Academic literature on the topic 'Cultura Nok'
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Journal articles on the topic "Cultura Nok"
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Araújo, I. J. S., A. B. De Paula, J. C. O. Sardi, R. N. Stipp, and R. M. Puppin-Rontani. "Influência de Compósito com Metacrilato de Triclosan na Viabilidade de Células Bacterianas e Humanas." Journal of Health Sciences 19, no. 5 (2018): 117. http://dx.doi.org/10.17921/2447-8938.2017v19n5p117.
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Neste estudo avaliou-se a toxicidade de compósito experimental, com monômero Metacrilato de Triclosan (MT), sobre células bacterianas e humanas. Foram confeccionados discos (2x5 mm) de dois compósitos C1 (TEGDMA/BISEMA + carga) e C2 (C1 + MT). Para a viabilidade bacteriana foi utilizada cepa de S. mutans UA159. Os discos foram colocados em placas de cultura de 24 poços, com 2 ml de BHI e inóculo bacteriano, por 24 h. Decorrido o tempo, os discos foram lavados com PBS e a viabilidade celular avaliada por XTT. A solução de XTT foi dispensada sobre os discos, e armazenada em estufa a 37 ºC, com 10% de CO2, por 4 h. Após a incubação, 200 μl da solução foram dispensados em eppendorfs, centrifugados e o sobrenadante transferido para uma placa de 96 poços para leitura das absorbâncias. Para avaliação em células humanas, foram utilizadas células NOK cultivadas em soro fetal bovino 10% a 37 °C. As células (1X105 células/ml) ficaram em contato com os discos por 24 h. Em seguida, as células foram tratadas com reagente MTT e reincubadas por 4 h. Após, 100 μL de álcool isopropílico foram usados para solubilizar o precipitado e permitir as leituras. As absorbâncias, 450nm (XTT) e 560nm (MTT), foram medidas com leitor de ELISA. A análise estatística foi feita com o teste Mann-Whitney (a0.05). Nas análises de XTT, C2 (0,582 ±0,041) reduziu a viabilidade celular (p0,0076) em relação a C1 (0,634 ±0,030). Nas análises de MTT, C1 (88% ±6,77) apresentou maior viabilidade celular (p0,0219) que C2 (70,6 ±7,67). Conclusão: C1 e C2 não foram tóxicos para NOK (viabilidade >50%) e C2 reduz a viabilidade de S. mutans.Palavras-chave: Compósitos. Viabilidade Celular. Antimicrobianos.
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Yoon, Sukhwan, Robert A. Sanford, and Frank E. Löffler. "Nitrite Control over Dissimilatory Nitrate/Nitrite Reduction Pathways in Shewanella loihica Strain PV-4." Applied and Environmental Microbiology 81, no. 10 (2015): 3510–17. http://dx.doi.org/10.1128/aem.00688-15.
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ABSTRACTShewanella loihicastrain PV-4 harbors both a functional denitrification (NO3−→N2) and a respiratory ammonification (NO3−→NH4+) pathway. Batch and chemostat experiments revealed that NO2−affects pathway selection and the formation of reduced products. Strain PV-4 cells grown with NO2−as the sole electron acceptor produced exclusively NH4+. With NO3−as the electron acceptor, denitrification predominated and N2O accounted for ∼90% of reduced products in the presence of acetylene. Chemostat experiments demonstrated that the NO2−:NO3−ratio affected the distribution of reduced products, and respiratory ammonification dominated at high NO2−:NO3−ratios, whereas low NO2−:NO3−ratios favored denitrification. The NO2−:NO3−ratios affectednirKtranscript abundance, a measure of denitrification activity, in the chemostat experiments, and cells grown at a NO2−:NO3−ratio of 3 had ∼37-fold fewernirKtranscripts per cell than cells grown with NO3−as the sole electron acceptor. In contrast, the transcription ofnrfA, implicated in NO2−-to-NH4+reduction, remained statistically unchanged under continuous cultivation conditions at NO2−:NO3−ratios below 3. At NO2−:NO3−ratios above 3, bothnirKandnrfAtranscript numbers decreased and the chemostat culture washed out, presumably due to NO2−toxicity. These findings implicate NO2−as a relevant modulator of NO3−fate inS. loihicastrain PV-4, and, by extension, suggest that NO2−is a relevant determinant for N retention (i.e., ammonification) versus N loss and greenhouse gas emission (i.e., denitrification).
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Shultz, P. J., M. A. Tayeh, M. A. Marletta, and L. Raij. "Synthesis and action of nitric oxide in rat glomerular mesangial cells." American Journal of Physiology-Renal Physiology 261, no. 4 (1991): F600—F606. http://dx.doi.org/10.1152/ajprenal.1991.261.4.f600.
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Macrophages and certain tumor cell lines can be induced to synthesize nitric oxide (NO) from L-arginine after stimulation with lipopolysaccharide (LPS) or cytokines. In the present study, we have found that culture medium collected after 24 h from unstimulated rat mesangial cells (MC) contains 6.3 +/- 1.2 microM of NO3-/NO2- (the degradation products of NO). These levels were significantly increased when MC were incubated with LPS (10 micrograms/ml) for 24 h (23.9 +/- 4.1, P less than 0.05). The specific inhibitor of NO synthesis, NG-monomethyl-L-arginine (L-NMMA) completely inhibited LPS-stimulated production of NO3-/NO2-, confirming that the NO3-/NO2- was derived from NO within the MC. Recent studies suggest that endothelium-derived relaxing factor (EDRF) produced by vascular endothelium is also NO, and we have previously shown that both EDRF and NO stimulate increases in MC guanosine 3',5'-cyclic monophosphate (cGMP). Thus we sought to determine whether NO synthesized by the MC could affect cGMP levels within the same cells. After 24-h incubation with LPS (10 micrograms/ml), intracellular cGMP level within the MC was 706.3 +/- 197 (SE) compared with 40.5 +/- 7 fmol/micrograms protein in control MC incubated in media alone (P less than 0.01). The changes in cGMP in response to LPS were inhibited by greater than 90% by L-NMMA. Similar to LPS, incubation of MC with the cytokine gamma-interferon also increased NO3-/NO2- in the culture media and increased cGMP levels within MC. The induction of NO synthesis within MC and the concomitant stimulation of MC cGMP may be important in the modulation of the effects of endotoxemia, as well as inflammation, within the glomerulus.
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Muhyi, Muhammad, and Purbojati Purbojati. "PENGUATAN OLAHRAGA PENCAK SILAT SEBAGAI WARISAN BUDAYA NUSANTARA." Jurnal Budaya Nusantara 1, no. 2 (2014): 141–47. http://dx.doi.org/10.36456/b.nusantara.vol1.no2.a415.
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Sports martial arts (pencak silat) has grown and developed over the establishment of the Indonesian nation, even before Indonesia’s independence. It needs to be strengthened in order to continue to grow stronger in Indonesia. In order to realize it, the pillars of the national culture must be upheld which includes (1) construction of identity and character of the nation (2) Preservation of cultural heritage (3) development work / innovation and cultural diplomacy (4) institutional and human culture, and (5) facilities and infrastructure culture. To strengthen the construction of the five pillars of culture-related sports martial arts, the various concrete support pillars can help in any martial arts in the cultural heritage of the archipelago of Indonesia as well maintained. Keywords: sports martia arts, national culture, culural heritage.
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Oliveira, Luciana Xavier de. "Disputas ideológicas, cultura negra e jornalismo cultural." Novos Olhares 8, no. 1 (2019): 33–46. http://dx.doi.org/10.11606/issn.2238-7714.no.2019.150341.
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O Movimento Black Rio se consolidou como uma importante cena musical nos anos 1970 nos subúrbios do Rio de Janeiro, mobilizando um grande mercado consumidor formado especialmente por uma juventude negra. Os bailes de soul foram alvo de críticas veiculadas em órgãos da imprensa ligados tanto ao governo militar quanto a setores da esquerda. O objetivo deste artigo é discutir como o jornalismo cultural e a crítica musical carioca da época encaravam o fenômeno, apresentando uma reflexão sobre disputas em torno da defesa da tradição e autenticidade em oposição a discursos de modernidade e cooptação nas dinâmicas da cultura popular. Nesse sentido, esse artigo apresenta ainda interpretações possíveis sobre processos alternativos de identificação racial, consumo cultural e estratégias político-culturais desenvolvidas em consonância com uma produção afro-diaspórica global.
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Wiryokusumo, Iskandar. "KI HAJAR DEWANTARA, MENGURANGI PENGARUH BARAT SECARA KULTURAL." Jurnal Budaya Nusantara 1, no. 2 (2014): 121–25. http://dx.doi.org/10.36456/b.nusantara.vol1.no2.a412.
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The entry of Western values, among others through culture, has been known recently. Culturalvalues are mostly among others enter through technology and consumer goods as product of technology.One attempt tobalancevaluesof the West, which would be cultural values, performed byKi Hajar Dewantara, a National Cultural Educator once was. In an attempt balancing the effortsmade on the basis of Javanese culture is more family-oriented, independence, a sense of moralhigh priority and live in harmony with nature. Many of the teachings of Java is developed throughslogans and statements originating and noble values normative religious. So Western culture, suchas individualistic, rationalistic, and intellectualism can be compensated fairly and naturally.Keywords: Western values, Javanese culture, cultural values.
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Flier, Andrey Yakovlevich. "On culture and Cultural Studies: reflections of a scientist." Uchenyy Sovet (Academic Council), no. 12 (December 1, 2020): 40–46. http://dx.doi.org/10.33920/nik-02-2012-04.
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The article raises the problems of ontology and social essence of culture, its definition from the author's scientific point of view, features of modern culture, the place of art in culture, as well as the issues of general prospects of cultural science and education. The original author's definition of culture as a program of group adaptive behavior of people is given.
