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Journal articles on the topic 'Cultura Wari'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Doi, Masaki, Gudelia Machaca Calle, and Fredy Huamán Lira. "Influencia Nasca en Warpa: Análisis de cerámica del Periodo Intermedio Temprano recuperada durante investigaciones en Huanca Qasa." Alteritas 6, no. 7 (2017): 211–47. http://dx.doi.org/10.51440/unsch.revistaalteritas.2017.7.149.

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Por lo general, los investigadores interesados en el Estado Wari han prestado mayor atención a los grandes sitios planificados como los llamados “centros administrativos”, a fin de comprender la estructura socio-política del Estado Wari. En este sentido, se han realizado pocos estudios sobre el proceso de formación del Estado Wari y los cambios que se produjeron dentro de los pequeños asentamientos durante su formación. Huanca Qasa es un pequeño sitio arqueológico en el valle de Ayacucho, zona central del Estado Wari. A través del análisis de la cerámica y la arquitectura encontrada en la Huan

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Doi, Masaki, Gudelia Machaca Calle, and Fredy Huamán Lira. "Influencia Nasca en Warpa: Análisis de cerámica del Periodo Intermedio Temprano recuperada durante investigaciones en Huanca Qasa." Alteritas 6, no. 7 (2017): 211–47. http://dx.doi.org/10.51440/unsch.revistaalteritas.2017.7.149.

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Por lo general, los investigadores interesados en el Estado Wari han prestado mayor atención a los grandes sitios planificados como los llamados “centros administrativos”, a fin de comprender la estructura socio-política del Estado Wari. En este sentido, se han realizado pocos estudios sobre el proceso de formación del Estado Wari y los cambios que se produjeron dentro de los pequeños asentamientos durante su formación. Huanca Qasa es un pequeño sitio arqueológico en el valle de Ayacucho, zona central del Estado Wari. A través del análisis de la cerámica y la arquitectura encontrada en la Huan

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3

Taipe Campos, Néstor Godofredo. "WARI: SEMÁNTICA, TOPONIMIA Y MITO–CREENCIAS EN EL CENTRO–SUR ANDINO PERUANO." Alteritas 9, no. 10 (2020): 237–67. http://dx.doi.org/10.51440/unsch.revistaalteritas.2020.10.34.

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El artículo estudia la semántica del término wari en el ámbito del centro–sur andino peruano, analiza la toponimia existente y pone en evidencia la influencia de los mito–creencias en la praxis social de los sujetos que comparten estas tradiciones. Los referentes empíricos fueron la tradición oral contemporánea, la información etnohistórica y los diccionarios kichwas y aymaras tempranos. El tipo de investigación fue analítico–sintético e interpretativo–explicativo, con método etnográfico, filológico y hermenéutico. Como resultado fueron elaborados tres cuadros que presentan la semántica, la to

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Taipe Campos, Néstor Godofredo. "WARI: SEMÁNTICA, TOPONIMIA Y MITO–CREENCIAS EN EL CENTRO–SUR ANDINO PERUANO." Alteritas 9, no. 10 (2020): 237–67. http://dx.doi.org/10.51440/unsch.revistaalteritas.2020.10.34.

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El artículo estudia la semántica del término wari en el ámbito del centro–sur andino peruano, analiza la toponimia existente y pone en evidencia la influencia de los mito–creencias en la praxis social de los sujetos que comparten estas tradiciones. Los referentes empíricos fueron la tradición oral contemporánea, la información etnohistórica y los diccionarios kichwas y aymaras tempranos. El tipo de investigación fue analítico–sintético e interpretativo–explicativo, con método etnográfico, filológico y hermenéutico. Como resultado fueron elaborados tres cuadros que presentan la semántica, la to

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5

Leoni, Juan B. "La ocupación Wari de Ñawinpukyo: trazado espacial, arquitectura y organización social en una comunidad ayacuchana del Horizonte Medio." Arqueología y Sociedad, no. 18 (December 31, 2007): 155–78. http://dx.doi.org/10.15381/arqueolsoc.2007n18.e13155.

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Ñawinpukyo es generalmente conocido como uno de los principales sitios de la cultura Huarpa del Período Intermedio Temprano (ca. 200 a.C. 600 d.C.) en Ayacucho. Sin embargo, recientes investigaciones han demostrado que la ocupación Wari del mismo durante el Horizonte Medio (ca. 600 1000 d.C.) fue también importante, perdurando durante varios siglos. En este trabajo se presenta una caracterización de la ocupación Wari, destacando sus aspectos específicos y situándola en relación al contexto regional durante el Horizonte Medio al compararla con otros sitios contemporáneos del valle de Ayacucho.

