Relevant bibliographies by topics / Cultura Wari

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
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Academic literature on the topic 'Cultura Wari'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Cultura Wari"

1

Doi, Masaki, Gudelia Machaca Calle, and Fredy Huamán Lira. "Influencia Nasca en Warpa: Análisis de cerámica del Periodo Intermedio Temprano recuperada durante investigaciones en Huanca Qasa." Alteritas 6, no. 7 (December 1, 2017): 211–47. http://dx.doi.org/10.51440/unsch.revistaalteritas.2017.7.149.

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Por lo general, los investigadores interesados en el Estado Wari han prestado mayor atención a los grandes sitios planificados como los llamados “centros administrativos”, a fin de comprender la estructura socio-política del Estado Wari. En este sentido, se han realizado pocos estudios sobre el proceso de formación del Estado Wari y los cambios que se produjeron dentro de los pequeños asentamientos durante su formación. Huanca Qasa es un pequeño sitio arqueológico en el valle de Ayacucho, zona central del Estado Wari. A través del análisis de la cerámica y la arquitectura encontrada en la Huanca Qasa, este artículo presentará evidencia de la influencia de Nasca en la tradición cultural de Warpa, que es antecedente inmediato de lo que se conoce como cultura Wari. Este trabajo también muestra un predecesor de la típica arquitectura ceremonial de Wari.
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Doi, Masaki, Gudelia Machaca Calle, and Fredy Huamán Lira. "Influencia Nasca en Warpa: Análisis de cerámica del Periodo Intermedio Temprano recuperada durante investigaciones en Huanca Qasa." Alteritas 6, no. 7 (December 1, 2017): 211–47. http://dx.doi.org/10.51440/unsch.revistaalteritas.2017.7.149.

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Por lo general, los investigadores interesados en el Estado Wari han prestado mayor atención a los grandes sitios planificados como los llamados “centros administrativos”, a fin de comprender la estructura socio-política del Estado Wari. En este sentido, se han realizado pocos estudios sobre el proceso de formación del Estado Wari y los cambios que se produjeron dentro de los pequeños asentamientos durante su formación. Huanca Qasa es un pequeño sitio arqueológico en el valle de Ayacucho, zona central del Estado Wari. A través del análisis de la cerámica y la arquitectura encontrada en la Huanca Qasa, este artículo presentará evidencia de la influencia de Nasca en la tradición cultural de Warpa, que es antecedente inmediato de lo que se conoce como cultura Wari. Este trabajo también muestra un predecesor de la típica arquitectura ceremonial de Wari.
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3

Taipe Campos, Néstor Godofredo. "WARI: SEMÁNTICA, TOPONIMIA Y MITO–CREENCIAS EN EL CENTRO–SUR ANDINO PERUANO." Alteritas 9, no. 10 (October 1, 2020): 237–67. http://dx.doi.org/10.51440/unsch.revistaalteritas.2020.10.34.

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El artículo estudia la semántica del término wari en el ámbito del centro–sur andino peruano, analiza la toponimia existente y pone en evidencia la influencia de los mito–creencias en la praxis social de los sujetos que comparten estas tradiciones. Los referentes empíricos fueron la tradición oral contemporánea, la información etnohistórica y los diccionarios kichwas y aymaras tempranos. El tipo de investigación fue analítico–sintético e interpretativo–explicativo, con método etnográfico, filológico y hermenéutico. Como resultado fueron elaborados tres cuadros que presentan la semántica, la toponimia y la praxis condicionada por los mito–creencias sobre los waris. Con base en estos cuadros se estableció que wari designa a animales, espacios, objetos, tiempos, un dios y espíritus andinos. Fue determinada que no existe correspondencia entre el área de vigencia del dios Wari, la toponimia y el alcance territorial del imperio Wari. Finalmente, la praxis condicionada por los mito–creencias tiene que ver con 1) los espacios prohibidos, las transgresiones y sus consecuencias, 2) los contactos indebidos con objetos afines a los waris, 3) los tiempos y las proxemias con los habitáculos de los waris, y 4) el agravio discursivo a la gente antigua; por último, se expone las respuestas cultura- les frente al daño causado por las transgresiones a los tabúes impuestos.
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Taipe Campos, Néstor Godofredo. "WARI: SEMÁNTICA, TOPONIMIA Y MITO–CREENCIAS EN EL CENTRO–SUR ANDINO PERUANO." Alteritas 9, no. 10 (October 1, 2020): 237–67. http://dx.doi.org/10.51440/unsch.revistaalteritas.2020.10.34.

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El artículo estudia la semántica del término wari en el ámbito del centro–sur andino peruano, analiza la toponimia existente y pone en evidencia la influencia de los mito–creencias en la praxis social de los sujetos que comparten estas tradiciones. Los referentes empíricos fueron la tradición oral contemporánea, la información etnohistórica y los diccionarios kichwas y aymaras tempranos. El tipo de investigación fue analítico–sintético e interpretativo–explicativo, con método etnográfico, filológico y hermenéutico. Como resultado fueron elaborados tres cuadros que presentan la semántica, la toponimia y la praxis condicionada por los mito–creencias sobre los waris. Con base en estos cuadros se estableció que wari designa a animales, espacios, objetos, tiempos, un dios y espíritus andinos. Fue determinada que no existe correspondencia entre el área de vigencia del dios Wari, la toponimia y el alcance territorial del imperio Wari. Finalmente, la praxis condicionada por los mito–creencias tiene que ver con 1) los espacios prohibidos, las transgresiones y sus consecuencias, 2) los contactos indebidos con objetos afines a los waris, 3) los tiempos y las proxemias con los habitáculos de los waris, y 4) el agravio discursivo a la gente antigua; por último, se expone las respuestas cultura- les frente al daño causado por las transgresiones a los tabúes impuestos.
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Leoni, Juan B. "La ocupación Wari de Ñawinpukyo: trazado espacial, arquitectura y organización social en una comunidad ayacuchana del Horizonte Medio." Arqueología y Sociedad, no. 18 (December 31, 2007): 155–78. http://dx.doi.org/10.15381/arqueolsoc.2007n18.e13155.

