Relevant bibliographies by topics / Cultural and artistic heritage

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cultural and artistic heritage'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Cultural and artistic heritage"

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Zanella, Angelo. "Artistic and cultural heritage and statistics." Journal of the Italian Statistical Society 4, no. 1 (1995): 55–87. http://dx.doi.org/10.1007/bf02589059.

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Tonta, Yaşar. "Future of Cultural Heritage." New Review of Information Networking 21, no. 1 (2016): 63–78. https://doi.org/10.1080/13614576.2016.1234844.

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Everything we do, create, and produce, such as intellectual and artistic works, performances, and so forth, can be defined as culture. We own a very rich cultural heritage of the past. Yet, the common cultural heritage that belongs to the humanity continues to be looted and destroyed due to negligence, armed conflicts, and wars. In this article, the causes of the destruction of cultural heritage and the question of to whom the neglected cultural heritage belongs are discussed and the economic and social values of cultural heritage are examined by means of the game theory.
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Albuquerque, Beatriz. "Artistic Concerns in Preservation." Studies in Digital Heritage 3, no. 1 (2019): 1–15. http://dx.doi.org/10.14434/sdh.v3i1.25935.

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 The rise of new technologies in the twenty-first century is accompanied by challenges in arts preservation that underscore the need to constantly adapt to new ways of approaching preservation issues. This article investigates the problems in preserving digitally-born cultural heritage and explores the connections between digital cultural heritage and preservation of digitally-born artwork. At the core of this study is the question of how to deal with and preserve digital cultural heritage in the changing world of technology, following a case study model with an emphasis on practical res
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Muhammad Shafeeq, Mrs. Nusrat Bibi, and Fatima Manzoor. "Camel Carving: An Artistic Exploration of Cultural Heritage." Journal of Arts and Linguistics Studies 2, no. 4 (2024): 2267–83. https://doi.org/10.71281/jals.v2i4.233.

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In the Cholistan desert of Pakistan, there's a centuries-old craft that showcases the region's rich cultural heritage. This craft is the art of carving on camel hair. The people of Bahawalpur Cholistan have developed a unique and fascinating way of expressing themselves through this art form. For generations, skilled artisans in the region have been perfecting the craft of carving on camel hair. They carefully cut, clean and dye the hair, then use various techniques to create intricate designs and patterns. These designs reflect the region's cultural traditions and are not only beautiful but a
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De Maria Belfort de Carvalho, Conceição, Donny Wallesson dos Santos, Maurício José Morais Costa, Kláutenys Dellene Guedes Cutrim, Arkley Marques Bandeira, and Vanderley Rabelo de Jesus. "Artistic Occupations in the Historical Center of São Luís (Maranhão)." International Journal for Innovation Education and Research 9, no. 1 (2021): 159–71. http://dx.doi.org/10.31686/ijier.vol9.iss1.2885.

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Study about the implications of artistic occupations in the Historic Center of São Luís for the preservation and valorization of the cultural heritage in the State of Maranhão. It aims to discuss the implications of artistic occupations present in the Historic Center and how they can contribute to the revitalization, preservation, and valorization of the cultural heritage of the capital. It is an exploratory and descriptive study, which uses documentary research and bibliographic research as a reasoning mechanism. It addresses artistic occupations and cultural heritage in its theoretical-conce
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Zlotnyk, Oleksandr, Igor Mokrenko, Valentyna Lesyk, Tetiana Rusova, and Lidiia Mykhailenko. "Preserving Cultural Heritage as a Foundation for Artistic Education." Cadernos de Educação Tecnologia e Sociedade 18, se2 (2025): 295–305. https://doi.org/10.14571/brajets.v18.nse2.295-305.

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The preservation and integration of cultural heritage into the educational process is an urgent task for modern society, especially in globalisation and digitalisation. In art education, this contributes to the formation of creative competences and intercultural dialogue. The study aims to analyse the role of cultural heritage in shaping pedagogical approaches in art education. The methodological basis of the work was interdisciplinary approaches that combine cultural, pedagogical and technological aspects, using content analysis, case studies and statistical methods. The results confirm that
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Brufato, Aline, Roberto Bartholo, and Felipe Loureiro. "Bar Semente (Rio de Janeiro) e Tejo Bar (Lisboa): assegurar a renovação de tradições culturais enraizadas." Cadernos de Geografia 48 (January 8, 2024): 57–65. http://dx.doi.org/10.14195/0871-1623_48_4.