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6

Vilaça, Aparecida. "Conversão, predação e perspectiva." Mana 14, no. 1 (2008): 173–204. http://dx.doi.org/10.1590/s0104-93132008000100007.

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Os Wari’, povo falante de língua da família Txapakura, que habita o oeste do estado de Rondônia, convive há cinco décadas com os missionários fundamentalistas protestantes da New Tribes Mission. A partir do recurso comparativo ao mito, este artigo procura compreender a conversão ao cristianismo como um processo de adoção da perspectiva do inimigo, relacionado à busca dos Wari’ pela estabilização na posição de humanos. Visa também contribuir para o debate corrente entre antropólogos e estudiosos da religião, quanto à integridade do cristianismo em seu processo de propagação, ao mostrar que a di

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7

Pérez Calderón, Ismael. "EL ESTADO REGIONAL HUARPA Y LOS ORÍGENES DEL IMPERIO WARI." Alteritas 8, no. 9 (2019): 181–221. http://dx.doi.org/10.51440/unsch.revistaalteritas.2019.9.17.

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Alcanzamos datos sobre la formación de la cultura Huarpa como Estado regional con su control de poder político administrativo en Ñawimpukyo y en otros asentamientos como es el caso de la misma ciudad de Wari y en los valles adyacentes de Huanta y San Miguel, donde se tiene registrado hasta el momento más de 300 asentamientos, indicadores de una numerosa población, que vivió entre los 100 – 550 d.C. , en complejos aldeanos, centros poblados rurales y urbanos, algunos de estosúltimos con arquitectura monumental, asociados a ingeniosos sistemas agrícolas con andenerías, canales, reservorios y cam

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8

Pérez Calderón, Ismael. "EL ESTADO REGIONAL HUARPA Y LOS ORÍGENES DEL IMPERIO WARI." Alteritas 8, no. 9 (2019): 181–221. http://dx.doi.org/10.51440/unsch.revistaalteritas.2019.9.17.

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Alcanzamos datos sobre la formación de la cultura Huarpa como Estado regional con su control de poder político administrativo en Ñawimpukyo y en otros asentamientos como es el caso de la misma ciudad de Wari y en los valles adyacentes de Huanta y San Miguel, donde se tiene registrado hasta el momento más de 300 asentamientos, indicadores de una numerosa población, que vivió entre los 100 – 550 d.C. , en complejos aldeanos, centros poblados rurales y urbanos, algunos de estosúltimos con arquitectura monumental, asociados a ingeniosos sistemas agrícolas con andenerías, canales, reservorios y cam

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Morales Garzón, Francisco J. "Sociedades precolombinas asociadas a la domesticación y cultivo de la papa (Solanum tuberosum) en Sudamérica." Revista Latinoamericana de la Papa 14, no. 1 (2016): 1–9. http://dx.doi.org/10.37066/ralap.v14i1.139.

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Según los últimos estudios moleculares sobre la taxonomía de la papa (Solanum tuberosum), el origen y domesticación de esta especie tuvo lugar en la sierra del Perú, aparentemente en una región que incluye los actuales departamentos de Huánuco, Cerro de Pasco, Junín, Huancavelica, Apurímac, Ayacucho, Cuzco y Puno. Sin Embargo, parece ser que la papa fue cultivada intensivamente por primera vez en la región que circunda el Lago Titicaca, asociado al desarrollo cultural de la sociedad Tiwanaku. Esta cultura se diseminó hacia todos los puntos cardinales, incluyendo Argentina y Chile, pero princip

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Pérez Calderón, Ismael. "ETNOARQUEOLOGÍA EN UN BARRIO TRADICIONAL DE AYACUCHO, A PARTIR DE LABORES DE MONITOREO ARQUEOLÓGICO." Arqueología y Sociedad, no. 26 (December 30, 2013): 419–46. http://dx.doi.org/10.15381/arqueolsoc.2013n26.e12418.

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Presentamos información arqueológica, etnohistórica y etnográfica para conocer y entender las raíces culturales del barrio de Santa Ana en Ayacucho, establecido en un área con ocupación humana desde el periodo Formativo , según evidencias de cultura material registrada en los asentamientos cercanos de Pilacucho, Andamarca, Waychaupampa y en el mismo barrio de Santa Ana, cuya plaza trazada en la época colonial se encuentra sobre vestigios de las culturales Huarpa y Wari, durante esta última época los pobladores se dedicaron a la producción alfarera, algo semejante de lo que venía ocurriendo en

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11

Pérez Calderón, Ismael. "ASENTAMIENTOS PERIFÉRICOS DEL CENTRO URBANO DE CONCHOPATA, AYACUCHO." Arqueología y Sociedad, no. 25 (December 31, 2012): 143–68. http://dx.doi.org/10.15381/arqueolsoc.2012n25.e12359.