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Kurita, Hirofumi, Junichiro Miyamoto, Saki Miyachika, et al. "Production of Reactive Oxygen and Nitrogen Species in a Cell Culture Medium Exposed to an Atmospheric Pressure Plasma Jet." MRS Advances 2, no. 18 (2017): 987–93. http://dx.doi.org/10.1557/adv.2017.34.
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ABSTRACTCold atmospheric pressure plasma has been intensively studied due to growing interest in biomedical applications. For example, it has been revealed that the plasma-irradiated cell culture medium (PAM: Plasma Activated Medium) shows antitumor effect as well as the direct plasma treatment. Long-lived reactive oxygen and nitrogen species (RONS), such as hydrogen peroxide (H2O2), nitrite (NO2-), and nitrate (NO3-), are considered as a main product in PAM. Therefore, investigation of the production characteristics of RONS in PAM with different experimental parameters is important. Here, we focused on humidification of feed gas (argon or helium) and effect of gap between the nozzle of the plasma jet and liquid surface. As a result, H2O2 concentration was increased by humidification of both feed gases. However, the concentration of NO2- and NO3- was decreased by the humidification of helium. In addition, the remarkable effect of the humidification on H2O2 production was observed when the plasma jet was in contact with the liquid surface.
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Zavyalova, Nataliya Alekseevna. "The genesis of Japanese culture and the evolution of cultural forms. Identification of cultural and communicative formulas as a method of revealing the content of language and culture." Uchenyy Sovet (Academic Council), no. 12 (December 1, 2020): 67–74. http://dx.doi.org/10.33920/nik-02-2012-07.
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The author examines the genesis of Japanese culture on the example of cultural and communicative formulas (CCF), which are defined as the simplest, stable, high-frequency units of culture used at all levels of social and cultural life. The article demonstrates that CCF, being a combination of signs, compactly represent a culture in its similarity and difference with other cultures and allow establishing a dialogue of cultures with a minimum of attracted data; they provide communication through verbal forms of language, gestures, styles, etc. - through all cultural forms that can be translated into signs of this culture, sufficient to have a minimal idea of it. The article examines the CCF on the example of compressed verbal forms belonging to folk speech, which include proverbs and sayings, "winged words", precedent phrases that are part of the civilizational worldview. The article presents the material in the framework of the discipline "Culture of Japan".
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Petrova, S. "Analysis of the evolution of culture." Voprosy kul'turologii (Issues of Cultural Studies), no. 3 (March 1, 2020): 40–43. http://dx.doi.org/10.33920/nik-01-2003-07.
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The paper is devoted to the analysis of determinants and sources of culture. If earlier certain cultural values have not changed for many centuries, determining the existence of more than one generation, now several cultural eras alternate throughout one life. The transition to a post-industrial society leads to a transformation in the spiritual sphere and the emergence of mass culture. It is shown that the starting point for the philosophical reflection of mass culture should be beyond the consideration of this phenomenon only as a phenomenon of artistic life of "people of mass culture" and the definition of its conditionality from the development of culture of society as a whole.
Dissertations / Theses on the topic "Cultura Nok"
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Breunig, Peter. "Origin of Complex Societies in Sub-Saharan Africa." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113406.
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This article considers the earliest evidence of complex societies in sub-Saharan Africa. The evidence derives from two archaeological entities located in Nigeria, West Africa: the Gajiganna Culture of the Chad Basin and the Nok Culture of Central Nigeria. Studies of both cultures, carried out by the author’s team during the last years, indicate a significant cultural change during the 1st millennium BC. The change concerns social, economic, and technological aspects, described and discussed for each of the two mentioned cases. It is supposed that the change was a nucleus of social complexity that triggered further developments up to the great West African empires emerging from the end of the 1st millennium AD onwards.<br>El presente artículo trata acerca de las evidencias más tempranas de sociedades complejas en el África subsahariana procedentes de dos entidades arqueológicas ubicadas en Nigeria, en la parte occidental de este continente: la cultura Gajiganna, localizada en la cuenca del Chad, y la cultura Nok, del área central de este país. Los estudios realizados acerca de estas dos sociedades por parte del equipo dirigido por el autor durante los últimos años indican una transformación cultural significativa durante el primer milenio a.C. Este cambio se relaciona con aspectos sociales, económicos y tecnológicos particulares que se describen y discuten para cada uno de los casos mencionados. Se postula que ese proceso constituyó el núcleo de la complejidad social que desencadenó desarrollos posteriores hasta llegar a los grandes imperios del África Occidental que surgieron hacia fines del primer milenio d.C. y en adelante.
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Vilutis, Luana. "Cultura e juventude: a formação dos jovens nos Pontos de Cultura." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-23092009-132908/.
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Esta pesquisa tem como objetivo identificar a relação entre o acesso à cultura, o processo pedagógico de formação de jovens e sua inserção comunitária. Para tanto, baseamos este estudo na experiência de jovens que participaram da formação realizada em Pontos de Cultura, instituições contempladas no programa Nacional de Cultura, Educação e Cidadania - Cultura Viva e que implementaram a ação Agente Cultura Viva. Situamos esse programa na cena pública cultural brasileira do período de 2003 a 2008, marcada pelo debate sobre a formulação de políticas de valorização da diversidade de expressões culturais. Para fundamentar a análise desta pesquisa, partimos da compreensão de que a cidadania cultural e o direito à cultura são pressupostos da pluralidade da criação cultural. É nesse contexto de interculturalidade que os agentes mediadores de cultura assumem papel relevante para o desenvolvimento da ação cultural, pois são sujeitos que circulam por diferentes espaços, transitam em contextos variados e participam de iniciativas diversas. A prática educativa dos jovens estudados se constituiu em uma ação problematizadora e organizadora da experiência cultural que potencializa as escolhas dos jovens em termos de seu trabalho e da expressão de sua identidade. O trabalho de campo foi realizado nos anos de 2007 e 2008 e reuniu entrevistas com 17 jovens homens e mulheres que participaram da formação da ação Agente Cultura Viva em dois Pontos de Cultura da Zona Leste da cidade de São Paulo. É possível identificar recorrências nos relatos dos jovens entrevistados, que revelam o significado do processo de formação marcado pela experimentação de diversas linguagens estéticas, pela vivência intergeracional e pela convivência comunitária. Essas ações, por sua vez, estimularam a ampliação do espaço público de fruição cultural e a sociabilidade criadora, que impulsiona o trabalho coletivo e juvenil de criação. Do ponto de vista teórico, este estudo foi orientado pela categoria de ação cultural de Paulo Freire, em diálogo com as abordagens de Teixeira Coelho. O estudo do direito à cultura e da política cultural teve como subsídio a leitura de instrumentos legais, normas jurídicas e declarações internacionais sobre a temática. A análise das entrevistas, por sua vez, se apoiou na noção de mediadores desenvolvida por François Dubet para a compreensão do papel desenvolvido pelos jovens agentes culturais.<br>This research\'s objective is to identify the connection between the access to culture, the pedagogical process of young people\'s formation and their communitarian insertion. In order to do so, this study was based in the experience of young people who have participated in formations at Culture Points, institutions that were benefited by the Programa Nacional de Cultura, Educação e Cidadania - Cultura Viva (National Culture, Education and Citizenship Program Living Culture) and that implemented the ação Agente Cultura Viva (Living Culture Agent). This program is situated in the Brazilian culture public scene from 2003 to 2008, when there was strong debate on defining policies for promoting the diversity of cultural expressions. We base the analysis in this research in the understanding that cultural citizenship and the right to culture are prerequisites to the plurality of cultural creation. It is in this context of interculturality that the culture mediator agents take on relevant roles for the development of cultural action, since they are subjects that circulate through different spaces, transit through various contexts and participate on diverse initiatives. The educative practice of the young people studied consisted in a problematizing and organizing action of their cultural experience that fosters young peoples choices regarding their work and expressing their identity. The field work was carried out in 2007 and 2008 and assembled interviews with 17 young men and women who participated in the formation of ação Cultura Viva in two Culture Points of the East Area of São Paulo. It is possible to identify recurrent themes in the young peoples accounts that reveal the significance of experimenting different aesthetic languages, intergenerational living experiences and shared community life that influenced their formation process. These actions stimulated the widening of the public space for cultural enjoyment and creating sociability, that boosts the collective and youthful work of creating. From a theoretical point of view, this study was oriented by the Paulo Freires category of cultural action dialoguing with Teixeira Coelho approaches. The study of the right to culture and of cultural policy was based on the reading legal instruments, norms and international declarations on the theme. The analysis of the interviews was founded on the notion of mediators developed by François Dubet for understanding the role young cultural agents played.
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Silva, Bruno Goulart Machado. "Trânsitos da cultura popular : política pública, produção, difusão e salvaguarda nos encontros de culturas tradicionais." reponame:Repositório Institucional da UnB, 2018. http://repositorio.unb.br/handle/10482/32408.