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Ñawinpukyo es generalmente conocido como uno de los principales sitios de la cultura Huarpa del Período Intermedio Temprano (ca. 200 a.C. 600 d.C.) en Ayacucho. Sin embargo, recientes investigaciones han demostrado que la ocupación Wari del mismo durante el Horizonte Medio (ca. 600 1000 d.C.) fue también importante, perdurando durante varios siglos. En este trabajo se presenta una caracterización de la ocupación Wari, destacando sus aspectos específicos y situándola en relación al contexto regional durante el Horizonte Medio al compararla con otros sitios contemporáneos del valle de Ayacucho. Si bien se encuentran evidencias de una continuidad cultural entre la ocupación Huarpa y la posterior ocupación Wari, se argumenta que el sitio parece haber perdido prestigio y autonomía durante el Horizonte Medio al formar parte de la estructura político-administrativa del estado Wari en una posición subordinada. Los cambios en el trazado espacial del sitio y su arquitectura en estos tiempos, que podrían reflejar cambios en la organización social de la comunidad, parecen relacionarse con este proceso más general y se manifiestan en particular en la aparente ausencia de la típica arquitectura ortogonal planificada Wari y de edificios ceremoniales de carácter comunal.
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Vilaça, Aparecida. "Conversão, predação e perspectiva." Mana 14, no. 1 (April 2008): 173–204. http://dx.doi.org/10.1590/s0104-93132008000100007.

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Os Wari’, povo falante de língua da família Txapakura, que habita o oeste do estado de Rondônia, convive há cinco décadas com os missionários fundamentalistas protestantes da New Tribes Mission. A partir do recurso comparativo ao mito, este artigo procura compreender a conversão ao cristianismo como um processo de adoção da perspectiva do inimigo, relacionado à busca dos Wari’ pela estabilização na posição de humanos. Visa também contribuir para o debate corrente entre antropólogos e estudiosos da religião, quanto à integridade do cristianismo em seu processo de propagação, ao mostrar que a dicotomia entre continuidade e ruptura não tem sentido para povos - como os Wari’ e outros ameríndios - que se reproduzem por meio de sucessivas alterações que envolvem a transformação em outro e a aquisição da sua perspectiva. A adoção do cristianismo como algo novo e externo não contradiz a afirmação de continuidade entre esta religião e a cultura nativa.
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Pérez Calderón, Ismael. "EL ESTADO REGIONAL HUARPA Y LOS ORÍGENES DEL IMPERIO WARI." Alteritas 8, no. 9 (December 1, 2019): 181–221. http://dx.doi.org/10.51440/unsch.revistaalteritas.2019.9.17.

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Alcanzamos datos sobre la formación de la cultura Huarpa como Estado regional con su control de poder político administrativo en Ñawimpukyo y en otros asentamientos como es el caso de la misma ciudad de Wari y en los valles adyacentes de Huanta y San Miguel, donde se tiene registrado hasta el momento más de 300 asentamientos, indicadores de una numerosa población, que vivió entre los 100 – 550 d.C. , en complejos aldeanos, centros poblados rurales y urbanos, algunos de estosúltimos con arquitectura monumental, asociados a ingeniosos sistemas agrícolas con andenerías, canales, reservorios y caminos acondicionados a la agreste topografía, en un territorio con distintas agrupaciones étnicas dispersas en Ayacucho y áreas vecinas de Apurímac, Huancavelica y Junín, donde predomina el Quechua el cual debió ser la lengua oficial heredada por los Wari.
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Pérez Calderón, Ismael. "EL ESTADO REGIONAL HUARPA Y LOS ORÍGENES DEL IMPERIO WARI." Alteritas 8, no. 9 (December 1, 2019): 181–221. http://dx.doi.org/10.51440/unsch.revistaalteritas.2019.9.17.

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Alcanzamos datos sobre la formación de la cultura Huarpa como Estado regional con su control de poder político administrativo en Ñawimpukyo y en otros asentamientos como es el caso de la misma ciudad de Wari y en los valles adyacentes de Huanta y San Miguel, donde se tiene registrado hasta el momento más de 300 asentamientos, indicadores de una numerosa población, que vivió entre los 100 – 550 d.C. , en complejos aldeanos, centros poblados rurales y urbanos, algunos de estosúltimos con arquitectura monumental, asociados a ingeniosos sistemas agrícolas con andenerías, canales, reservorios y caminos acondicionados a la agreste topografía, en un territorio con distintas agrupaciones étnicas dispersas en Ayacucho y áreas vecinas de Apurímac, Huancavelica y Junín, donde predomina el Quechua el cual debió ser la lengua oficial heredada por los Wari.
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Morales Garzón, Francisco J. "Sociedades precolombinas asociadas a la domesticación y cultivo de la papa (Solanum tuberosum) en Sudamérica." Revista Latinoamericana de la Papa 14, no. 1 (May 10, 2016): 1–9. http://dx.doi.org/10.37066/ralap.v14i1.139.

