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Books on the topic 'Cultural Amnesia'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 May 2022

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1

James, Clive. Cultural amnesia: Notes in the margin of my time. London: Picador, 2007.

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2

Dubin, Steven C. Displays of power: Memory and amnesia in the American museum. New York: New York University Press, 1999.

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3

The fortunes of permanence: Culture and anarchy in an age of amnesia. South Bend, Ind: St. Augustine's Press, 2012.

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4

The cultures of memory: Memory culture, memory crisis and the age of amnesia. Bethesda: Academica Press, 2011.

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5

1952-, Engler Wolfgang, Schweeger Elisabeth, and Schauspiel Frankfurt, eds. Philosophische Salons: Geistige Armut-kulturelle Amnesie. München: Belleville, 2008.

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6

A forgetful nation: On immigration and cultural identity in the United States. Durham, N.C: Duke University Press, 2005.

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7

Fugue: On the amnesia of antinomies. Lanham: University Press of America, 1986.

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8

Zanesville: A novel. New York: Villard Books, 2005.

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9

Temperance. Seattle, Wash: Fantagraphics Books, 2010.

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10

Jessica, Gruner, and Parker Buzz ill, eds. The Lost Days (Emily the Strange #1): Lost days. New York: The Bowen Press, 2009.

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11

Reger, Rob. Emily the strange. Milwaukie, Or: Dark Horse Comics, 2007.

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12

Reger, Rob. Stranger and Stranger. New York: HarperCollins, 2010.

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13

Buzz, Parker, and Cosmic Debris, eds. Emily the strange. Milwaukie, Or: Dark Horse Comics, 2006.

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14

Reger, Rob. Emily the strange. Milwaukie, Or: Dark Horse Comics, 2006.

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15

Reger, Rob. Stranger and Stranger (Emily the Strange #2). New York: The Bowen Press, 2010.

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16

The Lost Days. New York: HarperCollins, 2009.

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17

Buzz, Parker, ed. Emily the strange. Milwaukie, OR: Dark Horse Comics, 2006.

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18

James, Clive. Cultural Amnesia. Macmillan Digital Audio, 2008.

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19

James, Clive. Cultural Amnesia. Picador, 2008.

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20

James, Clive. Cultural Amnesia. Picador, 2007.

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21

(Editor), John K. Downey, Jürgen Manemann (Editor), and Steven T. Ostovich (Editor), eds. Missing God?: Cultural Amnesia and Political Theology. Lit Verlag, 2006.

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22

Mattson, Brian G. Cultural Amnesia: Three Essays on Two Kingdoms Theology. Swinging Bridge Press, 2018.

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23

James, Clive. Cultural Amnesia: Notes in the Margin of My Time. Pan Macmillan, 2012.

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24

James, Clive. Cultural Amnesia: Necessary Memories from History and the Arts. W. W. Norton, 2007.

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25

James, Clive. Cultural Amnesia: Necessary Memories from History and the Arts. Norton & Company, Incorporated, W. W., 2008.

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26

Bertman, Stephen. Cultural Amnesia: America's Future and the Crisis of Memory. Praeger Publishers, 2000.

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27

Battini, M. The Missing Italian Nuremberg: Cultural Amnesia and Postwar Politics. Palgrave Macmillan, 2007.

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28

James, Clive. Cultural Amnesia: Necessary Memories from History and the Arts. Norton & Company, Incorporated, W. W., 2008.

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29

Medina, Jameelah Xochitl. The Afro-Latin Diaspora: Awakening Ancestral Memory, Avoiding Cultural Amnesia. AuthorHouse, 2004.

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30

Race and the foundations of knowledge: Cultural amnesia in the academy. Urbana, IL: University of Illinois Press, 2006.

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31

(Editor), Joseph Young, and Jana Evans Braziel (Editor), eds. Race and the Foundations of Knowledge: Cultural Amnesia in the Academy. University of Illinois Press, 2006.

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32

Erasing public memory: Race, aesthetics, and cultural amnesia in the Americas. Macon, GA: Mercer University Press, 2008.