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This article proposes a reflection on artistic-cultural entrepreneurship, the management of artistic (immaterial) and relational heritage in artistic and cultural entrepreneurship efforts, in particular, music. This study presents two cases: Bar Semente, born and developed in Rio de Janeiro's Lapa neighborhood, and Tejo Bar, from Lisbon's Alfama. Both music ventures are outside the mainstream cultural industry. Lapa and Alfama are territories of cultural heritage, historical and touristic regions. But it is not tourism that "creates" Lapa or Alfama. These places are rooted in the living memory
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Novosad, Maria, Svitlana Bilous, Oksana Tereshkun, and Lilia Borysevych. "THE DESTRUCTION OF UKRAINE’S CULTURAL HERITAGE AT WAR AS A PROBLEM: A PHILOSOPHICAL AND CULTURAL PERSPECTIVE." Educational Discourse: collection of scientific papers, no. 39(1-3) (May 6, 2022): 62–76. http://dx.doi.org/10.33930/ed.2019.5007.39(1-3)-5.

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The article describes the statistics of cultural heritage monuments in Ukraine, which are listed by UNESCO and have been destroyed, ruined and damaged during the armed aggression of Russian forces. The global problem of modernity that emerged from the 2014-2022 Russo-Ukrainian war is the loss of cultural heritage and artistic styles that reflect the historical life of the state through the language of art. Cultural heritage is not only architectural sacral temples, monasteries, theatres, cinemas, museums, exhibition halls, libraries, public buildings, parks, and squares, but also moving monume
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Marsili, Giulia, and Lucia Maria Orlandi. "Digital Humanities and Cultural Heritage Preservation." Studies in Digital Heritage 3, no. 2 (2020): 144–55. http://dx.doi.org/10.14434/sdh.v3i2.27721.

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 The development of Information Technology and Digital Humanities has brought numerous significant changes to the Cultural Heritage domain. The Digital Humanities has become a dynamic and fertile research field, and new projects and opportunities are constantly flourishing. The BYZART project perfectly fits this context. This project is coordinated by the Department of History and Cultures of the University of Bologna, embracing a wide consortium of partners from Bulgaria, Greece and Italy. It aims at enhancing Byzantine and Post-Byzantine artistic and cultural heritage within the Europe
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Salikhov, Omonilla. "INTERPRETATION OF HISTORICAL AND CULTURAL HERITAGE IN THE WORKS OF CHINGIZ AKHMAROV." CURRENT RESEARCH JOURNAL OF HISTORY 02, no. 08 (2021): 19–21. http://dx.doi.org/10.37547/history-crjh-02-08-04.

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This article discusses the interpretation of historical and cultural heritage in the works of Chingiz Akhmarov. In the genre of portraiture, folk art is approached with high skill, revealing the characteristic features of its national bright patterns. The perfect study of the human image in his portraits achieves a full disclosure of the psyche of the aesthetic, spiritual world of the heroes of the work. Without repeating the miniature, he takes a unique artistic approach, based on the poetic plastic conditionality, artistic space and form, the decorative principle of composition, as well as t
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Dissertations / Theses on the topic "Cultural and artistic heritage"

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van, Eps Michelle. "Reconstructing Cultural Identity in Artistic Practice : Embracing Mixed Heritage Through Framing Pride and Prejudice." Thesis, Griffith University, 2010. http://hdl.handle.net/10072/365415.

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This paper is a Doctoral exegesis which discusses, analyses and contextualises the artistic quest of contemporary Australian-born artist, Michelle van Eps, to reconstruct her cultural identity in her artwork through investigating her paternal Dutch ancestry. Addressing Australian artists with mixed cultural heritage, the paper explores the phenomenon of a foreign ‘missing culture’ created by the dismissal of the validity of a past as well as a present, cultural ancestry. In this exegesis, the dilemma of the mixed heritage artist is related to Australian sociocultural dynamics and cultural myth
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Mcclure, Kathryn Raeburn. "Development of new extraction methods for analysis of natural and synthetic organic colourants from historical and artistic matrices." Master's thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/29168.