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Según los últimos estudios moleculares sobre la taxonomía de la papa (Solanum tuberosum), el origen y domesticación de esta especie tuvo lugar en la sierra del Perú, aparentemente en una región que incluye los actuales departamentos de Huánuco, Cerro de Pasco, Junín, Huancavelica, Apurímac, Ayacucho, Cuzco y Puno. Sin Embargo, parece ser que la papa fue cultivada intensivamente por primera vez en la región que circunda el Lago Titicaca, asociado al desarrollo cultural de la sociedad Tiwanaku. Esta cultura se diseminó hacia todos los puntos cardinales, incluyendo Argentina y Chile, pero principalmente hacia el norte, influenciando culturas peruanas como Pucará y Wari que eventualmente formarían el primer gran imperio Wari-Tiwanaku del Perú (A.D. 700-1100). La intensificación del cultivo de la papa fue fundamental en la creación de este imperio que abarcó desde el norte hasta el sur de las regiones costeras y serranas del Perú. La segunda gran expansión del cultivo de la papa, se da durante la creación del imperio Inca del Tawantinsuyo, el cual se extendió desde el sur de Colombia hasta la zona central de Chile. Sin embargo, el cultivo de la papa ya estaba arraigado en las regiones andinas de Colombia y Ecuador posiblemente desde la segunda mitad del primer milenio antes de la era cristiana (ca. 500 a.C.). No se sabe cuando se inició el cultivo de las papas ‘chilotas’ en el sur de Chile, las cuales eventualmente darían origen a la papa europea, pero este ya estaba establecido a la llegada de los españoles en el siglo XVI.
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Pérez Calderón, Ismael. "ETNOARQUEOLOGÍA EN UN BARRIO TRADICIONAL DE AYACUCHO, A PARTIR DE LABORES DE MONITOREO ARQUEOLÓGICO." Arqueología y Sociedad, no. 26 (December 30, 2013): 419–46. http://dx.doi.org/10.15381/arqueolsoc.2013n26.e12418.

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Presentamos información arqueológica, etnohistórica y etnográfica para conocer y entender las raíces culturales del barrio de Santa Ana en Ayacucho, establecido en un área con ocupación humana desde el periodo Formativo , según evidencias de cultura material registrada en los asentamientos cercanos de Pilacucho, Andamarca, Waychaupampa y en el mismo barrio de Santa Ana, cuya plaza trazada en la época colonial se encuentra sobre vestigios de las culturales Huarpa y Wari, durante esta última época los pobladores se dedicaron a la producción alfarera, algo semejante de lo que venía ocurriendo en los poblados de Conchopata y Acuchimay. Se hace referencia de afloramientos de arcilla en la misma plaza y alrededores los cuales debieron ser utilizados como canteras: presencia de entierros humanos en tumbas con paredes de piedra y en simples pozos excavados en suelo estéril como parte de un sector funerario y de los restos de un basural con abundante cerámica Wari, disperso en el subsuelo del ángulo noreste del referido espacio abierto.
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Dissertations / Theses on the topic "Cultura Wari"

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Pérez, Calderón Zacarías Ismael. "Secuencia cultural previa a la cultura Huari en Ayacucho: aportes y propuestas." Master's thesis, Universidad Nacional Mayor de San Marcos, 2016. https://hdl.handle.net/20.500.12672/5733.

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Presenta un panorama general de la arqueología en Ayacucho ubicado en los Andes surcentrales del área andina, a partir de las informaciones obtenidas desde el primer tercio del siglo XX, hasta la actualidad. Incide en el análisis de las investigaciones efectuadas por el “Proyecto Arqueológico Botánico Ayacucho-Huanta”, dirigido por MacNeish entre 1969-1972 y destaca los nuevos trabajos que han dado como resultados importantes hallazgos en las cuatro últimas décadas. Plantea algunas propuestas sobre la secuencia cultural que dio origen a la cultura Huari, en el que prima un antecedente local expresado en el planteamiento del carácter estatal de la cultura Huarpa, enriquecida con la influencia asimilada de otras culturas de los Andes peruanos que llegaron a la zona de Ayacucho fundamentalmente desde el período Formativo.
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Sulca, Huarcaya Nils Ramiro. "Representando el imperio: una visión desde los enclaves Wari de Wiracochapampa (La Libertad) y Pikillaqta (Cusco)." Master's thesis, Pontificia Universidad Católica del Perú, 2019. http://hdl.handle.net/20.500.12404/16702.

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Dentro del proceso que enmarca el Horizonte Medio (600 d.C.-1000 d.C.) en los Andes centrales, la sociedad wari reflejó un cambio socio político fundamental en el territorio andino, desarrollando de esta forma novedosas técnicas de planeamiento arquitectónico, de gran relevancia para el entendimiento de la naturaleza de su expansión y relación con otras sociedades. Este nuevo modelo arquitectónico fue impuesto en diversas regiones por un Estado centralizado en Ayacucho. Wiracochapampa, ubicado en el departamento de la Libertad, y Pikillaqta, en el Cusco, fueron reflejo de la instalación del dominio imperial en dos extremos del territorio. La similitud del patrón arquitectónico en estos sitios nos hace pensar que estos habrían sido edificados por un aparato regulador. El análisis de sintaxis espacial de las estructuras en ambos sitios nos ayudará a entender su planificación y composición arquitectónica, de las que hasta hoy conocemos como los dos centros administrativos más importantes de la organización política wari.
Within the process that frames the Middle Horizon (600 AD-1000 AD) in the central Andes, wari society reflected a fundamental socio-political change in the Andean territory, thus developing innovative architectural planning techniques, of great relevance for understanding of the nature of its expansion and relationship with other societies. This new architectural model was imposed in various regions by a centralized State in Ayacucho. Wiracochapampa, located in the department of Libertad, and Pikillaqta, in Cusco, were a reflection of the installation of the imperial domain at two ends of the territory. The similarity of the architectural pattern in these sites makes us think that these would have been built by a regulatory apparatus. The analysis of spatial syntax of the structures in both sites will help us to understand their planning and architectural composition, which we know today as the two most important administrative centers of the wari political organization.
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Nielsen, Beatrice Helena Date. "War on Culture: The Destruction of Cultural Property During Civil Wars." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579303.