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Tese (doutorado)—Universidade de Brasília, Instituto de Ciências Sociais, Departamento de Antropologia, Programa de Pós-graduação em Antropologia Social, 2018.<br>Submitted by Raquel Viana (raquelviana@bce.unb.br) on 2018-08-13T18:20:27Z
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Previous issue date: 2018-08-13<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES).<br>A cultura popular tradicional é entendida no Brasil como um conjunto de práticas culturais ligadas aos povos tradicionais, afro-brasileiros, indígenas e ao povo de modo geral. Desde os anos 1990, as práticas performáticas desse universo têm transitado por circuitos ligados à música e performance, e constituídos por espaços culturais, instituições e, desde os anos 2000, pelos encontros de culturas populares e tradicionais. Estes são festivais de cultura que reúnem em si também a dimensão de um fórum de discussões sobre políticas públicas e temáticas que impactam os povos tradicionais. Propõe-se, assim, refletir sobre as especificidades e características desse circuito contemporâneo de trânsito da cultura popular focando na experiência dos encontros. Para tanto, buscou-se investigar o contexto que permitiu a emergência desses eventos, suas principais características, bem como o diálogo que eles estabelecem com as políticas públicas culturais. A pesquisa foi realizada através de trabalho de campo em três edições (nos anos de 2015, 2016 e 2017) do Encontro de Culturas Tradicionais da Chapada dos Veadeiros, que acontece na Vila de São Jorge (Alto Paraíso-GO); do contato com edições de 2015 do Encontro dos Povos do Grande Sertão Veredas (Chapada Gaúcha-MG) e do Encontro de Culturas Populares e Tradicionais (Serra Talhada-PE); através de levantamento sobre outros eventos semelhantes pelo Brasil, feito por meio de pesquisa em meio digital; e de entrevistas com organizadores e participantes desses eventos. Constatou-se que os encontros são produtos de um processo de redescoberta da cultura popular por jovens universitários, artistas e músicos citadinos na década de 1990 e da eventual articulação desses sujeitos com o poder público – o que levou à elaboração de políticas culturais para atender a especificidade desse universo cultural. No contexto das políticas públicas, os encontros são vistos como espaços de difusão, salvaguarda e valorização da cultura popular por meio da performance desta em contextos de apresentações. Enquanto local de performance da cultura popular, os encontros desenvolvem técnicas de produção de som e arquitetura de palco em diálogo com a indústria fonográfica. Além disso, constatou-se que os mestres e mestras que são convidados a apresentarem suas práticas nesse contexto negociam e mediam o deslocamento destas para os encontros enquanto forma de reconhecimento, retorno financeiro e visibilidade para si e para seus coletivos sociais. A investigação dos encontros demonstrou ainda que eles são emblemáticos do circuito de trânsito contemporâneo da cultura popular. Esse circuito, por sua vez, tem similaridades com a experiência do movimento folclórico que se organizou na década de 1950, uma vez que ambos receberam apoio do poder público. Apesar das semelhanças com a época do movimento folclórico, os encontros têm suas particularidades,
como um maior diálogo com a indústria fonográfica e a presença de novos discursos e atores sociais. Assim, pode-se falar de um novo momento de trânsito da cultura popular inaugurado nas últimas décadas.<br>Traditional popular culture in Brazil is understood as a diversity of cultural practices linked to folk, traditional, afro-Brazilian and indigenous people. Since de 1990s, performance practices of this universe are transiting in musical and performance circuits that are constituted by cultural centers, institutions and, since the 2000’s, by festivals of popular and traditional cultures known as encontros de culturas populares e tradicionais. These encontros are culture festivals and also places for discussions on cultural policies and issues that impact traditional people and their communities. Thus, this thesis explores the specificities and characteristics of this contemporary circuit for traditional popular culture, with focus on these festivals of popular and traditional culture. Thereby, we seek to investigate the context of emergence of the encontros, their main characteristics and the dialogue they establish with cultural policies. The research was done through fieldwork in three editions (in the years 2015, 2016 and 2017) of the Encontro de Culturas Tradicionais da Chapada dos Veadeiros, which takes place in the village of São Jorge (Alto Paraíso-GO); the 2015 editions of the Encontro dos Povos do Grande Sertão Veredas (Chapada Gaúcha-MG) and of the Encontro de Culturas Populares e Tradicionais (Serra Talhada-PE); through the digital survey about other similar events in Brazil; and through interviews with producers and participants of the mentioned events. The investigation demonstrated that the encontros are product of the interest for traditional popular culture by young university students, artists and musicians in the 1990s, followed by the later articulation of these social actors with public institutions and policies – which led to the elaboration of specific cultural policies to the traditional popular culture. In the context of public policies, the encontros are seen as cultural policy actions, since they are understood as places for diffusion, safeguard and appreciation of traditional popular culture in a format of musical and dance presentations. As a place for traditional popular culture performance, these festivals develop techniques of sound production and stage architecture in dialogue with the music industry. The investigation also points that the masters of this traditions, who are invited to present their practices at the festivals, negotiate and mediate their performance seeking recognition, financial return and visibility for themselves and their social collectives. In conclusion, the study on the encontros showed that they are emblematic of the contemporary circuit of traditional popular culture of Brazil, which has similarities to the experience of the folklore movement organized in the 1950s due to the support both received from the public government. Despite the similarities with the folklore movement, the encontros have their particularities, such as a greater dialogue with the music industry and new discourses and social actors. Thus, it is possible to speak of a new circuit for Brazilian traditional popular culture, which emerges in the last decades.
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Marcussi, Alexandre Almeida. "Diagonais do afeto: teorias do intercâmbio cultural nos estudos da diáspora africana." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13102010-152346/.
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Esta pesquisa analisa a historiografia que abordou a formação das culturas afro-americanas e os intercâmbios culturais entre africanos e euro-americanos, mostrando como ela tem sido marcada por uma coexistência contraditória de premissas universalistas e particularistas a respeito da natureza da cultura. Tais contradições já podem ser observadas na antropologia culturalista de Franz Boas, que desliza entre duas definições de cultura por um lado, como um espírito orgânico e estável e, por outro, como um agregado histórico e dinâmico de costumes e ideias , apontando a permanência e a mudança como aspectos simultâneos dos contatos culturais. Melville Herskovits fundamentou-se na obra boasiana e herdou essas contradições ao realizar seu estudo sobre as culturas afro-americanas, representando-as simultaneamente como uma aculturação, na chave da descontinuidade com o passado, e como uma preservação de africanismos, na chave da continuidade com as culturas africanas. Tais dificuldades desdobram-se até o debate contemporâneo em torno do conceito de crioulização e da obra de Mintz e Price, que descreve das culturas afro-americanas ressaltando ao mesmo tempo a criatividade e a sobrevivência de estruturas africanas. Autores filiados à chamada corrente afrocêntrica tentaram resolver esses impasses minimizando a transformação e privilegiando a continuidade com o passado, no que intensificaram o dualismo implícito na vertente particularista de análises anteriores. Uma outra tradição de estudos sobre os intercâmbios culturais em sociedades coloniais incluindo autores como Gilberto Freyre, Fernando Ortiz e outros associados ao pensamento pós-colonial desenvolveu um modelo conceitual distinto, centrando-se nas ambivalências e inversões presentes na dimensão afetiva dos contatos culturais. Com isso, esses autores compreenderam o intercâmbio cultural a partir de uma lógica dialética, desconstruindo raciocínios dualistas, abraçando o caráter autocontraditório dos fenômenos e propondo, assim, uma alternativa teórica aos modelos herdados do culturalismo antropológico.<br>This work analyses the historiography which has studied the formation of African-American cultures and the cultural exchange between Africans and Euro-Americans, sustaining that it has been characterized by a contradictory coexistence of universalistic and particularistic presuppositions about the nature of culture. These contradictions can already be observed in Franz Boass Anthropological culturalism, which moves between two definitions of culture on the one hand, as an organic and stable spirit and, on the other hand, as a historical and dynamic aggregate of customs and ideas , indicating permanence and transformation as simultaneous aspects of cultural contact. Melville Herskovits was grounded on Boass ideas and inherited these contradictions when he studied African-American cultures, representing them simultaneously as an acculturation, focusing a discontinuous relation with the past, and as a preservation of africanisms, stressing a continuous relation with African cultures. These difficulties have unfolded themselves up to the contemporary debate about the concept of creolization and Mintz and Prices work, which describes African-American cultures focusing cultural creativity and the survival of African structures at the same time. Authors of the so-called afrocentric perspective have tried to solve this impasse by minimizing transformations and stressing continuity with the past. By doing so, they have intensified the dualism implicit on the particularistic arguments of previous analyses. Another tradition of studies about cultural exchange in colonial societies including authors such as Gilberto Freyre, Fernando Ortiz and others associated to post-colonial thought has developed a different conceptual model, which focuses on the ambivalences and inversions that can be observed on the affective dimensions of cultural contacts. These authors have interpreted cultural exchange through a dialectical logic, deconstructing dualistic thoughts, embracing the self-contradictory nature of the fenomena, and thus indicating a theorical alternative to the models inherited from anthropological culturalism.
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Araújo, Wendy Almeida de. "Os ritmos tradicionais nos tambores do tocantins: constituições identitárias e processos culturais." Universidade Federal de Goiás, 2013. http://repositorio.bc.ufg.br/tede/handle/tede/3193.
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Previous issue date: 2013-07-23<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The guiding theme of this research is the appropriation of traditional rhythms of Tocantins on
a percussive music project called Tocantins Drums. The empirical corpus is a set of rhythms: sússia, catira, drum, roda and congo. The choise was motivated because they have cultural reference in the State. The goal was identify the Tocantins Drums group formation and appropriate. For this purpose was achieved, it was proposed specifically: understand the importance of the relationship between culture and communication and subaltern culture and mass culture; identify which group's proposal and how the rhythms are worked; understand how to constitute the identities of the group, to identify the elements and belonging of the project participants; verify that the more traditional groups are recognized in the representation of the Drums of Tocantins and realize what the differences between them.The assumptions were that participants in the group Drums of Tocantins developed from a traditional style, but incorporating elements of mass culture, its own forms and styles of cultural expression and acquired a positive stance in relation to the rhythms and music critics as massive , which could result in the construction of their identity.After the conclusion of the proposed research, it was found that not exacly those factors constitute the identity of the group, but a greater bond, the social inclusion.<br>O tema norteador dessa pesquisa é a apropriação de ritmos tradicionais tocantinenses em um projeto de música percussiva chamado Tambores do Tocantins. O corpus empírico é um conjunto de ritmos: sússia, catira, tambor, congo e roda. A escolha desse objeto foi motivada por eles serem referência nas manifestações culturais do Estado. O objetivo era identificar a dinâmica de formação de identidade do grupo Tambores do Tocantins, na medida em que esses ritmos são apropriados. Para que tal fim fosse alcançado, propôs-se especificamente: compreender a importância da relação entre cultura e comunicação e cultura subalterna e cultura de massa; identificar qual a proposta do grupo Tambores do Tocantins e como os
ritmos são trabalhados; compreender como se constitui as identidades do grupo; identificar os elementos singularizantes e de pertencimento dos participantes do projeto; verificar se os grupos mais tradicionais se reconhecem na representação do Tambores do Tocantins e perceber quais as diferenças entre eles. Os pressupostos eram que os participantes do grupo Tambores do Tocantins desenvolviam a partir de um estilo tradicional, mas incorporando elementos da cultura de massa, suas próprias formas e estilos de expressão cultural, e adquiriam uma postura positiva em relação aos ritmos e crítica quanto a música massiva, o
que poderia resultar na construção de sua identidade. Após a conclusão das investigações propostas, constatou-se que não são exatamente esses fatores que constituem a identidade de grupo do Tambores do Tocantins, mas um vínculo maior, a inclusão social.