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Abstract: In this thesis, an innovative approach for the extraction and clean-up of natural and synthetic textile dyes based on a recently developed ammonia extraction protocol and a novel Dispersive Liquid-Liquid Microextraction (DLLME) is presented. The thesis builds upon recent research highlighting the benefits of the ammonia-based extraction protocol for efficient extraction and preservation of the glycosyl moieties present in some types of natural dyes. This state-of-the-art extraction technique requires the use of a clean-up step to purify and preconcentrate the dye molecules for analys
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Bauer, Letícia Brandt. "O homem e o monumento : criações e recriações de Rodrigo Melo Franco de Andrade." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/134298.

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A tese estuda os processos de construção e reconstrução de Rodrigo Melo Franco de Andrade como homem-monumento ao longo do tempo. O personagem foi o primeiro diretor do Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN), instituição federal criada em 1936 para selecionar e proteger o patrimônio cultural brasileiro. Rodrigo permaneceu no cargo durante 30 anos e sua gestão tornou-se conhecida como a “fase heroica” da instituição. O trabalho divide-se em quatro capítulos e busca analisar as diferentes formações discursivas relacionadas ao diretor, investigando, primeiramente, sua esco
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De, Marco Giovanni. "Conversione per il Semantic Web e pubblicazione nel Linked Data di dati relativi ai beni artistici e culturali della regione Emilia Romagna." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amslaurea.unibo.it/2360/.

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Ururahy, Heloisa Pinto. "Museus na internet do século XXI: a caminho do museu ubíquo." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-25042014-112545/.

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A pesquisa observa as novas relações de produção e difusão da arte que surgiram com a utilização da internet e das novas tecnologias, pelas instituições culturais, para a expansão de suas atividades. A investigação propõe que essa nova forma de comunicação pode unir o alcance das plataformas virtuais, a credibilidade de grandes centros artísticos e a força dos processos colaborativos de criação em rede para ampliar a propagação da arte e da cultura. O estudo pretende mostrar como museus, galerias e instituições culturais em geral, têm desenvolvido trabalhos na world wide web, desde o começo do
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GASPARINI, LUCIA. "IL PATRIMONIO CULTURALE IMMATERIALE: NUOVE PROSPETTIVE CONCETTUALI, ARTISTICHE, MUSEOLOGICHE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1801.

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La ricerca affronta il tema del crescente spazio che la considerazione del patrimonio culturale immateriale ha acquisito nel panorama mondiale a partire dagli ultimi decenni, in particolare dal 2003, quando l’UNESCO ha stilato la Convenzione per la salvaguardia del patrimonio culturale immateriale. Oltre a ripercorrere le tappe storiche che nel XX secolo hanno condotto a tale risultato, esso traccia un ancora poco esplorato parallelismo - formale e teorico - tra l’evoluzione del concetto di patrimonio immateriale e lo sviluppo delle forme dell’arte contemporanea a partire dal secondo dopoguerr
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GASPARINI, LUCIA. "IL PATRIMONIO CULTURALE IMMATERIALE: NUOVE PROSPETTIVE CONCETTUALI, ARTISTICHE, MUSEOLOGICHE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1801.

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La ricerca affronta il tema del crescente spazio che la considerazione del patrimonio culturale immateriale ha acquisito nel panorama mondiale a partire dagli ultimi decenni, in particolare dal 2003, quando l’UNESCO ha stilato la Convenzione per la salvaguardia del patrimonio culturale immateriale. Oltre a ripercorrere le tappe storiche che nel XX secolo hanno condotto a tale risultato, esso traccia un ancora poco esplorato parallelismo - formale e teorico - tra l’evoluzione del concetto di patrimonio immateriale e lo sviluppo delle forme dell’arte contemporanea a partire dal secondo dopoguerr
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Pozzer, Marcio Rogerio Olivato. "Políticas públicas para o patrimônio cultural na América Latina: a experiência brasileira e equatoriana e o papel do Banco Interamericano de Desenvolvimento." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/84/84131/tde-09102012-101928/.