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Acts of violence against civilians during conflict is a topic that has been examined increasingly in the literature on civil war. However, a systematic study on the destruction of cultural and religious sites as a strategic means to achieve territorial control has not yet been explored. I examine this aspect of civilian targeting in this project, and I argue that in many cases, combatants use cultural property as a tool to gain territory, coerce civilians, public perception, and degrade the social fabric of a given religion or population. In preliminary research, I have observed that destruction of a population‘s cultural property indicates and precurses a willingness to destroy human lives. Through a cross-national empirical analysis of civil wars in Iraq and Syria after 1990, I anticipate that the destruction of culturally significant objects and sites is not collateral damage during civil war, but rather intentional actions through which combatants achieve and exert power.
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Burton, James Amos. "Film, history and cultural memory : cinematic representations of Vietnam-era America during the culture wars, 1987-1995." Thesis, University of Nottingham, 2008. http://eprints.nottingham.ac.uk/10493/.

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My thesis is intended as an intellectual opportunity to take what, I argue, are the "dead ends" of work on the history film in a new direction. I examine cinematic representations of the Vietnam War-era America (1964-1974) produced during the "hot" culture wars (1987-1995). I argue that disagreements among historians and commentators concerning the (mis)representation of history on screen are stymied by either an over-emphasis on factual infidelity, or by dismissal of such concerns as irrelevant. In contradistinction to such approaches, I analyse this group of films in the context of a fluid and negotiated cultural memory. I argue that the consumption of popular films becomes part of a vast intertextual mosaic of remembering and forgetting that is constantly redefining, and reimagining, the past. Representations of history in popular film affect the industrial construction of cultural memory, but Hollywood's intertextual relay of promotion and accompanying wider media discourses also contributes to a climate in which film impacts upon collective memory. I analyse the films firmly within the discursive moment of their production (the culture wars), the circulating promotional discourses that accompany them, and the always already circulating notions of their subjects. The introduction outlines my methodological approach and provides an overview of the relationship between the twinned discursive moments. Subsequent chapters focus on representations of returning veterans; representations of the counterculture and the anti-war protest movement; and the subjects foregrounded in the biopics of the period. The fourth chapter examines Forrest Gump as a meta-sixties film and as the fulcrum of my thesis. The final chapter posits that an uplifting version of the sixties has begun to dominate as the most successful type of production in the post-Gump marketplace.
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Kharkina, Anna. "From Kinship to Global Brand : The Discourse on Culture in Nordic Cooperation after World War II." Doctoral thesis, Stockholms universitet, Historiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-92467.

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This work analyzes the political instrumentalization of culture. Specifically, it studies how this is done through cultural policy within Western democracies. The analysis takes, as an example, official Nordic cultural cooperation in the post-war period. During this time, cultural exchange among Nordic countries became the subject of political attention establishing itself as part of the Nordic inter-governmental cooperation framework. This work focuses on three key moments in the history of official Nordic cultural cooperation: (i) the failure of the NORDEK plan (a plan which envisaged extensive economic cooperation between the Nordic countries) and the establishment of the Nordic Council of Ministers in 1971; (ii) the collapse of the Soviet system at the end of the 1980s - beginning of the 1990s; and (iii) the movement towards promoting the Nordic region on the global market in the first decade of the 2000s. The analysis traces the lack of convergence between the official arm’s length principle in cultural policy and how cultural cooperation actually worked. The results of the research both demonstrate the various ways culture was instrumentalized and also prove that the politically defined concept of culture can receive different interpretations in the official discourse depending on current political goals.
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Hall, Terry Ryan. "Exploring the New Front of the Culture War: 1984, Oryx and Crake, and Cultural Hegemony." TopSCHOLAR®, 2008. http://digitalcommons.wku.edu/theses/12.

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Koehler, June, and June Koehler. "An Old Art for a New Culture: The Popular and the Avant-Garde in Josep Renau's Nueva Cultura." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12418.

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The Spanish artist Josep Renau (1907-1982) published the propaganda periodical Nueva cultura from 1935 to 1937. Although richly illustrated with cuttingedge graphic design and photomontage, it made use of popular culture with more frequency than might be expected in a left-wing, vanguard publication. This is seen most notably in the March 1937 special edition, published to coincide with a local, popular festival. In the special edition, Renau primarily utilized popular forms of illustration in the layout. Further, by publishing it in the regional language rather than Castilian Spanish, he attested to the importance of addressing people in their own language, both linguistically and formally. This thesis examines the periodical in relation to philosopher Mikhail Bakhtin’s writings on folk culture and James V. Wertsch’s research on collective remembering.
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Saied, Kaj. "News Media in War Culture." Thesis, Karlstad University, Karlstad University, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1476.

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Fear has found its latest instrument in the news media. The discourse of fear in news presentations produces gasping meanings, which we can compellingly indulge in. Fear not just being entertaining, but one of the ways in which we relate to reality, is used as a protection mechanism of our status quo. The purpose of this thesis is to examine the extent to which Fox News tends to use, and further reproduce, the fear discourse to form identities and meaning. The method utilized in this thesis is frame analysis, which is a form of discourse analysis. The primary results indicate that Fox News undeniably uses the fear discourse, for entertainment and the proliferation of the status quo - meaning system. In addition, Fox News applies fear blatantly in the news presentations, as acts of courage and virtuous loyalty to reporting.