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Se presenta información sobre una variedad de restos arqueológicos ubicados en la periferia del centro urbano de Conchopata en Ayacucho, con lo que se demuestra no solo una larga ocupación sino un patrón urbano con antecedentes en culturas locales previas a la cultura Wari. Se tiene registrado más de 200 asentamientos distribuidos entre los 2500 y 4250 msnm, cuyos antiguos pobladores aprovecharon al máximo los recursos naturales de la zona así como el dominio del espacio geográfico, entre las evidencias destacan canteras, andenes, canales, reservorios, qochas, manantiales, centros poblados, ar

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12

Valdez Cárdenas, Julio Ernesto. "LOS ASENTAMIENTOS CHANKAS: ¿UNA RESPUESTA A LA VIOLENCIA?" Arqueología y Sociedad, no. 32 (June 15, 2017): 041–56. http://dx.doi.org/10.15381/arqueolsoc.2016n32.e13315.

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En este artículo, después de presentar las características de los sitios arqueológicos llamados Chanka, que corresponden al Periodo Intermedio Tardío, dentro de la llamada Área Histórica Chanka, aquí en los territorios andinos de Huancavelica, Ayacucho y de Andahuaylas, se discute por qué motivos, después de la decadencia de la cultura Wari, los pueblos se establecieron en las altas y estratégicas cumbres, donde rodeado de grandes murallas, se asentaron en habitaciones de forma circular, y produjeron burdos y toscos objetos de cerámica. Circunstancia en la que tuvieron contacto con los Incas.

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13

Albuquerque, Francisco Edviges, and Adriano Dias Gomes Karajá. "AS PINTURAS CORPORAIS DO POVO KARAJÁ-XAMBIOÁ:." DESAFIOS - Revista Interdisciplinar da Universidade Federal do Tocantins 5, Especial (2018): 35–47. http://dx.doi.org/10.20873/uft.2359-3652.2018v5nespecialp35.

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O povo Karajá-Xambioá, também conhecido como Karajá do Norte ou Irarumahadu (povo de baixo), pertencente ao tronco linguístico Macro-Jê, e família língua Karajá, possui uma população aproximada de 543 (DSEI 2016) indígenas, distribuídos em quatro aldeias; Xambioá, Kurehê, Wari Lỹtỹ e Hawa Tamara. Este artigo objetiva uma análise da historicidade dos usos dos grafismos Karajá-Xambioá, fazendo um apanhado histórico e cultural da representatividade e da interface entre o grafismo e o território na composição cultural desse povo. O grafismo possui sentidos diversos, não somente na vaidade, mas na

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14

Silvera La Torre, Hernán. "SECUENCIA CONSTRUCTIVA: QUINTA PLATAFORMA DE LA GRAN PIRÁMIDE HUACA PUCLLANA." Arqueología y Sociedad, no. 31 (June 13, 2017): 381–402. http://dx.doi.org/10.15381/arqueolsoc.2016n31.e13307.

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El sitio arqueológico Huaca Pucllana se encuentra en el distrito de Miraflores, departamento de Lima, el cual constituye un centro ceremonial administrativo, correspondiente a la cultura lima. Compuesto por una gran pirámide con 7 plataformas.La quinta plataforma se ubica en la parte más elevada de la gran pirámide, estas son importantes porque registran elementos arquitectónicos que se distribuyen y definen las últimas 11 etapas y momentos constructivos de la fase constructiva IV, ubicadas en la época Lima Tardío. Así mismo evidencian la ocupación más tardía correspondiente a la transición Li

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15

Waling, Geerten, and Niels Ottenheim. "Waarom Nederland in 1848 geen revolutie kende." Tijdschrift voor geschiedenis 133, no. 1 (2020): 5–29. http://dx.doi.org/10.5117/tvgesch2020.1.002.wali.

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Abstract Why the Netherlands did not witness a revolution in 1848In 1848, a wave of democratic revolutions struck most of Europe, but not the Netherlands. Historians have provided only partial explanations from a range of perspectives, such as socio-economic, socio-political, and institutional. We argue that none of these are fully tenable or satisfactory by comparing the Dutch situation with countries that did experience revolutions in 1848. Also, we add a cultural perspective by studying the role of the Dutch consensus culture. After tracing its roots, we identify its key characteristics and

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16

Sippel, Hope. "Beauty and Benevolence: A History of the Cosmetics Industry’s Globalization through Philanthropy." Perspectives on Global Development and Technology 14, no. 1-2 (2015): 227–37. http://dx.doi.org/10.1163/15691497-12341342.