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As reformas orientadas para o mercado realizadas no Brasil e no Equador a partir da década de 1980 e de 1990 diminuíram os gastos públicos e os recursos humanos das organizações nacionais de patrimônio cultural. Para suprir a demanda por tais recursos, surgiu, na arena política do patrimônio cultural, o agente financeiro internacional. Nesse contexto, esta dissertação busca compreender a relação de poder e as formas como são feitas as escolhas políticas entre os órgãos de patrimônio nacionais e a instituição multilateral que financia diversas políticas públicas culturais. Para tanto, partiu-se
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TRICARICO, MARGHERITA. "DIGITAL HERITAGE. STRUMENTI E SOLUZIONI INNOVATIVE PER LA CONOSCENZA, LA VALORIZZAZIONE E LA FRUIZIONE DEL PATRIMONIO ARCHEOLOGICO, ARTISTICO E MONUMENTALE E PER L’INDUSTRIA CULTURALE CREATIVA." Doctoral thesis, Università degli studi della Basilicata, 2021. http://hdl.handle.net/11563/149162.

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This research work focuses on the topic of the opportunities offered by the digital world for scientific knowledge and communication through the graphic language of documentation, investigating the tools and methods of acquisition and representation of cultural heritage, with greater reference to archaeological heritage. The research starts from the study of theoretical and methodological experiments of graphic representation that are, in part, at the origin of contemporary archaeological research, emphasizing the importance of the visual document (technical surveys, excavation photographs, p
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Leone, Alice. ""L'opera ostinata e devota del personale rimasto" : l'’Amministrazione italiana e la protezione del patrimonio artistico tra 1943 e 1945." Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/86051.

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Books on the topic "Cultural and artistic heritage"

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Desai, Renuka. Cultural and artistic heritage of Gujarat. Vishwa Gujarati Samaj, 2001.

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Wim, Beuken, and Freyne Sean, eds. The Bible as cultural heritage. SCM Press, 1995.

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Akwari, Philips Agwu Igiri. Abiriba: A photographic narrative of a rich cultural heritage. M-Visuals Limited, 2020.

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Pablo, Zunino, and Verstraeten Xavier A, eds. Argentina: Cultural and natural heritage: bicentennial album. Ediciones Verstraeten, 2008.

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Khoshroo, Sajjad, 1984 or 5-, ed. The cultural and artisitc heritage of Iran. Sepeed Payaam, 2004.

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Gerstenblith, Patty. Art, cultural heritage, and the law: Cases and materials. Carolina Academic Press, 2004.

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Carr, Gillian. Cultural heritage and prisoners of war: Creativity behind barbed wire. Routledge, 2012.

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Traviglia, Arianna, Lucio Milano, Cristina Tonghini, and Riccardo Giovanelli. Stolen Heritage Multidisciplinary Perspectives on Illicit Trafficking of Cultural Heritage in the EU and the MENA Region. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-517-9.

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It is a well-known fact that organized crime has developed into an international network that, spanning from the simple ‘grave diggers’ up to powerful and wealthy white-collar professionals, makes use of money laundering, fraud and forgery. This criminal chain, ultimately, damages and dissipates our cultural identity and, in some cases, even fosters terrorism or civil unrest through the illicit trafficking of cultural property.The forms of ‘possession’ of Cultural Heritage are often blurred; depending on the national legislation of reference, the ownership and trade of historical and artistic
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Knoepfli, Albert. Inventories of the artistic, architectural and cultural heritage in the European countries: Present state and theneed for their promotion. Council of Europe, 1985.

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Workshop, Westridge Young Writers, ed. Kids explore America's Hispanic heritage. J. Muir Publications, 1992.

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Book chapters on the topic "Cultural and artistic heritage"

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Jarosz, Katarzyna. "Kitsch in Cultural Heritage: Public Perception of Archaeology and Museums." In Non-Artistic Kitsch. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-72237-0_17.

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Kumelowski, Ewa Anna. "Artistic Defense and Everyday Life in Besieged Sarajevo." In Palgrave Studies in Cultural Heritage and Conflict. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-87320-1_4.

