieron tintes violentos que ellos abandonaron pronto y se decidieron por manifestaciones escritas que iban desde pasquines, representaciones y peticiones hasta poderes otorgados a legos y letrados en materia jurídica, con lo cual accedieron a la justicia. Durante el

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Budi, Noor Sulistya. "PEK BUNG, A TRADITIONAL MUSIC ENSEMBLE IN PANDAK, BANTUL." Jantra. 14, no. 2 (2019): 193–202. http://dx.doi.org/10.52829/jantra.v14i2.97.

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Pek Bung is a traditional music ensemble in Pandak District under Bantul Regency. Pek is the sound of bamboo produced by hitting it with a beater and bung a membranophone, a one-sided membrane drum made of klenthing (a pottery water jar) whose mouth is covered by a membrane made of a piece of inner tube. The sound bung is produced by striking the drum head. Pek Bung is also a multi-timbre ensemble consisting of both traditional and modern instruments, such as klenthing drum, bass bamboo (wind instrument), kenthongan (bamboo chime), maracas, wood guiro shaker, triangle, keyboard, gambang (bambo

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Abulhul, Zeinab. "The Righteous Mind: Why Good People Are Divided by Politics and Religion by Jonathan Haidt: Book Review." International Journal of Social Science and Economics 1, no. 2 (2021): p1. http://dx.doi.org/10.22158/ijsse.v1n2p1.

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In The Righteous Mind, Jonathan Haidt examines the moral grounds that people intuitively believe. He presented his idea by asking why good people are divided by politics and religion. Then, he asked about morality by asking, “Where does morality come from?” (Haidt, 2012, p. 3). He explained that people understand social morality in different ways. People live in unique societies that shape their understanding of social norms, which are based on many factors, such as culture, religion, and education. Haidt based his ideas about the righteous mind on three principles and demonstrated them throug

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Jacob, J. M. "JrRobert K. Headley, Rath Chim and Ok Soeum: Modern Cambodian-English dictionary. xxx, 1,674 pp. Kensington, MA: dp Dunwoody Press, 1997." Bulletin of the School of Oriental and African Studies 62, no. 3 (1999): 619–20. http://dx.doi.org/10.1017/s0041977x00019236.

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Jeffrey, Robin. "The Sikh Separatist Insurgency in India: Political Leadership and Ethnonationalist Movements. By Jugdep S. Chima. New Delhi: Sage Publications, 2010. xix, 314 pp. $39.95 (cloth)." Journal of Asian Studies 70, no. 2 (2011): 610–11. http://dx.doi.org/10.1017/s0021911811000672.

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Oakland, Amy. "Max Uhle’s Field Notes and Textile Collections from Chimu Capac, Supe Valley, Peru; Style and Cultural Affiliation During the Early and Late Middle Horizon." Ñawpa Pacha 40, no. 2 (2020): 175–222. http://dx.doi.org/10.1080/00776297.2020.1794326.

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Jensen, Anita. "Mental health recovery and arts engagement." Journal of Mental Health Training, Education and Practice 13, no. 3 (2018): 157–66. http://dx.doi.org/10.1108/jmhtep-08-2017-0048.

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PurposeArts and cultural activities have been illustrated to be beneficial for mental health service users. The purpose of this paper is to explore the benefits of museum visits and engage in arts activities for mental health service users.Design/methodology/approachSemi-structured interviews were conducted with 17 mental health service users in Denmark. A thematic approach was used to analyse the data and theoretical lens of sociological theories of institutional logics was employed to explore the findings.FindingsThese benefits are perceived to include empowerment and meaning in life, which

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Kim, Sunglim. "Korean Lacquer Art: Aesthetic Perfection. By Patricia Frick, Soon-Chim Jung, Jihyun Hwang, Kōji Kobayashi, Margarete Prüch, and Kyuhee Wahlen. Munich: Hirmer Publishers, 2013. 208 pp. €39.90 (paper)." Journal of Asian Studies 73, no. 1 (2014): 264–66. http://dx.doi.org/10.1017/s0021911813002179.

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Okome, Mojúbàolú Olúfúnké. "Chima J. Korieh and Philomina Okeke-Ihejirika, eds. Gendering Global Transformations: Gender, Culture, Race and Identity. New York: Routledge, 2009. ix + 291 pp. Notes. Bibliography. About the Contributors. Index. $95.00. Cloth." African Studies Review 53, no. 3 (2010): 157–59. http://dx.doi.org/10.1017/s0002020600005795.

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Yung, Bell. "Suspended Music: Chime-Bells in the Culture of Bronze Age China. By Lothar von Falkenhausen. Berkeley, Los Angeles, Oxford: University of California Press, 1993. xxvi, 481 pp. $70.00." Journal of Asian Studies 55, no. 1 (1996): 161–64. http://dx.doi.org/10.2307/2943665.

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Li, X. Sherry, Susan Glasauer, and X. Chris Le. "Erratum to “Speciation of vanadium in oilsand coke and bacterial culture by high performance liquid chromatography inductively coupled plasma mass spectrometry” [Anal. Chim. Acta 602 (2007) 17–22]." Analytica Chimica Acta 648, no. 1 (2009): 128. http://dx.doi.org/10.1016/j.aca.2009.06.053.

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