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Books on the topic 'Cultural and art institutions'

Author: Grafiati
Published: 4 June 2025
Last updated: 23 June 2025

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1

B, Spagnole Amy, Herbert Peter A, and Massachusetts Continuing Legal Education, Inc. (1982- ), eds. Representing artists and cultural institutions. MCLE, 2009.

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2

Snell, John N. Operating funds for cultural institutions: Trends and prospects. Baltimore Regional Council of Governments, Economic Research and Information Systems Division, 1991.

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3

Yongping, Hong, Gao Shuxun, Li Bin, Zhou Qingchang, and Chen Qiuping, eds. Chinese cultural laws, regulations and institutions. Culture and Art Publishing House, 1999.

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4

Smiraglia, Richard P. Cultural synergy in information institutions. Springer, 2014.

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5

Jemai, Slim. Les arts plastiques à Nice dans l'entre-deux-guerres: Fondements et institutions. Serre éditeur, 2017.

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6

Mendell, Pierre. L' art pour art: Design for cultural institutions : poster design by Pierre Mendell and the studio Mendell & Oberer. L. Müller, 1996.

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7

Regional, Planning Council Task Force on Regional Arts Cultural &. Science Institutions. Report of the Regional Planning Council Task Force on financial support by member local governments for arts, cultural & science institutions of regional significance. The Task Force, 1989.

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8

Regional Planning Council Task Force on Regional Arts, Cultural & Science Institutions. Report of the Regional Planning Council task force on financial support by member local governments for arts, cultural, and science institutions of regional significance. The Task Force, 1989.

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9

(Organization), Heritage Preservation, United States. Federal Emergency Management Agency., and National Endowment for the Arts., eds. Before and after disasters: Federal funding for cultural institutions. Heritage Preservation, 2005.

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10

Bertrand, Ina. Media research methods: Audiences, institutions, texts. Palgrave Macmillan, 2005.

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11

Klanten, Robert. Introducing: culture identities: Design for museums, theaters, and cultural institutions. Gestalten, 2013.

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12

Klaus-Dieter, Lehmann, Andrew W. Mellon Foundation, and Stiftung Preussischer Kulturbesitz, eds. Digital resources from cultural institutions for use in teaching and learning: A report of the American/German workshop. K.G. Saur, 2004.

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13

Lech, Kalinowski, and Niedzica Seminars (5th : 1985), eds. Cultural institutions in the 19th century as an example of national revival in Poland, Bohemia, Slovakia, and Hungary: October 10-13, 1985. National Museum in Cracow, 1991.

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14

M, Aseltine James, and Educational Information Services, eds. The Directory of selected educational and cultural organizations in Pennsylvania, 1987-9. Educational Information Services, 1986.

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15

Anjum, Katyal, Kishore Naveen, and Conference of Asian Foundations and Organizations., eds. Without compass or map: Cultural organizations, different dialogues. Seagull Books, 2004.

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16

Cultura, Instituto Nicaragüense de, ed. Atlas y directorio cultural de Nicaragua. 2nd ed. Instituto Nicaragüense de Cultura, 2006.

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17

Kalmthout, Ton van. Muzentempels: Multidisciplinaire kunstkringen in Nederland tussen 1880 en 1914. Verloren, 1998.

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18

Nydia, Rodríguez Ramsbottom, and Costa Rica. Ministerio de Cultura, Juventud y Deportes., eds. Sobre las huellas de la cultura nacional. Ministerio de Cultura, Juventud y Deportes, 1997.

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19

Churcher, Betty. Treasures of Canberra. Halstead Press, 2013.

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20

São Paulo (Brazil : State). Fundação Sistema Estadual de Análise de Dados. and São Paulo (Brazil : State). Secretaria da Cultura., eds. Guia cultural do Estado de São Paulo. Fundação SEADE, 2001.

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21

Tippett, Maria. Making culture: English-Canadian institutions and the arts before the Massey Commission. University of Toronto Press, 1990.

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22

São Paulo (Brazil : State). Fundação Sistema Estadual de Análise de Dados. and São Paulo (Brazil : State). Secretaria da Cultura., eds. Guia cultural do Estado de São Paulo: Temático. Fundação SEADE, 2001.

