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Relevant bibliographies by topics / Cultura; politica; fascismo / Dissertations / Theses

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Dissertations / Theses on the topic 'Cultura; politica; fascismo'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Paci, Deborah. "Il mito del Risorgimento mediterraneo. Corsica e Malta tra politica e cultura nel ventennio fascista." Doctoral thesis, Università degli studi di Padova, 2013. http://hdl.handle.net/11577/3422626.

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In 1923 the Fascist regime began a propaganda campaign by claiming the territories of Corsica and Malta, held by France and Great Britain, that were deemed to be Italian lands. The Fascist regime produced literature on Corsica and Malta that justified that both islands were Italian lands based on historic, ethnic, and linguistic grounds. The Fascists quoted historical, geographical, linguistic, ethnographic and cultural relations between the Italian peninsula and the island elite during the nineteenth century, in order to present evidence of the Italianità of Corsica and Malta. The Fascist

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2

Varcin, Élise. "Mussolini et la littérature, du socialisme au fascisme." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSEN057.

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Cette thèse porte sur le rapport de Benito Mussolini (1883-1945) à la littérature depuis ses années de formation jusqu’à la fin de sa carrière politique.À partir d’un riche corpus de textes sélectionnés au sein de l’Opera omnia di Benito Mussolini en 44 volumes, elle contextualise et examine, d’une part, les réflexions sur la littérature que Mussolini mène dans des écrits de nature variée (essais critiques, comptes rendus d’ouvrages, discours aux intellectuels, articles de politique culturelle) et, d’autre part, les textes dans lesquels il s’essaie lui-même à la littérature (poèmes, nouvelles,

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3

Paci, Deborah. "Il mito del Risorgimento mediterraneo : Corsica e Malta tra politica e cultura nel ventennio fascista." Thesis, Nice, 2013. http://www.theses.fr/2013NICE2012.

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Loin d’être une nouveauté, les revendications fascistes autour de « l’italianité » de la Corse et de Malte prennent la suite des campagnes irrédentistes de l’époque crispienne. A partir de 1923, les mêmes arguments d’ordre géographique, historique, linguistique ou ethnographique, tout comme les supposés liens culturels entre les élites italiennes, corses et maltaises du XIXe siècle, furent à nouveau au coeur du débat. Cette défense d’une l’italianité corse et maltaise, tout comme le mythe du Risorgimento méditerranéen, ne constitue cependant qu’une réactualisation de la politique impérialiste

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4

Bowden, Zachary A. "Tomatoes and TNT : neo-fascism in contemporary Russian politics and culture /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2007. http://uclibs.org/PID/11984.

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5

De, Benetti Nicola <1994&gt. "Cultura popolare e identità politiche : il "recupero delle tradizioni" nel Trevigiano dal fascismo al leghismo." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15686.

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Partendo dalla figura di Giuseppe Mazzotti, con questa tesi si vuole mettere sotto la lente d’ingrandimento la valorizzazione della cultura popolare. Un’opera stimolata durante il fascismo dagli ideali tradizionalisti che impregnavano l’ambiente culturale e politico di Treviso durante gli anni Venti e Trenta. Come promotore culturale, Mazzotti contribuì a mettere in risalto la tradizione, intesa sia come cultura popolare, sia come critica al modernismo. Nel dopoguerra egli continuò a celebrare la cultura trevigiana, mitizzandone i valori artistici e popolari. Nel mentre, il territorio e la soc

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6

Figueiredo, Clara de Freitas. "Fotografia: Entre Fato e Farsa (URSS - Itália, 1928-1934)." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-13092018-145951/.

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A presente investigação surgiu da constatação de entrecruzamentos entre os discursos visuais da Mostra da Revolução Fascista (Roma, 1932-34) e do pavilhão soviético na Exposição Internacional de Imprensa de Colônia (Alemanha, 1928). Tais entrecruzamentos - reforçados e consubstanciados por contatos concretos entre hierarcas do fascismo e do stalinismo - levaram, a partir dos materiais visuais selecionados, à investigação de problemáticas comuns aos dois regimes, como a industrialização acelerada tardia, a expansão produtiva e o culto do chefe. Nesse sentido, as reflexões de A. Gramsci e W. Ben

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7

Simone, Giulia <1982&gt. "Tutto nello Stato : l'itinerario politico e culturale di Alfredo Rocco." Doctoral thesis, Università Ca' Foscari Venezia, 2011. http://hdl.handle.net/10579/1078.

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La tesi ripercorre la biografia di Alfredo Rocco, mettendone in luce la versatilità intellettuale nello svolgimento delle sue molteplici attività: legislatore, pensatore politico e docente universitario. La ricerca è basata sullo studio di numerosissimi documenti inediti, della più diversa natura, rinvenuti sia in archivi nazionali che esteri. In mancanza del suo archivio privato, la figura del giurista emerge grazie all’indagine dei rapporti che legano Rocco alle persone che lo circondano: parenti, colleghi, studenti, politici, giornalisti. Largo spazio è dato al periodo in cui Rocco vive a P

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8

Pal, Soumik. "THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA." OpenSIUC, 2021. https://opensiuc.lib.siu.edu/dissertations/1916.