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Silva, Antonio Cardoso da. "Produção de Quitina e Quitosana em cultura submersa de Rhizopus arrhizus nos meios milhocina e sintético para Mucolares." Universidade Católica de Pernambuco, 2007. http://www.unicap.br/tede//tde_busca/arquivo.php?codArquivo=178.
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Investigações foram realizadas com fermentação submersa de Rhizopus arrhizus para produção de biomassa e dos co-polímeros quitina e quitosana, através do cultivo em meio sintético para Mucorales e milhocina, como substrato alternativo. Neste sentido, foram realizadas fermentações em frascos de Erlenmyers de 250 mL de capacidade, contendo 50 mL dos meios, foram inoculados em duplicatas com 1% de uma suspensão de 107/esporos por mL, incubados sob agitação orbital de 150rpm. A cada 24 h foram realizados conteúdo em biomassa, consumo de glicose, além da estimação e caracterização de quitina e quitosana e o pH foi monitorado no decorrer dos estudos (96h). Os dados obtidos foram validados utilizando uma análise por regressão não linear, visando explorar o potencial e versatilidade dos mucorales na produção dos co-polímeros. Os resultados obtidos com o meio sintético para Mucorales demonstraram um aumento máximo de biomassa com 72 h de cultivo submerso. A glicose foi totalmente consumida pelo metabolismo do fungo com 96h, com pH 3,2 e conseqüente estágio de declínio celular. A produção máxima de quitina e de quitosana por R. arrhizus foi de 73,5 mg e 158 mg, respectivamente, por grama de biomassa em 48 h de cultivo, com velocidade máxima de crescimento de Max 0,036(h-1)e tempo de geração de 4,6 h. Por outro lado, o cultivo submerso de R. arrhizus em milhocina, nas concentrações de 4,8 e 16%, como meio alternativo e de baixo custo, demonstrou crescimento máximo de 16,8 g/L, na concentração de 8% de milhocina, observando-se Max 0,064(h-1. Altos rendimentos de quitina (575mg/g de biomassa) e quitosana (416 mg/g de biomassa) foram obtidos com milhocina a 8%, com 72 h de cultivo, respectivamente, e pH variando de 6,5 para 8,2. Todos os copolímeros isolados foram caracterizados pelo índice de cristalinidade e espectro de absorção ao raio infravermelho, confirmando um alto grau de pureza quando comparados aos padrões de quitina e quitosana. Os dados obtidos experimentalmente de produção de quitina e quitosana foram validados pela estimativa de regressão não linear, demonstrando um bom ajuste das equações e reprodutibilidade. Os resultados com a fermentação submersa de R. arrhizus comparando milhocina a 8% com o meio sintético para Mucorales observou-se um aumento considerável de 782% e 263%, respectivamente, para a produção de quitina e quitosana. Assim, os resultados obtidos sugerem R. arrhizus como fonte de produção dos co-polímeros, como também a milhocina, considerando o potencial nutritivo e o baixo custo<br>Inquiries had been carried out with submerged fermentation of Rhizopus arrhizus for production of biomass and copolymers chitin and chitosan, using the culture in synthetic medium for Mucoralean and corn steep liquor, as alternative substratum. In this direction, fermentations in Erlenmyers flasks of 250mL had been carried out, contend 50 mL of the media had been inoculated in duplicates with 1% of a suspension of 107/spores/mL, incubated under orbital shaker of 150rpm. To each 24 h had been carried out the content in biomass, glucose consumption, production and characterization of chitin and chitosan, and pH was monitored in elapsing of the studies (96h). The dates had been validated using an analysis for not linear regression, aiming at to explore the potential and versatility of Mucoralean in the production of copolymers. The results obtained with the synthetic medium for Mucoralean had demonstrated a maximum increase of biomass at 72 h of submerged culture. The total of glucose total was consumed by the metabolism of fungus at 96h, with pH 3,2 and consequence period of behavior of cellular decline. The maximum production of chitin and chitosan was 73.5mg and 158 mg, respectively, for gram of biomass with 48 h of cultivation, and maximum speed of growth of Max 0.036 (h-1) and generation time of 4.6h. On the other hand, the submerged culture of R. arrhizus in corn steep liquor, concentrations of 4, 8 and 16%, as alternative medium and of low cost showed maximum growth of 16.8 g/L, in the concentration of 8% of corn steep liquor, observing a Max 0.064h-1. High yields of chitin (575 mg/g biomass) and chitosan (416mg/g biomass) could be achieved using the medium containing corn steep liquor at 8%, with 72 h of cultivation, respectively, and pH varying of 6.5 to 8.2. All the isolated copolym rs in both culture media were characterized by index of crystallinity and absorption to the infra-red ray peaks, and were confirmed using the chitin and chitosan standards. The experimental data obtained with chitin and chitosan were validated by the estimation of not linear regression, demonstrating to a good adjustment of the equations and reproducibility. The results with the submerged fermentation of R. arrhizus were compared corn steep liquor at 8% with synthetic medium for Mucoralean fungi, and was observed an increase of 782% and 263% respectively, for chitin and chitosan production. The results obtained suggest R. arrhizus as source of production of the copolymers and as well as the corn steep liquor, considering the nutritional potential and the low cost
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Moura, Rachel de Almeida. "Ações e olhares: a paisagem da cidade do Rio de Janeiro nos cartões postais (1900-1935)." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2444.
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O cartão-postal, meio de comunicação do século passado, ganhou popularidade e constituiu um item para colecionadores. Privilegiando as imagens das cidades, a produção dos cartões-postais está repleta de uma carga simbólica das formas, uma linguagem própria que a semiologia icônica nos ajuda a compreender. Nesse sentido, a geografia cultural, preocupada com o papel e o lugar da cultura na produção do espaço, é a base conceitual deste trabalho, sobretudo, por meio da releitura do conceito de paisagem ligado às tradições do romantismo alemão. Assim, tendo como objeto de estudo os cartões-postais que representam a natureza e a cidade do Rio de Janeiro no período de 1900 a 1935, pretende-se, nesta dissertação, interpretar e compreender a construção simbólica que se fez da imagem da cidade do Rio de Janeiro a partir da leitura das paisagens cariocas apresentadas em seus cartões-postais. Sendo assim, verificaram-se, na análise dos signos, mensagens vinculadas às ideias de paraíso tropical e cidade moderna. Ambas, interrelacionando-se, contribuíram para a construção da representação de Cidade Maravilhosa.<br>Postcards, way of communication of the last century, gained popularity and was items for collectors. Focusing on images of cities, production of postcards was filled with a symbolic power of its forms, its own language that iconic semiology helps us to understand. In this sense, cultural geography, concerned with function and place of culture in production of space, is the conceptual basis of this work, especially the reinterpretation of the concept of landscape which is connected to traditions of German romanticism. Therefore, the object of this study is postcards which represented nature and the city of Rio de Janeiro during the period between 1900 and 1935. This work also intends to interpret and understand symbolic constructions of the image of Rio de Janeiro, from the reading of landscapes of this city which are presented in those postcards. Thus, in the analysis of signs, messages connected to ideas of tropical paradise and modern city were also analyzed. Both are interrelating and contribute to construction of the representation of Cidade Maravilhosa (The Marvelous City).
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Aymerich, Casas Eloi. "Cultura, organització i resistència mediàtica. Elements per definir un tercer sector plural de la cultura a partir de quatre casos de la música popular catalana (2003-2018)." Doctoral thesis, Universitat Ramon Llull, 2019. http://hdl.handle.net/10803/668149.
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Aquesta tesi estudia com la cultura, davant l’amenaça de l’hegemonia industrial, mercantil, global i totalista, s’organitza per respondre amb una resistència mediàtica contrahegemònica cultural i comunicativa. L’objecte d’estudi és la música popular catalana durant el període 2003-2018 en un marc postmodern de crisi política, desinstitucionalització, cultura digital i comunicació postindustrial. Aquest corpus s’investigarà a partir de l’anàlisi de quatre casos que ocupen diferents espais en la cadena de valor industrial de la música: la banda Txarango, les Cases de la Música, el Grup Enderrock i l’Associació de Sales de Concerts de Catalunya. La metodologia combina tècniques qualitatives i quantitatives, i aposta per un procés argumentatiu comprensiu, altament dialògic i interdisciplinar. Comunicació, Ciències Polítiques i Estudis culturals i Etnomusicologia són els tres vèrtexs temàtics de la recerca.