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23

Finland), AIMAC'99 (Helsinki. AIMAC'99, 5th International Conference on Arts & Cultural Management, Helsinki, Finland, June 13-17, 1999: Proceedings = actes. Edited by Uusitalo Liisa 1944-, Moisander Johanna, Management Arts & Culture International Association, and Helsingin Kauppakorkeakoulu. Helsinki School of Economics and Business Administration, 1999.

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24

Virginia. General Assembly. HJR 285 Commission. Studying the feasibility and appropriateness of creating public-private partnerships for the operation of nonstate museums and other educational and cultural entities: Report of the HJR 285 Commission to the Governor and the General Assembly of Virginia. Commonwealth of Virginia, 2001.

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25

Komandyshko, Elena, Boris Tebiev, and Lyubov' Savenkova. Art management. INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/1852490.

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The textbook discusses the main issues of the discipline "Art Management", revealing the essence, specifics, features and problems of the development of art management at the present stage.
 Special attention is paid to the specifics of the functions of art and management functions, as well as the influence of modern trends in the development of the art industry on the content of the professional activity of an art manager. The author reveals the theoretical foundations of management and focuses on important aspects of professional activity, during which the values of culture and art determine the formation of a qualitatively new artistic and creative product.
 The textbook has been supplemented with a workshop, in which the relationship between theoretical training and practical activities of students aimed at developing qualitatively new creative products and individual art projects has significantly expanded.
 Meets the requirements of the federal state educational standards of higher education of the latest generation.
 For students, teachers of higher educational institutions, teachers-organizers, postgraduates and doctoral students studying the problems of improving the professional training of future specialists in the field of education, culture and the arts.
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26

Inc, Hospital Audiences, WCBS Newsradio 88, Lincoln Center for the Performing Arts., and New York Community Trust, eds. Access for all: A guide for people with disabilities to New York City cultural institutions. Hospital Audiences, 1992.

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27

Ventra, Stefania. L'Accademia di San Luca nella Roma del secondo Seicento: Artisti, opere, strategie culturali. Leo S. Olschki editore, 2019.

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28

São Paulo (Brazil : State). Fundação Sistema Estadual de Análise de Dados. and São Paulo (Brazil : State). Secretaria da Cultura., eds. Guia cultural do Estado de São Paulo: Município de São Paulo. Fundação SEADE, 2001.

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29

Italy) Convegno "Forme di finanziamento all'associazionismo culturale ed educativo in Italia e all'estero" (1999 Bolzano. Il finanziamento delle associazioni culturali ed educative. Il mulino, 2002.

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30

Shitov, Viktor. The art of hospitality. INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1016654.

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The textbook describes the basics of the art and culture of hospitality, hospitality as part of modern business, modern models of hospitality, hospitality as a component of everyday life, hospitality in everyday life, the technology of meeting and greeting guests, the rules of greeting in the premises, on the street, the norms and rules of professional behavior and business etiquette, the basics of departmental etiquette, relations in professional activities, communication by phone, methods of holding various events, presentations and receptions, culinary art of different peoples and much more.
 Nine practical works are described in detail, as well as independent work in the study of the discipline of MDK. 01.01 "The art of hospitality".
 For students of secondary vocational education institutions. It can be used when mastering the module PM. 01 "Management of household management" for the specialty 43.02.08 "Service of household and communal services".
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31

Trifonova, Temenuga. Screening the Art World. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463724852.

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Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema’s fluctuating imaginary of ‘art’ and ‘the art world’. The book examines the intersection of art history with history in cinema, cinema’s simultaneous affirmation and denigration of the idea of art as ‘truth’ and what this means for cinema’s understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world’s tenuous position between commercial good and cultural capital.
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32

Taxation, Virginia Dept of. Economic impact of nonstate agency cultural institutions on the Commonwealth of Virginia: Report of the Virginia Department of Taxation to the Governor and the General Assembly of Virginia. Commonwealth of Virginia, 2005.

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33

Virginia. Dept. of Taxation. Economic impact of nonstate agency cultural institutions on the Commonwealth of Virginia: Report of the Virginia Department of Taxation to the Governor and the General Assembly of Virginia. Commonwealth of Virginia, 2005.