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In this dissertation, I trace the contours of state control and capital in India, starting from the 1970s and see how the state’s increasingly centralizing tendencies and authoritarianism, in the service of capital, creates cultures of violence, fatalism, desperation, and ultimately, even more desire for authoritarianism. I study male stardom in Bombay cinema, beginning withAmitabh Bachchan (who was the reigning star in the 1970s and 80s), and following up with Shah Rukh Khan and Salman Khan (who have been successful stars from the early 90s), to understand how changing subjectivities, respond

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9

Tumblety, Joan. "Fascist cultural politics in France : modernity and gender in 'Je suit partout', 1940-1944." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398848.

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10

Saleam, Jim. "The other radicalism an inquiry into contemporary Australian extreme right ideology, politics and organization, 1975-1995 /." Connect to full text, 1999. http://hdl.handle.net/2123/807.

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Thesis (Ph. D.)--University of Sydney, 2001.<br>Title from title screen (viewed Apr. 22, 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Government and Public Administration, Faculty of Economics & Business. Degree awarded 2001; thesis submitted 1999. Includes bibliography. Also available in print form.

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11

ABBONIZIO, ISABELLA. "Musica e colonialismo nell’Italia fascista (1922-1943)." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2010. http://hdl.handle.net/2108/1196.

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L’esperienza coloniale italiana si esaurisce nell’arco di sessant’anni, tra la seconda metà dell’Ottocento e la prima del Novecento (1882-1943). Dopo una prima fase sotto il governo liberale, durante l’ultimo ventennio la politica imperialista dell’Italia è guidata dal governo fascista. Attraverso i potenti mezzi di propaganda del regime il discorso coloniale, già diffuso e capillare, investe ogni ambito del sapere, compresa la musica d’arte. Solo a partire dall’ultimo ventennio del secolo scorso gli studi sul colonialismo italiano, stimolati dai cultural studies, hanno conosciuto una rinasc

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12

Kunkeler, Nathaniël David Benjamin. "Myth and respectability in Swedish and Dutch fascism, 1931-40." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/285968.

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The focus of this thesis is on the process of myth-making (mythopoeia) in the Dutch National Socialist Movement (NSB) and the Swedish National Socialist Workers' Party (NSAP), using a cultural pragmatic approach to analyse the practicalities and implementation of mythopoeia comparatively. A variety of fascist performances, scripted and unscripted, are considered as having mythopoeic potential, and understood as performative in character, i.e. constituting the thing they claimed to represent. Multiple parts of this mythopoeic process are analysed: the resources, organisation, and technologies r

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13

Cuxac, Mario. "Journaux et journalistes au temps du fascisme : Turin 1929-1940." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20022/document.

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Cette thèse a pour objectif d'étudier le monde journalistique turinois sous le régime fasciste, et en particulier lors de la deuxième décennie du régime. Cette période, coïncidant avec la montée et la consolidation du consensus (1929-1936) avant une remise en question progressive (1936-1940), est pour le journalisme italien celle de l'instauration progressive du contrôle de la profession par le régime. La répression, puis la mise au pas de la presse nationale et régionale, la création de structures de contrôle, particulièrement avec le Syndicat national fasciste des journalistes et son albo ou

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14

Palazzetti, Nicolo'. ""Le musicien de la liberté." Le réception de Béla Bartók en Italie (1900-1955)." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0085.

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Cette thèse est consacrée à la réception de la figure et de l’œuvre de Béla Bartók (1881-1945) en Italie, dans la première moitié du XXe siècle. Opérée depuis un point de vue musicologique, l’analyse de l’influence bartókienne dans les œuvres de nombreux compositeurs italiens (d’Alfredo Casella à Bruno Maderna) invite à reconsidérer l’évolution du modernisme artistique en Italie, ainsi que les fondements de la poétique du musicien hongrois – informée par le nationalisme magyar, la « pureté » du folklore paysan et l’utopie de la « musique nocturne ». Par ailleurs, l’étude des formes de transmis

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15

Finnen, Patrick Joseph. ""Strange Times:" The Language of Illness and Malaise in Interwar France." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1398089945.

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16

Gasser, Mark. "Ronald Stevenson, composer-pianist : an exegetical critique from a pianistic perspective." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/694.

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This exegetical critique makes a conceptual summation of Ronald Stevenson’s life’s work for the piano and his contributions as a composer‐pianist. Chapters one and two provide a profile of Stevenson as a pianist, examining the aesthetic and musical concerns that defined his long career, as well as precedents and antecedents of his pianism. Of particular interest are the ways that Stevenson coalesces aspects of the ‘grand manner’ and his obsession with a pianistic bel canto style. Chapter three examines Stevenson’s remarkable output in terms of piano transcriptions. His conceptualization of thi

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17

D'ANNIBALE, ELISA. "Cultura e politica in un'età di carenza. I rapporti culturali italo-tedeschi: le vicende dell'Istituto Italiano di Studi Germanici del Petrarca Haus (1928-1939)." Doctoral thesis, 2019. http://hdl.handle.net/11573/1262131.