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This research demonstrates how after World Warii, theuscosmetics industry was able to feminize cultural imperialism by using philanthropic efforts in order to expand its influence within the global market. This article presents four important frameworks in order to understand the role of capitalism, consumerism, and the cosmetics industry in a global arena: first, the cosmetics industry’s increased globalization after World Wari; second, the emergence of corporate social responsibility and philanthropy; third, selling products and advertising through philanthropy; fourth, the use of beauty and

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17

McEwan, Gordon F. "Some Formal Correspondences between the Imperial Architecture of the Wari and Chimu Cultures of Ancient Peru." Latin American Antiquity 1, no. 2 (1990): 97–116. http://dx.doi.org/10.2307/971982.

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The degree and nature of the influence of the Middle Horizon Wari empire (ca. A.D. 540-900) on the culture history of Peru's north coast has been a topic of much heated debate over the past two decades. The arguments have tended to polarize around the issue of whether or not there was a Wari invasion of the north coast. Those arguing against the invasion hypothesis have claimed that there was no direct Wari influence on north coast cultural history. Those arguing in favor of the invasion hypothesis have attributed nearly all changes evident in the archaeological record to the results of a Wari

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Ivanova, S. V. "IMPORT OR IMITATION: CHARACTERISING THE BUDZHAK CULTURE OF THE NORTH-WEST PONTIC REGION." Archaeology and Early History of Ukraine 37, no. 4 (2020): 182–98. http://dx.doi.org/10.37445/adiu.2020.04.14.

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Specific feature of the cultural-historical genesis of the North-Western Pontic Region at the turn of the 4th to the 3rd mill. BC is manifested by relations of its population with a foreign cultural environment. This concerns, first and foremost, the Budzhak culture that is a component of the Pit-Grave (Yamna) cultural-historical region. The Budzhak culture represents connections with the Carpathian and Danube, the Corded Ware and the Globular Amphora cultures. The contacts were reflected in two aspects: imports, imitations and parallels in the Budzhak pottery and the occurrence of the Yamna b

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Spivak, Deborah. "Women in Opposition: The Sociopolitical Implications of Loro Female Face-neck Jars of Middle Horizon South Coastal Peru." Cambridge Archaeological Journal 27, no. 1 (2016): 55–76. http://dx.doi.org/10.1017/s0959774316000585.

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The production and use of Loro ceramics in the Middle Horizon (c. ad 650–1000) south coast of Peru persisted during a period of cultural conflict as the highland Wari empire annexed this region. Primarily residing in the Las Trancas valley, just beyond the locus of Wari control, the Loro developed tight ethnic bonds and seem to have maintained autonomy for the duration of the empire's presence. Loro ceramics embody the culture's development of a local identity, particularly evident in face-neck jars, one-handled vessels consisting of a modelled human head atop a globular body. With standardize

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Preston, Claire, and Sarah Burch. "Dementia buddying as a vehicle for person-centred care? The performance of a volunteer-led pilot on two hospital wards." Journal of Health Services Research & Policy 23, no. 3 (2018): 139–47. http://dx.doi.org/10.1177/1355819618767944.

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Objectives To understand and explain whether a dementia buddies pilot introduced into two adjacent mental health hospital wards in England was achieving its aim of enhancing person-centred care. Methods The research used a cultural lens to evaluate the dementia buddies pilot. It comprised 20 in-depth semi-structured interviews with staff, volunteers and carers in the two wards where the pilot was introduced. Results The pilot’s ability to deliver positive outcomes depended on its compatibility with the culture of the ward and it performed better in the ward where a person-centred culture of ca

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Hulin, Linda. "Western Marmarica Coastal Survey 2008: a preliminary report." Libyan Studies 39 (2008): 299–314. http://dx.doi.org/10.1017/s0263718900010116.

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AbstractThis paper reports the preliminary results of a brief survey east of Tobruk over Easter 2008. The survey concentrated upon two areas: between Wadi Qseirat and Wadi Gabar, north of Kambut and around Marsa Lukk. Thirty-four sites were identified, ranging from larger settlements near good harbours (one each at Wadi Duma and Marsa Lukk), to farmsteads, farms and larger inland villages. Eleven sites provided evidence of industrial activity through the presence of kiln waste and at four of them, of the kilns themselves. Dated sites belong to the Early and Late Roman periods, Iron Age and Hel

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Ivanova, S. V. "BUDZHAK CULTURE OF THE NORTH-WEST PONTIC REGION: CONTACTS AND CONNECTIONS WITH CORDED WARE CULTURE." Archaeology and Early History of Ukraine 33, no. 4 (2019): 32–59. http://dx.doi.org/10.37445/adiu.2019.04.02.