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33

(Editor), Joseph Young, and Jana Braziel (Editor), eds. Race and the Foundations of Knowledge: Cultural Amnesia in the Academy. University of Illinois Press, 2006.

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34

A, Young Joseph, and Braziel Jana Evans 1967-, eds. Race and the foundations of knowledge: Cultural amnesia in the academy. Urbana: University of Illinois Press, 2005.

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35

Lie, John. K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea. University of California Press, 2014.

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36

Lie, John. K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea. University of California Press, 2014.

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37

K-Pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea. University of California Press, 2014.

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38

The Missing Italian Nuremberg: Cultural Amnesia and Postwar Politics (Italian & Italian American Studies). Palgrave Macmillan, 2007.

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39

Beiner, Guy. Amnesty and Amnesia. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749356.003.0003.

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Policies of pacification through amnesty imply the promise of forgetting and forgiving. However, the attempt to decree collective amnesia from above is subject to contestation. The brutal suppression of the 1798 rebellion in Ulster, enforced through counter-revolutionary measures of state terror, and the limitations placed on the attempt to introduce amnesty for the rebels left a residue of bitter memories, which could not be openly discussed in public. Those who benefitted from pardons and converted to loyalism had an incentive to disremember the rebellion. In addition, transportation, exile, and mass emigration of former rebels removed many recollections from social memory. On the other hand, radicals were determined not to forget and cultivated clandestine narratives of counter-memory, which encouraged the development of a tensely ambiguous culture of social forgetting.

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40

(Editor), Joseph A. Young, and Jana Evans Braziel (Editor), eds. Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Voices of the African Diaspora). Mercer University Press, 2007.

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41

The Rise and Triumph of the Modern Self: Cultural Amnesia, Expressive Individualism, and the Road to Sexual Revolution. Crossway, 2020.

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42

Erasing Public Memory: Race, Aesthetics, and Cultural Amnesia in the Americas (Erasing Public Memory; Voices of the African Diaspora). Mercer University Press, 2007.

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43

Porter, Cecelia Hopkins. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037016.003.0001.

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This introductory chapter questions the prevailing outlook (at the time) that “women's place is in the home,” in particular addressing the conception that certain forms of creativity are gendered. It emphasizes the importance of expanding the perceptions of the general public about the opportunities, restraints, and accomplishments of talented women in music—perceptions that have been warped by a “cultural amnesia” that leads women to think that they have toiled alone, living with the assumption that their art, even its sublime heights, has been practiced through past centuries only by men. The chapter considers the causes of this cultural amnesia, before concluding with brief biographies on the five women to be discussed in the succeeding chapters.

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44

Behdad, Ali. Forgetful Nation: On Immigration and Cultural Identity in the United States. Duke University Press, 2005.

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45

ADIGA, ARAVIND. Amnesty: A Novel. Cengage Gale, 2021.

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46

ADIGA, ARAVIND. Amnesty: A Novel. Simon & Schuster Audio, 2020.

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47

ADIGA, ARAVIND. Amnesty: A Novel. Scribner, 2020.

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48

ADIGA, ARAVIND. Amnesty: A Novel. Scribner, 2021.

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49

ADIGA, ARAVIND. Amnesty: A Novel. Pan Macmillan, 2020.

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50

Mercer, Ben. The Memory of Europe’s Age of Catastrophe, 1914–2014. Edited by Nicholas Doumanis. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199695669.013.34.

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The enormous death toll of the twentieth-century world wars created a cultural struggle over their meaning. States, institutions, and individuals developed conflicting memories, which shifted with the political trends of the post-war eras. After the First World War nationalist narratives promoted by states did not automatically win unanimous adherence, but the apparently apolitical language of loss and mourning was most successful where the war was least controversial or where national narratives were unavailable. While memory of the Second World War and the Holocaust has often been discussed in terms of forgetting, there was no amnesia but rather a selective appropriation of the past. Myths of victimhood and resistance proved popular across Europe and persisted despite periodic engagements with the past. Germany’s acknowledgement of the Nazi past is the most thorough, while most Europeans states now more easily remember the Second World War than their colonial heritage.

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