Les aportacions de la tesi són fonamentalment tres. S’aporten elements per definir un tercer sector plural de la cultura, caracteritzat per la seva mida micro, diversitat organitzativa i jurídica, iniciativa civil, vocació solidària i comunitària, naturalesa no lucrativa, finançament mixt i unes pràctiques econòmiques plurals. Aquest tercer espai de la cultura se situaria en un paradigma híbrid de la cultura, entre l’estat i el mercat. També s’afirma l’existència d’una cultura no mercantil, que es constitueix des d’una perspectiva civil amb una vocació de transformació social i activisme. El seu model organitzatiu és de tendència horitzontal, amb una forta estructura en xarxa i un alt grau d’intercooperació. Aquesta cultura té l’ecosistema local i la comunitat com a referència de la seva acció; aquest fenomen pot promoure una especialització regional, que casi producció cultural amb un marc territorial simbòlic concret, facilitant la circulació de continguts simbòlics contrahegemònics en un ecosistema sonor que aglutini formadors, creadors, productors, distribuidors, programadors i consumidors. Finalment es demostra que la tecnologia digital permet una cultura més mediàtica i interdisciplinar que possibilita la resistència mediàtica. Combinat amb els valors transformadors es produeix una resistència cultural renovada en forma de resistència mediàtica, desintermediada, amb trets de tradició DIY, naturalitzant l’acció 360, narrativa i crossmedia.<br>Esta tesis estudia cómo la cultura, ante la amenaza de la hegemonía industrial, mercantil, global y totalista, se organiza para responder con una resistencia mediática contrahegemónica cultural y comunicativa. El objeto de estudio es la música popular catalana durante el período 2003-2018 en un marco postmoderno de crisis política, desinstitucionalización, cultura digital y comunicación postindustrial. Este corpus se investigará a partir del análisis de cuatro casos que ocupan diferentes espacios en la cadena de valor industrial de la música: la banda Txarango, las Cases de la Música, el Grup Enderrock y la Associació de Sales de Concerts de Catalunya. La metodología combina técnicas cualitativas y cuantitativas, y apuesta por un proceso argumentativo comprensivo, altamente dialógico y interdisciplinar. Comunicación, Ciencias Políticas y Estudios culturales y Etnomusicología son los tres vértices de la investigación.
Las aportaciones de la tesis son fundamentalmente tres. Se aportan elementos para definir un tercer sector plural de la cultura, caracterizado per su tamaño micro, diversdad organizativa y jurídica, iniciativa civil, vocación solidaria y comunitaria, naturaleza no lucrativa, financiamiento mixto y unas prácticas económicas plurales. Este tercer espacio de la cultura se situaría en un paradigma híbrido de la cultura, entre el estado y el mercado. También se afirma la existencia de una cultura no mercantil, que se constituye desde una perspectiva civil con una vocación de transformación social y activismo. Su modelo organizativo es de tendencia horizontal, con una fuerte estructura en red y un alto grado de intercooperación. Esta cultura tiene el ecosistema local y la comunidad como referencia de su acción; este fenómeno puede promover la especialización regional, que conecte producción cultural con un marco territorial simbólico concreto, facilitando la circulación de contenidos simbólicos contrahegemónicos en un ecosistema sonoro que aglutine formadores, creadores, productores, distribuidores, programadores y consumidores. Finalmente se demuestra que la tecnología digital permite una cultura más mediática y interdisciplinar que posibilita la resistencia mediática. Combinado con los valores transformadores se produce una resistencia cultural renovada en forma de resistencia mediática, desintermediada, con rasgos de tradición DIY, naturalizando la acción 360, narrativa y crossmedia.<br>This thesis studies how culture organizes itself to counter the threat of industrial, commercial, global and totalist hegemony with a cultural and communicative counterhegemonic media resistance. The object of the study is Catalan popular music over the 2003-2018 period in a postmodern time frame of political crisis, digital culture, postindustrial communication and progressive independence from institutions. This corpus was researched through the analysis of four instances occupying different spaces in music's industrial value chain: the band Txarango, the dynamization projects of les Cases de la Música, the Enderrock team and the Catalan Concert Venues Association. The chosen methodology combines qualitative and quantitative techniques and relies on a comprehensive highly dialogical and interdisciplinary process setting different theories and perspectives in opposition. Communication, political sciences and cultural studies and etnomusicology are the three thematic focuses of research.
The thesis's foremost contributions are three. Ingredients are provided to define a plural third cultural sector, characterized by its micro size, legal and organizational diversity, civil initiative, a vocation for solidarity and community, non-profit nature, mixed funding and pluralistic economic practices. One would locate this third cultual space in a hybrid cultural paradigm found between state and market. The existence of a non-commercial culture is likewise asserted. It emanates from a civil perspective with a vocation for activism and social change. Its organizational model is largely horizontal and highly networked, as local and community ecosystems are its frames of reference for action. Such a phenomenon may foster regional specialization, combining cultural production and a specific symbolic territorial framework, facilitating the flow of symbolic counterhegemonic contents in a musical ecosystem merging coaches, authors, producers, distributors, organizers and consumers. Lastly the thesis proves that digital technology allows for a more interdisciplinary and media-based culture making media resistance possible. Coupled with progressive values and a commitment to social change, a renew cultural resistance emerges that is media-based, independent of mediators and intermediaries, rooted in the DIY tradition, crossmedia, normalizing multidisciplinary and all-encompassing work (360 action), and based on a narrative justifying the very existence of each project socially and politically.<br>Cette thèse a pour objet d’étude la façon dont la culture, face à la ménace de l’hégémonie industrielle, commerciale, globale et totaliste s’organise à fin d’y répondre avec une résistance médiatique contrahégémonique culturelle et communicative. L’objet d’étude est la musique populaire catalane de la période 2003-2018 dans un cadre postmoderne de crise politique, désinstitutionalisation, culture numérique et communication postindustrielle. Ce corpus sera investigué en partant de l’analyse de quatre cas occupant des espaces différents dans la chaîne de valeur industrielle de la musique: le groupe Txarango, les Maisons de la Musique, le Groupe Enderrock et l’Association de Sales de Concerts de la Catalogne. Quant à la méthodologie, on combine des techniques qualitatives et quantitatives, et on mise sur le processus d’argumentation compréhensif, hautement dialogique et interdisciplinaire. Communication, Sciences Politiques et Études culturels et Ethnomusicologie sont les trois vertex thématiques de la recherche.
Les contributions de la thèse sont principalement trois. On apporte des éléments pour définir un tiers secteur pluriel de la culture, caractérisé par sa taille micro, sa diversité organisationnelle et juridique, son initiative civile, sa vocation solidaire et communautaire, sa nature non lucrative, son financement mixte et ses pratiques économiques plurielles.
Ce troisième espace de la culture se situerait dans un paradigme hybride de la culture, entre l’État et le marché. On affirme aussi l’existence d’une culture non commerciale, qui se constitue une perspective civile avec une vocation de transformation sociale et d’activisme. Son modèle organisationnel est à tendance plutôt horizontale, avec une puissante structure en réseau et un degré élevé d’intercoopération.
Cette culture s’appuie sur l’écosystème local et la communauté pour agir; ce phénomène est capable de promouvoir une spécialisation régionale, qui marie la production culturelle avec un cadre territorial symbolique concret, facilitant la circulation de contenus symboliques contrahégémoniques dans un écosystème sonore qui agglutine les formateurs, les créateurs, les producteurs, les distributeurs, les programmateurs et les consommateurs.
Finalement, on démontre que la technologie numérique permet une culture plus médiatique et interdisciplinaire qui rend possible la résistance médiatique, et qui combinée aux valeurs transformatrices fait possible une résistance culturelle renouvelée sous la forme de résistance médiatique, non-intermédiée, avec des traits de tradition DIY, naturalisant l’action 360, narrative et cross-média.
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Maia, Michelle Pascoal. "Juventude universit?ria nos anos 1980: as pr?ticas culturais do movimento estudantil na UFRN." Universidade Federal do Rio Grande do Norte, 2009. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13562.
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Previous issue date: 2009-03-30<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>The 1980s, at UFRN represented a moment of resumption of student struggles. The major goals of the student movement in this period was the fight against the authoritarian regime and for the democracy within and outside the university. In this context, events, activities, artistic and cultural productions were organized in order to make a critical policy for the procedure, trying to establish a dialogue between the university community and the population. Our work has made a research on cultural practices of the student movement in the 1980s. We did an analysis on the process of democratic transition in Brazil, the political participation of youth, their cultural practices in the country, society and politics in the RN, the student movement at UFRN and its cultural practices. We also discussed the concept of culture and cultural practices, but also pointed each of the the main activities and cultural productions organized by students of UFRN in that period. As methodological resource, were used the oral sources, the academic literature on the subject and newspaper pieces, newsletters and advertisement material of the students<br>Os anos 1980, na UFRN, representaram um momento de retomada das lutas estudantis. As principais bandeiras do movimento estudantil nesse per?odo era a luta pelo fim do regime autorit?rio e por democracia dentro e fora da universidade. Nesse contexto, foram realizados eventos, atividades e produ??es art?stico-culturais com o prop?sito de fazer uma cr?tica pol?tica ao regime, buscando fazer um di?logo com a comunidade universit?ria e com parte da popula??o. Nosso trabalho fez uma investiga??o sobre as pr?ticas culturais do movimento estudantil nos anos 1980. Fizemos uma an?lise sobre o processo de transi??o democr?tica brasileira, a participa??o pol?tica da juventude, suas pr?ticas culturais no pa?s, a sociedade e a pol?tica no RN, o movimento estudantil da UFRN e suas pr?ticas culturais. Discutimos o conceito de cultura e pr?ticas culturais, como tamb?m mapeamos as principais atividades e produ??es culturais organizadas pelos estudantes da UFRN, nesse per?odo. Utilizamos como recurso metodol?gico a fonte oral, a literatura sobre o assunto e mat?rias em jornais, boletins e panfletos estudantis
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Castro, Danilo Martins de [UNESP]. "As dinâmicas sócio-espaciais nos bairros operários da capital paulista." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/95558.