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The feature of historical and cultural development of the North-Western Pontic region at the end of the 4th—3rd millennium BC are the relations of its population with the bearers of foreign cultures. First of all it concerns the Budzhak culture which is the part of the Yamna cultural and historical area. The integration process in the Late Chalcolithic Age led to the formation the Budzhak culture of Yamna cultural and historical community based on local protobudzhak horizon. The most significant were the connections with Corded Ware culture, Globular amphorae culture, as well as wi

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Freemantle, Danielle. "Part 2: Applying the cultural web – Changing the labour ward culture." British Journal of Midwifery 21, no. 10 (2013): 723–30. http://dx.doi.org/10.12968/bjom.2013.21.10.723.

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Nordqvist, Kerkko, and Volker Heyd. "The Forgotten Child of the Wider Corded Ware Family: Russian Fatyanovo Culture in Context." Proceedings of the Prehistoric Society 86 (November 12, 2020): 65–93. http://dx.doi.org/10.1017/ppr.2020.9.

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The Fatyanovo Culture, together with its eastern twin, the Balanovo Culture, forms part of the pan-European Corded Ware Complex. Within that complex, it represents its eastern expansion to the catchment of the Upper and Middle Volga River in the European part of Russia. Its immediate roots are to be found in the southern Baltic States, Belarus, and northern Ukraine (the Baltic and Middle-Dnepr Corded Ware Cultures), from where moving people spread the culture further east along the river valleys of the forested flatlands. By doing so, they introduced animal husbandry to these regions. Fatyanov

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Leghissa, Elena. "Deschmann’s pile-dwelling sites near Ig and the cultural-chronological attribution of the Late Copper Age Ljubljana culture." Arheološki vestnik 72 (June 13, 2021): 37–52. http://dx.doi.org/10.3986/av.72.01.

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   The contribution presents the results of a comprehensive study of the Late Copper Age Deschmann’s pile-dwelling sites near Ig in the Ljubljansko barje, central Slovenia. It opens with a history of research and goes on to tackle the main topics associated with the cultural attribution of the sites. A re-examination of the recovered pottery and available archival records, coupled with a new typological and chronological analysis of the small finds has enabled a cultural and chronological redefinition of the Ljubljana culture and its characteristic pottery. In addition to the

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Isbell, William H. "Mortuary Preferences: A Wari Culture Case Study from Middle Horizon Peru." Latin American Antiquity 15, no. 1 (2004): 3–32. http://dx.doi.org/10.2307/4141562.

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AbstractMortuary practices reveal a great deal about the social organization of prehistoric cultures and their landscape of places. However, tombs are favored targets for looters, making it difficult to determine original burial practices. Very little was known about Wari burial during the Middle Horizon (A.D. 500–1000), even though Wari was an imperial, early Bronze Age culture with a spectacular urban capital in highland Peru. Excavations at the secondary Wari city of Conchopata produced remains of more than 200 individuals, from disturbed and undisturbed contexts. These burials as well as i

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LAPIN, ANDREY V., and ELENA D. AGANINA. "NEW HEROES OF MASS CULTURE (CASE STUDY OF THE MAIN CHARACTER OF THE COMPUTER GAME CYCLE “GOD OF WAR”)." Study of Religion, no. 3 (2020): 106–11. http://dx.doi.org/10.22250/2072-8662.2020.3.106-111.

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The concept of “mass culture” and its content are becoming the subject of reflection of philosophers, religious scholars, culturologists and sociologists. Taking into account the fact that mass culture is a specific type of spiritual production, one of its main features is the possibility of widespread replication of the product. Popular culture is extremely dynamic, influencing the basic feelings of the consumer, it can generate new cultural constants that change the norms and values that have developed over centuries. The constituent elements of mass culture are usually called the media, cin

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Wolf, Axel, Kerstin Ulin, and Eric Carlström. "Changing the ward culture in a clinic during the implementation of person-centred care." Journal of Hospital Administration 6, no. 5 (2017): 31. http://dx.doi.org/10.5430/jha.v6n5p31.

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Objective: The purpose of this study was to explore the impact of an intervention on the organizational culture in five hospital wards in Sweden. The organizational culture was measured at the start of the project and compared with data collected five years later. The intervention was aimed at changing activities towards a new evidenced-based care model called the Gothenburg Person-centred Care model (PCC).Methods: In total, 230 registered nurses and assistant nurses participated in this cross-sectional health-care culture survey during 2009 and 2014. The Organizational Values Questionnaire wa

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Tkach, Evgenia Sergeevna. "Distribution of the Corded Ware Cultures traditions in the Upper Western Dvina region in the III millennium BC." Samara Journal of Science 6, no. 3 (2017): 163–71. http://dx.doi.org/10.17816/snv201763213.