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Chen, Anying. "The Special Way of Intangible Cultural Heritage Safeguarding in China and Some New Practices and Concepts." In Heritage Studies. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-72123-6_18.

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AbstractThis paper discusses the changes in the knowledge base and practical modes of ICH safeguarding in China in recent years. The changes in the knowledge base are mainly reflected in the shift from the folkloristics to the arts studies; the new trends are mainly reflected in regional integral revitalization and cross-regional links of ICH items. The paper explains these changes from a macro-historical perspective. In addition, new trends in the safeguarding of ICH are viewed from the perspective of art theories. For example, the classification of ICH is viewed in terms of artistic classifi
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Argyriou, Anthi. "Artistic Responses to Cross-Border Migration: “Nation for Two”." In The Palgrave Encyclopedia of Cultural Heritage and Conflict. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-030-61493-5_255-1.

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Gouseti, Fotini. "Monuments and Memorials in Kalavryta, Greece: Ethnography and Artistic Research." In The Palgrave Encyclopedia of Cultural Heritage and Conflict. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-030-61493-5_284-1.

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Becattini, Federico, Andrea Ferracani, Lea Landucci, Daniele Pezzatini, Tiberio Uricchio, and Alberto Del Bimbo. "Imaging Novecento. A Mobile App for Automatic Recognition of Artworks and Transfer of Artistic Styles." In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48496-9_62.

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Chandra, Prem, Enespa, Rajesh Kumar, and Jameel Ahmad. "The Role of Microorganisms in Removal of Sulfates from Artistic Stonework." In Microbial Biotechnology Approaches to Monuments of Cultural Heritage. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-3401-0_7.

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Litwin, Anat. "White City Black Flag: Responding to Overtourism Through Artistic Hosting." In Managing Natural and Cultural Heritage for a Durable Tourism. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-52041-9_24.

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Bordin, Micaela. "The Right to Be Happy. Knowledge as a Promotion of Cultural, Artistic and Landscape Heritage." In Cultural Heritage Education in the Everyday Landscape. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-10395-7_6.

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Häkkilä, Jonna, Siiri Paananen, Mari Suoheimo, and Maija Mäkikalli. "Pluriverse perspectives in designing for a cultural heritage context in the digital age." In Artistic Cartography and Design Explorations Towards the Pluriverse. Routledge, 2022. http://dx.doi.org/10.4324/9781003285175-14.

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Conference papers on the topic "Cultural and artistic heritage"

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Chen, Ling, and Ying Lin. "Experimental Research on Optimizing Intangible Cultural Heritage Artistic Creation Process Using Artificial Intelligence Technology." In 2024 International Conference on Artificial Intelligence, Deep Learning and Neural Networks (AIDLNN). IEEE, 2024. https://doi.org/10.1109/aidlnn65358.2024.00036.

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Pavlov, Dimitar, Tsvetomir Stoyanov, Rad Stanev, Kiril Kassev, and Kalina Angelova. "Architectural and Artistic Lighting of the Central Post Office — Sofia. Integration of Light and Cultural Heritage." In 2025 Tenth Conference on Lighting (Lighting). IEEE, 2025. https://doi.org/10.1109/lighting64836.2025.11081713.

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Enachi, Valentina. "The image of the national cultural heritage in the soviet press from the Moldavian SSR in the 1970s." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.35.

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The mass media in the 70s of the 20th century propagated a set of political attitudes relevant to the Soviet society. The content of these materials aimed not only at the selective reflection of socio-cultural reality, but also at creating through culture a positive image of the socialist model of life. The role of the mass media in the Moldavian Soviet Socialist Republic on the cultural dimension was revealed by the fact that although it paid tribute to politics, it partially succeeded in disseminating the cultural products and promoted the values of national culture, and thus, related about
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Yang, Gao, and Ma Yi Fei. "The Artistic Value of Shandong Intangible Cultural Heritage Folk Dance." In 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220502.074.

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Bataveljić, Dragan. "PRUŽANjE USLUGA KULTURNO-UMETNIČKIH DRUŠTAVA I CENTARA ZA NEGOVANjE TRADICIONALNE KULTURE." In XIX majsko savetovanje. University of Kragujevac, Faculty of Law, 2023. http://dx.doi.org/10.46793/xixmajsko.245b.