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castro_dm_me_rcla.pdf: 1178878 bytes, checksum: 88d1232abc44a10cc6420408dc5b9230 (MD5)<br>Este trabalho aborda dentro da Geografia Cultural a importância da cultura na produção do espaço, tendo em vista o processo de industrialização da capital paulista, acentuando a cidade de São Paulo como um pólo de atração de movimentos migratórios. A introdução dessa nova massa populacional faz com que a cidade de São Paulo sofra mudanças estruturais, sendo que a mão de obra imigrante e a sua cultura regional tornam-se um dos fatores para essas mudanças. O trabalho faz um levantamento sobre o conceito de cultura abordado pela Geografia, dando destaque as escolas geográficas da França e da Alemanha, abordando o conceito de gênero de vida trazido para a Geografia por Vidal de La Blache<br>This work deals with the importance of the culture in the production of space, taking in mind the process of industrialization of the capital of São Paulo, once it is an icon of the migrating movements. The establishment of this new population mass forces the city of São Paulo to pass through structural changes, basically by the manual work of the immigrants as well as his regional culture becomes one of the main factors of these changes. This work makes a research about the concept of the culture dealt by Geography, pointing the geographical schools of France and Germany, dealing with the concept of genre of life brought to the Geography by Vidal de La Blache
Books on the topic "Cultura Nok"
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Bartolomucci, Adolfo. Le antiche culture della Nigeria: Nok, Sokoto, Katsina. African Art Gallery, 2012.
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Gert, Chesi, Merzeder Gerhard, and Rasmussen Mark, eds. The Nok culture: Art in Nigeria 2,500 years ago. Prestel, 2006.
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Theatricalities of power: The cultural politics of Noh. Stanford University Press, 2001.
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Noe ŭi ch'ungdol kwa munmyŏng ŭi ch'ungdol: Noe iron ŭro munmyŏng ŭi saep'an ŭl tchanda. Chisik Sanŏpsa, 2007.
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Noe ŭi ch'ungdol kwa munmyŏng ŭi ch'ungdol: Noe iron ŭro munmyŏng ŭi saep'an ŭl tchanda. Chisik Sanŏpsa, 2007.
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Noe ŭi ch'ungdol kwa munmyŏng ŭi ch'ungdol: Noe iron ŭro munmyŏng ŭi saep'an ŭl tchanda. Chisik Sanŏpsa, 2007.
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Romano, Ruggiero. Braudel e noi: Riflessioni sulla cultura storica del nostro tempo. Donzelli, 1995.
Find full textBook chapters on the topic "Cultura Nok"
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Anderson, Colin Ray, Janneke Bruil, M. Jahi Chappell, Csilla Kiss, and Michel Patrick Pimbert. "Domain B: Knowledge and Culture." In Agroecology Now! Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-61315-0_5.
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AbstractIn this chapter, we examine the role of knowledge processes in the form of local practice, research, innovation and education in agroecology transformations. Knowledge and power are intimately linked; the questions of ‘what knowledge’ and ‘whose knowledge’ is valued are vitally important. We review the informal (outside of institutions) and formal knowledge processes that have been found to support agroecology. These affirm and enable the knowledge systems of agricultural producers, especially those of women and youth. We further discuss how the combination of scientific knowledge with local and traditional knowledge is important in agroecology transformations. Unfortunately, mainstream knowledge systems often disable agroecology because they privilege outside and top-down processes of knowledge transfer that invalidate local, farmer and indigenous knowledges.
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Eller, Jack David. "Kinship and non-kin groups." In Cultural Anthropology. Routledge, 2020. http://dx.doi.org/10.4324/9780429197710-10.
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Bagilhole, Barbara. "Hostile Reactions: Male Culture." In Women in Non-Traditional Occupations. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230501102_8.
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Vincent, Ben, and Ana Manzano. "History and Cultural Diversity." In Genderqueer and Non-Binary Genders. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-51053-2_2.
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Rubin, Miri. "What is Cultural History Now?" In What is History Now? Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230204522_5.
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Nolan, Emer. "James Joyce as Cultural Critic." In Joyce’s Non-Fiction Writings. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72242-9_6.
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Last, Edward D. "Strategic cultural comparison." In Strategic Culture and Violent Non-State Actors. Routledge, 2020. http://dx.doi.org/10.4324/9780429274510-7.
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Ibelema, Minabere. "All things nefarious are non-Western." In Cultural Chauvinism. Routledge, 2020. http://dx.doi.org/10.4324/9781003148906-4.
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Ibelema, Minabere. "The hell of war is non-Western." In Cultural Chauvinism. Routledge, 2020. http://dx.doi.org/10.4324/9781003148906-5.
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Allan, Stuart. "Raymond Williams and the Culture of Televisual Flow." In Raymond Williams Now. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230373464_7.
Full textConference papers on the topic "Cultura Nok"
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Merchant, John, and Sylnovie Merchant. "Information Technology and the Work/Cultural Orientations of Americans, Mexicans and Germans." In InSITE 2007: Informing Science + IT Education Conference. Informing Science Institute, 2007. http://dx.doi.org/10.28945/3118.
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From a business perspective, the political and economic effectiveness of the United States in the global market-place will depend on individual abilities to communicate with people from other cultures. Most multinational corporations have one individual from one culture managing employees from other cultures. This has led to conflict, law-suits, and reduced productivity. To date, US business people sent overseas have not fared well compared to their counterparts from Europe and Asia, primarily because of cultural conflicts. The future success of American business, therefore, is its ability to interact with other cultures and to understand the orientations of these individuals.
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"The Benefits and Challenges of Living, Teaching and Working in Today’s Diverse World." In InSITE 2019: Informing Science + IT Education Conferences: Jerusalem. Informing Science Institute, 2019. http://dx.doi.org/10.28945/4355.
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Aim/Purpose: The purpose of this report is to provide an understanding of cultural diversity in today’s global economy and to understand what shapes our identities and what influences our behavior. Background: Culture is the way of functioning in today’s world and it refers to the shared language, beliefs, values, norms, behaviors, and material objects that are passed down from one generation to the next. Cultural diversity helps individuals recognize and respect the stewpot of today’s world and promoting cultural diversity and cultural competency helps individuals define and respect the diversity that encompasses today. Cultural competence also helps individuals embrace values and cultural nuances that are not necessarily akin to the one’s the individual possesses. Individuals interact with others to build bridges to trust, respect, and understanding across cultures. Furthermore, diversity makes the world a more interesting place to live, as people from diverse backgrounds contribute language, new ways of thinking, new knowledge, and different experiences. Methodology: A non-systematic literature review by way of reviewing articles that were found in many of major databases under the terms “Diversity in the workplace” since the year 2010 was conducted. Findings: This study identified major findings that would help individuals shape the diversity encountered and provides an avenue toward unity.
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Pimenta, Jucilane, and Eulina Nascimento. "A educação escolar e cultura na Comunidade Quilombola São Felix em Cantagalo – Minas Gerais." In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.1305.
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O presente estudo foi desenvolvido na Comunidade Quilombola São Felix na cidade de Cantagalo, no Estado de Minas Gerais, incluindo-se aí a Escola Municipal, que oferece de 1º ao 5º ano em Regime Seriado. Analisamos as expressões culturais das crianças regularmente matriculadas, de agosto de 2017 até maio de 2019, juntamente com seus costumes e representações culturais. Percebemos escassez da valorização cultural em interface como que dizem os documentos oficiais em vigor. A metodologia utilizada para a realização dessa pesquisa foi de abordagem qualitativa, que possibilitou ter uma visão mais ampla da Comunidade Quilombola São Felix. Analisamos essas informações apreciando a legislação vigente para comunidades quilombolas consumando um referencial bibliográfico sobre a temática. Vimos a importância de se trabalhar o ensino e as competências, levando em consideração o saber, etnia e os hábitos predominantes da comunidade. Foi-nos relatado que não há registro da memória, da tradição, através das histórias contadas pelos mais velhos. Nesse sentido, a cultura e tradição do seu povo possivelmente poderá se perder com o tempo. Notamos que os docentes que atuaram na escola durante a pesquisa, avistaram um olhar para a necessidade de se incorporar a cultura no ensino em sala de aula, possivelmente, muito ainda precisa ser feito, destacamos em especial: Orientação Pedagógica, Suporte da Direção Educacional do Município de Cantagalo, Capacitação e Motivação Docente, atualização de equipe multidisciplinar, onde provavelmente consiga efetuar a inclusão do Quilombo na Educação, na sociedade.
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Dias, Francisca Hortência Couras, Khyson Gomes Abreu, Maria Alaíne Da Cunha Lima, Adriano Salviano Lopes, and Eloyza Gomes De França Silva. "FITONEMATOIDES ASSOCIADOS À CULTURA DO COENTRO (CORIANDRUM SATIVUM)." In I Congresso Brasileiro de Biodiversidade Virtual. Revista Multidisciplinar de Educação e Meio Ambiente, 2021. http://dx.doi.org/10.51189/rema/1086.
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Introdução: O coentro (Coriandrum sativum L.) é uma hortaliça, pertencente à família Apicaceae, considerada uma cultura de fácil cultivo, com ciclo vegetativo curto. Consumida em abundância no Brasil, principalmente nas regiões Norte e Nordeste, excelente fonte de ferro e cálcio, rica em vitaminas, com aroma e sabor atrativos. As hortaliças são alvos de ataques de vários patógenos, um desses patógenos é o fitonematoide, esses microrganismos parasitam e alimentam-se das plantas, capazes de atacar todos os órgãos da planta, desde raízes até as folhas e sementes, acarretando grandes prejuízos na produção da cultura. Alguns fatores pode influenciar a densidade populacional de nematoides no solo, como temperatura, umidade, aeração, presença de defensivos e fertilizantes no solo e fatores biológicos. Objetivo: O objetivo deste trabalho de revisão foi de agrupar informações sobre dois dos principais fitonematoides associados à cultura do coentro, assim como os danos causados pelos mesmos e o controle desses patógenos. Metodologia: Para a elaboração da revisão, foram feitos levantamentos e estudo de trabalhos relacionados com o tema abordado. Resultados: Para o coentro, os nematoides do gênero Rotylenchulus sp. e Helicotylenchus sp. são os que apresentam maiores índices de distribuição em áreas produtoras dessa cultura, destacando-se a região Nordeste. O gênero Rotylenchulus engloba 11 espécies, classificadas como semi-endoparasitas, distribuídas em regiões tropicais e subtropicais. Esse gênero causa danos em hortaliças como melão (Cucumis melo L.), melancia (Citrullus lanatus), tomate (Solanum lycopersicum) e entre outras culturas. O gênero Helicotylenchus sp. é comumente conhecido por nematoide espiralado, classificado como um ectoparasitas de raízes, apresenta larga distribuição geográfica, em alguns estados brasileiros já foi confirmada a associação desse gênero com várias culturas, como por exemplo o couve-flor (Brassica oleracea) e feijão de porco (Canavalia ensifonnis). O manejo inadequado devido à falta de conhecimento de alguns agricultores contribui para a disseminação dos nematoides, o melhor método de controle ainda é através da utilização de cultivares resistentes, mas quando essa opção não for possível, existem outros tipos de controle como o físico, biológico, cultural e químico. Conclusão: O Rotylenchulus sp. e Helicotylenchus sp são dois dos principais gêneros associados à cultura do coentro.