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The following paper presents analysis of the Corded Ware cultures materials in the North-West Russia. The investigation involved materials from 4 archaeological settlements and finds (stone battle-axes) from the Pskov region. The main attention is focused on three principal categories of the Corded Ware cultures artifacts: pottery with cord ornamentation, triangular arrowheads, and stone-battle axes. The paper gives a complex description of ceramic: technology of making pottery, morphology and ornamentation. Stone battle-axes were considered in the context of all Corded Ware cultures materials

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Łaziuk, Katarzyna. "Remedy for Perfectionism of Modern Western Culture or the Latest Design Trend?" Intercultural Relations 4, no. 2(8) (2021): 97–106. http://dx.doi.org/10.12797/rm.02.2020.08.06.

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In an age of globalization phenomena, ideas or traditions considered typical for one culture may appear in another, or even in an entire cultural environment. Of course, as they adapt to the recipient culture, they will be different from what they were originally. In this essay, the author analyzes the phenomenon of the popularity of the Japanese philosophy known as wabi-sabi in Western culture, while, at the same time, contrasting the original Japanese understanding of this term with its western “translation.” The author also tries to answer the question of why wabi-sabi has been understood i

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Pendharkar, Smita S., and D. Parthasarathy. "Pandharpur’s Wari." Asian Journal of Social Science 44, no. 1-2 (2016): 132–64. http://dx.doi.org/10.1163/15685314-04401007.

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This paper examines the wari as a discursive terrain produced by the interface of folk and Hinduised cultures. We focus on socio-religious interactions and divergences as crucial sites for the production of a discourse on the economy of worship, devotion and social equality. Popularly understood as a procession to Pandharpur, wari is understood here as a social force mediating the transmission of ideas and practices through the interface of various publics. We interpret wari as a process generated through the reflexivity of productive castes interacting with Brahminical Hinduism, and the artic

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Du, HeMin. "Cultural Creative Product Design from the Perspective of Chinese Ancient Ware Modelling." E3S Web of Conferences 179 (2020): 02033. http://dx.doi.org/10.1051/e3sconf/202017902033.

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As a high value-added product, cultural creative products emphasize the cultural connotation of products. Taking tourist souvenirs as an example, the country vigorously develops the green economy represented by tourism, which drives the rise of cultural creative product design. How to design excellent cultural creative products has become a realistic topic. Ancient Chinese artefacts have inherited and accumulated a long tradition of culture, and shaped excellent creative products worthy of our learning and reference. This paper discusses the cultural connotation, cultural integration and human

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Zhang, Xuelian, Meiling Zhao, and Xiangcao Xie. "A Survey of Foreign Students’ Cross-cultural Adaptation in Chongqing Normal University—A Case Study of Sri Lankan Students." Theory and Practice in Language Studies 7, no. 4 (2017): 287. http://dx.doi.org/10.17507/tpls.0704.07.

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Cross-cultural adaptation research is an important part of study for foreign students. With theories of Searle & Ward and John W. Berry, mainly from two aspects: psychological adaptation and social-cultural adaptation, the research investigates Sri Lankan students’ cross-cultural adaptation in Chongqing Normal University and analyzes the problems of Sri Lankan students’ cross-cultural adaptation in Chongqing Normal University in four aspects: Chinese reading and vocabulary, communication and exchange, adaptation of learning and teaching styles and knowledge of Chinese culture. Combined wit

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Iversen, Rune, Bente Philippsen, and Per Persson. "Reconsidering the Pitted Ware chronology." Praehistorische Zeitschrift 96, no. 1 (2021): 44–88. http://dx.doi.org/10.1515/pz-2020-0033.

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Abstract The Pitted Ware culture continues to attract attention from scholars. Being chronologically situated in the Neolithic, the Pitted Ware phenomenon breaks with our traditional view on cultural and social evolution by representing a return to, or continuation of, an otherwise abandoned hunter-gatherer lifestyle. One of the key issues for trying to understand the Pitted Ware Culture is its chronology – when and where did this phenomenon emerge for the first time, how did it spread and when and why did it end? In order to clarify these issues this paper presents the hitherto largest sample

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Jannah, Miftahul, and Emizal Amri. "Konflik Perebutan Harta Warisan Dalam Keluarga Pada Masyarakat Pulau Temiang." Culture & Society: Journal Of Anthropological Research 1, no. 1 (2019): 16–23. http://dx.doi.org/10.24036/culture/vol1-iss1/3.