Key words: Fear, Frame analysis, Meaning, News media, Infotainment.

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Reimers, Frank. "Security culture in times of war how did the Balkan War affect the security cultures in Germany and the United States?" Thesis, Monterey, Calif. : Naval Postgraduate School, 2007. http://bosun.nps.edu/uhtbin/hyperion-image.exe/07Jun%5FReimers.pdf.

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Thesis (M.A. in National Security Affairs)--Naval Postgraduate School, June 2007.
Thesis Advisor(s): Biermann, Rafael ; Abenheim, Donald. "June 2007." Description based on title screen as viewed on August 14, 2007. Includes bibliographical references (p. 119-130). Also available in print.
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NUNES, Camila de Marillac Costa. "Fenologia, biologia floral e germinação in vitro de Cyrtopodium eugenii Rchb. f. & Warm. (Orchidaceae)." Universidade Federal de Goiás, 2009. http://repositorio.bc.ufg.br/tede/handle/tde/2688.

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Made available in DSpace on 2014-07-29T16:24:21Z (GMT). No. of bitstreams: 1 Capa Camila Marillac.pdf: 113274 bytes, checksum: 456413e1a73b4f6c572c42092e6ba8a6 (MD5) Previous issue date: 2009-02-18
Cyrtopodium eugenii Rchb. f. (Orchidaceae) is a specie widely distributed in Brazilian savannah, being the Planalto Central its main center of diversification. C. eugenii is a terrestrial specie, usually found in the Cerrado, growing in sand soil, dry environment and to the half shade. Due the beauty and exotic character of its flowers, C. eugenii present high ornamental and commercial potential. However, no studies were found of its preservation even in vitro protocols for shoots obtainment to be used in flower production. Thus, the present study has as objective to characterize the fenology, morphology and reproductive biology in C. eugenii and to establish protocols for symbiotic and asymbiotic germination in vitro. The plants studied grows at the Biological Reserve Prof. Jose Ângelo Rizzo, a forest remainder of 500 ha of bioma Cerrado, whose predominant vegetation is of the type Cerrado Rupestre, located in the Serra Dourada, city of Mossâmedes-GO. From the months of July of 2007 through August of 2008 monthly visits had been carried out for accompaniment and collects of data of 51 plants, distributed in three populations. For the establishment of the germination protocols in vitro of C. eugenii established the symbiotic culture, pairs the isolated fungic contends the mycorrhizae Epulorhiza sp., obtained from roots of C. eugenii, with the seeds of C. eugenii in medium FA, and the asimbytic culture, where the seeds had been cultivated in culture mediuns that are regularly used for seed orchids germination, being the complete MS medium, the MS medium with reduction to the half of the concentration of macronutrients (½ MS) and the Knudson medium (KC). The analysis of the behavior of C. eugenii allowed to verify that this species present annual budding and at the dry time. At the rainy time, when the temperature raised, plants of C. eugenii start to invest its energy in the production of vegetative parts, such as sprouts of pseudobulbs and leves. The flowers of C. eugenii are disposed of cyclical form in the floral connecting rods, which arrive to reach up to 130 cm of height. This species is self-compatible, even so in natural conditions, the fruit set is low. Not evidenced was presence of efficient pollinators. High frequency of ants during budding of C. eugenii was verified. However, the observations indicated that these insects only act as visitors and they are attracted by the secretion of substance at the time of the budding throughout the floral connecting rod and that have high concentration of soluble solid. The establishment of the symbiotic germination in vitro did not disclose resulted satisfactory because no protocorms formation were obtained. However, satisfactory results had been founded in the asymbiotic germination in vitro, being the ½ MS medium superior to the KC and the complete MS medium for the time, germination of seeds and establishment of new plants of C. eugenii.
A espécie Cyrtopodium eugenii Rchb. f. (Orchidaceae) é amplamente distribuída pelo Brasil, sendo o Planalto Central o seu principal centro de diversidade. C. eugenii é uma espécie terrestre, comumente encontrada no Cerrado, crescendo em solos arenosos, ambientes secos e à meia sombra. Devido ao caráter exótico de sua inflorescência e à beleza de suas flores, C. eugenii apresenta elevado potencial ornamental e comercial. Entretanto, não são encontrados estudos para sua preservação ou métodos para obtenção de mudas que possam ser utilizadas na floricultura ou no paisagismo. Assim, o presente estudo tem como objetivos caracterizar a fenologia, a morfologia e os apectos reprodutivos desta espécie de orquídea e estabelecer protocolos para germinação simbiótica e assimbiótica in vitro. Parte do trabalho foi desenvolvida na Reserva Biológica Prof. José Ângelo Rizzo, um remanescente florestal de 500 ha do bioma Cerrado, cuja vegetação predominante é do tipo Cerrado Rupestre, localizada na Serra Dourada, município de Mossâmedes GO. No período de julho de 2007 a agosto de 2008 foram realizadas visitas mensais para acompanhamento e coleta de dados fenológicos e de biologia floral de 51 indivíduos, distribuídos em três sub-populações. Para o estabelecimento dos protocolos de germinação in vitro de C. eugenii estabeleceu-se o cultivo simbiótico, pareando o isolado fúngico contendo o micélio micorrízico de Epulorhiza sp., obtido a partir de raízes de C. eugenii, com as sementes de C. eugenii em meio FA, e o cultivo assimbiótico, em que as sementes foram cultivadas em meios de cultura comumente usados para germinação de orquídeas, sendo o meio MS completo, o meio MS com redução à metade da concentração de macronutrientes (½ MS) e o meio de Knudson (KC). A análise do comportamento de C. eugenii permitiu verificar que esta espécie apresenta floração anual e na época seca. Na época chuvosa, quando a temperatura é mais elevada, plantas de C. eugenii passam a investir sua energia na produção de partes vegetativas, tais como brotos de pseudobulbos e folhas. As flores de C. eugenii são dispostas de forma cíclica nas hastes florais, as quais chegam a atingir até 130 cm de altura. Esta espécie é autocompatível, embora em condições naturais, a taxa de frutificação seja baixa. Não foi observada presença de polinizadores eficientes. Foi verificada elevada freqüência de formigas durante a floração. Porém, as observações indicaram que estes insetos atuam apenas como pilhadores e que são atraídos pela secreção de uma substância liberada constantemente na época da floração ao longo da haste floral e cujo teor de sólidos solúveis é elevado. O estabelecimento da germinação simbiótica in vitro não revelou resultados satisfatórios uma vez que a formação de protocormos não foi obtida. Todavia, resultados satisfatórios foram encontrados na germinação assimbiótica in vitro, sendo o meio ½ MS superior ao KC e ao MS completo para o tempo, taxa de germinação de sementes e estabelecimento de novas plântulas de C. eugenii.
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Books on the topic "Cultura Wari"