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34

Orlevych, Iryna. Lʹvivsʹka Stavropihii︠a︡: Istorii︠a︡, personaliï, vzai︠e︡myny. Lohos, 2017.

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35

Heiskanen, Ilkka. Kulttuurin julkinen rahoitus Suomessa: Tilastot ja todellisuus : rahoitustilastojen käyttökelpoisuudesta ja 1990-luvun rahoitustilanteesta taide- ja kulttuurilaitosten kannalta = Public financing of the arts and culture : statistics and reality in Finland : methodological issues and identification of the 1990s turning points that re-shaped the conditions of cultural and art institutions. Helsingin yliopiston valtio-opin laitos, 2000.

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36

Fioravanti, Marco, and Saverio Mecca, eds. The Safeguard of Cultural Heritage. Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-058-7.

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The workshop has been organised with the contribution of three different Institutions such as COST, University of Florence and Florens Foundation. Within the COST, the Action IE0601 - "Wood Science for Conservation of Wooden Cultural Heritage" - has performed an important role in carrying out the Workshop, both conceiving the idea and supporting its organisation. COST Strategic Workshops are instruments typically dedicated to launch new felds of research and or relevant topics. The present Workshop has been proposed in order to achieve the following aims:• To stimulate the discussion process and awareness on the importance of the safeguard of Cultural Heritage, and for highlighting its Cultural, Social and Economical importance. • To support the strengthening of an ERA in the fi eld of Cultural Heritage, and to establish research topics to be suggested as possible programmatic lines of the 8th FP. • To inform political stakeholders on the necessity to support research and European co-operations in the fi eld of Cultural Heritage.
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37

Klemun, Marianne, Hubert D. Szemethy, Martina Fuchs, Fritz Blakolmer, and Matthias Beitl. Gelehrte Objekte? -- Wege zum Wissen: Aus den Sammlungen der Historisch-Kulturwissenschaftlichen Fakultät der Universität Wien. Österreichisches Museum für Volkskunde, 2013.

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38

Bürger, Peter. The institutions of art. University of Nebraska Press, 1992.

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39

Tanurovska-Kjulavkovski, Biljana. Modelling Cultural and Art Institutions. Lang AG International Academic Publishers, Peter, 2021.

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40

Tanurovska-Kjulavkovski, Biljana. Modelling Cultural and Art Institutions. Lang AG International Academic Publishers, Peter, 2021.

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41

Tanurovska-Kjulavkovski, Biljana. Modelling Cultural and Art Institutions. Lang AG International Academic Publishers, Peter, 2021.

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42

Tanurovska-Kjulavkovski, Biljana. Modelling Cultural and Art Institutions. Lang AG International Academic Publishers, Peter, 2021.

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43

Representing artists and cultural institutions. MCLE, 2009.

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44

Cultural Giving. Boyars Publishers, Ltd., Marion, 2006.

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45

Carr, David. Promise of Cultural Institutions. Rowman & Littlefield Publishers, Incorporated, 2004.

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46

Carr, David. Promise of Cultural Institutions. AltaMira Press, 2004.

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47

Rights and Reproductions: The Handbook for Cultural Institutions. American Association of Museums, 2018.

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48

Young, Anne M. Rights and Reproductions: The Handbook for Cultural Institutions. Rowman & Littlefield Publishers, Incorporated, 2018.

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49

Cossu, Alberto. Autonomous Art Institutions. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9798881809942.

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Alberto Cossu's ethnographic research on the MACAO centre in Italy radiates out to questions about what it means to be a modern artist, and how much autonomy is left to the artist in a globalized and politicised world. Autonomous Art Institutions provides a unique perspective on the political engagement of artists in order to investigate the reconfiguration of contemporary art practices as they dissolve in social and economic processes. The book provides insight into the making of a radical art institution across seven years of activity, showing how social, cultural and economic elements are appropriated and repurposed by artists in the process. Based on years of sociological research as well as direct involvement of the author in the artistic practices, the book illuminates the spark of society-to-come by examining the doings of artists as they attempt to disrupt the ‘creative city.’
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50

Future Imperfect: Contemporary Art Practices and Cultural Institutions in the Middle East. MIT Press, 2020.

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