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Isu, Giuseppe, Diana Massai, Giulia Cerino, et al. "A Novel Perfusion Bioreactor for 3D Cell Culture in Microgravity Conditions." In ASME 2013 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/sbc2013-14502.
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Cell suspension culture methods based on the generation of microgravity environment are widely used in regenerative medicine for (1) the production of native-like three-dimensional (3D) cell aggregates and engineered tissues [1,2,3], for (2) low cost scalable cell expansion and long-term cell viability maintenance [4,5], and for (3) guiding differentiation of stem cells (SCs) [6]. The generation of a microgravity environment for 3D cell cultures, mimicking the native environment, promotes spatial freedom, cell growth, cell-cell interaction and improves mass transfer and cell exposure to nutrients. Nowadays, microgravity cell cultures are obtained by using stirred or rotating bioreactors, but both devices suffer from limitations: stirring bioreactors generate non-physiological shear stresses, which could damage cultured cells, interfere with SC pluripotency, and limit reproducibility of the culture process; rotating bioreactors are expensive devices due to the complex technological solutions adopted for obtaining rotation [5].
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Robert, Sam. "Linguistic and Cultural Shifts of the Aranadan Tribe in Kerala." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.10-3.
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Language and cultural shifts are the major causes of endangerment of any community, which begins from minor switching of practices and verbal repertoires and ends with a whole change of community, and finally culminates in the community losing its own identity. Language shift usually takes place in a bilingual or multilingual speech community. It is a social phenomenon, whereby one language replaces another in a given society due to underlying changes in the composition and aspirations of the society. This process transitions from speaking the old to the new language. This is not fully a structural change caused by the dynamics of the old language as a system. The new language is adopted as a result of contact with another language community. The term language shift excludes language change which can be seen as an evolution, and hence the transition from older to newer forms of the same language. Contact between two or more cultures often leads to different sociological processes such as acculturation, cultural change, cultural genocide, and cultural shift. Cultural shift occurs when a community gives up its own socio-cultural practices like customs, rituals and traditional beliefs, and is characterized by changes in cultural symbols, rules of behavior, social organizations, or value systems. It differs from the process of cultural change in which a community’s culture can evolve independently. Shifts may take place at the level of an individual speaker who gradually forgets or shifts to another language and consequently this language spreads to an entire community. This phenomenon can be seen among the Aranadans, a primitive tribal community found mainly in the Malappuram district and in other Northern districts such as Kasargode and Kannur of Kerala, owing to their irreverence towards the preservation of their own language and culture. The socio-ecological, psychological and educational factors impact their language and cultural shifts. This paper illustrates and clarifies the reasons for the language and cultural shifts of the Aranadan tribal community.
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Fortuna, Jorge Luiz. "FUNGA CULTURAL: MICOLOGIA FILATÉLICA DO BRASIL." In II Congresso Brasileiro de Ciências Biológicas On-line. Revista Multidisciplinar de Educação e Meio Ambiente, 2021. http://dx.doi.org/10.51189/rema/1233.
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Introdução: Fungos são seres vivos ubíquos, heterotróficos uni ou multicelulares, morfologicamente diversificados, importantes para o ecossistema, reciclagem da matéria orgânica e equilíbrio ecológico. Além dessas funções biológicas, os fungos, de uma maneira geral, fazem parte do imaginário coletivo sociocultural, sendo encontrados em diferentes estampas, desenhos infantis, jogos eletrônicos, filmes, desenhos animados, etc. Diversidade cultural define-se como diversidade biológica, cultural e linguística, incluindo inter-relações, dentro do complexo sistema adaptativo socioecológico. Este trabalho propõe o termo “Funga Cultural” como estudo da presença fúngica nas diferentes manifestações culturais. Como exemplo de manifestação cultural, este trabalho trata de relacionar fungos com filatelia. Objetivos: Realizar um inventário dos selos postais e comemorativos brasileiros que apresentam imagens de fungos, além de analisar suas representações na Funga Cultural e citar a classificação taxonômica das espécies estampadas nos selos. Material e Métodos: Pesquisa utilizou o “Catálogo de Selos do Brasil RHM”, principal obra de referência filatélica do país, sendo utilizada pelos colecionadores e comerciantes de selos brasileiros. Foram analisados todos os selos postais comemorativos emitidos pela Empresa de Correios e Telégrafos do Brasil durante o período de 1900-2019. Resultados: Desde o ano de 1900 até 2019, o Brasil emitiu 3.877 selos comemorativos. Desses, apenas dez (0,26%) têm estampas de fungos, distribuídos em três diferentes séries: três selos da série “Fungos”; um selo da série “Estação Ecológica do Taim-RS”; e seis selos da série “Diversidade de Fungos”. Os nomes científicos das espécies estão estampados nos selos. Exceto um selo da série Estação Ecológica. Porém, de acordo com suas características fenotípicas, provavelmente pertence ao filo Basidiomycota. Essa série é formada por uma dupla de selos e o fungo aparece somente no primeiro deles. Os táxons estampados nos outros selos foram: Pycnoporus sanguineus; Calvatia sp.; Pleurotus sp.; Clathrus chrysomycelinus; Clathrus columnatus; Geastrum violaceum; Hydnopolyporus fimbriatus; Laetiporus gilbertsonii e Oudemansiella cubensis. Conclusão: Os fungos apresentam pouca representatividade nos selos comemorativos brasileiros. Os selos fazem parte da cultura humana e aqueles com estampas de fungos podem ser inseridos como representantes da Funga Cultural. Ademais, pode-se usar o selo como mais um recurso didático no ensino da funga e na divulgação científica.
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Plugina, Maria, and Inga Rodionova. "The Formation of Multi-Culturalness as a Prerequisite for the Efficient Performance of Lecturers in Situations of Inter-Ethnic Communication." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-44.
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A characteristic trait of the global society is the introduction of the idea of multi-culturalness into all areas of human life. Therefore, general cultural competencies shall include such a constituent as multi-cultural competency of personality to enable efficient performance in situations of inter-ethnic communication. The set problem has been tackled by all social institutions, however, the central role in that regard is the teaching community, which has a strong influence on the content of young people’s consciousness and behaviour. In this regard, it is important to update the problem of shaping the multicultural competence of university lecturers, which is the purpose of this study. To achieve the set objective, several intercomplementary research methods and techniques were applied: the theoretical analysis of scientific literature, observations, questionnaires, a content-analysis method, testing. A study of 200 teachers showed that in the minds of teachers, knowledge regarding the specifics of a multicultural environment, the image of a representative of another culture and inter-ethnic interactions are presented at the everyday level, are formed spontaneously based on their own experience, which requires the creation of special conditions for their further development. The content-analysis has yielded that markers used during defining a multi-cultural environment often include such semantic constructions as ‘various cultures’ and ‘several cultures’. A study of the characteristics of communicative tolerance showed that most teachers have a high level of tolerance manifested in various situations of interpersonal relations, whereas a low level was not detected.
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Dupuy, E., P. S. Rohrlich, and G. Tobelem. "HEPARIN STIMULATES FIBROBLAST GROWTH INDUCED BY PDGF." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1643750.
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Heparin binds to smooth muscle cells and endothelial cells. It inhibits the proliferation of the smooth muscle cells and modulates the growth of endothelial cells. Fibroblasts which represent an other cell type belonging to the vascular wall could also have their growth modified by heparin. We have at first, demonstrated that 125I unfractionated heparin bigds to cultured human skin fibroblasts with a Kd of 1.16 10 M.A low molecular weight heparin fraction (PK 10169) competed (50 %)with I unfractionated heparin, but at aless extent than cold unfractionated heparin(90%).As it has been reported with endothelial and smooth muscle cells, about 30% of the bound unfractionated heparin was internalized bythe fibroblasts. Heparin alone at the concentration ranges from 0 to 10-5M has no effect on fibroblast proliferation measured by the H thymidine uptake. When the cellproliferation was induced by pure PDGF, heparin potentiated markedly the fibroblast growth.The effgct started at 10-8 M heparinand reached a plateau from 10-6 M to 10-5 M. Similar stimulationwas observed when the growth was induced by FGF or EGF. Low molecular weight heparin enhanced the fibroblast proliferation induced by PDGF but at a less extent than unfractionated heparin, chondroltin sulfate has no effect. When added during the cell culture growth withhuman serum (5%), unfractionated heparin increased by 48 the cell proliferation as measured bycell counting at the 6th day of the culture. PDGF did not modify the heparin binding on fibroblast cultures either at 4°C or 37°C and did not alter the process of heparin internalization. JDGF binding to the cultured fibroblast (Kd 10.1 ± 3.4 10-10 M)was not modified by the presence of heparin when studied at 4°C.In conclusion : i) cultured human fibroblasts bind and internalize heparin, ii) heparinand heparin fraction stimulate the fibroblastgrowth induced by PDGF, iii) since the binding of PDGF is not modified by bound heparin, the mechanism of stimulation remains unknown.