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Wara. Tōkyō: Hōsei Daigaku Shuppankyoku, 1985.

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Chinese bronze ware: A mirror of culture. Beijing: China Intercontinental Press, 2009.

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Morton, Julia Frances. Fruits of warm climates. N. Ft. Myers, FL: Echo, 2000.

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Morton, Julia Frances. Fruits of warm climates. Miami, FL: J.F. Morton, 1987.

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Beyond Wari walls: Regional perspectives on Middle Horizon Peru. Albuquerque: University of New Mexico Press, 2010.

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Little, David. A guide to integrated warm water aquaculture. Stirling: Institute of Aquaculture, University of Stirling, 1987.

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David, Little. A guide to integrated warm water aquaculture. Stirling: Institute of Aquaculture, University of Stirling, 1987.

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Wara no minzokushi. Tōkyō: Ronsōsha, 2011.

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Miyazaki, Kiyoshi. "Wara no bunka" kō. [Aichi-ken Higashikamo-gun Asuke-chō]: Sanshū Asuke Yashiki, 1989.

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Zusetsu wara no bunka. Tōkyō: Hōsei Daigaku Shuppankyoku, 1995.

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Book chapters on the topic "Cultura Wari"

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Talbot, George. "Culture Wars." In Censorship in Fascist Italy, 1922–43, 132–58. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230222854_6.

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Michaels, Jonathan. "Culture Wars." In McCarthyism, 183–230. New York : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9780203766712-7.

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Malik, Kenan. "Cultural Wars." In The Meaning of Race, 178–216. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24770-7_8.

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Hurvitz, Nimrod, and Eli Alshech. "Culture wars." In Making Sense of Muslim Fundamentalisms, 192–219. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003014133-6.

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McCauley, Martin. "Culture wars." In Origins of the Cold War 1941–1949, 180–97. 5th ed. Title: Origins of the Cold War 1941-1949 / Martin McCauley.Description: Fifth edition. | Abingdon, Oxon ; New York, NY : Routledge, [2021] | Series: Seminar studies: Routledge, 2021. http://dx.doi.org/10.4324/9781003015338-16.

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Williams, Patrick Ryan. "Wari, Geography and Culture of." In Encyclopedia of Global Archaeology, 1–13. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51726-1_2576-1.

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Williams, Patrick Ryan. "Wari, Geography and Culture of." In Encyclopedia of Global Archaeology, 11095–107. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2576.

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Kellner, Douglas. "Gender and sexuality wars." In Media Culture, 147–78. Second edition. | London ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429244230-5.

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Sowerwine, Charles. "Culture between the Wars." In France since 1870, 148–58. London: Macmillan Education UK, 2018. http://dx.doi.org/10.1057/978-1-137-40611-8_12.

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Sowerwine, Charles. "Culture between the Wars." In France since 1870, 155–66. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-01385-9_12.

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Conference papers on the topic "Cultura Wari"

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Ohno, Kunihisa, Ryotaro Konoike, and Naoko Tosa. "IOCW: Navigation of Open Course Ware." In 2011 Second International Conference on Culture and Computing (Culture Computing). IEEE, 2011. http://dx.doi.org/10.1109/culture-computing.2011.45.

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Gusentsova, T., and M. Kulkova. "НОВЫЕ РАДИОУГЛЕРОДНЫЕ ДАТЫ ТОРФЯНИКОВОЙ СТОЯНКИ ПОДОЛЬЕ 3 В ЮЖНОМ ПРИЛАДОЖЬЕ." In Радиоуглерод в археологии и палеоэкологии: прошлое, настоящее, будущее. Материалы международной конференции, посвященной 80-летию старшего научного сотрудника ИИМК РАН, кандидата химических наук Ганны Ивановны Зайцевой. Samara State University of Social Sciences and Education, 2020. http://dx.doi.org/10.31600/978-5-91867-213-6-23-24.

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Podolije 3 site is located in the basin of Lava river on the Southern coast of the Ladoga. The site was occupied several times during Neolithic period, in the Early Metal Epoch and in the Late Medieval Age. The cultural peat layer contents the remains of wood fishing constructions of end of 4 ka. BC. This artefacts belong to people of cultures of the Typical Comb Ware, the Late Comb Ware, the Late Pit-Comb Ware, the organic tempered ceramics and asbestos ceramics. The first period of occupation of these people is dated from 3900–1800 cal BC and second period associates with a Medieval time, from 1493–1780 cal AD.
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Meškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.