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Scopo della presente tesi è stato quello di ricostruire la storia e le vicende politiche-culturali dell'Istituto Italiano di Studi Germanici (Roma), fondato da Giovanni Gentile e Giuseppe Gabetti nel 1932, e del gemello tedesco Petrarca Haus, fondato a Colonia nel 1931 sempre grazie all'ausilio di Gentile e del borgomastro Konrad Adenauer. Attraversi i documenti d'archivio si è cercato di ricostruire sia la genesi del progetto di questi due istituti gemelli, sia l'attività culturale e propagandistica svolta dal 1931 al 1944.

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18

BARDOTTI, LORENZO. "'Governo parlamentare': nascita di una categoria politica nella cultura costituzionale italiana tra Ottocento e Novecento." Doctoral thesis, 2018. http://hdl.handle.net/2158/1119920.

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Seguendo l’approccio metodologico della storia dei concetti (Begriffsgeschichte), l’elaborato mira a descrivere i cambiamenti dell’assetto politico-costituzionale italiano attraverso l’evoluzione semantica di sintagmi linguistici come ‘governo parlamentare’, ‘governo rappresentativo’, ‘governo costituzionale’, ‘parlamentarismo’. Tale analisi si concentra grossomodo in un periodo di tempo che va dalla seconda metà dell’Ottocento, fino alla prima metà del Novecento. Come fonti, accanto ai classici prodotti della dottrina politico-costituzionale, quali monografie accademiche, corsi universitari,

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19

SIMONE, GIULIA. "Tutto nello Stato. L'itinerario politico e culturale di Alfredo Rocco." Doctoral thesis, 2011. http://hdl.handle.net/11577/2686271.

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La tesi ripercorre la biografia di Alfredo Rocco, mettendone in luce la versatilità intellettuale nello svolgimento delle sue molteplici attività: legislatore, pensatore politico e docente universitario. La ricerca è basata sullo studio di numerosissimi documenti inediti, della più diversa natura, rinvenuti sia in archivi nazionali che esteri. In mancanza del suo archivio privato, la figura del giurista emerge grazie all’indagine dei rapporti che legano Rocco alle persone che lo circondano: parenti, colleghi, studenti, politici, giornalisti. Largo spazio è dato al periodo in cui Rocco vive a P

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20

Turits, Michael. "Mimicry and movement: Fascism, politics, and culture in Italy and Germany, 1909-1945." 1994. https://scholarworks.umass.edu/dissertations/AAI9510547.

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The political term "totalitarian" (totaliltario) was coined by Italian Fascism in 1925, and adopted almost simultaneously as a pejorative by the regime's opposition. This language of the Italian stato totalitario was soon adopted by the theorists of National Socialism to describe the German totale Mobilmachung and totale Staat. Postwar discussions continued to categorize Fascism by its own "totalitarian" myth of identity--of the group, race, or nation as self-constituting subject. Some other, more politically ambiguous features, however, may be discerned in fascist discourse than this "totalit

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21

Lee, Jessica Harriet. ""To the Seventh Generation": Italians and the Creation of an American Political Identity, 1921-1948." Thesis, 2016. https://doi.org/10.7916/D8BG2P74.

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The increase in Italian American political power from the 1920s through the 1940s coincided with the rise of Fascism in Italy and Americanism in the United States—two opposing ideologies that greatly influenced how Italians practiced political citizenship. Benito Mussolini’s Fascist ideology demanded Italians’ permanent subservience to the Italian corporate state, even to the seventh generation abroad. At the same time, American xenophobes pushed an aggressive platform of Americanism; an anti-immigrant ideology that demanded foreigners’ total loyalty to America, its Constitution, and its Anglo

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22

Russo, Gianluca. "The political economy of mass society." Thesis, 2020. https://hdl.handle.net/2144/41660.

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In this dissertation, I study three key aspects related to the causes and consequences of the onset of the Age of the Masses. I do so by drawing evidence from historical natural experiments and historical data from the early Twentieth Century from the United States and Italy. In the first chapter, I leverage the expansion of radio networks in the United States to identify the impact of access to mass media on cultural homogenization. Exploiting exogenous variation in radio signal reception induced by soil characteristics and stations' tower growth over time, I provide evidence that network acc

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23

BOCCARDO, DANIELA. "Il Molise rurale: aspetti strutturali e culturali di un territorio agricolo del Mezzogiorno dalla politica agraria fascista al dibattito sulla riforma fondiaria (1936-1950)." Doctoral thesis, 2017. http://hdl.handle.net/11570/3124190.

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In questa tesi si analizza il territorio corrispondente al Molise tra fascismo e immediato dopoguerra, considerato in quanto contesto geo-economico caratterizzato da un sistema produttivo esclusivamente agricolo all'interno del quale hanno operato prima la strategia politica del ruralismo fascista e, in seguito, quella ispirata ai principi della scuola sociale cristiana della Coldiretti.

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