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Henning, Priscila. "Questões de autenticidade na era do patrimônio espetacular." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3797.
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Atualmente, a questão da preservação de nosso legado arquitetônico, histórico e/ou artístico vem sendo amplamente discutida, não apenas no meio acadêmico, como pela sociedade em geral. Por todo o país surgem cada vez mais projetos de preservação cultural que unem tanto as iniciativas privadas quanto organismos públicos, muitas vezes aplaudidos pela mídia e apoiados pelos usuários. A princípio, este quadro é positivo e benéfico, pois estimula a conservação de nossos bens culturais e a retomada da própria identidade da sociedade a partir de sua trajetória ao longo do tempo. No entanto, a associação insistente da preservação do patrimônio com a indústria cultural do espetáculo, incluindo neste contexto a relação indissociável com o turismo espetacular e as distorções geradas pela indústria da informação, faz com que seja necessária a discussão de um conceito basilar que pauta a ação do preservador: a questão da autenticidade. O conceito de autenticidade desperta algumas das questões essenciais que cercam a preservação do patrimônio cultural: o que se está preservando, de que forma, e por quê? Esta questão é crucial: a partir da noção de que o bem em si, ou as dinâmicas sociais e históricas que este encerra, são justificativas para a sua conservação, torna-se necessário investigar as razões para sua distorção, desfiguração ou modificação deliberada. Para fins deste trabalho, a noção do espetáculo é ressaltada por ser uma relação contraditória, aparentemente positiva, porém que atinge diretamente a própria essência do patrimônio cultural. Ao mesmo tempo, é um espelho da sociedade contemporânea, de seus valores e mecanismos, e de sua relação com a cultura, gerando uma complexa dinâmica de significados e relações que influenciam diretamente a ação e compreensão da preservação do patrimônio cultural.
Reports on the topic "Cultura Nok"
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Nieto Freire, Teresa, and Cristina Sánchez-Carretero. Foro Patrimonio e Sociedade Guía práctica para a análise dun sector clave na gobernanza do futuro 2019-2021. Edited by Rebeca Blanco Rotea. Consello da Cultura Galega, 2021. http://dx.doi.org/10.17075/fpsgp.2021.
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Este documento resulta dun traballo iniciado pola Sección de Patrimonio e Bens Culturais do Consello da Cultura Galega (CCG) en outubro de 2018 e que tiña como obxectivo trazar as liñas xerais que guiarían o desenvolvemento dun foro baixo o título «Patrimonio e Sociedade». A intención era organizar este evento ao longo do ano 2020 e encamiñalo cara á reflexión e o establecemento dunhas directrices básicas arredor da xestión integral do patrimonio cultural na nosa comunidade autónoma. Finalmente, por causa do estado de alarma que vivimos no ano 2020, o foro adiouse 6 meses, prolongándose ata xuño de 2021 e rematando coa presentación deste documento. Nel plásmanse os motivos que levaron á súa realización, a estrutura, as temáticas, a calendarización e a súa metodoloxía. Inclúe tamén unha guía práctica resultante do traballo das mesas e outros materiais que se xeraron a partir das actividades desenvolvidas no transcurso do foro; en concreto, unha mesa política cos partidos que teñen representación no Parlamento de Galicia e unhas xornadas de presentación das conclusións.
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Larsen, Jeffrey A., and Jeannie L. Johnson. Comparative Strategic Cultures Curriculum Project: Assessing Strategic Culture as a Methodological Approach to Understanding WMD Decision-Making by States and Non-State Actors. Defense Technical Information Center, 2006. http://dx.doi.org/10.21236/ada521640.
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Bower, C. J. Designing Cultural Training and Education for Non-resident PME. Defense Technical Information Center, 2006. http://dx.doi.org/10.21236/ada498108.
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Kelly, Luke. Lessons Learned on Cultural Heritage Protection in Conflict and Protracted Crisis. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.068.
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This rapid review examines evidence on the lessons learned from initiatives aimed at embedding better understanding of cultural heritage protection within international monitoring, reporting and response efforts in conflict and protracted crisis. The report uses the terms cultural property and cultural heritage interchangeably. Since the signing of the Hague Treaty in 1954, there has bee a shift from 'cultural property' to 'cultural heritage'. Culture is seen less as 'property' and more in terms of 'ways of life'. However, in much of the literature and for the purposes of this review, cultural property and cultural heritage are used interchangeably. Tangible and intangible cultural heritage incorporates many things, from buildings of globally recognised aesthetic and historic value to places or practices important to a particular community or group. Heritage protection can be supported through a number of frameworks international humanitarian law, human rights law, and peacebuilding, in addition to being supported through networks of the cultural and heritage professions. The report briefly outlines some of the main international legal instruments and approaches involved in cultural heritage protection in section 2. Cultural heritage protection is carried out by national cultural heritage professionals, international bodies and non-governmental organisations (NGOs) as well as citizens. States and intergovernmental organisations may support cultural heritage protection, either bilaterally or by supporting international organisations. The armed forces may also include the protection of cultural heritage in some operations in line with their obligations under international law. In the third section, this report outlines broad lessons on the institutional capacity and politics underpinning cultural protection work (e.g. the strength of legal protections; institutional mandates; production and deployment of knowledge; networks of interested parties); the different approaches were taken; the efficacy of different approaches; and the interface between international and local approaches to heritage protection.
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Jukes, Matthew C. H., Yasmin Sitabkhan, and Jovina J. Tibenda. Adapting Pedagogy to Cultural Context. RTI Press, 2021. http://dx.doi.org/10.3768/rtipress.2021.op.0070.2109.
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This paper argues that many pedagogical reform efforts falter because they fail to consider the cultural context of teacher and student behavior. Little guidance exists on how to adapt teaching practices to be compatible with culturally influenced behaviors and beliefs. We present evidence from three studies conducted as part of a large basic education program in Tanzania showing that some teaching activities are less effective or not well implemented because of culturally influenced behaviors in the classroom, namely children’s lack of confidence to speak up in class; a commitment to togetherness, fairness, and cooperation; avoidance of embarrassment; and age-graded authority. We propose ways teaching activities can be adapted to take these behaviors into account while still adhering to fundamental principles of effective learning, including student participation in their own learning, teaching at the right level, and monitoring students as a basis for adjusting instruction. Such adaptations may be made most effective by engaging teachers in co-creation of teaching activities.
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Bienkowski, Sarah C., Reanna Poncheri Harman, Nathaniel W. Phillips, Eric A. Surface, Stephen J. Ward, and Natalie Wright. Special Operations Forces Language and Culture Needs Assessment: Non-Monetary Incentives. Defense Technical Information Center, 2010. http://dx.doi.org/10.21236/ada634200.
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Acemoglu, Daron, and James Robinson. Non-Modernization: Power-Culture Trajectories and the Dynamics of Political Institutions. National Bureau of Economic Research, 2021. http://dx.doi.org/10.3386/w29007.
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Browning, Susan A. Understanding Non-Western Cultures: A Strategic Intelligence Perspective. Defense Technical Information Center, 1997. http://dx.doi.org/10.21236/ada326929.
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Willis, Craig. Why Scottish and Welsh Speakers Will Miss European Structural Funds. European Centre for Minority Issues, 2021. http://dx.doi.org/10.53779/jkwo3330.
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In this blog piece Craig Willis investigates the contribution of European Structural and Investment Funds projects in the period between 2007-2013 and 2014-2020, in order to ascertain direct and indirect links to the four Celtic languages, following the separation of cultural funds from the ESIF into Creative Europe and Erasmus Plus from 2007. He shows that, given that the speakers of such languages often reside in economically peripheral areas (at least in higher percentage terms), their livelihoods and everyday culture in the traditional speaking areas (even for non-speakers) are affected by availability of structural funds.
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Saillant, Eric, Jason Lemus, and James Franks. Culture of Lobotes surinamensis (Tripletail). Mississippi Department of Marine Resources, 2014. http://dx.doi.org/10.18785/ose.001.
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The Tripletail, Lobotes surinamensis, is a pelagic fish found in tropical and sub-tropical waters of all oceans. Tripletails are often associated with floating debris and make frequent incursions in bays and estuaries where they are targeted by recreational fishermen. In Mississippi waters the species is typically present during the late spring and summer season that also correspond to the period of sexual maturation and spawning (Brown-Peterson and Franks 2001). Tripletail is appreciated as a gamefish but is also prized for its flesh of superior quality. The fast growth rate of juveniles in captivity documented by Franks et al. (2001) and the excellent quality of Tripletail flesh both contribute to the potential of this species for marine aquaculture. In addition, the production of cultured juveniles would be precious to develop a better understanding of the biology, early life history and habitat use of Tripletail larvae and juveniles, a topic largely undocumented to date, through experimental releases and controlled studies. The culture of tripletail thus supports the Tidelands Trust Fund Program through improved conservation of natural resources, potential enhancement of fisheries productivity and potential development of a new economic activity on the Gulf coast producing tripletail via aquaculture. The Objective of this project was to initiate development of methods and techniques needed to spawn captive held tripletail broodfish and raise their offspring to evaluate their growth and development in captivity. In this report we will present the results of studies aiming to develop methods and protocols for captive spawning of tripletail and the first data obtained on the early development of tripletail larvae. A major issue that was encountered with tripletail broodstock development during the project lied in the difficulties associated with identifying the sex of adults caught in the wild and candidates for being incorporated in mating sets for spawning. This issue was addressed during the course of the project by examining the potential of a non-lethal method of hormonal sexing. The results of these preliminary investigations are presented in the third part of this report. All protocols used in the project were determined with the guidance of the Institutional Animal Care and Use Committee (IACUC) of the University of Southern Mississippi (USM IACUC protocol number 10100108).