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This paper is dedicated to the services offered by cultural and artistic organizations and centers for cherishing traditional culture. Firstly, the author presents the concept and description of these important institutions in the Republic of Serbia which deal with the preservation of rich cultural heritage, traditional values, crafts, creative arts and all other forms of intangible cultural heritage. They all constitute immeasurable historical, cultural and artistic value for our country and for preserving its national and cultural identity. Therefore there is a great number of services offer
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Bataveljić, Dragan. "PRUŽANjE USLUGA KULTURNO-UMETNIČKIH DRUŠTAVA I CENTARA ZA NEGOVANjE TRADICIONALNE KULTURE." In XIX majsko savetovanje. University of Kragujevac, Faculty of Law, 2023. http://dx.doi.org/10.46793/xvixmajsko.245b.

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This paper is dedicated to the services offered by cultural and artistic organizations and centers for cherishing traditional culture. Firstly, the author presents the concept and description of these important institutions in the Republic of Serbia which deal with the preservation of rich cultural heritage, traditional values, crafts, creative arts and all other forms of intangible cultural heritage. They all constitute immeasurable historical, cultural and artistic value for our country and for preserving its national and cultural identity. Therefore there is a great number of services offer
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Zhang, Yan, and Ariunaa Shajinbat. "Research on the Inheritance and innovation of birch bark handicraft skills from the perspective of Comparative Art." In All-Russian scientific and practical conference with international participation. Publishing house Sreda, 2024. http://dx.doi.org/10.31483/r-112876.

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Comparative Art, centered on the conscious comparison of diverse research subjects, provides artists with a liberating, expansive, dialectical, and innovative creative realm, grounded in the principle of comparison. This approach furnishes a robust theoretical foundation for artistic endeavors. Using Tao Dandan, the custodian of birch bark craftsmanship listed on Heilongjiang Province's intangible cultural heritage, as a case study, this paper delves into the aesthetic, heritage, and innovative dimensions of her works. It illustrates how emerging ethnic minority inheritors of intangible cultur
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ARDELEAN, Elena. "30 years of artistic education in “Alexandru Ioan Cuza” University of Iași." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p298-301.

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Founded in 1993 within the "Alexandru Ioan Cuza" University in Iași, the section of Cultural Heritage (later called Sacred Art) will become the first accredited section of university education in Romania, with the aim of training specialists in the field of conservation and restoration of mobile cultural heritage (old book icon and polychrome wood). In 1999, a new specialization appeared, Painting, and in 2017 the study program was accredited according to the standards in the field of Visual Arts. During the 30 years, the Sacred Art section carried out an intense didactic, artistic creation an
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Donga, João, João Azevedo, Marta Carrapa, and Paulo Veloso Gomes. "Reimagining Art: Virart, a Platform Using Virtual Reality for Creative Expression and Cultural Engagement." In Congreso XoveTIC: impulsando el talento científico (6º. 2023. A Coruña). Servizo de Publicacions. Universidade da Coruña, 2023. http://dx.doi.org/10.17979/spudc.000024.41.

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Virart is an immersive experience that showcase the potential of Virtual Reality in recreating artistic works. By leveraging the capabilities of VR, users can explore and interact with digital recreations of J ´ ulio Maria dos Reis Pereira artistic creations. The VR environment enhances the sense of presence and enables viewers to explore the art from different angles, offering a deeper level of engagement compared to traditional mediums. By showcasing the possibilities of virtual reality in recreating artistic works, Virart opens new avenues for artists, art enthusiasts, and the general publi
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Beuk, Bojana. "DOKUMENTARNI FILM KAO IZVOR OČUVANjA KULTURNE BAŠTINE: ZADUŽBINE KRALjA MILUTINA U PRODUKCIJSKOJ DELATNOSTI RADIO TELEVIZIJE SRBIJE." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.849b.

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The development line of documentary film is defined by the need to present reality in the form of video material, and as such it is a document whose content can be understood as a separate museological form of preserving cultural heritage and the principle of archiving film memory in general.Since its founding, Radio Television of Serbia, as the first national television frequency, has recorded an enviable production activity, the repository of which includes documentary recordings of educational character, of cultural-artistic, educational and historical significance, thus promoting cultural
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Reports on the topic "Cultural and artistic heritage"

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Vena, Anne. Cultural Center Annual Report 2012. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006015.