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Exile is one of the central motifs of the 20th century European culture and literature; it is closely related to the historical events throughout this century and especially those related to World War II. In the culture of East Central Europe, the phenomenon of exile has been greatly determined by the context of socialism and post-socialist transformations that caused several waves of emigration from this part of Europe to the West or other parts of the world. It is interesting to compare cultures of East Central Europe, the historical situations of which both during World War II and after the collapse of socialism were different, e.g. Latvian and ex-Yugoslavian ones. In Latvia, exile is basically related to the emigration of a great part of the population in the 1940s and the issue of their possible return to the renewed Republic of Latvia in the early 1990s, whereas the countries of the former Yugoslavia experienced a new wave of emigration as a result of the Balkan War in the 1990s. Exile has been regarded by a great number of the 20th century philosophers, theorists, and scholars of diverse branches of studies. An important aspect of this complex phenomenon has been studied by psychoanalytical theorists. According to the French poststructuralist feminist theorist Julia Kristeva, the state of exile as a socio-cultural phenomenon reflects the inner schisms of subjectivity, particularly those of a feminine subject. Hence, exile/stranger/foreigner is an essential model of the contemporary subject and exile turns from a particular geographical and political phenomenon into a major symbol of modern European culture. The present article regards the sense of exile as a part of the narrator’s subjective world experience in the works by the Yugoslav writer Dubravka Ugrešič (“The Museum of Unconditional Surrender”, in Croatian and English, 1996) and Latvian émigré author Margita Gūtmane (“Letters to Mother”, in Latvian, 1998). Both authors relate the sense of exile to identity problems, personal and culture memory as well as loss. The article focuses on the issues of loss and memory as essential elements of the narrative of exile revealed by the metaphors of photograph and museum. Notwithstanding the differences of their historical situations, exile as the subjective experience reveals similar features in both authors’ works. However, different artistic means are used in both authors’ texts to depict it. Hence, Dubravka Ugrešič uses irony, whereas Margita Gūtmane provides a melancholic narrative of confession; both authors use photographs to depict various aspects of memory dynamic, but Gūtmane primarily deals with private memory, while Ugrešič regards also issues of cultural memory. The sense of exile in both authors’ works appears to mark specific aspects of feminine subjectivity.
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Tkach, Evgeniia. "CORDED WARE CULTURE: STONE OR BRONZE AGE?" In Evolution of Neolithic cultures of Eastern Europe. Samara State University of Social Sciences and Humanities, 2019. http://dx.doi.org/10.31600/978-5-91867-189-4-2019-91-93.

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Pekcan, Cemre. "The Importance of Cultural Diplomacy in Breaking the Perception of “China Threat”." In International Conference on Eurasian Economies. Eurasian Economists Association, 2016. http://dx.doi.org/10.36880/c07.01658.

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Cultural diplomacy, which is accepted as a sub-branch of public diplomacy, is described as ‘the exchange of ideas, information, art, and other aspects of culture among nations and their peoples in order to foster mutual understanding’ by Milton C. Cummings. Although this term has been used in international relations for centuries, its acceptance as a theory is a relatively new concept. Cultural diplomacy, as a component of both public diplomacy and also Joseph Nye’s ‘soft power’, includes movies, music, dance, exhibitions, various education and exchange programs, literature and cultural programs. In today’s world, China, a super power with its growing economy, started to feature its soft power, public and cultural diplomacy to break the perception of ‘China threat’ theory which shortly claims that the rising power would eventually challenge the hegemon power and war will be inevitable. The aim of this study is to put forward Chinese efforts in promoting cultural diplomacy to break the perception of ‘China threat’ theory by analyzing the elements of China’s cultural diplomacy, which are basically; Confucius Institutes, marketing Chinese cultural products, series of cultural programs and foreign aid. As the outcomes of the research, it is seen that against ‘China Threat’ theory, China clearly keeps emphasizing its peaceful development and wants to improve its image especially after 1989 Tinananmen Crackdown. Hence, as the most important elements of China’s cultural diplomacy; Confucius Institutes have been established throughout the world, Chinese cultural products are being marketed and Chinese foreign policy is becoming more transparent.
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Song, Feng, Yang Meng, and Miao Zeng. "The Shaping Process of Urban Form Under a Socialist System: Townscape Diversity and its Formation in Sanlitun, Beijing." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5690.

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The difference between socio-economic systems is an important factor in the diversity of urban form. M. R. G. Conzen (1960) established a framework for urban morphology in the context of a British social system and culture. It was suggested that this did not necessarily apply to cities affected by revolutionary planning measures. China, which is markedly different in social system and culture from Britain by most standards qualifies as revolutionary, at least in the post-war period. Sanlitun in Beijing, China, is an interesting case for comparison with British cities. It was a site containing few buildings during the initial stage of new China, but subsequently became the ‘Second Embassy District’ where many embassies gathered. Now it has become a commercial core district and cultural meeting place of Westerners and Chinese. The townscape of Sanlitun, which has experienced a number of socialist construction periods reveals the process of changing urban form under a socialist system. Identifying morphological periods, the changing process of townscape development in Sanlitun is articulated. Morphological units are delimited. They clarify the variations in Sanlitun’s landscapes and their formation. Based on these, this paper reflects on the shaping process of townscape under different socio-cultural systems, and further considers the universality, applicability and particularities of Conzenian theory.
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Tzafestas, Elpida. "Cultures of war and inequality." In 2015 International Conference on Behavioral, Economic and Socio-cultural Computing (BESC). IEEE, 2015. http://dx.doi.org/10.1109/besc.2015.7365970.