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Penelitian ini bertujuan untuk menggali penyebab dan solusi konflik harta warisan dalam masyarakat Pulau Temiang. Penyelesaian konflik tersebut dilakukan dalam keluarga melalui musyawarah para ahli waris yang disaksikan oleh tokoh adat dan pemerintahan desa. Teori yang dipakai dalam penelitian ini adalah teori konflik dari Lewis A. Coser. Pendekatan dalam penelitian ini adalah kualitatif dengan tipe studi kasus, teknik pemilihan informan yaitu purposive sampling dengan jumlah informan sebanyak 30 orang. Pengumpulan data dilakukan dengan cara observasi partisipasi pasif, wawancara mendalam, dan

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Jamal Ghofir. "RELASI BUDAYA DALAM PENYEBARAN ISLAM DI BUMI WALI TUBAN." Tadris : Jurnal Penelitian dan Pemikiran Pendidikan Islam 12, no. 2 (2019): 47–68. http://dx.doi.org/10.51675/jt.v12i2.23.

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Tuban As a coastal area has become an important area for all the development of the archipelago's culture. This is partly due to the location of Tuban as a large port in the northern coastal area which is the main route for the entry of all outside cultures in the interior. So that the process of the spread of culture, especially Islam (Middle East), is in Indonesia, so the city of Tuban becomes important to study as the location of the beginning of the cultural scene.

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Lassen, Inger, and Jeanne Strunck. "‘I think Danish patients would feel the same’: Counter-discourses emerging in the Danish health sector." Communication and Medicine 8, no. 3 (2012): 223–33. http://dx.doi.org/10.1558/cam.v8i3.223.

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This article argues that the discourse of culture and ethnicity that has so far been found to dominate health sector communication about ethnic minority patients is being challenged by voices indicating alternative ways of talking about the cultural meeting. This assumption is corroborated by data from interviews with nurses, who construct themselves discursively as members of a nursing profession divided between institutional concerns and concerns about the individual needs of patients. In a ward with many ethnic minority patients these concerns will invariably invite reflections on the natur

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Carlin, Neil. "Getting into the Groove: Exploring the Relationship between Grooved Ware and Developed Passage Tombs in Ireland c. 3000–2700 cal bc." Proceedings of the Prehistoric Society 83 (October 4, 2017): 155–88. http://dx.doi.org/10.1017/ppr.2017.9.

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This paper examines the relationship between the use of late Irish passage tombs and the development of the British and Irish Grooved Ware complex, including its Orcadian origins. The architectural forms of these passage tombs and their associated material culture, symbolic repertoires, and depositional practices in Ireland and Orkney indicate sustained connections between people in these places. It is argued that these interactions strongly influenced the development of Grooved Ware and its associated material culture in Orkney and beyond. The results of recent dating programmes are synthesis

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Gerasimov, Dmitriy Vladimirovitch, and Margarita Alekseevna Kholkina. "Formation of social-cultural units in the Gulf of Finland region in changing Early and Middle Holocene environment." Samara Journal of Science 6, no. 3 (2017): 177–86. http://dx.doi.org/10.17816/snv201763215.

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Stone Age archaeological material from the eastern part of the Gulf of Finland region are evident of presence here a stable border between cultural areas from the Late Mesolithic till the end of Neolithic. Differences between those areas are mostly become apparent in the certain categories of archaeological finds - first of all in pottery (Sperrings, Narva and Late Neolithic types) as well as in decorations and mobile art. The border survives through millennia though sufficient cultural transformations in material culture developed during that time in the region. The border could arise in the

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Saint Clair, Ericson, and João Vitor Viana Ribeiro. "Wabi-Sabi, a arte da imperfeição: estética japonesa e alteridade cultural." POIÉSIS 17, no. 28 (2018): 205. http://dx.doi.org/10.22409/poiesis.1728.205-218.

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Investiga-se o ideal estético japonês wabi-sabi, aqui entendido como potente contraponto crítico à cultura de aceleração das sociedades capitalistas contemporâneas. No século XV, o wabi-sabi introduziu nas artes japonesas os sentidos de imperfeição, impermanência, incompletude e simplicidade derivados do zen budismo. Diante das constantes demandas de perfeição, produtividade e aceleração da atualidade, defendemos uma aproximação cuidadosa de alteridades culturais que nos pode ser especialmente reveladoras. Propomo-nos a cartografar aspectos do wabi-sabi de modo a contribuir para o fornecimento

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González Carré, Enrique, and Fermín Rivera Pineda. "Pati: El árbol sagrado de los wari." Alteritas 7, no. 8 (2018): 81–93. http://dx.doi.org/10.51440/unsch.revistaalteritas.2018.8.157.