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The Cultural Development Program promotes cultural development in Latin America and the Caribbean by financing innovative projects for training to restore artistic traditions, preserve cultural heritage, and educate youth. In 2012, we supported civil society organizations that submitted training programs related to new technologies, creative industries, tourism and natural heritage, among others. Concerts, lectures, films, art exhibitions held at headquarters representing the Bank's member countries cultural heritage
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

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Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation an
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Fay, Kathryn, and George Calfas. Endangered cultural heritage : global mapping of protected and heritage sites. Construction Engineering Research Laboratory (U.S.), 2017. http://dx.doi.org/10.21079/11681/22789.

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Koropeckyj, Damian, Hayden Bassett, Kate Harrell, William Welsh, and Madeleine Gunter-Bassett. Impacts to Cultural Heritage in Ukraine. National Geospatial-Intelligence Agency, 2022. https://doi.org/10.63836/jqua-q81u.

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Sweeney, Liam, and Kurtis Tanaka. Teaching with Cultural Heritage Materials During the Pandemic. Ithaka S+R, 2022. http://dx.doi.org/10.18665/sr.316459.

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Rush, Laurie W. Heritage Forward: The Central Command Historical-Cultural Advisory Group. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada592284.

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Gattenhof, Sandra, Donna Hancox, Sasha Mackay, Kathryn Kelly, Te Oti Rakena, and Gabriela Baron. Valuing the Arts in Australia and Aotearoa New Zealand. Queensland University of Technology, 2022. http://dx.doi.org/10.5204/rep.eprints.227800.

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The arts do not exist in vacuum and cannot be valued in abstract ways; their value is how they make people feel, what they can empower people to do and how they interact with place to create legacy. This research presents insights across Australia and Aotearoa New Zealand about the value of arts and culture that may be factored into whole of government decision making to enable creative, vibrant, liveable and inclusive communities and nations. The COVID-19 pandemic has revealed a great deal about our societies, our collective wellbeing, and how urgent the choices we make now are for our future
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Stumpo, Sergio. The Sustainability of Urban Heritage Preservation: The Case of Siracusa, Italia. Inter-American Development Bank, 2010. http://dx.doi.org/10.18235/0006914.

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This paper analyzes the city of Siracusa, Italy, and in particular the Historic Center of Ortigia. Siracusa and the rocky Necropolis of Pantalica (in the Cassaro, Ferla, and Sortino areas) were inscribed on UNESCO's World Heritage List in 2005, an event that may be considered the official recognition of the beauty and uniqueness of their historical, artistic, architectonic, and natural patrimony.
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Kelly, Luke. Lessons Learned on Cultural Heritage Protection in Conflict and Protracted Crisis. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.068.

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This rapid review examines evidence on the lessons learned from initiatives aimed at embedding better understanding of cultural heritage protection within international monitoring, reporting and response efforts in conflict and protracted crisis. The report uses the terms cultural property and cultural heritage interchangeably. Since the signing of the Hague Treaty in 1954, there has bee a shift from 'cultural property' to 'cultural heritage'. Culture is seen less as 'property' and more in terms of 'ways of life'. However, in much of the literature and for the purposes of this review, cultural
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Удріс, Ірина Миколаївна, and Наталя Сергіївна Удріс-Бородавко. Design of the Franco-Belgian Exhibition Poster of the 1890-s in the Context of the Art Nouveau Style Formation. КНУКіМ, 2019. http://dx.doi.org/10.31812/123456789/5087.

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The purpose of the article is to determine the artistic and graphic peculiarities of the Franco-Belgian exhibition poster of the 1890s in the context of the formation of the Art Nouveau style. The research methodology of the work is based on the use of traditional art methods: historical and cultural, reconstructive and model, historical and attributive, which contributed to the revealing of artistic and graphic transformations in the field of Franco-Belgian spectacular poster. The scientific novelty of the article lies in the author’s artistic interpretation of the stylistic manner of the cre
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