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"An Aesthetic Study of Ancient Chinese Celadon Ware Culture." In 2018 4th International Conference on Social Sciences, Modern Management and Economics. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/ssmme.2018.62207.

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KAMAL, AHMAD. "GLOBALIZATION AND CULTURE." In Proceedings of the International Seminar on Nuclear War and Planetary Emergencies — 27th Session. WORLD SCIENTIFIC, 2003. http://dx.doi.org/10.1142/9789812705150_0011.

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LEE, TSUNG-DAO, KAI M. B. SIEGBAHN, and ANTONINO ZICHICHI. "THE CULTURAL EMERGENCY." In Proceedings of the International Seminar on Nuclear War and Planetary Emergencies — 27th Session. WORLD SCIENTIFIC, 2003. http://dx.doi.org/10.1142/9789812705150_0001.

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Reports on the topic "Cultura Wari"

1

Richardson, William C. Culture Warfare: A War Against Culture. Fort Belvoir, VA: Defense Technical Information Center, March 2011. http://dx.doi.org/10.21236/ada547314.

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Donnithorne, Jeff. Culture Wars: Air Force Culture and Civil-Military Relations. Fort Belvoir, VA: Defense Technical Information Center, June 2010. http://dx.doi.org/10.21236/ad1019162.

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Pavlyuk, Ihor. MEDIACULTURE AS A NECESSARY FACTOR OF THE CONSERVATION, DEVELOPMENT AND TRANSFORMATION OF ETHNIC AND NATIONAL IDENTITY. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11071.

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The article deals with the mental-existential relationship between ethnoculture, national identity and media culture as a necessary factor for their preservation, transformation, on the example of national original algorithms, matrix models, taking into account global tendencies and Ukrainian archetypal-specific features in Ukraine. the media actively serve the domestic oligarchs in their information-virtual and real wars among themselves and the same expansive alien humanitarian acts by curtailing ethno-cultural programs-projects on national radio, on television, in the press, or offering the recipient instead of a pop pointer, without even communicating to the audience the information stipulated in the media laws − information support-protection-development of ethno-culture national product in the domestic and foreign/diaspora mass media, the support of ethnoculture by NGOs and the state institutions themselves. In the context of the study of the cultural national socio-humanitarian space, the article diagnoses and predicts the model of creating and preserving in it the dynamic equilibrium of the ethno-cultural space, in which the nation must remember the struggle for access to information and its primary sources both as an individual and the state as a whole, culture the transfer of information, which in the process of globalization is becoming a paramount commodity, an egregore, and in the post-traumatic, interrupted-compensatory cultural-information space close rehabilitation mechanisms for national identity to become a real factor in strengthening the state − and vice versa in the context of adequate laws («Law about press and other mass media», Law «About printed media (press) in Ukraine», Law «About Information», «Law about Languages», etc.) and their actual effect in creating motivational mechanisms for preserving/protecting the Ukrainian language, as one of the main identifiers of national identity, information support for its expansion as labels cultural and geostrategic areas.
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Hallett, Robert J. Japanese Naval Military Culture in the Pacific War. Fort Belvoir, VA: Defense Technical Information Center, May 2014. http://dx.doi.org/10.21236/ada612159.

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DiMarco, Joyce P. Service Culture Effects on Joint Operations the Masks of War Unveiled. Fort Belvoir, VA: Defense Technical Information Center, May 2004. http://dx.doi.org/10.21236/ada429014.

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Smith, Adam, Megan Tooker, and Sunny Adams. Camp Perry Historic District landscape inventory and viewshed analysis. Engineer Research and Development Center (U.S.), March 2021. http://dx.doi.org/10.21079/11681/39841.

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The National Historic Preservation Act of 1966 (NHPA) established the National Register of Historic Places (NRHP), which requires federal agencies to address their cultural resources, defined as any prehistoric or historic district, site, building, structure, or object. NHPA section 110 requires federal agencies to inventory and evaluate their cultural resources. Section 106 requires them to determine the effect of federal undertakings on properties deemed eligible or potentially eligible for the NRHP. Camp Perry Joint Training Center (Camp Perry) is located near Port Clinton, Ohio, and serves as an Ohio Army National Guard (OHARNG) training site. It served as an induction center during federal draft periods and as a prisoner of war camp during World War II. Previous work established boundaries for an historic district and recommended the district eligible for the NRHP. This project inventoried and evaluated Camp Perry’s historic cultural landscape and outlined approaches and recommendations for treatment by Camp Perry cultural resources management. Based on the landscape evaluation, recommendations of a historic district boundary change were made based on the small number of contributing resources to aid future Section 106 processes and/or development of a programmatic agreement in consultation with the Ohio State Historic Preservation Office (SHPO).
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Spaeth, Carl. Cultural Resources Survey of Borrow Area for Dam 96, Souris River Basin Project, Ward County, North Dakota. Fort Belvoir, VA: Defense Technical Information Center, September 1990. http://dx.doi.org/10.21236/ada226527.

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Schweigert, Kurt P. Cultural Resources Survey of Borrow Areas for Dam 87, Souris River Basin Project, Ward County, North Dakota. Fort Belvoir, VA: Defense Technical Information Center, June 1990. http://dx.doi.org/10.21236/ada226528.

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Corum, James S. A Clash of Military Cultures: German and French Approaches to Technology Between the World Wars,. Fort Belvoir, VA: Defense Technical Information Center, September 1994. http://dx.doi.org/10.21236/ada323798.

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Gannon, Trina, and Schuyler E. Cone. An Investigation into Cultural Influences on Consumer Behavior with Regards to Propaganda Textiles during World War II. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-611.

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