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Este artículo estudia la función cultural del Pati entre los Wari. Además, el hábitat está asociado con sitios arqueológicos Wari. También se registra y analiza la cosmovisión contemporánea que los campesinos de la zona tienen sobre este árbol.

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González Carré, Enrique, and Fermín Rivera Pineda. "Pati: El árbol sagrado de los wari." Alteritas 7, no. 8 (2018): 81–93. http://dx.doi.org/10.51440/unsch.revistaalteritas.2018.8.157.

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Este artículo estudia la función cultural del Pati entre los Wari. Además, el hábitat está asociado con sitios arqueológicos Wari. También se registra y analiza la cosmovisión contemporánea que los campesinos de la zona tienen sobre este árbol.

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Khandekar, Nisha. "GLOBALIZATION AND WARLI TRIBAL ART." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 116–21. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3718.

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The globalization has negatively impacted upon the tribal economies, culture and identities. The expansion of the art world under this version of globalization means that freedom of expression among artists is compromised under the pressure to conform to the market in order to succeed financially. The present scenario may change the true reflection of old culture and tradition of the Warli tribe. Because of the commercialization the transformation occurred, and they are venturing into mainstream society for the sake of their art. It has now become the commercial activity of Warli men. Because

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Salamanca, Danilo. "Los idiomas mesoamericanos de Nicaragua en el contexto Centroamericano." Wani 62 (October 31, 2012): 6–18. http://dx.doi.org/10.5377/wani.v62i0.855.

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Este artículo es el informe de una investigación sobre los idiomas mesoamericanos que se hablaron en Nicaragua. Además de inventariar y recopilar las fuentes de información sobre las lenguas y las culturas indígenas mesoamericanas de Nicaragua (chorotega, nicarao y subtiava), la investigación comprendió también visitas a Costa Rica, Honduras y El Salvador, para conocer mejor las investigaciones y esfuerzos de revitalización cultural y lingüística existentes en esos países, especialmente aquellos que conciernen a pueblos mesoamericanos afines a los de Nicaragua. También se incluyen las iniciati

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Furholt, Martin. "Upending a ‘Totality’: Re-evaluating Corded Ware Variability in Late Neolithic Europe." Proceedings of the Prehistoric Society 80 (January 28, 2014): 67–86. http://dx.doi.org/10.1017/ppr.2013.20.

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‘Corded Ware’ in central and eastern Europe is an archaeological phenomenon that has generated multiple ideas and myths about the origins of the Indo-European language, large scale migrations from the eastern Steppes and radical ideological turnovers after 3000bc. These ideas have been fostered in large part by the over-emphasis placed by successive generations of archaeologists on its extraordinarily large geographical extent and on the seemingly uniform pattern of Corded Ware material culture. The traditional model is characterised by the presence of an early phase, the so-called A-horizon,

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Nagornaia, Oksana Sergeevna, and Olga Jurievna Nikonova. "Sowjetische Kulturdiplomatie in Osteuropa in der Nachkriegszeit." Jahrbücher für Geschichte Osteuropas 66, no. 2 (2018): 274. http://dx.doi.org/10.25162/jgo-2018-0011.

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Mujib, Abdul. "CULTURE IN DA'WA SONGO WALI." Ri'ayah: Jurnal Sosial dan Keagamaan 5, no. 01 (2020): 65. http://dx.doi.org/10.32332/riayah.v5i01.2347.

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The growth and development of Islam in the early period marked the findings of the tomb of Nisan Fatimah binti Maemun (died 1082 A.D.), in Leran, Gresik, East Java. Estafeta Da'wa Islamiyah unrelenting until the change of the birth of a number of reliable figures, among others, Wali Songo, they are Maulana Malik Ibrahim in Gresik, Sunan Ampel in Surabaya, Sunan Giri in Gresik, Sunan Bonang in Tuban, Sunan Drajat in Lamongan, Sunan Kudus in Kudus, Sunan Muria in Kudus, Sunan Kalijaga in Kadilangu Demak, and Sunan Gunung Jati in Cirebon. The great success of Da'wa Islamiyah has given such an exa

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Arun, Vigi, Deborah Baker, and Claire Rashid. "Ward Accreditation and organisational culture." British Journal of Nursing 29, no. 17 (2020): 992. http://dx.doi.org/10.12968/bjon.2020.29.17.992.

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McCosker, Philip. "Christ and Culture - Graham Ward." Reviews in Religion and Theology 13, no. 3 (2006): 324–29. http://dx.doi.org/10.1111/j.1467-9418.2006.00296_14.x.

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Yong, Amos. "Christ and Culture ? Graham Ward." Religious Studies Review 32, no. 3 (2006): 181. http://dx.doi.org/10.1111/j.1748-0922.2006.00088_20.x.

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